{"title":"Prof. Dr. Genco Berkin's Books","description":"\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/1632728405457_160x160.jpg?v=1709640407\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\"\u003e\u003c\/div\u003e\n\u003ch4\u003eAn architect aiming to combine ergonomics and technology\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eProf. Dr. Genco Berkin\u003c\/strong\u003e is an architect, author, and educator who teaches \u003cstrong\u003earchitecture\u003c\/strong\u003e and \u003cstrong\u003einterior architecture\u003c\/strong\u003e at various universities and makes valuable contributions to the architecture and interior design community through his research and development efforts, as well as his books. Berkin completed his master's degree in 1998 at Eastern Mediterranean University with his thesis \"Architectural Utopias\" in the field of Architectural History. In 2006, he earned his doctorate through his work at the Mimar Sinan Fine Arts University, Faculty of Architecture, Department of Building Physics and Materials. He became an associate professor in 2015 and a full professor in 2020 at Fatih Sultan Mehmet Vakıf University, Faculty of Architecture and Design. Genco Berkin is also an educator who has conducted research on \"ecological glass in architecture\" and developed ideas on \"improving project-design courses.\" The books written by Berkin include studies that examine materials used in architecture and interior architecture, focus on detailed solutions, and aim to combine ergonomics and technology in furniture designs. Genco Berkin currently works at Istanbul Nişantaşı University, Faculty of Art and Design. In this category, you can find the books he has authored and contributed to. Enjoy reading!\u003c\/p\u003e","products":[{"product_id":"ic-mimarlikta-malzeme-ve-detay","title":"Materials and Detail in Interior Design - 13th Edition","description":"\u003cp\u003eIn \u003cem data-mce-fragment=\"1\"\u003eMaterial and Detail in Interior Architecture\u003c\/em\u003e, prepared by Genco Berkin primarily for interior architecture and architecture students, as well as designers and practitioners new to the profession, 40 different design elements for interior space design, the processing of raw materials, issues designers should consider in material selection, and the most suitable detail analysis applicable on-site are brought together and presented with original drawings.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eThe book, together with \u003cem data-mce-fragment=\"1\"\u003eMaterial and Detail in Architecture\u003c\/em\u003e, also written by Genco Berkin, forms the \"Material and Detail Series.\"\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn \u003cem data-mce-fragment=\"1\"\u003eMaterial and Detail in Interior Architecture\u003c\/em\u003e, all data (for example, the necessary knowledge for designing furniture: ergonomics, materials, construction, textiles, surface treatments, color information) is presented in a plain and easily understandable manner through carefully prepared drawings, with the aim of providing young designers, in particular, with a complete set of skills to support the design process, focusing on details and materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eDetail is the reconciliation between spirit and mind. Detail evokes a sense of order in people. This feeling arises from the hierarchy and communication between materials. Detail, to take shape, sometimes draws inspiration from construction requirements and sometimes from material properties. Above all, detail enhances the performance of the element used; it extends its durability. For designers, detail is the blending of aesthetic concerns with function. For example, a table detail in a dining room cannot be considered separately from the sideboard that appears as an extension of the fireplace and wall. Every piece of furniture and interior architectural element must speak the same language, supporting each other's roles to convey a message.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn addition to detail, the designer must also design the spatial organization. Because detail and space are design processes that reveal the purpose of use and proceed in coordination. Every space needs an ancillary space. This is a pantry and a terraced barbecue for the kitchen, and a dressing room and en-suite bathroom for the bedroom. Louis I. Kahn, one of the last representatives of modern architecture, described this idea as \"servant space\" and \"served space.\"\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn the service it provides, the designer presents spatial and furniture products for use under comfort criteria to the client. The main interior architectural comfort criteria are air quality, natural light adequacy, thermal balance, and ergonomics. To meet all these criteria, the designer must choose the longest-lasting and least harmful material. Many chemicals are used to protect materials. However, there are also products that make materials long-lasting through natural methods. But natural products are not as effective as chemicals. The interior architect's task will be to establish this balance correctly.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn this book, many points are specified regarding what elements the designer should pay attention to during the material selection process. For example, the decisions made about the material to be used when designing a door and the detail requirements are explained carefully. Furthermore, the necessity of designing the elements used in interior architecture in harmony with each other is also stated. The junctions of baseboards and door frames are among the most important detail solutions in space designs.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eThe book covers all the design parameters necessary for designers. For example, the necessary equipment for designing furniture includes knowledge of ergonomics, materials, construction, textiles, surface treatments, and color. In addition to all these, the history of furniture has also been incorporated into the topics. The content of the book has been prepared to provide those involved in interior design with a complete set of skills to support the design process, focusing on details and materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eDesigners such as Charles Rennie Mackintosh, Frank Lloyd Wright, Le Corbusier, Vedat Tek, and Carlo Scarpa, who elevated their designs not only in the art of architecture but also in interior architecture, crowned material with detail; thus integrating furniture and architectural elements with space. Detail shows the importance we give to the norms of life. The names listed above succeeded because they transformed detail into a motif. In doing so, they also avoided unnecessary ornamentation. Thanks to this book, designers will be able to consider material production methods and detail application together; they will be able to treat every element that constitutes the space as if it were a part of the space itself...”\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48461991051507,"sku":"9786257008068","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ICMIMARLIKTA_MALZEME_DETAY_ONKAPAK.jpg?v=1697545329"},{"product_id":"kareden-plana-modul-ve-mimarlik","title":"From Square to Plan Module and Architecture","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom Square to Plan: Module and Architecture\u003c\/em\u003e, prepared by Prof. Dr. Genco Berkin and Assoc. Prof. Dr. Yusuf Civelek, aims to help architecture, interior architecture, and landscape architecture students overcome the problems they experience with scale and dimensioning during design. The book serves as a fundamental reference source with its structure that enables readers to gain knowledge about modules and scaling, learn architectural history, and become acquainted with important architects.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe first section, titled CIVILIZATIONS, examines the stages of organization and standardization in the architectural profession of the Egyptian, Far Eastern, Greek-Roman, Byzantine, and Ottoman civilizations.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe second section, titled MOVEMENTS, reveals the connection of modules to movements such as Renaissance, Baroque, Art Nouveau, Art Deco, Modernism, Brutalism, Minimalism, and Postmodernism.