{"title":"Concreteart","description":"\u003cp\u003eBetonart magazine and publications.\u003c\/p\u003e","products":[{"product_id":"betonart-mimarlik-ve-tasarim-dergisi-81-sayi-modernizm-ve-toplumsal-cinsiyet","title":"Betonart Magazine Issue 81 | Modernism and Gender","description":"\u003cdiv\u003eIssue 81 of Betonart, guest-edited by Yağmur Yıldırım, examines space in the context of modernism and gender, while also discussing inclusivity and visibility in the field of architecture.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eGuest editor Yağmur Yıldırım explains the theme in her introductory article:\u003c\/div\u003e\n\u003cdiv\u003e“(…) We created this issue of Betonart with valuable contributions that address modernism and gender from various perspectives, focusing on space, blurring disciplinary boundaries, and inviting “alternative” historiographies and representations. As we mark 100 years of the Republic, we place great importance on understanding Turkey's modernization journey and its spatialities through different perspectives, alongside diverse contexts from other places, in order to make sense of the present. Moreover, in today's world of social, economic, and ecological crises, we hope to highlight the urgency of creating an alternative architectural (historical) repertoire for a more peaceful and sustainable future. (…)”\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn this issue, Şebnem Yücel questions how the definition of “architect” has transformed over the past 20 years, through two different texts she wrote in 2003 and 2023.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn her article, Tuna Öğüt examines some new trends in the academic literature on modernity and gender.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eIşıl Çokuğraş writes about “the other women architects of modernism” – those who faced tough struggles in their circumstances, sometimes even defeated;\u003c\/div\u003e\n\u003cdiv\u003ewho were an active part of social problems and politics.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\u003c!--nl desirous=\"true\"--\u003e\u003cdiv\u003eDefne Karaosmanoğlu, Bahar Emgin, and Leyla Bektaş Ata open up a discussion on what technology promises and what it has not\/could not deliver regarding women's liberation.\u003c\/div\u003e\n\u003c!----\u003e","brand":"Betonart","offers":[{"title":"Default Title","offer_id":46027049500915,"sku":"9771304494000","price":140.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Screenshot_9_59302fdb-9e9f-49df-a95e-1a3cd5110e0f.png?v=1721776431"},{"product_id":"betonart-dergisi-yillik-abonelik","title":"BETONART Concrete Architecture and Design Magazine Annual Subscription Package","description":"\u003cp\u003eBetonart is an architecture and design magazine focusing on concrete material, published twice a year as of 2025. The annual subscription fee for 2 issues, including shipping, is 600 TL.\u003c\/p\u003e\n\u003cp\u003eWhile featuring qualified and innovative examples of concrete use, it connects its readers with architectural culture, design, technology, and art. Betonart has been published since 2004 as one of Turkey's distinguished architectural publications. The magazine, which began to be published by the Binat Architecture Media Group in January 2012, has had each issue prepared with a different guest editor and theme since then.\u003c\/p\u003e\n\u003cp\u003eBetonart's readership consists of all stakeholders in the construction sector and the design world. The magazine, which prioritizes high-quality designs made with concrete, offers content that encompasses 360 degrees of interest for professionals in this sector, including architectural theory, technology, art, and design, while bringing good practice examples to its readers.