{"title":"Application - Resource","description":"","products":[{"product_id":"yapi-teknik-resmi-cilt-1-2_349222-html","title":"Building Technical Drawing Volume 1-2","description":"\u003cdiv class=\"layoutArea\" style=\"color: #454545; font-family: 'Source Sans Pro', sans-serif;\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp style=\"margin-right: 0px; margin-left: 0px;\"\u003e\u003cspan style=\"font-size: 10pt; font-family: 'Franklin Gothic Medium';\"\u003eTechnical drawing is a common communication tool between those who explain their designs with lines and those who use them to transform the design into production. The flawless understanding and application of this tool is the first and important condition for works to be made flawlessly and completely.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp style=\"margin-right: 0px; margin-left: 0px;\"\u003e\u003cspan style=\"font-size: 10pt; font-family: 'Franklin Gothic Medium';\"\u003eWe have prepared this book to provide the drawing principles, which are the common language of technical school students at all levels who will take part in construction production and construction technicians, together.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp style=\"margin-right: 0px; margin-left: 0px;\"\u003e\u003cspan style=\"font-size: 10pt; font-family: 'Franklin Gothic Medium';\"\u003eIn the book, in order to ensure the relationship between the topics, we deemed it appropriate to provide general technological information about building elements. Especially since the standards covering all the principles related to building technical drawings have not yet been completed, some differences, albeit small, are observed in the drawing methods, signs and symbols currently in use. In order not to cause hesitation to the readers in this regard, in addition to the generally applied drawing principles, various explanation methods that may be encountered in some projects have also been taken into consideration. For this purpose, while creating the source for the preparation of the book, the methods followed in our technical education institutions and the practices of professional chambers and investor public institutions for the same subjects have also been taken into consideration.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp style=\"margin-right: 0px; margin-left: 0px;\"\u003e\u003cspan style=\"font-size: 10pt; font-family: 'Franklin Gothic Medium';\"\u003eOur book consists of two volumes. The first volume covers basic preliminary information, and the second volume covers architecture, reinforced concrete, installation, and infrastructure projects. As it is known, building structures and their installations and infrastructures are specialized subjects with linear narration features that are distinct from each other. Each of these requires multi-faceted and voluminous studies. For this reason, the elements of building structures and the drawing and reading of projects have been covered in detail, while general principles and example drawings have been provided for the preparation of installation and infrastructure projects.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp style=\"margin-right: 0px; margin-left: 0px;\"\u003e\u003cspan style=\"font-size: 10pt; font-family: 'Franklin Gothic Medium';\"\u003eWe will be very pleased if any shortcomings in our book are reported to us and by the criticisms of our readers.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp style=\"margin-right: 0px; margin-left: 0px;\"\u003e\u003cspan style=\"font-size: 10pt; font-family: 'Franklin Gothic Medium';\"\u003eAdana, May 1978 - Ali Pancarcı, M. Emin Öcal\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\" style=\"color: #454545; font-family: 'Source Sans Pro', sans-serif;\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp style=\"margin-right: 0px; margin-left: 0px;\"\u003e\u003cspan style=\"font-size: 10pt; font-family: 'Franklin Gothic Medium';\"\u003e\u003cspan style=\"font-size: 10pt;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp style=\"margin-right: 0px; margin-left: 0px;\"\u003e\u003cspan style=\"font-size: 14pt; font-family: 'Times New Roman,Bold';\"\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10pt; font-family: 'Times New Roman';\"\u003e................. 108\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"page\" title=\"Page 4\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Birsen Yayınevi","offers":[{"title":"Default Title","offer_id":39408932389059,"sku":"978975511100","price":765.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/3990000019021.jpg?v=1616016943"},{"product_id":"dini-mimaride-gizli-tasarim-yontemleri","title":"Hidden Design Methods in Religious Architecture","description":"\u003cp\u003eThis book is the product of over twenty-five years of research. Its aim is to introduce and demystify the geometry and numerical symbolism observed in Ottoman, Christian, and Jewish religious architecture, and in the design of Masonic Lodges, their cornerstones, and monuments.\u003c\/p\u003e\n\u003cp\u003eWhen we began our studies on Ottoman mosques and tombs in the late seventies, documents and publications that could shed light on this subject were almost non-existent. While numerous books and articles had been published for approximately 150 years researching and introducing the hidden design methods of Christian religious architecture, no one had shown interest in this aspect of Ottoman architecture.\u003c\/p\u003e\u003cp\u003eThe work of the Russian scholar M.S. Bulatov, which explained the geometry in the designs of Central Asian Islamic architecture, came into our hands only near our retirement years, and the geometric solutions it contained seemed overly complex for that period (especially for the 9th century).\u003c\/p\u003e\u003cp\u003eNevertheless, we courageously continued our work and inevitably strayed down a series of erroneous paths. We introduced the work of those years in some of our articles. Very few of the criticisms reached a level that could point us in the right direction. However, we believe we have convincingly established this much:\u003c\/p\u003e\u003cp\u003eSinan and those before him must have incorporated certain numbers derived from Abjad numerals and the Basmala in their designs for religious architecture.\u003c\/p\u003e\u003cp\u003eAfter retirement, due to a hip operation, we immigrated to Canada and then decided to stay there. As time passed, we realized that we had taken a very productive and auspicious step for our research.\u003c\/p\u003e\u003cp\u003eSomehow, it occurred to us to apply to a Masonic Lodge because we had heard about their rich libraries. Permission was granted, and for weeks we immersed ourselves in books from the 19th and even 18th centuries in their libraries. Finally, one day, flashes of insight began to ignite in our minds. We were almost ready to shout \"Eureka!\" like Archimedes. We had solved the problem. We understood that \"The key to the secret is the Pythagorean triangle.\"\u003c\/p\u003e\u003cp\u003eThe importance given to architecture and the Pythagorean triangle in Masonry was astounding. Pythagoras's \"47th problem\" was constantly referenced. The use of this triangle as an emblem in some lodges, and the inclusion of the compass and square in the Masonic emblem, all began to appear as signs emphasizing the importance of this triangle.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Birsen Yayınevi","offers":[{"title":"Default Title","offer_id":39408932683971,"sku":"9789755114569","price":540.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/3990000030466.jpg?v=1616016951"},{"product_id":"depreme-dayanikli-binalarin-tasarimina-giris_349072-html","title":"Introduction to the Design of Earthquake-Resistant Buildings","description":"\u003cp style=\"margin-right: 0px; margin-left: 0px; color: #454545;\" pro=\"\" sans=\"\" source=\"\"\u003eThe design of earthquake-resistant structures is one of the important areas of Civil Engineering. This book, \"Introduction to the Design of Earthquake-Resistant Buildings,\" was created by compiling the author's lecture notes. The book aims to explain and remind civil engineering students and practicing engineers of the fundamental concepts of designing earthquake-resistant systems, based on regulatory rules. Since computer programs are mostly used in the solution of structural systems today, some examples in the book have also been solved using the SAP2000 general-purpose structural analysis program, which is widely used in our country. The book, including all writing and drawing, was created by the author through an intensive work process. Considering this, it is hoped that readers will tolerate possible shortcomings. All criticism and opinions that readers convey to the author will be gladly received by the author and considered important contributions for future editions. In preparing the book, the author benefited from many sources. The author considers it a duty to thank those who prepared these valuable works. The author hopes that the book will be useful to Civil Engineering students and Civil Engineers working on the subject.