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe last section, titled CONTEMPORARY ARCHITECTURE, deals with growth and multiplication matrices shaped by economic and aesthetic concerns in contemporary designs. Examples from the works of pioneering architects who used modules in their designs, ranging from urban design to buildings, from kitchens to furniture in interiors, such as Gaudi, Rietveld, Wright, Kahn, Ando, Utzon, Botta, Stirling, Bofill, Correa, Siza, Le Corbusier, Scarpa, and Aalto, are presented with original drawings.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe reasons for the authors Genco Berkin and Yusuf Civelek to prepare such a book are summarized as follows:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Architects have always sought order. Using material in a mass in the right place and in the right amount, and even ensuring the material's own existence, requires mastery. Design principles come to the aid of architects at this point: Concepts such as hierarchy, rhythm, balance, emphasis, and proportion form the building blocks of design.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe dynamic of architecture creating a system should be taught to architecture students in every lesson. The design process can change direction from inside-out or outside-in. As this book will show, architects do not only design through plans. Designing with sections on a sloping terrain can sometimes yield more accurate results. In fact, the design of the entire building can derive from a piece of furniture. Sometimes, natural light can shape the building. Stairs, courtyards, or halls can take on the task of organizing the entire structure. While physical and geographical interactions make architecture efficient and effective, ergonomic solutions increase user satisfaction and comfort.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArchitects also draw inspiration from branches of fine arts such as sculpture, music, painting, and dance. The acts of composing, choreographing, and writing symphonies parallel the ideas of achieving absolute beauty and creating order that architecture also possesses. No architectural work is designed randomly. Just as painters focus on one color or composers get stuck on one maqam, architects can be obsessively attached to one material. Whatever the case, geometric arrangements and concerns for proportion should not be lost. The series of rules and principles inherent in architectural teaching should be preserved and passed on to new generations to ensure its beauty and grandeur. An architect or interior designer should, like composing a symphony, conceptualize materials and building components in a modular system and observe the harmony of the instruments that make up the structure…”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207719667,"sku":"9786257008341","price":98.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/YEM_KAREDEN_PLANA_ON_KAPAK.jpg?v=1624270153"},{"product_id":"modulor-ve-le-corbusiernin-kulubesi","title":"Modulor and Le Corbusier's Cabin","description":"\u003cp data-mce-fragment=\"1\"\u003eIn his new book published by YEM Yayın, Prof. Dr. Genco Berkin discusses the “Modulor” system, which Le Corbusier, also known as the “Father of Modern Architecture,” gifted to world architecture, and “Le Cabanon,” the cabin he designed for himself using this method.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGenco Berkin states that he wrote this easy-to-read, understandable, portable mini-book for every architect and interior designer to carry with them as a design principle, just like a compass, pencil, or ruler they never part with:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“At the heart of today's popular trends in living space selection, such as 'Tiny House' and 'Small House,' lies the desire to shed our excesses and find ourselves in nature. Le Corbusier realized and experienced this almost 100 years ago in the design of the cabin he built for himself, called Le Cabanon. Le Cabanon is, in fact, the embodiment of Modulor, the scaling system he developed. The emergence, development, and introduction of Modulor to architecture can be likened to the experiences of a traveler who never deviates from their destination on a long and arduous journey.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlthough Le Corbusier is considered the 'Father of Modern Architecture,' the roots of the structural system he established extend back to the Hellenistic period and the Renaissance. Le Corbusier, who greatly admired the standardization of the Hellenistic period, created the scaling sequence in 'Modulor,' which he invented, through the Fibonacci sequence. Thanks to this system, which emerged from the measurements of the human body and grew by addition, the 'human-furniture-space' trio could be expressed numerically for the first time. Christopher Alexander, who laid the foundations of parametric design, a breakthrough in architecture today, followed the path opened by Modulor. In its simplest terms, Modulor is a guide for designers to create artificial environments (preventing the loss of concern for proportion).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIf Le Corbusier had never lived, our homes, workplaces, and schools today would be built at more than twice the cost; the majority of the public would be deprived of quality housing, and some students might not even receive an education. Moreover, since there would be no standard understanding of design and production in any of these structures, sustainable production of construction materials would not be possible, and there would be difficulties in accessing these products.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis book traces how Le Corbusier achieved his great dreams that blossomed in his small world and his aspirations to make the world a more livable place. Readers who are architects or interior designers will see that the solution in design lies in creating norms and standards; they will ponder more deeply the necessity of considering furniture and space as a whole.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCONTENTS\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIntroduction\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLe Corbusier and Architecture\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJourney to the East\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlexander Klein and Le Corbusier Interaction\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Birth and Establishment of Modulor\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Birth of the Cabin (Le Cabanon)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEileen Gray and Le Corbusier Interaction\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Dimensions of Le Cabanon\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Furniture of Le Cabanon\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Reflections of Le Cabanon on Contemporary Architecture\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConclusion\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSedef Sav designed the cover and illustrations for \u003cem data-mce-fragment=\"1\"\u003eModulor and Le Corbusier's Cabin\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48439370285299,"sku":"9786257008372","price":105.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/Modulor_LeCabanon_ONKAPAK.jpg?v=1624278488"},{"product_id":"mimarlikta-malzeme-ve-detay","title":"Materials and Detail in Architecture - 11th Edition","description":"\u003cp\u003eG\u003cspan style=\"font-family: 'Helvetica','sans-serif'; color: #666666;\"\u003eenco Berkin's book, \u003cem\u003e\u003cspan style=\"font-family: 'Helvetica','sans-serif';\"\u003eMaterials and Details in Architecture\u003c\/span\u003e\u003c\/em\u003e, published by YEM Yayın, was prepared with architecture, interior architecture, and landscape design students, as well as designers and practitioners new to the profession, in mind.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp style=\"background: white; box-sizing: border-box; font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; text-align: start; widows: 2; -webkit-text-stroke-width: 0px; word-spacing: 0px; margin: 0cm 0cm 8.65pt;\"\u003e\u003cspan style=\"font-family: 'Helvetica','sans-serif'; color: #666666;\"\u003eThis book, published after \u003cem\u003e\u003cspan style=\"font-family: 'Helvetica','sans-serif';\"\u003eMaterials and Details in Interior Architecture\u003c\/span\u003e\u003c\/em\u003e, which was published last year and quickly became a fundamental reference due to its great interest, is the second book in YEM Yayın's \"Materials and Details Series.