{"title":"İşbank Culture Publications","description":"\u003cp\u003eBooks published by İş Bankası Kültür Yayınları.\u003c\/p\u003e","products":[{"product_id":"turk-ahsap-konut-mimarisi","title":"Turkish Wooden House Architecture","description":"\"House,\" the primary and most unique product of the relationship between space and human, has long transcended the boundaries of architecture and been embraced as an indicator of a broad disciplinary field. The \"Turkish house,\" despite all its diversity and its coverage of a vast historical and geographical area, only became a subject of research from the 20th century onwards.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Turkish housing tradition maintained its fundamental layout and the originality of its element placement for centuries. At the root of the room space lies the way of existence of nomadic traditions; life and form are intertwined. Enriched by the overlap of nomadic pragmatism and Islamic abstraction, this dwelling also reflects the local characteristics of the Anatolian-Turkish society. It reached its peak with the consolidation of Ottoman rule in the second half of the 16th century, finding its unique expression in the \"hayatlı ev\" (house with a courtyard\/living area). Although the Turkish house has been described in travelogues, engravings, and paintings for five hundred years, the limited lifespan of its building materials, especially wood, has not left sufficient data to study this architecture in all its details.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith this book, which attempts to evaluate Turkish wooden residential architecture with comprehensive historical research and a deep theoretical approach, we hope it will achieve the position and value it deserves in universal architectural history.","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":39408956801219,"sku":"9786052951071","price":288.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/turk-ahsap-konut-mimarisi.webp?v=1740951755"},{"product_id":"istanbul-tarihi-arastirmalari-halil-inalcik","title":"Istanbul Historical Studies","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eIn Halil İnalcık's İstanbul Tarihi Araştırmaları (Studies on the History of Istanbul), one of the works he entrusted to our publishing house before his death, İnalcık's articles on Istanbul's history and previously unpublished works, through which he contributed to the subject for sixty years, are presented together. In the first section of the work, İnalcık compiles his various studies on the repopulation and reconstruction activities of Istanbul after its conquest. He examines the city's re-establishment as a Turkish-Islamic city, drawing upon archival documents and primary sources in various languages. Additionally, the city's population, settlements, and economic life are among the book's significant contributions. In the second section, İnalcık presents his research on Galata, Eyüp, and Üsküdar as the Bilâd-i Selâse (Three Cities). Alongside various Istanbul censuses, he dedicates a significant portion to the 1885 Istanbul Census, focusing on the structural characteristics of Istanbul's demographics. By providing a list of existing neighborhoods in Istanbul from 1911, he illustrates the developmental stages of Istanbul as a Turkish-Islamic city over a broad spectrum from 1453 to 1911. In İstanbul Tarihi Araştırmaları, İnalcık's research on the history of Istanbul over many years is presented as a whole, along with his work The Survey of Istanbul 1455, published in 2012, which was the first Ottoman cadastral survey of Istanbul after its conquest.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":39408956866755,"sku":"9786052957578","price":495.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/IstanbulTarihiArastirmalari.webp?v=1741027336"},{"product_id":"19-yuzyilda-osmanli-baskenti-degisen-istanbul_349201-html","title":"19th Century Istanbul: The Changing Ottoman Capital","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eIstanbul, which was completely rebuilt as the capital of the Eastern Roman Empire in 330, became the Ottoman capital after 1453. The city adapted to many changes throughout the ages. One of the most extensive of these changes occurred in the 19th century. Istanbul, which remained within almost the same borders for 1500 years, did not stay away from the changes in the modern world, expanding beyond these borders and becoming acquainted with new trends and techniques in architecture and urbanism. Çelik presents not only the details of this long and curious story but also a rich visual panorama, compiled from contemporary sources and archives...\u003c\/span\u003e\u003c\/p\u003e","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":39408961093827,"sku":"9786053324669","price":24.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786053324669.jpg?v=1616017344"},{"product_id":"neoliberal-kent-politikalari-ve-fener-balat-ayvansaray","title":"Neoliberal Urban Policies and Fener-Balat-Ayvansaray","description":"\u003cdiv col-half=\"\"\u003e\n\n\u003ch1 product-name=\"\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\n\n\u003c\/div\u003e\n\u003cdiv col-half=\"\"\u003eIn 1998, a conservation project was initiated in collaboration with UNESCO, the EU, and the Fatih Municipality, aiming to preserve both the architectural fabric of the area and its residents. Before this project, Fener, Balat, and Ayvansaray were historical neighborhoods whose names were only known by their inhabitants and a few curious individuals, secluded and home to ordinary people living in small, multi-story houses with bay windows.