\u003c\/p\u003e\n\u003cp style=\"margin-right: 0px; margin-left: 0px; color: #454545;\" pro=\"\" sans=\"\" source=\"\"\u003eKutlu Darılmaz, 2019\u003c\/p\u003e\n\u003cp style=\"margin-right: 0px; margin-left: 0px; color: #454545;\" pro=\"\" sans=\"\" source=\"\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin-right: 0px; margin-left: 0px; color: #454545;\" pro=\"\" sans=\"\" source=\"\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin-right: 0px; margin-left: 0px; color: #454545;\" pro=\"\" sans=\"\" source=\"\"\u003e \u003c\/p\u003e","brand":"Birsen Yayınevi","offers":[{"title":"Default Title","offer_id":39408933634243,"sku":"3999755116792","price":900.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/3999755116792.jpg?v=1616016958"},{"product_id":"mimarlikta-estetik-dusunce_348813-html","title":"Aesthetic Thought in Architecture","description":"\u003cp\u003eThe World Congress of Aesthetics organized by the Sanart Association of Aesthetics and Visual Culture in 2007 brought together aestheticians, philosophers, artists, and architects from 42 countries. Many papers approaching architecture from an \"aesthetic\" perspective were presented at the congress. This book makes a significant contribution to the discipline of architecture by publishing a special selection of these papers in Turkish. Although the articles in the book do not cover all areas, they demonstrate how architecture can be approached from many different perspectives. The book, which includes sections titled \"Contemporary World Architecture and Aesthetics\", \"Architecture and Aesthetics in Turkey\", \"Aesthetic Thought Through Monographs\", \"Architectural History\", \"Architecture and the City\", and \"Interiors and Aesthetics\", also offers reading recommendations related to the topics covered.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408937533635,"sku":"9786050100280","price":262.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050100280.jpg?v=1616017016"},{"product_id":"zeki-sayar-ve-arkitekt","title":"Zeki Sayar and Architect","description":"\u003cp\u003eZeki Sayar (1905-2001) is one of the most recognized architects among the legendary 1928 graduating class of the Academy, and thus among the architects of the early Republican period, after Sedad Hakkı Eldem, and one of the rare architects who managed to remain active in the architectural environment for a remarkably long time. This recognition cannot be considered independent of his close relationship with the architectural magazine Mimar \/ Arkitekt, which holds a very important place in Turkish architectural history and constitutes the most original documentation of our Republican era architectural publishing.\u003c\/p\u003e\u003cp\u003eFor these reasons, the Chamber of Architects Commemoration Program for the 2010-2012 period, beyond focusing solely on an architectural profile, also encompassed Arkitekt magazine, which can be considered Sayar's masterpiece. The book \"Zeki Sayar and Arkitekt\" aims to make sense of and position the production field of a considerably long period spanning 50 years, starting from the early Republican era. It presents its compilation by tracing the publication journey of Arkitekt and the magazine's sphere of influence, in parallel with Sayar's architectural production, his identity as a publisher-thinker-critic, and his active role in the architectural environment.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938647747,"sku":"9786050107777","price":720.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050107777.jpg?v=1616017037"},{"product_id":"ernst-a-egli-turkiyeye-katkilar","title":"Ernst A. Egli's Contributions to Turkey","description":"\u003cp\u003eWhen Ernst A. Egli was invited to Turkey in 1926 to reorganize the architecture education program and design educational-instructional, i.e., school buildings, according to contemporary principles and methods, he found himself in the midst of the three fundamental development policies of the nascent Republic of Turkey. As the compulsory policies of the war years gave way to new orientations reinforced by the ideas of creating a strong national population and, relatedly, establishing a modern nation-state, it became imperative to implement reforms in health, law, and education, respectively. Education reform constituted the third link in these almost simultaneous priority steps, to enable the construction of a sustainable, healthy, modern society with high productive capacity. Unlike the German-speaking architects who came to Turkey as 'exiles' fleeing Europe's tense political climate, Egli was invited from Vienna by Clemens Holzmeister's suggestion.\u003c\/p\u003e\u003cp\u003eHe was appointed as the chief architect responsible for the design of schools where modern individuals of the Republic would be educated, within the Ministry of National Education, and undertook the tasks of \"organizing and improving their programs, giving lectures, and teaching\" at the Academy of Fine Arts. Egli's innovations at the Academy, such as student admission through an entrance exam, extending the duration of education to five years, and curriculum changes, shaped architectural education in Turkey. The National Architectural Seminar, aiming to document and publicize the civil architectural heritage, was initiated at the Academy in the early 1930s under Egli's leadership, with the assistance of his assistant Sedad Hakkı Eldem, and a unique body of knowledge was accumulated.\u003c\/p\u003e\u003cp\u003eDuring his 14 years in Turkey, Egli designed significant buildings of Republican-era modern architecture, including the İsmet Pasha Girls' Institute, the Music Teachers' School, the Atatürk Forest Farm (AOÇ) Urban Design, Brewery, Civil Servant and Worker Housing, and Bathhouse, Ragıp Devres Villa, Fuat Bulca House, Etimesgut Model Village, Higher Agricultural Institute, School of Political Science, Istanbul University Biology Institute, Turkish Aeronautical Association Administrative Building and Flight School, and the Iraqi and Swiss Embassies. He also signed urban development plans for cities and towns, including districts of Niğde, Edirne, Balıkesir, Samsun, and Denizli.\u003cbr\u003eAfter Atatürk's death in 1938, he lost his protector and left Turkey in 1940 due to the changing political climate. In 1953, he returned to Turkey on a United Nations assignment, giving lectures at the Faculty of Political Sciences at Ankara University and the Institute of Public Administration for Turkey and the Middle East established within the faculty. In 1955, Egli returned to Switzerland, which he considered his homeland, and passed away in Zurich in 1974.\u003c\/p\u003e\u003cp\u003eThis book, which examines Egli's contributions to Turkey in the context of local interpretations and the accountability of programs and practices in education, includes articles by İlhan Tekeli, Oya Atalay Franck, Bernd Nicolai, Sıdıka Çetin, Berna Güç, F. Cânâ Bilsel, Neslinur Hızlı, Nezih R. Aysel, Jan Hoffmann, and Ali Cengizkan. The entire work, compiled by N. Müge Cengizkan and Selda Bancı, which addresses Egli's buildings, projects, and urban development plans in Turkey, was authored by Leyla Alpagut, T. Elvan Altan, Oya Atalay Franck, Afife Batur, Gaye Birol Özerk, Esin Boyacıoğlu, Ali Cengizkan, Işıl Çokuğraş, C. İrem Gençer, Pelin Gürol Öngören, Bilge İmamoğlu, Kıvanç Kılınç, F. Nurşen Kul, and Haluk Zelef.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939172035,"sku":"9786050110487","price":720.