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cbr\u003eMagazine Imprint\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eOwner (On behalf of TÜRKÇİMENTO)\u003c\/strong\u003e\u003cbr\u003eAdil Sani Konukoğlu\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePublication Coordinator\u003c\/strong\u003e\u003cbr\u003eCeren Alkan Yılmaz\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eResponsible Managing Editor\u003c\/strong\u003e\u003cbr\u003eBanu Binat\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEditorial Board\u003c\/strong\u003e\u003cbr\u003eAssoc. Prof. Dr. Burak Altınışık, Dr. Lecturer Ozan Avcı, Banu Binat, Assoc. Prof. Dr. Saitali Köknar, Dr. Neslihan Şık\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAdvisory Board\u003c\/strong\u003e\u003cbr\u003eCem İlhan, Önder Kırca, Nevzat Sayın\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEditor-in-Chief\u003c\/strong\u003e\u003cbr\u003eSibel Senyücel\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEditor\u003c\/strong\u003e\u003cbr\u003eAslı Erdem\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCommunication and Advertising\u003c\/strong\u003e\u003cbr\u003eAyşegül Tuğtepe\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePrepared for Publication by\u003c\/strong\u003e\u003cbr\u003eBinat Architecture Media Group\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cem\u003e\u003cstrong data-end=\"156\" data-start=\"148\"\u003eNote: \u003c\/strong\u003eWhen you create this order, your contact information required for the subscription is shared with the \u003cstrong data-end=\"270\" data-start=\"244\"\u003eBetonart Magazine team\u003c\/strong\u003e. All organizational processes related to magazine delivery and subscriptions are managed by Betonart Magazine.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Betonart","offers":[{"title":"Default Title","offer_id":48461665009907,"sku":"7786259999903","price":600.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Betonar_yillik_abonelik.png?v=1766390373"},{"product_id":"betonart-dergisi-sayi-84","title":"Betonart Magazine Issue 84 | Biennial, but Architecture","description":"\u003cp data-start=\"978\" data-end=\"1441\"\u003eBetonart, which started to be published twice a year (biannually) as of this year, will feature \"Biennale, but Architecture\" as its theme for its first issue in 2025. Prepared under the guest editorship of Can Gündüz, the issue discusses the Venice Architecture Biennale through the axes of spectacle and substance, temporality and impact, curatorial power and narrative control, geopolitical and institutional biases, identity and autonomy, commercialization and funding structures, as well as environmental and ethical issues.\u003c\/p\u003e\n\u003cp data-start=\"1443\" data-end=\"1507\"\u003eGuest editor Can Gündüz explains the theme in his introductory article as follows:\u003c\/p\u003e\n\u003cp data-start=\"1509\" data-end=\"1878\"\u003e\u003cem\u003e\"This issue, focusing on the Venice Architecture Biennale, takes as its premise that the ambiguous stance the Biennale adopted at its inception 50 years ago has multiplied exponentially in the strange and unsettling times the world is experiencing. It aimed to lead readers to interpretations based on both on-site experiences and related media productions of the meticulously prepared exhibitions in the international pavilions.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"1880\" data-end=\"2147\"\u003eThe issue also includes passages from an article by Italian critic and historian Manfredo Tafuri, written about Aldo Rossi's temporary floating structure, Teatro del Mondo, designed for the 1980 Venice Biennale, and published in Domus magazine's 602nd issue (January 1980).\u003c\/p\u003e\n\u003cp data-start=\"2149\" data-end=\"2416\"\u003eIn his article, which calls for thinking of the Venice Architecture Biennale as an object with ontological reality, Can Gündüz focuses on the perceptible forms and qualities of the Biennale object in its historical context, as well as its essence and qualities that always remain unattainable.\u003c\/p\u003e\n\u003cp data-start=\"2418\" data-end=\"2611\"\u003eZehra Tonbul's text consists of notes that can form a basis for the writing of recent architectural history, tracing the thematic trajectory of the 19 Venice Architecture Biennale exhibitions held to date.