\u003cbr\u003e\u003cbr\u003eThis book, which contains academic articles on the past, present, and future of these ancient neighborhoods, is a step towards making the historical and social values of the region more visible, and drawing attention to problematic approaches in urban renewal projects targeting these areas.\u003cbr\u003e(From the Promotional Bulletin)\u003c\/div\u003e","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":39408961421507,"sku":"9786053327851","price":74.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0000000703045-1.jpg?v=1637318128"},{"product_id":"patara-kent-liman-kult_350672-html","title":"Patara City - Port - Cult","description":"\u003cp style=\"text-align: justify; \"\u003e\u003cfont color=\"#333333\" face=\"Open Sans, Helvetica, Arial, sans-serif\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/font\u003e\u003cstrong style=\"font-weight: bold; color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003ePatara Ancient City\u003c\/strong\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003e is located between Fethiye and Kalkan, at the southwestern tip of the \u003c\/span\u003e\u003cstrong style=\"font-weight: bold; color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003eXanthos Valley\u003c\/strong\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003e, in today's \u003c\/span\u003e\u003cstrong style=\"font-weight: bold; color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003eOvagelemiş Village\u003c\/strong\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003e, and is one of the most important and oldest cities of \u003c\/span\u003e\u003cstrong style=\"font-weight: bold; color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003eLycia\u003c\/strong\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003e. The excavations of Patara Ancient City, which have been carried out since 1988 by Prof. Dr. Fahri Işık and his team from Akdeniz University, hold special importance not only for their archaeological and historical value but also as one of the rare beaches where Mediterranean sea turtles (Caretta-Carettas) have been laying their eggs and breeding for millions of years.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003ePatara became the leading city of Lycia when it came under \u003c\/span\u003e\u003cstrong style=\"font-weight: bold; color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003ePtolemaic\u003c\/strong\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003e rule in the 3rd century BC. When Lycia began to be controlled by the \u003c\/span\u003e\u003cstrong style=\"font-weight: bold; color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003eSeleucid Kingdom\u003c\/strong\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003e at the beginning of the 2nd century BC, Patara was regarded as the capital of Lycia. This situation became official in 167\/168 BC when Patara gained its autonomy against Rome and its independence against Rhodes, making Patara the capital of the \u003c\/span\u003e\u003cstrong style=\"font-weight: bold; color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003eLycian League\u003c\/strong\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003e. Monumental structures such as the Assembly Building and the Theater, built during the \u003c\/span\u003e\u003cstrong style=\"font-weight: bold; color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003eHellenistic Period\u003c\/strong\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003e in the capital, are parallel to this historical process. Patara did not lose its importance after coming under \u003c\/span\u003e\u003cstrong style=\"font-weight: bold; color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003eRoman\u003c\/strong\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003e rule, maintaining its significance as a center for the judicial affairs of Roman Governorships and as a naval base connecting Rome with its eastern provinces. In 43 AD, Lycia became a Roman province, and in 74 AD, Lycia and \u003c\/span\u003e\u003cstrong style=\"font-weight: bold; color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003ePamphylia\u003c\/strong\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003e were united into a single province, and Patara continued to be its capital.\u003c\/span\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-family: \" open sans helvetica arial sans-serif\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":39409013620931,"sku":"9786257999243","price":200.