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050110487.jpg?v=1616017043"},{"product_id":"yere-ait-ersen-gursel-mimarligi_350933-html","title":"Belonging to the Place: The Architecture of Ersen Gürsel","description":"\u003cp\u003e \u003c\/p\u003e\u003cdiv class=\"kitap-detay-alt\" style=\"margin: 20px 0px 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; border-spacing: 20px; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e \u003c\/div\u003e\u003cp\u003e \u003c\/p\u003e\u003cdiv class=\"kitap-detay-tanitim\" style=\"margin: 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eErsen Gürsel's career, which began when he won the Side and Surroundings Tourism Planning International Competition in 1969, has always focused on understanding and seeking the spirit of the \"place.\" His design model is a unique conceptual model based on thinking about structures not as singular monuments but as integrated with the urban, historical, and natural environment. This path was shaped by starting his design work in Side and encountering the two-thousand-year history of the Mediterranean, which in a sense has become a timeless accumulation. In later years of his profession, he would experience the process of enriching the intellectual infrastructure of this conceptual model. In this context, Gürsel's designs always revolve around the concepts of \"time and timelessness\" and \"history and space\" around the place and time; he re-searches them, re-tests them, creates images, deconstructs them, re-creates them, and generates symbols. He questions time, seeks timelessness, connects times, and perhaps, withdraws. This model of seeing and thinking, which began in his early works, exemplifies the difficult line of reviving past settlement patterns in his memory and designing spontaneity without falling into affectation. What is truly important is the existence of a structure that, almost as if it doesn't want to declare itself designed, appears spontaneous. His subsequent designs are works that elevated Gürsel's architectural concept to a higher level of consciousness. His habit of pursuing environmental data transforms into a collaboration, an increasingly passionate attention, turning the clock tower in the square, the old and ruined chapel, the five cypresses of the cemetery, the centuries-old monumental pine tree, or the ancient lighthouse into immortal images, while creating a chess game between \"what exists\" and \"what is new,\" and evokes the dreams and meticulousness of a designer who never forgets, \"like olives, dreamy pomegranate trees, small rural gods.\"\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003e- Afife Batur\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939270339,"sku":"9786050110975","price":487.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050110975.jpg?v=1616017044"},{"product_id":"2018-ulusal-mimarlik-odulleri_352074-html","title":"2018 National Architecture Awards","description":"\u003cp\u003e\u003cspan style=\"color: rgb(97, 94, 97); font-family: \" open sans helveticaneue neue helvetica-neue helvetica arial sans-serif font-size:\u003eThe catalog of projects that participated in the 2018 \/ 16th edition of the National Architecture Exhibition and Awards program, held biennially since 1988, met readers during this year's award ceremony on September 18, 2020. Published bilingually in Turkish and English, the 2018 catalog features all projects that participated in the exhibition. The catalog allows for a detailed examination of the 5 structures, 2 projects, and 2 idea projects that received awards from a total of 123 works, including 54 buildings, 61 projects, and 8 idea projects. It also provides a detailed look at the past period through the evaluation articles of the Jury members. The catalog continues the practice, initiated last year, of grouping works under building types and visualizing more information about projects with infographics. The display aims to reveal the potential of the award program to speak about Turkish architecture, by enabling the reading of information such as the distribution of buildings and projects by cities, and which projects of which function are concentrated in which cities, and much more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939630787,"sku":"9786050113792","price":360.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050113792.jpg?v=1616017052"},{"product_id":"tum-yonleriyle-mimari-fotograf_348928-html","title":"Architectural Photography in All Its Aspects","description":"\u003cp\u003eIn 1826, Joseph N. Niepce, who captured the first photographic image, was compelled to photograph the group of buildings visible from his home's balcony. This was because the first light-sensitive surface he created was a film too slow to detect moving objects. In the same period, other photographers who followed in his footsteps also preferred to photograph static objects like architecture due to the low sensitivity of early film. Although portrait photography became more widespread with the production of faster films in later years, architectural photography never took a back seat. The development of architectural education and the emergence of the architectural profession during the same period also facilitated the progress of architectural photography. Especially in America and England, the professional architectural photography profession developed and institutionalized, becoming a specialized field in its own right today.\u003c\/p\u003e\u003cp\u003eArchitectural photography, which holds an important place in both promotional and documentary photography, requires patient, planned, and disciplined work. In addition, the photographer undertaking architectural photography must possess sufficient technical equipment and the technical knowledge to use this equipment most appropriately. At the same time, when taking architectural photographs, the aesthetics and effects on the structure must be consciously identified and conveyed in the photograph. Therefore, architectural photography fundamentally begins with the exploration of the building's plastic elements and functions, and the examination of perspective effects. Moreover, the role of light in architectural photography should never be underestimated.\u003c\/p\u003e\u003cp\u003eThis book addresses where individuals intending to take architectural photographs should start, what auxiliary materials they should use, and how they should act in extraordinary situations.\u003c\/p\u003e\u003cp\u003eSince each topic in the book is arranged according to preparation for shooting, reading it from the first chapter will facilitate a better understanding of the book.\u003c\/p\u003e","brand":"Say Yayınları","offers":[{"title":"Default Title","offer_id":39408941727939,"sku":"9786050205022","price":675.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050205022.jpg?v=1616017077"},{"product_id":"mimarlik-101","title":"Architecture 101","description":"\u003cp\u003eIn a nutshell: STYLE, form, and structure. Textbooks often turn information about architecture into boring discourses that even those interested in the subject find sleepy. Architecture 101 puts an end to all these tedious narratives and invites you to discover the world's most magnificent buildings. You'll enjoy exploring the astonishing world of architecture with this book, as it only features the most important events, building styles, and architects.\u003cbr\u003e\u003cbr\u003eYou will also find fascinating elements such as:\u003cbr\u003e- Buildings constructed in popular building styles like Georgian and Greek Revival\u003cbr\u003e- A discussion of architectural styles from 5,000 years ago\u003cbr\u003e- Unique profiles of the most inspiring figures in architecture\u003cbr\u003e\u003cbr\u003eArchitecture 101 covers many topics, from Norman Foster and Frank Lloyd Wright to Beauvais Cathedral and the Empire State Building, in a concise and clear narrative.\u003c\/p\u003e","brand":"Say Yayınları","offers":[{"title":"Default Title","offer_id":39408941924547,"sku":"9786050205510","price":360.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050205510.jpg?v=1616017085"},{"product_id":"mimarlikta-peyzaj-tasarimi_351522-html","title":"Landscape Design in Architecture","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eHow much landscape architecture knowledge is required for the education of architects and urban planners? It is observed that architecture, urban and regional planning curricula either include no or very few courses on landscape architecture and landscape design programs. This limits the competence of architects and urban planners in understanding the complex relationships between buildings and their sites, landscapes, and the environment.