\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn \u003cem\u003eMaterials and Details in Architecture\u003c\/em\u003e, 40 different design elements for architectural design, the processing of raw materials, considerations for material selection, and the most suitable detail solutions for on-site application are brought together and presented with original drawings.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eAll design parameters considered necessary for architectural design are discussed under the sections SITE | ORIENTATION | MATERIAL SELECTION, FOUNDATIONS, FLOORS, VERTICAL CIRCULATION, WALLS, WINDOWS AND DOORS, ROOFS, STRUCTURAL SYSTEMS, covering a very wide perspective ranging from site selection to landscape design, from reinforced concrete foundations to steel stairs, from expansion joints to trombe walls, and from off-axis doors to walkable terraces.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn \u003cem\u003eMaterials and Details in Architecture\u003c\/em\u003e, all the data an architect or designer needs, from design to implementation, is conveyed in a simple and easily understandable way through carefully prepared drawings, with the aim of providing young designers, in particular, with a complete understanding to support the design process based on details and materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eGenco Berkin summarizes the rationale and content of the book as follows:\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e“In architectural design, the duo of material and detail constitutes all the solution elements of the project. Whether design problems arise from function (architectural program) or location (site), the architect must provide a solution that can create value with the instruments he will use. If the conceptual dimension of architectural design emerges in the material or detail, the bond established with the space will be further strengthened and \u003cem\u003earchitectura magna\u003c\/em\u003e will be realized.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eEvery structure should be thought of as a system of fragmented wholes, formed by the harmonious arrangement and combination of sufficient elements. While architects reveal physical and chemical formations through the materials they apply in their buildings, they also strive for the sustainability of holding these formations together with detail analysis. Every applied process will direct the building system towards becoming an artificial environment, but at this point, the architect must present the nature of the material in its most natural state. It should be remembered that every application is actually for the sake of increasing human comfort, because human health is adversely affected by artificial environments.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eArchitectural students should not be content with the information in this book but must also incorporate information from different sources into their repertoire. Prospective architects are primarily responsible for developing themselves in terms of raw material procurement, processing, and construction. In light of this information, material and detail analyses can reach a certain level. Since the parameters in architecture are constantly dynamic, architectural students must act with a research-oriented spirit and update their knowledge. In an environment where new materials are introduced every day, this book will also renew itself with each edition and keep up with the times…”\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003c\/ul\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370211127539,"sku":"9786257008150","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/MIMARLIKTA_MALZEME_DETAY_ONKAPAK.jpg?v=1631791935"},{"product_id":"agacin-izinde-tasarimda-orman-urunleri-sozlugu","title":"In the Footsteps of the Tree: Glossary of Forest Products in Design - 4th Edition","description":"\u003cp data-mce-fragment=\"1\"\u003e“\u003cem data-mce-fragment=\"1\"\u003eIn Pursuit of the Tree: A Dictionary of Forest Products in Design,\u003c\/em\u003e” which conveys the journey of wood, a significant element in architecture, through design processes from past to present, has been published in collaboration with Yıldız Entegre and YEM Yayın.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003ePrepared by Genco Berkin, \u003cem data-mce-fragment=\"1\"\u003eA Dictionary of Forest Products in Design\u003c\/em\u003e is a valuable resource for academics and students in forestry-related departments, as well as for architects, interior designers, and industrial product designers. It will guide the dynamics of the industry by bridging academia and industry.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn the dictionary, which plays a crucial role in the formation of the built environment and traces the transformation of relevant products, methods, and techniques, the advisory board, consisting of Prof. Dr. Genco Berkin, who undertook the research and preparation process, Prof. Dr. Reha Günay, Civil Engineer (Architect) Dr. Doğan Hasol, Yıldız Entegre Product Manager (Forest Industry Engineer) Murat İnceoğlu, and Interior Designer Muhammet Taşlı, as well as Architect Sedef Sav, who did the graphic design and illustrations of the book, made significant contributions to the introduction of this guide to the architecture and design world of our country.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eYıldız Entegre, with roots tracing back to 1890, has taken the lead in the Forest Products Sector by focusing on change and development, and is once again breaking new ground in the industry. By tracing the DNA of wood and presenting the development processes of both architectural and industrial product design item by item to industry professionals through “In Pursuit of the Tree,” Yıldız Entegre, in collaboration with YEM Yayın, is bringing to light concepts and terms that are not widely known due to their recent development in \u003cem data-mce-fragment=\"1\"\u003eIn Pursuit of the Tree: A Dictionary of Forest Products in Design\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eErcan Şahin, Marketing and Corporate Communications Manager at Yıldız Entegre, expressed his views on this unique project as follows: “In a rapidly changing world, our lives, ways of working, words, dynamics, and methods are also transforming at the same pace. In this intense flux, although we may not always realize it, most things in our lives undergo transformation. As Yıldız Entegre, we signed \u003cem data-mce-fragment=\"1\"\u003eIn Pursuit of the Tree: A Dictionary of Forest Products in Design\u003c\/em\u003e with the aim of tracing the DNA of wood and examining and conveying the development processes of both architectural and industrial product design item by item, regarding the changes, developments, and transformations in the ‘Forest Products Sector.’ I believe this guide is a move that will add value to our sector with its informative approach and vision.”\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenco Berkin, who was the \"main contractor\" in bringing the dictionary to life, conducting the research and defining the terms, shared his thoughts:\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem data-mce-fragment=\"1\"\u003eIn Pursuit of the Tree: A Dictionary of Forest Products in Design\u003c\/em\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e was inspired by Doğan Hasol's \u003cem data-mce-fragment=\"1\"\u003eEncyclopedic Dictionary of Architecture\u003c\/em\u003e, which he meticulously created and presented to the Turkish architectural community. Just as Doğan Hasol guided us as a consultant in this work, the studies of our esteemed Professor Reha Günay have been nourishing academics, colleagues, and students with knowledge for years. Nâzım Hikmet's lines from the poem \u003cem data-mce-fragment=\"1\"\u003eInvitation\u003c\/em\u003e, '...To live alone and free like a tree, and like a forest, in brotherhood...' truly convey the beauty of being an individual with an identity, as well as sharing and solidarity. This book, encouraged by such tolerance and participation, came to life as a result of Yıldız Entegre's support for trees, nature, and design... The information in this book has been compiled to ensure that the characteristics of wood and wood-based materials used in our traditional and contemporary architecture, and their application areas in design, are passed on to new generations. Local construction practices, which can be considered a part of our cultural heritage, have been carried out in harmony with nature, and today, there is great admiration for the level these types of structures have reached. Architects and interior designers, who have found the opportunity to use wood and wood-based materials in different forms by utilizing the benefits of technology, have also managed to incorporate this material among contemporary building materials. The fact that wood is applied in contemporary designs in a wide range, from its solid use to its laminated, compacted versions under pressure and heat, is proof that we cannot give up this material...