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786257999243.jpg?v=1616018084"},{"product_id":"1890-larda-istanbul","title":"Istanbul in the 1890s","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eFrom the mid-19th century onwards, Istanbul was a place that many Western intellectuals felt almost compelled to visit. Those visitors who held a pen in their hand would invariably write a travelogue, mostly describing the vanished Eastern Roman Empire and the harem, which they could never actually enter. However, the American man of letters Francis Marion-Crawford, who had embraced this city, described a completely different Istanbul, with all its nooks and crannies and its people on the streets. From people's home and street lives to their eating and drinking habits, from shopping customs in the Grand Bazaar to disappointments in the Horse Market, he covered many things... Crawford, a celebrated author in his time, presents the Istanbul we heard about from past generations, embellished with the meticulousness of his own observational power, alongside the little-known drawings of his friend Edwin Lord Weeks. Francis Marion-Crawford (1854-1909) was born in Italy to a wealthy Bostonian family. After his education in the USA, he returned to Rome in 1869. He had a great interest in foreign languages and cultures. He could fluently speak and write nearly 20 languages, including Turkish. His life changed in India, where he went to advance his Sanskrit studies. He had to work as a newspaper editor to make a living. However, a novel he wrote based on the people he met and the stories he heard during this period became a turning point in his career. He quickly became known and widely read in the USA. In 1884, he married in Istanbul. He lived in Istanbul for a year and visited it many times until the mid-1890s. He was the first to bring Sicilian families and the mafia into literature with his four novels. In addition to nearly 40 novels, he lived by earning a small fortune from his history and travel books.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":39409087283395,"sku":"9789944880954","price":86.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789944880954.jpg?v=1616018990"},{"product_id":"kent-imgesi-kevin-lynch","title":"City Image","description":"\u003cp data-start=\"506\" data-end=\"854\"\u003eThe Image of the City is Kevin Lynch's classic work that examines cities not merely as physical structures, but through the images formed in people's minds. In this work, Lynch reveals the relationship between urban space and human experience by studying how a city is perceived, remembered, and mentally \"read.\"\u003c\/p\u003e\n\u003cp data-start=\"856\" data-end=\"1208\"\u003eIn the book, cities are analyzed through basic components such as paths, edges, districts, nodes, and landmarks. The combination of these elements shapes the mental map that city dwellers form with their city. Lynch demonstrates that the urban experience is determined not only by planning decisions but also by users' perceptions and daily experiences.\u003c\/p\u003e\n\u003cp data-start=\"1210\" data-end=\"1555\"\u003eStudies conducted across different cities like Los Angeles, Boston, and Jersey City explain with concrete examples the impact of a city's legibility and perceptual clarity on the quality of urban life. The Image of the City discusses how planning and design decisions can strengthen or weaken the connection between city dwellers and space.\u003c\/p\u003e\n\u003cp data-start=\"1557\" data-end=\"1723\"\u003eThis work is a fundamental reference for anyone aiming to make cities more understandable, navigable, and livable, providing insights into urban perception and spatial thinking.\u003c\/p\u003e\n\u003cp data-start=\"1730\" data-end=\"1750\"\u003e\u003cstrong\u003eWho Is This Book For?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1752\" data-end=\"2120\"\u003e\n\n\u003cli data-start=\"1752\" data-end=\"1825\"\u003e\n\n\u003cp data-start=\"1754\" data-end=\"1825\"\u003eProfessionals and students in urban planning and urban design\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1826\" data-end=\"1883\"\u003e\n\n\u003cp data-start=\"1828\" data-end=\"1883\"\u003eStudents of architecture, landscape architecture, and interior design\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1884\" data-end=\"1954\"\u003e\n\n\u003cp data-start=\"1886\" data-end=\"1954\"\u003eReaders interested in understanding cities through perception, memory, and experience\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1955\" data-end=\"2033\"\u003e\n\n\u003cp data-start=\"1957\" data-end=\"2033\"\u003eResearchers interested in urban sociology, geography, and spatial theories\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"2034\" data-end=\"2120\"\u003e\n\n\u003cp data-start=\"2036\" data-end=\"2120\"\u003eAnyone who wants to become more aware of their relationship with the city in daily life\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":39409087447235,"sku":"9789944889483","price":199.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Kent_mgesi_kitap_kapa_-_Kevin_Lynch_taraf_ndan_yaz_lm_kentsel_alg_ve_ehir_okuma_klasi_i.webp?v=1769167456"},{"product_id":"gec-osmanlid-neminde-sanat-mimarlik-ve-kultur-karsilamalari","title":"Art, Architecture, and Cultural Encounters in the Late Ottoman Period","description":"\u003cspan data-mce-fragment=\"1\"\u003ePublished under the title Art, Architecture, and Cultural Encounters in the Late Ottoman Period, this book is a collection of articles examining the architectural, cultural, and artistic reflections of the major administrative, political, and social changes that emerged in the Ottoman Empire in the 19th and early 20th centuries.