\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eCourses with a focus on landscape design are crucial for the education of architects and urban planners. To investigate natural and cultural texture, to examine design theories and structural and vegetative design principles at different scales, to approach the subject from different angles to create a landscape design project, to effectively analyze and synthesize existing natural, perceptual, social, and cultural data, and to ensure the inclusion of different professional disciplines to facilitate interdisciplinary work. It is necessary to establish the infrastructure to include courses on Landscape Architecture and Landscape Design programs in the Architecture, Urban and Regional Planning curricula during the education process.\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eThe book \"Landscape Design in Architecture\", prepared with the support and contributions of our esteemed lecturers, will provide architecture students with the ability to use landscape design principles, establish landscape-space organization and the relationship between landscape design and architectural design, examine factors affecting landscape design, and prepare a small-scale landscape project.\u003c\/span\u003e\u003c\/p\u003e","brand":"Nobel Akademik Yayıncılık","offers":[{"title":"Default Title","offer_id":39408945266883,"sku":"9786050331387","price":585.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050331387.jpg?v=1616017117"},{"product_id":"iklimin-estetigi_352089-html","title":"The Aesthetics of Climate","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e“Anthropocene” is a term that has frequently come to our attention in recent years when discussing the politics of ecology, especially climate change. This term, which we can also translate as the “Age of Humans,” implies that in the geological era we are currently in, the most defining factor regarding the functioning and physical structure of the world is “humanity.”\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eSo, who exactly is the “human” and “humanity” referred to in the Anthropocene? The Aesthetics of Climate addresses this question in its political and ethical dimensions, focusing on the built environment and artistic production as the mediums where politics and ethics take shape. The book points out that discourses suggesting the entry into the “Age of Humans” tend towards an apolitical conception of “humanity.” It argues that this tendency conceals the real contradictions and divisions concerning the politics of ecology that need to be discussed.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eEray Çaylı is an academic who touches upon the disciplines of anthropology, geography, architecture, and art criticism, and studies the visual and spatial politics of violence and disaster. He approaches the Anthropocene not as a tension between a de-politicized “human” and another, or between “humanity” and “nature” conceived as homogeneous aggregates, but in light of the contradictions and divisions between the perpetrators and opponents of severe politics such as colonialism, capitalism, racism, and patriarchy. In doing so, the author places aesthetics at the center of his focus, which encompasses both ethics and politics and is a primary medium for both art and architecture. He demonstrates that aesthetics can play a role not only in the institutionalization of violent histories but also in their questioning.\u003c\/p\u003e","brand":"Everest Yayınları","offers":[{"title":"Default Title","offer_id":39408950902979,"sku":"9786051855141","price":199.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786051855141.jpg?v=1616017207"},{"product_id":"antik-caglardan-gunumuze-mimarligin-oykusu","title":"The Story of Architecture from Antiquity to the Present Day","description":"\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003e\"Four walls\" and \"a roof over one's head\" separate a person from their surrounding environment, providing protection. They make cities, towns, and villages habitable. The memory of a geography is often determined by whether its architecture is preserved or not.\u003c\/p\u003e\n\u003cp\u003ePerhaps architecture expresses social context more than any other human creation. This is because construction is almost always a social act that takes place in the social sphere. As such, the history of this important art sheds light not only on the history of architecture and architects but also on the history of societies.\u003cbr\u003e\u003cbr\u003eIn his book, The Story of Architecture, Jan Gympel invites the reader into the depths of this art with his vast knowledge. 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Harput hosted the Çubuk Beylik, Artuqids, Seljuks, Dulkadirids, and Aq Qoyunlu throughout its history, and after finally joining the Ottoman Empire, it became one of the empire's favorite cities, becoming the center of science and wisdom in the region.\u003cbr\u003e\u003cbr\u003eIn this study, among the historical heritage such as castles, mosques, tombs, churches, baths, and other historical remains that still exist in Harput, which is now a neighborhood connected to Elazığ province, and are disappearing day by day, the mosques, masjids, and tombs that have survived with their existing inscriptions, and the inscriptions found in these structures, have been examined. While examining these structures, a comparison was made between their initial and final states, highlighting their striking features, and examining the inscriptions belonging to the structures in terms of their condition, calligraphic styles, and location within the structure.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e(From the Promotional Bulletin)\u003c\/p\u003e","brand":"Çizgi Kitabevi Yayınları","offers":[{"title":"Default Title","offer_id":39408951394499,"sku":"9786051960166","price":135.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786051960166.jpg?v=1616017215"},{"product_id":"barselona_348756-html","title":"Barcelona","description":"The writings collected in this book recount what I have learned from Barcelona, a city I have visited on average twice a year since 2006. All chapters touch upon Barcelona's physical and cultural presence and, at every opportunity, upon Gaudí. Architecture is always central. \u003cbr\u003e\u003cbr\u003eThe Spanish author of the first modern novel, Miguel de Cervantes, in 1605, has one of his characters in Don Quixote say:\u003cbr\u003e\u003cbr\u003e“Barcelona, a famous, rich, and well-founded city, is an alarm and fear for Spain's distant and near enemies, a source of luxury and joy for its inhabitants, a refuge for foreigners, offering more than anyone could desire to all who are civilized and discerning. It is also a school of elegance, a resting place for travelers, a protector of the poor, a home for heroes, and a happy meeting place for those seeking friendship.”\u003cbr\u003e\u003cbr\u003eMany of these things can still be found in Barcelona four centuries later. Barcelona is a very important Mediterranean city in the fields of art, culture, and architecture. It is the only city awarded a RIBA medal and the largest port in the Mediterranean.","brand":"Ceres Yayınları","offers":[{"title":"Default Title","offer_id":39408951591107,"sku":"9786052048870","price":131.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052048870.jpg?v=1616017218"},{"product_id":"simple-introduction-to-architecture_351993-html","title":"Mimarisine Basit Bir Giriş","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eThe addressees of Simple Introduction to Architecture are both early-years students from architectural faculties and people who have not previously been close to the work of architects but want to learn more about at least some aspects of this interesting profession.\u003c\/span\u003e\u003c\/p\u003e","brand":"Altınbaş Vakfı","offers":[{"title":"Default Title","offer_id":39408951787715,"sku":"9786052065006","price":100.