\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003c\/ul\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48502742286579,"sku":"9786257008358","price":280.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/AGACIN_IZINDE_ORMAN_URUNLERI_SOZLUK_KAPAK.jpg?v=1633513946"},{"product_id":"mobilya-tasariminda-malzeme-ve-detay","title":"Material and Detail in Furniture Design - 7th Edition","description":"\u003cp\u003eProf. Dr. Genco Berkin's new book, \u003cem\u003eMaterial and Detail in Furniture Design\u003c\/em\u003e, prepared primarily for industrial design, interior architecture, and architecture students, as well as designers and practitioners just starting their careers, has been published by YEM Yayın.\u003c\/p\u003e\n\u003cp\u003eThe book, along with \u003cem\u003eMaterial and Detail in Architecture\u003c\/em\u003e and \u003cem\u003eMaterial and Detail in Interior Architecture\u003c\/em\u003e, which were also prepared by Genco Berkin in previous years and quickly became fundamental reference sources due to their popularity, forms YEM Yayın's \"Material and Detail Series.\"\u003c\/p\u003e\n\u003cp\u003eAs with the previous books in the series, the book, with graphic design and illustrations by Sedef Sav, features contemporary furniture designs of 10 different types by 40 world-renowned designers and architects. Along with the selected designers, the aim is to take a brief journey through 'the history of contemporary furniture design,' presenting both the 40 pioneering figures and their masterful works to the reader.\u003c\/p\u003e\n\u003cp\u003eTo achieve successful results in furniture design, it is first necessary to determine the material. Looking at the recent history of furniture, it can be seen that important designers used innovative production techniques that highlighted the material to add a different quality to the product. In \u003cem\u003eMaterial and Detail in Furniture Design\u003c\/em\u003e, especially for young designers, the material selection criteria and data supported by details of pioneering designers are conveyed in a simple and easy-to-understand manner, accompanied by carefully prepared drawings, with the aim of supporting the design process focusing on detail and material.\u003c\/p\u003e\n\u003cp\u003eIn the book \u003cem\u003eMaterial and Detail in Furniture Design\u003c\/em\u003e, the 40 designers and their furniture, such as Michael Thonet (Chair No. 14), Kaare Klint (Faaborg and Safari Chair), Gunnar Asplund (Grace Cinema Seat), Lilly Reich (Reich Curtains), Eileen Gray (Transat Chair), Richard Neutra (Camel Table), Alvar Aalto (Paimo Armchair), Vico Magistretti (Cinqueterre Kitchen), Vladimir Kagan (Serpentine Sofa), Carlo Scarpa (Doge Dining Table), Ettore Sottsass (Sistema 45 Office Furniture), Norman Foster (Nomos Office Desk), Aziz Sarıyer (Mono Armchair), Philippe Starck (WW Stool), Toyo Ito (Ripples Bench), Atilla Kuzu (Open Kitchen), were selected either for having a valuable story in terms of ergonomics or for pioneering breakthroughs in production technology.\u003c\/p\u003e\n\u003cp\u003eThe book was planned considering that those new to furniture design often lack the courage to imagine new furniture and therefore struggle to start designing. To spark the inspiration needed for an initial design, the educational processes, sources of inspiration, and cultural backgrounds of globally known designers are presented with rich narrative examples to encourage young designers.\u003c\/p\u003e\n\u003cp\u003eProf. Dr. Genco Berkin summarizes the rationale and content of the book as follows:\u003c\/p\u003e\n\u003cp\u003eMy aim in writing the book \u003cem\u003eMaterial and Detail in Furniture Design\u003c\/em\u003e is to make architects, interior architects, and industrial product designers say, 'I can design furniture!' after reading the book and internalizing the information provided. They say, 'Half the battle of finishing a job is starting it.'\u003cbr\u003eI realized that many of my students participating in interior architecture project courses lacked sufficient knowledge about furniture design, preventing them from having the courage to imagine new furniture, and thus experiencing difficulty in starting their designs. In fact, what will make that initial start is the very inspiration that will come to them. Inspiration emerges after a person gains knowledge, is nourished by environmental factors, and internalizes them. Therefore, narratives enriched with cases and examples formed the main structure of this book. For this reason, I tried to present the mentors and cultural backgrounds that influenced many designers' inspirations within their development processes. On the other hand, since the design process is enriched by the accumulation of a visual repertoire, I prepared a selection supported by material selection criteria and details to create awareness in this regard, touching upon 10 different types of furniture designs by 40 pioneering designers.\u003c\/p\u003e\n\u003cp\u003eIn furniture design, detailing begins primarily with determining the material; then comes the shaping of the material (e.g., obtaining profiles + bending processes), and finally, it is completed by joining with the same or different materials (e.g., stitching, welding, or riveting). Looking at the recent past of furniture, we see that pioneering designers used innovative production techniques to highlight the material to add a different characteristic to the product. Thus, designs acquire the quality, as Otto Wagner said, of 'reflecting their era.'\u003c\/p\u003e\n\u003cp\u003eThis book examines the masterpieces of 40 famous furniture designers and architects. The designers and furniture discussed and analyzed are those with a valuable story in terms of ergonomics or those that pioneered breakthroughs in production technology. Of course, many other valuable pieces of furniture have been produced besides these designs. However, I was compelled to create a didactic selection. I tried my best to identify the most important designers and discuss their prominent works...\u003c\/p\u003e\n\u003cp\u003eConsidering that the book is one of the few works written and published on furniture design and designers in Turkish literature, it is expected to greatly contribute to interior architecture, architecture, and industrial product design students, new graduates of these departments, and furniture manufacturers in the sector. As a faculty member, I hope that the number of such books will rapidly increase. I owe my thanks to everyone who contributed to the preparation of this beautiful book.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHO IS PROF. DR. GENCO BERKIN?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Niğde in 1971, Genco Berkin completed his secondary education at Kadıköy Anatolian High School in 1990. Genco Berkin, who studied architecture at Brighton (England) and European University of Lefke (TRNC), began his academic career as a research assistant in 1995 after receiving an offer from his alma mater.\u003c\/p\u003e\n\u003cp\u003eIn 1998, he completed his master's degree with his thesis \"Architectural Utopias\" in the field of Architectural History at Eastern Mediterranean University. In 2006, he earned his Ph.D. with his work at Mimar Sinan University, Faculty of Architecture, Department of Building Physics and Materials; in 2015, he became an associate professor; in 2020, he became a professor at Fatih Sultan Mehmet Vakıf University, Faculty of Architecture and Design.