\u003c\/span\u003e","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":39871955501251,"sku":"9786053327219","price":22.22,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0000000716165-1.jpg?v=1621936372"},{"product_id":"insanin-resmi-ciltli-ozel-kutulu","title":"The Official Human (Hardcover, Special Boxed Edition)","description":"\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e''There are three major concepts that define humanity. The first is the problem of wholeness-inability to integrate, the second is death, and the third is creation. These are interconnected. Death constitutes the complete antipode of integration. Humanity's fundamental need is to integrate. But as a mortal being, it cannot eliminate death, meaning it cannot integrate in the real world. Humans are those who achieve their integration in the irreal-ideal realm. Humanity's somatic-biological aspect makes it a slave to nature, while its spiritual aspect makes it its master. The mechanism, the apparatus for this, is the activation of the potential for creation. Humans can only achieve immortality by creating, by leaving new meanings, values, and works on Earth. In such a defined living being, in situations where the integrity of existence is threatened or disturbed, self-consciousness and creative potentials are activated through the effectiveness of spiritual defenses, alongside physiological and psychological defenses, in the context of establishing a new homeostatic balance; the activation of creative potential aims to establish a harmonious unity of multiplicity. Thus, the act of creation occurs. In the act of creation, all realms of being, from inorganic being to spiritual being, from the 'Microcosmic Sphere' to the 'Macrocosmic Sphere,' collaborate for a common purpose. The inorganic and the spiritual, the real and the irreal, the moral and the emotional, the conscious and the unconscious, the Microcosmic and the Macrocosmic, the archaic and the contemporary, the local and the universal, the individual and the social can only achieve harmonious unity and wholeness in the act of creation. The expression of the supra-individual through individuality is creation. Every human being has creative potential. But some people cannot use this potential; they are unaware of it. In this, the oversight of the concept of creation in all intellectual, philosophical, and faith-based approaches for 2500 years, and the treatment of creativity as a semi-divine quality, have played a major role. Yet, what is truly human is creativity. Any living being that comes to Earth with the potential for creation is called human. No explanation or definition of human existence that does not include the concept of creation can adequately define humanity, just as no intellectual system or scientific discipline that does not grasp humanity in all its dimensions can reach sufficient maturity.''\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eDr. Süleyman Velioğlu Interview, 1990.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt was only after I founded the Psychopathological Art Laboratory that I realized that psychiatry and art, that is, science and art, are not separate disciplines as commonly thought. This created in me a passion to understand human existence. On one side, psychiatry, on the other, neurophysiology, and alongside them, art… When all of these came together, I began to ask the question of who man is. Interpreting what I understood from this, I turned to evaluating contemporary human existence. The most helpful resource for me in understanding healthy human existence has been the Schizophrenic Process. Without understanding the Schizophrenic Process, human existence cannot be understood. This process, a special pathological condition of human existence, is one of the greatest guiding sources in understanding humanity. In my opinion, human existence is a process of integration. Schizophrenia is the most special and pathological condition of human disintegration. For this reason, my areas of interest are psychiatry, aesthetics, philosophy, and the Schizophrenic process. The resources I have utilized concerning human existence are dynamic psychiatry, psychosomatic medicine, neurophysiology in psychiatry, ontology and contemporary philosophical disciplines in philosophy, and plastic arts in aesthetics. With the data from all of these, I am concerned with creating art by defining human existence in my own unique way and developing an aesthetic based on it. My philosophy of art is based on the effort to explain unsupported, abandoned man, lonely-man, and to establish harmony on an aesthetic level from the contradiction between man's archaic values and contemporary universal values. Hereditary, structural, functional defects, disorders, inadequacies, insensitivity, and disharmonies related to categories of being, as well as the fact that life is limited by the biological clock, cause man to succumb to an inability to integrate, to death, and to nothingness. But, among living beings, it is only human existence that resists this fate. It does not surrender to defeat in the real realm. It stands against death and nothingness through the act of creation. The perceptible world in the background of the plastic language in my paintings is the adventure of human existence within the universe.