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052065006.jpg?v=1616017221"},{"product_id":"dikbaslilar-bilimi-ve-dunyayi-degistiren-52-kadin_350426-html","title":"Headstrong: 52 Women Who Changed Science and the World","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eFrom Virginia Apgar to Barbara McClintock, from Chien-Shiung Wu to Sophie Kowalevski, to Hedy Lamarr… 52 life stories flowing from Rachel Swaby’s entertaining pen, 52 scientists who changed science and the world, 52 women who clung to science despite the injustices and discrimination they faced…\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eSwaby's rebels unravel the structure of DNA, rewrite the laws of nature or establish a brand new scientific discipline; while being mocked, ignored, and insulted. Whatever happens, these women from different eras and geographies never give up on believing in science, not in the opinions of others. These are rebellious women!\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408953098435,"sku":"9786052116241","price":45.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116241.jpg?v=1616017236"},{"product_id":"insanlarin-cizimi-cizim-sanati-7_349012-html","title":"Drawing People - The Art of Drawing 7","description":"\u003cul style=\"margin-right: 0px; margin-left: 40px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline;\"\u003e\n\n\u003cli style=\"list-style: disc;\"\u003eMaterials and Tools\u003c\/li\u003e\n\n\u003cli style=\"list-style: disc;\"\u003eA Repertory of Faces\u003c\/li\u003e\n\n\u003cli style=\"list-style: disc;\"\u003eA Repertory of Figures\u003c\/li\u003e\n\n\u003cli style=\"list-style: disc;\"\u003eDrawing Sculptures: Sculptures from the Rodin Museum, Paris\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Beta Kitap","offers":[{"title":"Default Title","offer_id":39408955293891,"sku":"9786052420935","price":68.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052420935.jpg?v=1616017270"},{"product_id":"mimar-sinan-national-geographic-kids_348999-html","title":"Mimar Sinan - National Geographic Kids","description":"\u003cp\u003eAre you ready to meet the world's first \"star architect\"?\u003cbr\u003eIf so, get ready to discover Mimar Sinan through dozens of illustrations and photographs!\u003c\/p\u003e\u003cp\u003eMimar Sinan is a great architect recognized worldwide for his extraordinary genius. He lived in the Ottoman Empire in the 16th century, served as chief architect to three sultans for 50 of his approximately 100 years of life, and trained dozens of great architects. He was an exemplary person with his trustworthy character and work discipline.\u003c\/p\u003e\u003cp\u003eMany of the works he designed and built 500 years ago are still standing today! His architectural style continues to inspire architects and engineers.\u003c\/p\u003e\u003cp\u003eWith this book, you will learn about Mimar Sinan's:\u003cbr\u003e\u003cbr\u003e• Family and childhood,\u003cbr\u003e• Selection as a devşirme and his arrival in Istanbul,\u003cbr\u003e• Years in the military and campaigns with Suleiman the Magnificent,\u003cbr\u003e• Appointment as chief architect and his apprenticeship, journeyman, and master periods,\u003cbr\u003e• The great architects he trained,\u003cbr\u003e• How he is known worldwide and how his name lives on,\u003cbr\u003e• Why he is referred to as the world's first \"star architect.\"\u003c\/p\u003e","brand":"Beta Kids","offers":[{"title":"Default Title","offer_id":39408955359427,"sku":"9786052423318","price":58.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052423318.jpg?v=1616017274"},{"product_id":"perspektifi-anlamak-cizim-sanati-8_349020-html","title":"Understanding Perspective - The Art of Drawing 8","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eBoth perspective and structural research provide a secure and rational principle for drawing. The lively freehand drawing of any object, whether handmade or natural, simple or complex, when done with simplified and clearly expressed perspective theories, conveys its message more accurately, becoming distinct and precise.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eIn this book, you will find many applications and techniques related to:\u003cbr\u003e\u003cbr\u003eAtmospheric perspective,\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eCentral linear perspective,\u003c\/p\u003e\u003cp style=\"margin-top: 10px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eTwo-point linear perspective,\u003cbr\u003e\u003cbr\u003eThree-point linear perspective,\u003cbr\u003e\u003cbr\u003eStructure, shadow, and reflection.\u003c\/p\u003e","brand":"Beta Kitap","offers":[{"title":"Default Title","offer_id":39408955588803,"sku":"9786052424421","price":314.5,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052424421.jpg?v=1616017277"},{"product_id":"ae28099dan-ze28099ye-kentsel-donusum_351978-html","title":"Urban Regeneration from A to Z","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eIf we want the cities we live in to be more livable, green, environmentally friendly, and planned for ourselves and our children, we must support the basic logic of urban transformation laws. However, if urban transformation laws are applied with an approach focused solely on profit, it would be a great injustice to nature and our human essence.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Beta Yayınevi","offers":[{"title":"Default Title","offer_id":39408955850947,"sku":"9786052424810","price":129.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052424810.jpg?v=1616017279"},{"product_id":"neufert-yapi-tasarimi","title":"Neufert - Architects' Data","description":"\u003cp class=\"228bf8a64b8551e1MsoNormal\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eNeufert Architects' Data, sent by German architect Ernst Neufert and revised periodically, has been published in 41 editions since its first publication in Germany in 1936 and translated into many languages, making it a fundamental reference for numerous architects and designers worldwide.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"228bf8a64b8551e1MsoNormal\"\u003e\u003cspan lang=\"TR\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eWhen designing a building, the necessary construction areas, dimensions, measurements related to building sections, furnishings, and equipment that apply to all building typologies can be obtained from \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eNeufert Architects' Data\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e. Thus, the designer can work with a quick overview while preparing their project.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"228bf8a64b8551e1MsoNormal\"\u003e\u003cspan lang=\"TR\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eAll planned themes for the 41st updated edition of \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eNeufert Architects' Data\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e have been revised in terms of content and graphics. For this new edition, the book has carefully updated or re-added the following themes: Building Elements, Windows: Controlled Ventilation, Sound and Thermal Insulation, EnEV2014, Building Technology: Ice Storage, Treatment Plants, Parking Structures: Electrotechnics, Charging Stations, New Garage Regulations, Outdoor Spaces, Versatile Flexible Housing, Accommodation: New Examples, Nurseries: Spatial Planning and Circulation, Playgrounds: New Examples, Museums: New Typologies and Examples, Stadiums: VIP Areas, New Football Stadiums, Large Open Office Spaces, Multi-story Buildings, Industry: Facility Planning, Doctor's Offices: New Examples,\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"TR\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003ePatient and Doctor Rooms for Variations.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"228bf8a64b8551e1MsoNormal\"\u003e\u003cspan lang=\"TR\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"228bf8a64b8551e1MsoNormal\"\u003e\u003cspan lang=\"TR\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eWHO IS ERNST NEUFERT?