\u003c\/p\u003e\n\u003cp\u003eGenco Berkin, who teaches architecture and interior architecture courses at various universities, has conducted research and development studies on \"ecological glass in architecture\" and developed ideas on \"improving project-design courses.\" Berkin, who particularly focuses on combining ergonomics and technology in furniture designs, has also produced numerous works on this subject. Prof. Dr. Genco Berkin currently serves as the Dean of the Faculty of Art and Design at Istanbul Nişantaşı University.\u003c\/p\u003e\n\u003cp\u003eBooks by Genco Berkin published by YEM Yayın:\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e\u003cem\u003eMaterial and Detail in Furniture Design\u003c\/em\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cem\u003eMaterial and Detail in Interior Architecture\u003c\/em\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cem\u003eMaterial and Detail in Architecture\u003c\/em\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cem\u003eIn the Footsteps of Wood: A Dictionary of Forest Products in Design\u003c\/em\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cem\u003eModulor and Le Corbusier's Cabin\u003c\/em\u003e\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cem\u003eFrom Square to Plan: Module and Architecture\u003c\/em\u003e (with Yusuf Civelek)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208997619,"sku":"9786257008600","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/MOBILYA_TASARIMINDA_MALZEME_DETAY_KAPAK.jpg?v=1667892368"},{"product_id":"mimarlar-icin-dogal-tas-rehberi","title":"Natural Stone Guide for Architects - 2nd Edition","description":"\u003cp\u003e\u003cem\u003eNatural Stone Guide for Architects\u003c\/em\u003e, the second book by STONELINE Publications, Turkey's first publishing house focused on natural stone, has been released.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNatural Stone Guide for Architects\u003c\/em\u003e serves as a reference for architects, interior designers, engineers, natural stone applicators, academics, and students who need fundamental information regarding the process of using natural stone in construction, starting with the selection decision.\u003c\/p\u003e\n\u003cp\u003eEach chapter of \u003cem\u003eNatural Stone Guide for Architects\u003c\/em\u003e, which aims to correctly answer the question \"Which natural stone should be used where?\", was written by experienced architects, academics, and industry experts in their respective fields.\u003c\/p\u003e\n\u003cp\u003eNatural stone is the most important building material, widely preferred and used from ancient times to the present day as a primary structural, flooring, and cladding element in buildings.\u003c\/p\u003e\n\u003cp\u003eNatural stones add significant value to the architectural and aesthetic identity of structures thanks to their rich variety of types, colors, and patterns, as well as their durability and long service life. The book aims to convey the basic information needed regarding the use of natural stone in architecture as a building material, with references from history.\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eNatural Stone Guide for Architects\u003c\/em\u003e, the process of natural stone formation, production, and processing from block to cladding; important structures that have left their mark in architectural history and the place and importance of natural stone in architectural history; natural stone selection criteria in architecture; usage areas in interior and exterior spaces from residential to public areas; design methods and construction principles; deterioration, cleaning, and conservation principles; evaluation methods in terms of sustainability; and quantitative data on our country's natural stone resources and more are presented with texts written by experts. In the \"Natural Stone Types\" section, examples of commonly used natural stones of different types and origins are included with their technical specifications. At the end of the book, there is a comprehensive glossary containing explanations of technical terms related to natural stones.\u003c\/p\u003e\n\u003cp\u003eIn the book, edited by Dr. O. Serkan Angı and graphically designed by Cem Günübek, information explaining the process from the selection to the use of natural stone was written by Dr. O. Serkan Angı, Assoc. Prof. Dr. Demet Arslan Dinçay, Prof. Dr. Genco Berkin, Assoc. Prof. Dr. Deniz Aslan, Prof. Dr. A. Nil Türkeri, Arch. Canan Baş, and Prof. Dr. Seden Acun Özgünler. Evren İyigönül and Nuray Saatçioğlu Uygur from STONELINE Yapı Ürünleri's expert team also share their application experiences with the reader. At the end of the book, there is also a comprehensive glossary prepared by Prof. Dr. Emin Çiftçi, containing explanations of technical terms related to natural stones.\u003c\/p\u003e\n\u003cp\u003eSTONELINE Publications, whose general editorial management is carried out by Architect Gülçin İpek, considers \u003cem\u003eNatural Stone Guide for Architects\u003c\/em\u003e as a first step in the field and aims for this work to fill a significant gap in the natural stone literature by being continuously updated and developed with new topics to be added in future editions in line with needs and suggestions.\u003c\/p\u003e\n\u003cp\u003eWith texts accompanied by nearly 1,000 photographs and technical detail drawings, the book informs the reader about the use of natural stone in architecture.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"STONELINE Yayınları","offers":[{"title":"Default Title","offer_id":43707860287731,"sku":"9786057344717","price":980.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/DOGALTASREHBERIonkapak.jpg?v=1680534301"},{"product_id":"ic-mimarlikta-paslanmaz-celik-ve-cam","title":"Stainless Steel and Glass in Interior Architecture - 4th Edition","description":"\u003cp data-mce-fragment=\"1\"\u003eThe book \u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e, prepared by Genco Berkin and Gökhan Mermi primarily for students of interior architecture, architecture, and industrial product design, as well as for designers and practitioners new to the profession, has been published by YEM Yayın.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eTo achieve successful results in interior design, it is necessary to thoroughly understand the materials to be used. In \u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e, detailed information about stainless steel and glass materials, supported by details and carefully prepared drawings, is conveyed to young designers in particular, in a simple and easily understandable manner, focusing on details and materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eStainless steel and glass are two of the five most commonly used basic building materials (plasterboard, MDF, ceramic, stainless steel, glass) in interior design today. These two complementary building materials, with their technical specifications and application details, are primary construction materials that designers must master.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e aims to be a guide for the use of stainless steel and glass materials in schools, design offices, and construction site applications. The information contained in the book includes contemporary and valid detail solutions currently in active use.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eThe book \u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e consists of six chapters:\u003c\/p\u003e\n\n\u003col data-mce-fragment=\"1\"\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 1 examines the production and technical characteristics of stainless steel, its manufacturing methods, and the types of stainless steel used in interior architecture.\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 2 covers the production and technical characteristics of glass, its manufacturing methods, and the types used in interior architecture.\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 3 presents all elements used in interior architecture, separately as both stainless steel and glass materials, to the reader; examples including both materials are also discussed.\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 4 investigates how various pieces of furniture in interior spaces are made with stainless steel and glass, detailing them to the finest points.