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eProf. Dr. Süleyman Velioğlu, Istanbul 1999.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSüleyman Velioğlu (1927-2001) developed his original \"Theory of Human Existence\" as a result of his integrated studies in the fields of thought, psychiatry, and art. His theory, which is very different from the theories about humanity that have been developed for 2500 years, was published as a book in 2000 under the title \"Human and the Act of Creation\". Süleyman Velioğlu's understanding of painting and art also completely illustrates his theory. Süleyman Velioğlu's works are in the Istanbul Museum of Painting and Sculpture, Anadolu University Contemporary Arts Museum, and in collections in cities such as New York, Boston, New Jersey, Paris, Istanbul, Ankara, and Izmir. This book was created to introduce Süleyman Velioğlu's \"Theory of Human Existence\" and the visual language he developed to the reader.\u003c\/p\u003e","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":42657559380211,"sku":"9789944888936","price":250.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/179191_frontpage.jpg?v=1649767017"},{"product_id":"mimarlar-ve-muhendisler","title":"Architects and Engineers","description":"\u003cp data-mce-fragment=\"1\"\u003eIs there a construction site you pass by on your way to school? Do not enter the construction site, but look carefully. Who designs a building's floors and rooms? The architect...\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe civil engineer also does the calculations and supervises the work. Many people work to build a building. Masons build the walls. How would the structure be completed without an electrician, plumber, painter, and glazier?\u003c\/p\u003e","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":42995200065779,"sku":"9786053608349","price":22.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0000000443277-1.jpg?v=1658137256"},{"product_id":"batiya-gocun-sanatsal-evreleri","title":"Artistic Stages of Western Migration","description":"\u003cspan data-mce-fragment=\"1\"\u003eA continuous story of how Turkish art evolved over centuries, starting from the Asian steppes and migrating westwards to Anatolia and the Balkans... This long narrative, spanning a vast geographical area and centuries, is often examined within the framework of geographical regions or different cultural-political traditions. The Artistic Stages of the Western Migration treats the art traditions of prehistoric steppe societies, Central Asian, Timurid, and Seljuk art as continuous phases of the long migration westward. It paints a striking picture of the interaction between steppe societies and the creations of settled societies, especially China; Timurid art with Indian and Iranian styles; and Anatolian-Turkish art with Middle Eastern traditions. To read the story of how the same artistic tradition flourished with new forms and styles in each new geography, against the backdrop of social, economic, and religious traditions unlike the previous one, accompanied by drawings, plans, maps, and photographs... Doğan Kuban was born in Paris in 1926, where his father was studying at the French War Academy. He began his professional career in 1949 after graduating from ITU as a high engineer and architect, and in 1952, he joined the Department of Architectural History as an assistant. He became an associate professor in 1958 and a professor in 1965. During these years, he won awards and honorable mentions in many architectural competitions he participated in. He was a visiting lecturer at various universities in Europe and America and distinguished himself with his work on the preservation of historical artifacts. Between 1966-76, he directed the excavation and restoration work at Kalenderhane Mosque in Vezneciler, Istanbul. He held positions in many leading national and international conservation institutions and professional organizations, including an honorary membership in TÜBA, an honorary foreign membership in the American Institute of Architects, and a corresponding membership in the German Archaeological Institute. He has over 150 scientific articles, in addition to 25 books including Turkish Houses with Life, Anatolian Art in the Seljuk Era, Sinan's Art and Selimiye, Istanbul - A City History and Ottoman Architecture, and 68 articles in the Istanbul Encyclopedia, where he was one of the publishing directors, as well as newspaper articles he regularly continued to write.\u003c\/span\u003e","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":43021010272499,"sku":"9789944885614","price":74.