\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"228bf8a64b8551e1MsoNormal\"\u003e\u003cspan lang=\"TR\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eThe author of the book, the famous German architect Ernst Neufert, was born on March 15, 1900, in Freyburg an der Unstrut, Germany. He is a creator of building standards. Neufert, who studied at the Bauhaus in Weimar, worked with Walter Gropius between 1924 and 1926. Between 1926 and 1929, he taught at various educational institutions in Weimar. In the same years, he worked with architect O. Bartning. Starting in 1945, he taught at Darmstadt Technical University. Although Ernst Neufert designed numerous industrial structures and settlements, he is primarily known for his divisions on dimensions, proportions, and arrangement methods in plural structures. Besides \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eNeufert Architects' Data\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e, his educational book titled \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eBauentwurfslehre\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e (Fundamentals of Building Design) examines various building types such as schools, hospitals, and hotels, along with all their spaces, the forms and dimensions of the objects within them, and the areas required during their use, by combining and analyzing them individually in terms of conditions and internal arrangements. In his work \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eBauordnungslehre\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e (Knowledge of Building Regulations), he addresses dimensions and proportions, especially in the building manufacturing industry. These two important works have since been translated into many languages and have become fundamental reference sources for architects worldwide.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Beta Yayınları","offers":[{"title":"Default Title","offer_id":48322692415731,"sku":"9786052427163","price":1399.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/cf632174d6bc5acb9edab5010b63e718_243550.jpg?v=1770934422"},{"product_id":"teknik-resim_351370-html","title":"Technical Drawing","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e· Importance and Definition of Technical Drawing: Drawing Tools and Equipment, Standard Lettering, Lines\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e· Geometry in Technical Drawing: Geometric Drawings\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e· Views: Basic Views, Auxiliary Views, Rotated Views, Special Views\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e· Perspective Drawings: Cabinet Perspective Drawing, Isometric Perspective Drawing\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e· Sectional Views: Definition of Sectional Views, Hatching Lines, Types of Sectional Views\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e· Dimensioning: Dimensioning Elements, Dimensioning Systems, Types of Dimensioning, Dimensioning Theory, Giving Dimensions, Special Dimensions\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e· Tolerances: Dimensional Tolerances, Geometric Tolerances (Form and Position Tolerances)\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e. Surface Roughness\u003c\/p\u003e","brand":"Dora Yayıncılık","offers":[{"title":"Default Title","offer_id":39408956178627,"sku":"9786052470510","price":112.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/31SSbE0nspL.jpg?v=1642067900"},{"product_id":"turk-ahsap-konut-mimarisi","title":"Turkish Wooden House Architecture","description":"\"House,\" the primary and most unique product of the relationship between space and human, has long transcended the boundaries of architecture and been embraced as an indicator of a broad disciplinary field. The \"Turkish house,\" despite all its diversity and its coverage of a vast historical and geographical area, only became a subject of research from the 20th century onwards.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Turkish housing tradition maintained its fundamental layout and the originality of its element placement for centuries. At the root of the room space lies the way of existence of nomadic traditions; life and form are intertwined. Enriched by the overlap of nomadic pragmatism and Islamic abstraction, this dwelling also reflects the local characteristics of the Anatolian-Turkish society. It reached its peak with the consolidation of Ottoman rule in the second half of the 16th century, finding its unique expression in the \"hayatlı ev\" (house with a courtyard\/living area). Although the Turkish house has been described in travelogues, engravings, and paintings for five hundred years, the limited lifespan of its building materials, especially wood, has not left sufficient data to study this architecture in all its details.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith this book, which attempts to evaluate Turkish wooden residential architecture with comprehensive historical research and a deep theoretical approach, we hope it will achieve the position and value it deserves in universal architectural history.","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":39408956801219,"sku":"9786052951071","price":288.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/turk-ahsap-konut-mimarisi.webp?v=1740951755"},{"product_id":"istanbul-tarihi-arastirmalari-halil-inalcik","title":"Istanbul Historical Studies","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eIn Halil İnalcık's İstanbul Tarihi Araştırmaları (Studies on the History of Istanbul), one of the works he entrusted to our publishing house before his death, İnalcık's articles on Istanbul's history and previously unpublished works, through which he contributed to the subject for sixty years, are presented together. In the first section of the work, İnalcık compiles his various studies on the repopulation and reconstruction activities of Istanbul after its conquest. He examines the city's re-establishment as a Turkish-Islamic city, drawing upon archival documents and primary sources in various languages. Additionally, the city's population, settlements, and economic life are among the book's significant contributions. In the second section, İnalcık presents his research on Galata, Eyüp, and Üsküdar as the Bilâd-i Selâse (Three Cities). Alongside various Istanbul censuses, he dedicates a significant portion to the 1885 Istanbul Census, focusing on the structural characteristics of Istanbul's demographics. By providing a list of existing neighborhoods in Istanbul from 1911, he illustrates the developmental stages of Istanbul as a Turkish-Islamic city over a broad spectrum from 1453 to 1911. In İstanbul Tarihi Araştırmaları, İnalcık's research on the history of Istanbul over many years is presented as a whole, along with his work The Survey of Istanbul 1455, published in 2012, which was the first Ottoman cadastral survey of Istanbul after its conquest.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":39408956866755,"sku":"9786052957578","price":495.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/IstanbulTarihiArastirmalari.webp?v=1741027336"},{"product_id":"osmanli-mimarligi-bibliyografyasi","title":"A Bibliography of Ottoman Architecture","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cp\u003eAs a result of its long reign, the Ottoman Empire adorned the lands we live in and the surrounding geography with its architectural works. These architectural works can be seen today in countries as far apart as Tunisia, Egypt, Syria, Bulgaria, and Greece. The fact that they built charitable foundations, viewing the places they went as their own land, with an approach far from colonialism, undoubtedly shows the power of the Ottomans.\u003c\/p\u003e\n\n\u003cp\u003eAfter determining the topic in a scientific study, the next step is to identify the sources related to the topic. Scanning publications such as books, theses, articles, encyclopedia entries, and papers is quite time-consuming. One of the reasons for this is the scarcity of bibliographic publications in our country. This book was created to benefit researchers who will prepare books, theses, articles, and papers on the aforementioned subject and to save them time, by providing the bibliographic information of Master's and Doctoral theses completed in different disciplines such as Art History, Architectural History, History, Restoration, Islamic History, and Arts related to Ottoman Architecture, from the establishment of YÖK (Council of Higher Education) to the present day.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e(From the Promotion Bulletin)\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Cinius","offers":[{"title":"Default Title","offer_id":39408956965059,"sku":"9786052967157","price":207.