\u003c\/p\u003e\n\u003cp data-start=\"2613\" data-end=\"2902\"\u003eIn his article, Yelta Köm explores the following questions: How much do we need biennials in today's world? When the world is ablaze everywhere, is it really possible to produce something new and meaningful among the countless visuals we consume on our phones? Why do we hold biennials under these conditions?\u003c\/p\u003e\n\u003cp data-start=\"2904\" data-end=\"3172\"\u003eErkin Özay's text examines the increasing interest in social issues and community-based practices prominent in recent editions of the Venice Architecture Biennale, and scrutinizes the participation of the University at Buffalo School of Architecture and Planning in 2018.\u003c\/p\u003e\n\u003cp data-start=\"3174\" data-end=\"3422\"\u003eIn the issue, Yağmur Yıldırım shares some feminist \"moments\" she witnessed during the processes she followed, instead of providing a historical inventory of feminist contributions to the Venice Architecture Biennales or subjecting the Biennale to an institutional feminist critique.\u003c\/p\u003e\n\u003cp data-start=\"3424\" data-end=\"3639\"\u003eAli Mahmut Demirel and Hakan Topal discuss the fundamental issues shaping the architectural agenda through the Venice Architecture Biennale; the relationship between architecture and geography, and Demirel's participation in the last edition.\u003c\/p\u003e\n\u003cp data-start=\"3641\" data-end=\"3864\"\u003eIn the interview compiled by Dicle Bektaş for this issue, Ceren Erdem and Bilge Kalfa, curators of the \"Yerebasan\" exhibition at the Venice Architecture Biennale Turkish Pavilion, answer questions from guest editor Can Gündüz.\u003c\/p\u003e\n\u003cp data-start=\"3866\" data-end=\"4112\"\u003eIn the \"Building Readings\" section, prepared with the contributions of the Cement Industry Employers' Association, Pınar Gökbayrak shares her evaluations of the Joan Miró Foundation in Barcelona, which she visited within the scope of ÇEİS's 2023 Building Design Competition.\u003c\/p\u003e\n\u003cp data-start=\"4114\" data-end=\"4254\"\u003eThe \"Project\" section, prepared with the contributions of Fibrobeton, focuses on Arter, which moved to its new building in Dolapdere in September 2019.\u003c\/p\u003e\n\u003chr data-start=\"4256\" data-end=\"4259\"\u003e\n\u003ch3 data-start=\"4261\" data-end=\"4285\"\u003eWhat's in this Issue?\u003c\/h3\u003e\n\u003cp data-start=\"4287\" data-end=\"4919\"\u003e– \"Biennale, but Architecture\" theme under the guest editorship of Can Gündüz\u003cbr data-start=\"4352\" data-end=\"4355\"\u003e– A critical look at the curatorial, political, and cultural structure of the Venice Architecture Biennale\u003cbr data-start=\"4442\" data-end=\"4445\"\u003e– Selected passages from Manfredo Tafuri's Teatro del Mondo essay\u003cbr data-start=\"4509\" data-end=\"4512\"\u003e– Notes on recent architectural history through 19 Venice Architecture Biennales\u003cbr data-start=\"4582\" data-end=\"4585\"\u003e– Critical texts on the meaning and necessity of biennials today\u003cbr data-start=\"4659\" data-end=\"4662\"\u003e– Community-based architectural practices and university participations\u003cbr data-start=\"4726\" data-end=\"4729\"\u003e– Personal interpretations of feminist approaches in biennials\u003cbr data-start=\"4786\" data-end=\"4789\"\u003e– Interview about the \"Yerebasan\" exhibition in the Turkish Pavilion\u003cbr data-start=\"4848\" data-end=\"4851\"\u003e– An examination of the Joan Miró Foundation\u003cbr data-start=\"4879\" data-end=\"4882\"\u003e– Arter's new building in Dolapdere\u003c\/p\u003e","brand":"Betonart","offers":[{"title":"Default Title","offer_id":48376025678067,"sku":"9771304494000-84","price":290.