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/KB9789944885614.jpg?v=1658825080"},{"product_id":"istanbul-bir-kent-tarihi","title":"Istanbul - A City's History","description":"\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eThis ancient city, where the first settlements date back 8,000 years, and which served as the political, economic, and cultural capital of the Eastern Mediterranean for 1,600 uninterrupted years, is detailed in a 600-page book... \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eIn Doğan Kuban's \"Istanbul: A City History,\" compiled over decades of research, the new edition features over 370 photographs, engravings, plans, maps, drawings, and documents, offering a fascinating and colorful journey into the past: \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eWhat unique geographical features of this place attracted its first prehistoric inhabitants? \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eWhy did Roman emperors choose to build and develop their new and natural capital here? \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eHow did Paganism, Christianity, and Islam influence the shaping of the city in different periods? \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eWhat did the Latin occupation take away from the city, and what did it leave behind? \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eWhile many parts of the city were destroyed or rebuilt throughout history, which elements remained almost unchanged? \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eOver 27 centuries, how far did the city's borders expand, and when did they reach their peak? \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eWhat were the negative problems Istanbul faced due to population growth and water scarcity? \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eBesides emperors, commanders, and scholars, who were the other people who lived in the city? \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eDid the old Ottoman Istanbul disappear into history in the 20th century, or earlier? \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eHow was Istanbul affected as the world changed in the 20th century? \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\"Istanbul: A City History\" answers these and many more questions with a long and colorful narrative penned by a master writer. \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003ePerfect for your foreign friends who are fluent in English…\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":43262602510579,"sku":"9786053600640","price":2720.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0000000352730-1.jpg?v=1663929751"},{"product_id":"i̇van-i̇lyicin-olumu","title":"The Death of Ivan Ilyich","description":"\u003cspan data-mce-fragment=\"1\"\u003eLeo Nikolayevich Tolstoy (1828-1910), the great author of Anna Karenina, War and Peace, Resurrection, and The Kreutzer Sonata, dedicated the last thirty years of his life to theoretical works on humanity, family, religion, state, society, freedom, submission, rebellion, art, and aesthetics. In the novels and short stories he wrote during this period, he addressed the human problems he had contemplated for years through a literary narrative. Published in 1886, The Death of Ivan Ilyich holds a unique place in Russian realist literature with its plain, unadorned narration. The work, which deals with a man who has always strived to live as he ought to facing death, is also one of the first examples of Tolstoy's new ethical understanding that emerged in the later period of his life. 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His writings on education contributed to approaching the classics from a humanist perspective instead of the old religious curriculum. While criticizing the abuse of power by the church, he encouraged the rising demands for reform. This stance resonated in both the Protestant Reformation and the Catholic Counter-Reformation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHe became a target for both sides due to his independent stance, rejecting Luther's doctrine and the powers the papacy claimed to possess. 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He completed 85 novels in twenty years and left 50 novel drafts behind when he died. In 1830, he collected his fictional works under the title The Human Comedy, in reference to Dante's The Divine Comedy. He created over 2000 characters, some of whom eventually became archetypes in literature, and approached all these characters with an unprejudiced, analytical perspective, without isolating them from their social class. The social and realistic framework he brought to the novel earned him the title of the founder of the realistic novel.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePublished in 1836, \"Le Lys dans la Vallée\" (The Lily of the Valley) is part of The Human Comedy's \"Studies of Manners\" section, under the heading \"Scenes from Provincial Life.\" The novel tells the story of Felix, who navigates the path from youth to adulthood through his love for a married woman.\u003c\/p\u003e","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":43521647083763,"sku":"9786053328582","price":36.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0000000716154-1.jpg?v=1670930649"},{"product_id":"bir-delinin-ani-defteri","title":"A Madman's Memoir","description":"\u003cspan data-mce-fragment=\"1\"\u003eNikolai Vasilyevich Gogol (1809-1852): Born into a moderately wealthy landowning family in Ukraine. The village life and Cossack traditions that influenced his childhood were reflected in his works, and he wrote stories enriched with elements of Ukrainian folk culture. With his sense of humor, realistic approach, and vivid narrative, he pioneered an important innovation in Russian literature. In \"Evenings on a Farm Near Dikanka\" and \"Mirgorod Tales,\" he presented not only humor but also his thoughts on pessimism in the face of life and the evil of the world. 