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052967157.jpg?v=1616017297"},{"product_id":"hassa-basmimarlari-el-hac-mustafa-aga-kara-ahmed-aga-ve-mehmed-tahir-aganin-doneminde-istanbuldaki-imar-faaliyetleri","title":"Construction Activities in Istanbul During the Period of Chief Imperial Architects El-Hac Mustafa Ağa, Kara Ahmed Ağa, and Mehmed Tahir Ağa","description":"\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003eIn the 18th century, the reform movements of the Ottoman Empire are generally referred to as \"Westernization.\" During this century, the reforms and changes made in the military field were primarily oriented towards France. It is also known that the changes and innovations seen in Ottoman architecture starting from the reign of Sultan Mahmud I were influenced by the West. This study examines Westernization in Ottoman architecture through the works produced during the terms of office of the chief architects El-Hac Mustafa Ağa, Kara Ahmed Ağa, and Mehmed Tahir Ağa.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe years these architects served as chief architects at the head of the Imperial Architects' Guild during the reigns of Sultan Mahmud I, Sultan Mustafa III, and Sultan Abdülhamid I have been fully established for the first time, supported by archival documents. Their original surviving works built in Istanbul concretely demonstrate the innovations of their era. Furthermore, this study also focuses on the establishment, development, and duties of the Imperial Architects' Guild, in addition to these works.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Cinius Yayınları","offers":[{"title":"Default Title","offer_id":39408956997827,"sku":"9786052967645","price":85.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052967645.jpg?v=1616017299"},{"product_id":"inandigim-sehircilik","title":"Urbanism I Believe In","description":"\u003cdiv class=\"\" col-half=\"\"\u003e\n\n\u003ch1 class=\"\" product-name=\"\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\n\n\u003c\/div\u003e\n\u003cdiv class=\"\" col-half=\"\"\u003e\n\n\u003cp\u003e\"Urbanism I Believe In\" is a highly significant work and a valuable reference that brings together Professor Dr. Mehmet Çubuk's writings and speeches on the most current topics. We are faced with another example of Professor Çubuk's continuous service to the professional community, his students, his country, and in short, future generations, since the mid-1960s when he returned to Turkey from France and started working as an assistant at the State Academy of Fine Arts, that is, for more than half a century. This valuable work consists of the author's assessment of the recent period of our urbanism, his writings on urbanism, and other writings on urban design. This work can be seen, in a sense, as a continuation of the author's invaluable book, \"History of Urbanism Education in the Academy (1930-2002),\" published in 2012. The general historical approach in that book is further enriched and integrated with current assessments in \"Urbanism I Believe In.\" One of the most important features that draws our attention to \"Urbanism I Believe In\" is the clarification of the concepts of 'urbanism' and 'urban design' within the framework of both theoretical principles and current examples.\u003c\/p\u003e\n\n\u003cp\u003eA point that I deem beneficial to briefly touch upon on this occasion is that the inseparable wholeness between 'micro' and 'macro' issues also holds great truth for the problems addressed in \"Urbanism I Believe In.\" The advice and arguments that our author, who has dedicated years to urbanism education and committed himself to these subjects, gives to his students and colleagues, align with his writings on current issues.\u003c\/p\u003e\n\n\u003cp\u003eTherefore, I congratulate my dear friend, colleague, and 'man of principle,' Prof. Dr. Mehmet Çubuk, not only for his successful assessments in \"Urbanism I Believe In\" but also for his warnings based on his rightful concerns about the general direction of the country. On this occasion, I reiterate my belief that he will continue to be an example to those who will shape the future of our cities for many more years, with his writings, attitudes, and behaviors. I have no doubt that the book \"Urbanism I Believe In\" is a very valuable resource for students, teaching and research institutions, members of professional chambers, and even ordinary citizens.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e(From the Promotional Bulletin)\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Cinius Yayınları","offers":[{"title":"Default Title","offer_id":39408957325507,"sku":"9786052968178","price":350.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052968178.jpg?v=1616017302"},{"product_id":"15-yucc88zyilda-tucc88rk-mimarligi-ve-tezyinati_351869-html","title":"15th Century Turkish Architecture and Decoration","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eFrench architect Léon Parvillée's work titled Turkish Architecture and Ornamentation in the 15th Century, published in French in Paris in 1874, is being translated into Turkish for the first time after 146 years. Léon Parvillée, who lived in Istanbul for 16 years and undertook the restoration of early Ottoman monuments such as the Tiled Kiosk in Istanbul in the 1860s, and the Orhan Mosque, Green Mosque, and Green Tomb in Bursa in 1864 at the invitation of Ahmet Vefik Pasha, is an indispensable figure in the historiography of Ottoman architecture due to his contributions to Ottoman-Turkish architectural and art history. Turkish Architecture and Ornamentation in the 15th Century is also one of the first books on the subject published in Europe.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eHere, Léon Parvillée gives a clear answer to the question emphasized by his teacher Viollet-le-Duc in the book's preface: \"Does such a thing as Turkish art truly exist?\"\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eMiyuki Aoki Girardelli also contributed a comprehensive preface to this Turkish edition of the book, which features survey and detailed drawings of 15th-century Ottoman architectural works such as the Green Mosque, Green Tomb, Orhan Mosque, and Muradiye Tombs in Bursa, the former Ottoman capital.\u003c\/p\u003e","brand":"Kırmızı Kedi Yayınevi","offers":[{"title":"Default Title","offer_id":39408957817027,"sku":"9786052986158","price":340.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052986158.jpg?v=1616017309"},{"product_id":"le-corbusier-turkiyee28099de-izmir-nazim-plani-1939-1949_351963-html","title":"Le Corbusier in Turkey - İzmir Master Plan 1939 - 1949","description":"\u003cdiv style=\"margin: 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\" class=\"kitap-detay-tanitim\"\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eLe Corbusier's İzmir master plan project, prepared in 1939 at the request of the İzmir city administration, is known to only a few specialists in both France and Turkey. The architect's work, which fell victim to the international conjuncture and was slowed down by tough negotiations with the İzmir city administrators, ended in 1949. However, the submitted project file caused hesitation among the İzmir administrators. The file later disappeared in the city's municipal service buildings. A copy, along with original drawings and plans related to the master plan project, was fortunately preserved at the Le Corbusier Foundation in Paris. These documents were exhibited in İzmir and Strasbourg within the framework of a traveling exhibition held in May and July 2009. This book is the revised and expanded Turkish edition of the book Le Corbusier in Turkey – İzmir Master Plan (1939-1949), which was published in French as part of the exhibition. Accompanied by anecdotes that clarify the testimonies, it re-examines the İzmir project's place in Le Corbusier's urban planning oeuvre and in the discussions that developed around the European concept of the city in the first half of the 20th century, addressing its historical and emotional aspects.\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Kırmızı Kedi Yayınevi","offers":[{"title":"Default Title","offer_id":39408958079171,"sku":"9786052986905","price":339.