\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 5 examines the sustainability characteristics of both materials.\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 6 consists of additional detail drawings that can serve as alternatives to the details provided in the previous chapters.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eProf. Dr. Genco Berkin and Interior Architect Gökhan Mermi's reasoning for preparing the book is summarized in the \"Introduction\" as follows:\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"...This book serves as a guide for interior architects and architects on the use of stainless steel and glass materials in design offices and construction site applications. We are fully confident that such a resource will become an indispensable reference book, especially for interior architects. The information in the book includes contemporary and valid detail solutions currently in active use. It should be kept in mind that, in addition to the stainless steel and glass duo, a third material can also be used in detailing...\"\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eWe hope that the detail drawings and graphics in the book will serve as useful and guiding examples for architecture and interior architecture students and our colleagues who have started their professional careers, in their designs involving stainless steel and glass. We would like to state that the drawings are not to scale and designers should examine these details only for inspiration for their work...\"\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eMechanical and Aeronautical Engineer Mehmet Engin Kılınç, who also worked with Genco Berkin and Gökhan Mermi in the past, states the following in the \"Foreword\":\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"Dear Interior Architects, Architects, Industrial Product Designers;\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe inadequacy of practical application in university education manifests itself as various shortcomings in professional life. Although students undergo a short period of internship training, this is often insufficient. True success comes from supplementing theoretical knowledge with real-world applications.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eOur young people, who lack practical training in universities, often feel inadequate in terms of practical knowledge focusing on materials and details. This situation should be remedied by reading technical books written by experienced interior architects, architects, and engineers with practical knowledge in the field.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAfter graduating from the ITU Mechanical Engineering Department, Aeronautical Engineering in 1972, I experienced the same difficulties in my professional life. I learned how to use the theoretical knowledge I gained at university in the field, through trial and error over time. I always longed for helpful books on this subject, but there were not enough resources.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAfter gaining experience in various companies for about 30 years, I established my own design firm in 2002. At that time, my young, hardworking, and eager-to-learn architect colleague, Genco Berkin, who had just graduated from university, started working as an architect in my company. He personally experienced and witnessed the applications in business life and was involved in very good projects in this field. Later, he received an offer to start an academic career and became a faculty member. Our connection never broke during this period. I always followed his work with appreciation. Subsequently, with Genco Berkin's reference, I brought interior architect Gökhan Mermi, who graduated first in his department, into our team. We worked together successfully on many projects for a long time. I enthusiastically conveyed to him how to apply academic knowledge in the real manufacturing industry, especially regarding materials and details. I felt immense pride when I read the first draft of this book, a collaborative effort by my two designer colleagues.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThere was a significant need for a technical handbook in the field of interior architecture that focused on stainless steel and glass materials and included all application details. Both materials are unforgiving of even the smallest mistake and require specific detailed solutions. This work has become a guide that provides technical knowledge to interior architecture students and recent graduates for construction site applications.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThis work by Genco Berkin and Gökhan Mermi blends fundamental theoretical knowledge with implemented manufacturing practices. The book \u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e has been very beneficial because it supports its technical information with application drawings.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eI congratulate them for bringing this valuable book, which also describes the latest developments in stainless steel and glass production technologies, to the design world, and I hope for its continuation.\"\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eThe concept design for \u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e, the 4th book in YEM Yayın's \"Material and Detail Series,\" is by Sedef Sav, the designer of the series. The book's detailed drawings and layout were done by Gökhan Mermi; it was prepared for printing by Resul Atabay.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTABLE OF CONTENTS\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 1 STAINLESS STEELS\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e12 Production and Technical Characteristics\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e16 Manufacturing Methods\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e20 Stainless Steels Used in Interior Architecture\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 2 GLASSES\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e24 Production and Technical Characteristics\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e26 Manufacturing Methods\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e30 Glasses Used in Interior Architecture\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 3 INTERIOR ARCHITECTURE ELEMENTS\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e36 Stairs\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e42 Railings\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e44 Elevators\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e46 Panoramic Elevators\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e48 Escalators\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e50 Glass Flooring\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e52 Glass Partitions\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e54 Glass Doors\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e56 Column Cladding\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e58 Fireplaces\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 4 FURNITURE\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e62 Tables\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e64 Benches\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e66 Display Units\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e68 Shelves\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e70 Lighting Fixtures\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 5 SUSTAINABILITY\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e74 Stainless Steel Material Type Selection\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e76 Glass Material Type Selection\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e78 Stainless Steel Material Application Errors\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e80 Glass Material Application Errors\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e82 Transportation and Stacking\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e84 Stainless Steel Maintenance Methods\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 6 APPENDICES\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e88 Connection Apparatuses\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e90 Floor Drains\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e92 Grab Bars\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e94 Details for Visually Impaired\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e96 Pool Ladders\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWHO IS PROF. DR. GENCO BERKİN?