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Meanwhile, Feride Çiçekoğlu presents the colorful, multicultural, and intellectual background of Beyoğlu, starting from Tepebaşı, interwoven with her personal experiences. Thus, the work is not only an architectural narrative of Istanbul but also a deep journey into the city's cultural memory.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThe Book you have is an architectural monograph. It describes İşbank Painting Sculpture Museum Building which has fit three lives into its existence of more than a century. First started to exist as Baudouy Apartment in 1907, the building opened its doors as İşbank Painting Sculpture Museum on the 100th  Anniversary of the Republic of Turkey in 2023. In the book, Feride Çiçekoğlu and Ertuğ Uçar focus not only on the transformation and refunctioning process of the building in its last period, but also on the phases it has gone through since its construction, the functions it has undertaken, and in parallel, the transformation of the Beyoğlu district and especially Istiklal Street. While Uçar, one of the partners of Teğet Architecture, the designer of the transformation of the building, constructed his text by explaining the main design idea over 3 periods and 3 buildings, Çiçekoğlu stretches a colorful Beyoğlu background that reaches out to her childhood memories of Tepebaşı to the general secretary of the TÜRSAK Foundation, whose headquarters is in Hanif Han on Erol Dernek Street, and from there to Botter Apartment which had been an inspiration for her fist scenario.\u003c\/p\u003e","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":46798125138163,"sku":"9786254296079","price":1080.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Binabinaicinde.webp?v=1741779425"},{"product_id":"sark-seyahati-le-corbusier","title":"Journey to the East - Istanbul 1911","description":"\u003cp\u003eIn an era when mass industrial production reached its peak in Europe, when new technologies constantly forced conventional lifestyles to change, demanding ever more change, a young aspiring architect set off on a journey in search of new horizons…\u003c\/p\u003e\n\u003cp\u003eA journey from Vienna to the east, to Istanbul… Encounters with non-industrialized societies and lifestyles… Encounters with the architectural heritage of the Ottomans and ancient Greeks…\u003c\/p\u003e\n\u003cp\u003eThis young Swiss architect, who would leave his mark on 20th-century architecture and art under the name Le Corbusier, recorded this unique experience in notebooks full of writings and drawings.\u003c\/p\u003e\n\u003cp\u003eLe Corbusier, who began his journey with mischievous critiques of European modernization, surrendered to feelings of curiosity, discovery, and admiration in the Ottoman country, then on the verge of modernity.\u003c\/p\u003e\n\u003cp\u003eHe savored Istanbul at a time when the Tripolitanian and Balkan Wars were on the verge of overshadowing the enthusiasm of the Second Constitutional Era, and witnessed the Fatih-Altımermer Fire, which reduced a large part of the city to ashes.\u003c\/p\u003e\n\u003cp\u003eLe Corbusier’s travel notes, which he first partially published in a local newspaper and then compiled into a book half a century later—notes that played an important role in the formation of his architectural understanding—are now being published in our language for the first time in their entirety.\u003c\/p\u003e\n\u003cp\u003eLe Corbusier (1887-1965), born Charles-Edouard Jeanneret-Gris, was the son of a watchmaker in La Chaux-de-Fonds, Switzerland. His interest in art led him to the art school in his city. Encouraged by his teacher and patron Charles L’Epplatenier, he embarked on long journeys. In 1907, he encountered reinforced concrete at the architectural office where he worked in Paris. In 1910-11, he was in an architectural office in Berlin. In late 1911, he arrived in the Ottoman Empire via the Balkans. The notes and sketchbooks he kept along the way later became this book. The architectural forms and solutions he encountered in Istanbul, Bursa, and Athens during this trip became the cornerstones of his architectural understanding.\u003cbr\u003eHis professional life, which began before the Great War, was interwoven with many pioneering ideas and practices. In 1920, he adopted the pseudonym Le Corbusier. In 1922, he opened an office in Paris. While building villas for his clients, he also developed pioneering ideas in urban planning. For Paris, which faced a serious housing problem due to rural-to-urban migration, he prepared the 'Ville Contemporaine' project in 1922, which envisioned the demolition of a part of the city center and its reconstruction with skyscrapers and prefabricated housing. The ideas in this project, if not in Paris, were implemented by American architects after World War II. He argued that mass production could be used in architecture as well as in automobiles, and could reduce costs. Instead of metric measurement in architecture, he designed and used the 'modulor' scale, which was based on the proportions of the human body. He also designed furniture for his homes. He wrote nearly 50 books explaining his ideas and works. 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