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052986905.jpg?v=1616017311"},{"product_id":"yikarak-yapmak","title":"To do by washing","description":"\u003cdiv class=\"\"\u003e\n\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\u003cdiv summary=\"\" class=\"\"\u003e\n\n\u003cp\u003e“I’m talking about building by demolishing, because many individuals and movements often described with adjectives like ‘progressive,’ ‘pioneering,’ ‘avant-garde,’ have put forward arguments that couldn't discard the old, even using them as a repository of wisdom to justify the contemporary. Ultimately, all of these are a kind of zombie production. This book is an effort to diagnose and discuss those zombies, those living dead. “I use the term anarchy because I want to problematize the dominant power structures, their discourses, prejudices, stereotypes, and beliefs within the field of architectural knowledge. I believe they form very weak thought constructions. And paradoxically, they owe their power to those weaknesses. They are believed, convinced, and discursive and\/or design practices continue recklessly. If belief in them were abandoned, the entire intellectual construction would be undermined, and it would lose its ground. “My much more important goal is the hidden totalitarianism in architectural discourses. In most texts of architectural thought, there is talk of a totalitarian expectation that the world can be made a paradise by the architect's personal skill, and often this causes no discomfort. 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During the conference, attended by over 25 architects from both academic and professional architectural practices, a broad discussion framework emerged, shaped by the changes occurring in the field of architecture in Turkey, existing problems, the relationship of architecture with daily politics, the roles of architects, conventional practices, alternative approaches, and the reflections of all these on spatial production processes.\u003cbr\u003eAt the end of the conference, a multi-dimensional picture emerged, ranging from architectural education to the professional environment in Turkey and worldwide, from the culture of architectural discourse to the relationship of the profession with power and political authorities.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eThis book was designed as a series of dialogues developed from the discussions that formed the agenda of the aforementioned conference. The dialogues, progressing with a question-and-answer method, were compiled and shaped into a book under seven subheadings: \"Discussion Culture and Criticism; Power and Space Politics; Construction, Urbanization and Urbanization Dynamics; Alternative Approaches; Education; Professional Environment; Roles and Actors.\"\u003cbr\u003eBringing together the voices of leading architects from different fronts of the profession, this work generates a strong discourse regarding the architectural climate formed in the first quarter of the 21st century in Turkey, while also containing predictions and clues for the future.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eAs Istanbul Bilgi University Publications, we believe that this work, compiled by Dr. Evren Aysev, will make significant contributions to our architectural world.\u003cbr\u003eBELKIS ULUOĞLU BÜLEND TUNA BOĞAÇHAN DÜNDARALP EMRE ALTÜRK EMRE AROLAT EVREN AYSEV GÖKHAN AVCIOĞLU GÜLSÜM BAYDAR GÜVEN ARİF SARGIN HASAN ÇALIŞLAR HÜLYA ERTAŞ KEREM ERGİNOĞLU KEREM PİKER KEREM YAZGAN SEVİNCE BAYRAK ŞEVKİ PEKİN SUHA ÖZKAN UĞUR TANYELİ\u003c\/p\u003e","brand":"İstanbul Bilgi Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408963420355,"sku":"9786053995180","price":48.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786053995180.jpg?v=1616017376"},{"product_id":"mimari-eskiz_350934-html","title":"Architectural Sketch","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eThis book is a compilation of the experiences I gained and the courses I taught while working on the relationship between architecture and painting at the MAU Faculty of Architecture. 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While the state opened modern factories to meet its needs, it also tried various ways to revive small tradesmen who had difficulty keeping up. To this end, the state prioritized promotion and attached importance to the international exhibition of domestic goods. The Ottoman Empire first participated in a London International Exhibition in 1851. It then participated in many international exhibitions in cities such as Paris, Chicago, Naples, Germany, Madrid, Pest, Barcelona, and Italy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOne of the exhibitions the Ottoman Empire participated in was the Vienna Exhibition. The state, which participated in this exhibition in 1873, had been preparing for it for about two years. 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With the advent of electric furnaces in the early 20th century, cast steel production increased, resulting in considerable advancements in modern steel construction techniques. The discovery and use of steel in structures spurred the exploration of new construction methods and the development of new structural systems. The use of steel in buildings brought numerous positive outcomes. Heavy walls in structures were replaced by lightweight steel skeletons, making buildings lighter, which in turn allowed for taller structures and larger spans. Steel is a material that offers architects and engineers unique possibilities such as design power, efficiency, and sculptural expression. The purpose of this publication is to introduce large-span steel structure technologies to architects and architecture students and to provide information that we believe can assist them in drawing their projects. (From the Introduction)\u003cbr\u003e\u003c\/p\u003e","brand":"Arı Sanat","offers":[{"title":"Default Title","offer_id":48467803963635,"sku":"9786055021139","price":1000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055021139.jpg?v=1616017428"},{"product_id":"mimar-sinan-mimarideki-osmanli-muhru","title":"Mimar Sinan: The Ottoman Seal in Architecture","description":"\u003cp\u003e\u003c\/p\u003e\u003cdiv class=\"kitap-detay-alt\" style=\"margin: 20px 0px 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; border-spacing: 20px; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003c\/div\u003e\u003cdiv class=\"kitap-detay-tanitim\" style=\"margin: 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eSinan's mosques embody such a wholeness: they blend marble with art, and art with life. You begin to be astonished and mesmerized even in the courtyard. In that moment of wonder and admiration, look at the doors and windows: observe the captivating harmony of the windows with the walls, the ascension of the \"kündekari\" door to the domes, the scattered \"speckled domes\" that seem to have been strewn by a powerful hand, transforming into minarets in places without ever disturbing the eye, reaching into infinity...\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eThen, as if entering Yahya Kemal’s poetry, step into the mosque and ponder how such a deep and peaceful interweaving is achieved between the pulpit and the mihrab, and the mihrab and the minbar, each so distinct and independent, yet so close to one another...\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eTry to decipher Sinan's state of mind in the seemingly contradictory characters of the simplicity of the domes and the riot of colors on the walls: the genius, in love with the impossible, attempted the \"impossible\" in every one of his works, achieving what he couldn't in real life by capturing the \"aesthetic harmony of opposites\"!\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003e\"And from love!\"\u003cbr\u003eRemember: Art is the name of \"eternity\" and \"love.\"\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Panama Yayıncılık","offers":[{"title":"Default Title","offer_id":39408968794307,"sku":"9786055143879","price":156.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055143879.jpg?v=1616017439"},{"product_id":"30-saniyede-mimarlik","title":"Architecture in 30 Seconds","description":"\u003cp\u003e\u003cstrong\u003eThe 50 Most Important Architectural Styles and Principles Explained in Half a Minute Each\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWhat exactly did Roman architects do for us? 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