\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eBorn in Niğde in 1971, Genco Berkin completed his secondary education at Kadıköy Anatolian High School in 1990. Genco Berkin, who studied architecture at Brighton (England) and European University of Lefke (TRNC), began his academic career as a research assistant in 1995 after being offered a position by his alma mater.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn 1998, he completed his master's degree at Eastern Mediterranean University with his thesis \"Architectural Utopias\" in the field of Architectural History. In 2006, he earned his doctorate (Ph.D.) degree with his studies at the Mimar Sinan Fine Arts University, Faculty of Architecture, Department of Building Physics and Materials; he became an associate professor in 2015; and in 2020, he became a professor at Fatih Sultan Mehmet Vakıf University, Faculty of Architecture and Design.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eGenco Berkin, who teaches architecture and interior architecture courses at various universities, has conducted research and development studies on \"ecological glass in architecture\" and developed ideas on \"improving project-design courses.\" Berkin, who particularly emphasizes combining ergonomics and technology in furniture designs, has also produced numerous works on this subject. Prof. Dr. Genco Berkin currently serves as the Dean of the Faculty of Arts and Design at Istanbul Nişantaşı University.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eGenco Berkin's books published by YEM Yayın:\u003c\/p\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMaterials and Details in Architecture\u003c\/em\u003e\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMaterials and Details in Interior Architecture\u003c\/em\u003e\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMaterials and Details in Furniture Design\u003c\/em\u003e\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\n\n\u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e (with Gökhan Mermi)\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIn the Footsteps of Wood: A Dictionary of Forest Products in Design\u003c\/em\u003e\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eModulor and Le Corbusier's Cabin\u003c\/em\u003e\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\n\n\u003cem data-mce-fragment=\"1\"\u003eFrom Square to Plan: Module and Architecture\u003c\/em\u003e (with Yusuf Civelek)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\" style=\"font-size: 0.875rem;\"\u003eWHO IS INTERIOR ARCHITECT GÖKHAN MERMİ?\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eBorn in Istanbul in 1987, Gökhan Mermi completed his secondary education at Şehremini Anatolian High School in 2003. Gökhan Mermi, who studied interior architecture at Haliç University, graduated as the top student in his department with honors in 2008. After graduation, he began his master's degree with a scholarship at Haliç University.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn 2012, he completed his master's degree in Interior Architecture with his thesis \"Evaluation of Stainless Steel Material in Interior Architectural Applications from a Sustainability Perspective.\" With this thesis, he served as a designer and controller for the fabrication of stainless steel and glass in many projects, primarily metro, hotel, and residential projects in the private sector. As of 2013, he has served as a project manager in several architectural offices, including Alarko Contracting Group. He has undertaken roles as both a designer and site chief in hotel, metro, shopping mall, office, restaurant, and residential projects. One of his successfully completed projects, where he served as a designer and site architect, is the \"Levent-Hisarüstü Metro Project.\"\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eCurrently, Gökhan Mermi works as a full-time lecturer for interior architecture courses and is also pursuing his doctoral studies at Mimar Sinan Fine Arts University, Department of Architecture, Building Physics and Materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207359219,"sku":"9786257008754","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/IC_MIMARLIKTA_PASLANMAZ_CELIK_CAM_KAPAK.jpg?v=1698911072"},{"product_id":"endustriyel-tasarimda-malzeme-ve-detay-genco-berkin","title":"Material and Detail in Industrial Design","description":"\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eGenco Berkin’s new book, Materials and Details in Industrial Design, prepared for designers and practitioners new to the profession, especially industrial design and interior architecture students, has been published by YEM Yayın.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMaterials and Details in Industrial Design, prepared for industrial design, interior architecture, and architecture students, as well as product designers and practitioners new to the profession, brings together 40 different product designs, design approaches, characteristics and processing of raw materials, issues designers should consider in material selection, and detail analyses for industrial product design, presented with original drawings.\u003c\/p\u003e\n\n\u003cp\u003eDespite the thousands, even millions, of products that can fall under industrial design, to open a thoughtful window for designers new to the profession, the topics are covered under the sections \u003cstrong\u003eEVERYDAY ITEMS, HOUSEHOLD ITEMS, SPORTS EQUIPMENT, VEHICLES, DEFENSE INDUSTRY, and ADDITIONS\u003c\/strong\u003e; ranging from forks, spoons, and knives to jewelry, shoes to thermoses, chandeliers to irons, bicycles to tennis rackets, Audis to Harley-Davidsons, airplane seats to UAVs, thus covering a very broad perspective. \u003c\/p\u003e\n\n\u003cp\u003eProf.Dr. Genco Berkin summarizes the rationale and content of the book as follows: “This book has been written for Industrial Design Department students and recent graduates. Although the topics covered in the book belong to a specific sector, due to the common areas of contemporary professions in both production and consumption, the content of the book partly concerns interior architects and even, to a considerable extent, architects. Historically, the professional fields of architecture, interior architecture, and industrial design have never been as close as they are today. The primary factor enabling this is standardization in production. All the tools and equipment mentioned in the \"Household Items\" section, which is one of the chapters in this book, are actually systems that can be integrated into buildings. Moreover, for thousands of years, there has been a transfer of knowledge from the industrial sector to architecture... The book consists of five main sections; each section contains eight current topics. In some topics, you will see that products traditionally made have also been manufactured using modern materials and production techniques as alternatives... This work serves as a guide for today's design world and also acts as a kind of record book bequeathed to the future. I believe that the book will be a fundamental resource for industrial design students in reinforcing their professional knowledge.”\u003cbr\u003e\nProf.Dr. Önder Küçükerman says the following in the Foreword of the book: “With this book, in which it is pointed out that ‘every product originates from a very special design culture and has separate application areas,’ Genco Berkin reveals that very interesting and realistic design lessons are hidden behind all the products around us, telling designers to act in accordance with these realities and to approach problems from the material-detail axis; he states that for industrial design, planning and production processes ‘should be resolved not only with general rules, but by delving into the root of multifaceted real problems’...”\u003c\/p\u003e\n\n\u003cp\u003eIn Materials and Details in Industrial Design, all data (such as ergonomics, materials, functionality, chemical knowledge, etc. necessary for designing a product) is presented in a simple and easily understandable manner through carefully prepared drawings, with the aim of providing young designers, in particular, with complete equipment to support the product design process from a detail and material perspective.