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Betonart84kapak_827px.jpg?v=1766401028"},{"product_id":"betonart-dergisi-sayi-85-yeniden","title":"Betonart Magazine Issue 85 | Again","description":"\u003cp data-start=\"345\" data-end=\"821\"\u003e\u003cstrong data-start=\"345\" data-end=\"371\"\u003eBetonart’s 85th issue\u003c\/strong\u003e, with the theme “\u003cstrong data-start=\"374\" data-end=\"385\"\u003eAgain\u003c\/strong\u003e” (Yeniden), is now available. This issue approaches the reuse and repurposing of architecture not merely as a technical adaptation but as a dynamic negotiation space between \u003cstrong data-start=\"540\" data-end=\"601\"\u003econservation theory, contemporary design practice, and social memory\u003c\/strong\u003e. Offering a comparative framework with examples on a global scale, the issue opens up discussion on the inherent contradictions of current practices and \u003cstrong data-start=\"773\" data-end=\"802\"\u003eTurkey’s specific dilemmas\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"823\" data-end=\"1169\"\u003eIn the issue, \u003cstrong data-start=\"830\" data-end=\"852\"\u003eJorge Otero-Pailos\u003c\/strong\u003e sheds light on experimental conservation approaches that propose new forms of “\u003cstrong data-start=\"943\" data-end=\"957\"\u003esemi-heritage\u003c\/strong\u003e” by addressing objects excluded from official narratives within their cultural and political contexts. \u003cstrong data-start=\"1021\" data-end=\"1037\"\u003eŞebnem Yücel\u003c\/strong\u003e calls on architecture to restore dignity to repair and to learn to heal with the world instead of rebuilding it.\u003c\/p\u003e\n\u003cp data-start=\"1171\" data-end=\"1649\"\u003e\u003cstrong data-start=\"1171\" data-end=\"1188\"\u003eYıldız Salman\u003c\/strong\u003e discusses how it is possible to design a new life for existing structures through the values attributed to them, focusing on \u003cstrong data-start=\"1306\" data-end=\"1329\"\u003e20th-century buildings\u003c\/strong\u003e. \u003cstrong data-start=\"1351\" data-end=\"1369\"\u003eSevince Bayrak\u003c\/strong\u003e questions the \u003cstrong data-start=\"1446\" data-end=\"1481\"\u003eculture of demolition and reconstruction\u003c\/strong\u003e through the examples of the Antalya Museum and the Kahramanmaraş Provincial Special Administration Building. \u003cstrong data-start=\"1494\" data-end=\"1511\"\u003eKutay Karabağ\u003c\/strong\u003e examines recent projects from Istanbul, Zonguldak, and Antalya through approaches in the context of the \u003cstrong data-start=\"1573\" data-end=\"1603\"\u003ebalance between conservation and intervention\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1651\" data=\"2150\"\u003e\u003cstrong data-start=\"1651\" data-end=\"1666\"\u003eDeniz Özkut\u003c\/strong\u003e, focusing on the İzmir Alsancak Port Back area, analyzes the \u003cstrong data-start=\"1722\" data-end=\"1771\"\u003econtradictions in the transformation of industrial heritage\u003c\/strong\u003e, along spatial experience and conservation theory. \u003cstrong data-start=\"1828\" data-end=\"1870\"\u003eHilal Tuğba Örmecioğlu and Aslı Er Akan\u003c\/strong\u003e point to the \u003cstrong data-start=\"1912\" data-end=\"1963\"\u003eremarkable potential of reinforced concrete\u003c\/strong\u003e within repurposing practices. \u003cstrong data-start=\"1979\" data-end=\"1996\"\u003eBingül Çakacı\u003c\/strong\u003e considers repurposing as a form of architectural “harvest” that \u003cstrong data-start=\"2045\" data-end=\"2105\"\u003erestores cultural, ecological, and economic values\u003c\/strong\u003e embedded in the built environment.\u003c\/p\u003e\n\u003cp data-start=\"2152\" data-end=\"2504\"\u003e\u003cstrong data-start=\"2152\" data-end=\"2166\"\u003eAktan Acar\u003c\/strong\u003e, through a conversation with Google Gemini, discusses repurposing in the context of the \u003cstrong data-start=\"2251\" data-end=\"2283\"\u003efuture of architectural education\u003c\/strong\u003e and the \u003cstrong data-start=\"2287\" data-end=\"2311\"\u003eevolving role of the architect\u003c\/strong\u003e.\u003cbr data-start=\"2333\" data-end=\"2336\"\u003eThe section specially prepared for the \u003cstrong data-start=\"2394\" data-end=\"2420\"\u003eBuilding Design Competition\u003c\/strong\u003e with contributions from the \u003cstrong data-start=\"2336\" data-end=\"2380\"\u003eCement Industry Employers' Association\u003c\/strong\u003e features the competition’s \u003cstrong data-start=\"2458\" data-end=\"2491\"\u003e2025 winning projects\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2506\" data-end=\"2792\"\u003eThe issue also includes the \u003cstrong 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