\u003c\/p\u003e\n\n\u003cp\u003eThe book, along with Architecture in Materials and Details and Interior Architecture in Materials and Details, Furniture Design in Materials and Details, Stainless Steel and Glass in Interior Architecture (co-authored with Gökhan Mermi), all previously prepared by Genco Berkin and considered fundamental reference sources, forms YEM Yayın’s “Material and Detail Series.”\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWHO IS GENCO BERKIN?\u003c\/strong\u003e\u003cbr\u003e\nBorn in Niğde in 1971, Genco Berkin completed his secondary education at Kadıköy Anatolian High School in 1990. Genco Berkin, who studied architecture at Brighton (England) and European University of Lefke (TRNC), started his academic career as a research assistant in 1995 upon an offer from the university he graduated from. \u003cbr\u003e\nIn 1998, he completed his master's degree at Eastern Mediterranean University with his thesis “Architectural Utopias” in the field of Architectural History. In 2006, he earned his doctorate (Ph.D.) with his studies at the Building Physics and Materials Department of Mimar Sinan Fine Arts University, Faculty of Architecture; in 2015, he became an associate professor; and in 2020, he became a professor at Fatih Sultan Mehmet Vakıf University, Faculty of Architecture and Design. \u003cbr\u003e\nGenco Berkin, who teaches architecture and interior architecture at various universities, has conducted research and development studies on “ecological glass in architecture” and developed ideas on “improving project-design courses.” Berkin, especially considering combining ergonomics and technology in furniture designs, has also produced many works in this field. \u003cbr\u003e\nProf.Dr. Genco Berkin is currently a faculty member at Istanbul Nişantaşı University, Faculty of Art and Design.\u003cbr\u003e\nGenco Berkin's books published by YEM Yayın:\u003cbr\u003e\n• Materials and Details in Architecture\u003cbr\u003e\n• Materials and Details in Interior Architecture\u003cbr\u003e\n• Materials and Details in Furniture Design\u003cbr\u003e\n• Stainless Steel and Glass in Interior Architecture (co-authored with Gökhan Mermi)\u003cbr\u003e\n• In the Footsteps of Wood: A Glossary of Forest Products in Design\u003cbr\u003e\n• Modulor and Le Corbusier’s Cabin\u003cbr\u003e\n• Module and Architecture from Square to Plan (co-authored with Yusuf Civelek)\u003cbr\u003e\n• Materials and Details in Industrial Design\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370206867699,"sku":"9786259710204","price":350.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ENDUSTRIYEL_TASARIMDA_MALZEME_DETAY_KAPAK.jpg?v=1744733796"},{"product_id":"natural-stone-guide-for-architects","title":"Mimarlar için Doğal Taş Rehberi","description":"\u003cp class=\"MsoBodyText\" align=\"left\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-ansi-language: EN-US;\"\u003eThe English edition of \u003ca href=\"https:\/\/yemkitabevi.com\/products\/mimarlar-icin-dogal-tas-rehberi\" rel=\"noopener\" target=\"_blank\"\u003e\u003ci\u003eMimarlar İçin Doğal Taş Rehberi\u003c\/i\u003e\u003c\/a\u003e (\u003ci\u003eNatural Stone Guide for Architects\u003c\/i\u003e), published in 2023 by STONELINE Publications, Türkiye’s first publishing house dedicated to natural stone, has now been published.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoBodyText\" align=\"left\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-ansi-language: EN-US;\"\u003eThe book serves as a reference guide for architects, interior designers, engineers, natural stone practitioners, academics and students who need essential information on the process that begins with the selection of natural stone for use in buildings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoBodyText\" align=\"left\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-ansi-language: EN-US;\"\u003eWritten by experienced architects, academics and industry experts, \u003ci\u003eNatural Stone Guide for Architects\u003c\/i\u003e aims to provide the right answers to the question: “Which natural stone should be used where?”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoBodyText\" align=\"left\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-ansi-language: EN-US;\"\u003eNatural stones are among the most important building materials, widely preferred and used from antiquity to the present day, primarily as structural, flooring and cladding elements in buildings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoBodyText\" align=\"left\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-ansi-language: EN-US;\"\u003eIn addition to their rich variety of types, colours and patterns, natural stones add significant value to the architectural and aesthetic identity of buildings thanks to their durability and long service life. Drawing on historical references, the book covers the essential knowledge needed for the use of natural stone as a building material in architecture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoBodyText\" align=\"left\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-ansi-language: EN-US;\"\u003eIn \u003ci\u003eNatural Stone Guide for Architects\u003c\/i\u003e, the formation, production and processing of natural stone from block to cladding; landmark buildings in architectural history and the place and importance of natural stone within that history; criteria for selecting natural stone in architecture; its areas of use in interior and exterior spaces, from residential buildings to public spaces; design methods and construction principles; deterioration, cleaning and conservation principles; methods of evaluation in terms of sustainability; numerical data on natural stone resources on a global scale; and much more are presented through texts written by specialists. The section “Natural Stone Types” features examples of commonly used natural stones of various types and origins, together with their technical properties. At the end of the book, there is also a comprehensive glossary explaining technical terms related to natural stone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoBodyText\" align=\"left\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-ansi-language: EN-US;\"\u003eThe book’s Publishing Director was led by architect Gülçin İpek, with Dr O. Serkan Angı as editor and Cem Günübek responsible for graphic design. The chapters covering the process from the selection to the use of natural stone were written by Dr O. Serkan Angı, Assoc. Prof. Dr. Demet Arslan Dinçay, Prof. Dr. Genco Berkin, Assoc. Prof. Dr. Deniz Aslan, Prof. Dr. A. Nil Türkeri, MArch Canan Baş and Prof. Dr. Seden Acun Özgünler. Evren İyigönül and Nuray Saatçioğlu Uygur from the expert team of STONELINE Yapı Ürünleri also share their practical experience with readers. The book concludes with a comprehensive glossary of technical terms related to natural stone, prepared by Prof. Dr. Emin Çiftçi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoBodyText\" align=\"left\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-ansi-language: EN-US;\"\u003eAccompanied by nearly 1,000 photographs and technical detail drawings, the book informs readers about the use of natural stone in architecture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoBodyText\" align=\"left\" style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoBodyText\" align=\"left\" style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003ePublisher: Stoneline Publications\u003cbr\u003ePublications Manager: Gülçin İpek\u003cbr\u003eBook Design: Cem Günübek\u003cbr\u003eTranslation: Kathryn Kranzler İzgi \u003cbr\u003eTechnical Consultant: Neslihan Güçmen\u003cbr\u003eContributors: Kadir Akyıldırım, Mustafa Odabaş\u003c\/span\u003e\u003c\/p\u003e","brand":"STONELINE Yayınları","offers":[{"title":"Default Title","offer_id":49263367454963,"sku":"9786057344731","price":980.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/NaturalStoneGuideKapakENG.jpg?v=1781504677"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/collections\/1632728405457.jpg?v=1709640199","url":"https:\/\/yemkitabevi.com\/en-us\/collections\/genco-berkin-kitaplari\/basimtarihi_mart-2026.oembed","provider":"YEM Kitabevi","version":"1.0","type":"link"}