{"title":"Koç University Press","description":"\u003cp\u003eAcademic and research books published by Koç University Press.\u003c\/p\u003e","products":[{"product_id":"bir-osmanli-trajedisi_350427-html","title":"An Ottoman Tragedy","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e“What truly makes An Ottoman Tragedy extraordinary, in addition to its approach being both new and interesting, is that the author does not simply present his approach as his own preference, but rather records it by establishing critical connections with literary theories and, while using these theories, develops refined methods adapted to his own needs.” \u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eCemal Kafadar\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIn An Ottoman Tragedy, Gabriel Piterberg meticulously examines the dethronement and murder of young Sultan Osman II in 1622, making historiography itself the subject of his inquiry and offering a multilayered perspective on the concept of the state through diverse and competing representations of the event. In his work, which skillfully utilizes postmodernist narrative theories, Piterberg emphasizes that the contradictory and political historiography of the period is an undeniable part of Ottoman history, and he also traces the methods and agendas behind linguistic differences in archives where \"lived history\" and \"written history\" intertwine.\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eAn Ottoman Tragedy offers an experimental framework to better understand one of the most complex and turbulent periods of Ottoman history; by placing the actors, witnesses, and narrators of a \"tragic\" event within this framework, it raises new and intriguing questions about the understanding of language, history, and state in the Ottoman Empire.\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eGabriel Piterberg is a professor in the History Department at UCLA.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408951984323,"sku":"9786052116104","price":25.93,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116104.jpg?v=1616017224"},{"product_id":"buyuk-kedi-katliami_350441-html","title":"The Great Cat Massacre","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: border-box; color: rgb(74, 74, 74); font-family: inherit; font-size: 16px; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 22px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; orphans: 2; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIn 1730s Paris, apprentices at a print shop condemned cats to death in makeshift courts they set up. The apprentices, who recounted this story repeatedly, would burst into laughter every time. What was it about the killing of the cats that amused the apprentices? How did the child in the 18th-century version of the \"Little Red Riding Hood\" tale get eaten by the wolf? What was going through the mind of a Montpellier resident as he meticulously documented all the events in his city? These are some of the questions Robert Darnton answers regarding the history of Europe during the Enlightenment.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: border-box; color: rgb(74, 74, 74); font-family: inherit; font-size: 16px; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 22px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 20px; orphans: 2; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eFirst published in 1984, \u003cem style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: border-box; font-family: inherit; font-size: 16px; font-size-adjust: none; font-stretch: inherit; font-style: italic; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;\"\u003eThe Great Cat Massacre\u003c\/em\u003e became a seminal work in social historiography; it is now recognized as a classic in the field of cultural history. By examining various scenes from the lives of ordinary people in the 18th century, Darnton explores the human condition of that period, how people perceived and constructed events.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: border-box; color: rgb(74, 74, 74); font-family: inherit; font-size: 16px; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 22px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 20px; orphans: 2; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eRobert Darnton is a professor in the Department of History at Harvard University and the director of the Harvard University Library.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408952115395,"sku":"9786052116111","price":34.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116111.jpg?v=1616017226"},{"product_id":"alakent-churh_349387-html","title":"Alakent Church","description":"\u003cp class=\"MsoNormal\"\u003eThe existence of this small Byzantine church in Alakent near Demre has been known to archaeologists and art historians for some time. However, it was only possible to unearth the structure from beneath the five-meter-deep alluvial fill in which it was buried as a result of the Myra-Andriake excavation work carried out in 2010. Thanks to the alluvial fill, many elements of the structure, such as wall paintings, roof tiles, and facade decorations, remained intact.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThe presence of this small Byzantine church in the Alakent neighborhood of Demre has been known to archaeologists and art historians for quite some time. Revealing the structure from under the five meter deep alluvial fill in which it was buried was only possible as a result of the excavation work carried out in 2010 as part of the Myra–Andriake Excavations. The alluvial fill kept most of the aspects of the building such as mural paintings, roof tiles, facade decorations and spolia intact.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThe book was edited by the GABAM’s director and member of Koç University Archaeology and Art History Department, Engin Akyürek. The chapters of book are “The Story of the Excavation” by Nevzat Çevik, the director of the Myra–Andriake Excavations, “Myra: The Metropolis of Lycia”, “Alakent Church: Location And Architecture” and “Conclusion” by Engin Akyürek, “Architectural Sculpture” by Ayça Tiryaki, “Wall Paintings” by Nilay Çorağan, “Ceramic Finds” and “Burials” by Özgü Çömezoğlu Uzbek, “Inscriptions” by Hüseyin Sami Öztürk and Christof Schuler, “Conservation Treatments” by Sebahattin Küçük.\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408952574147,"sku":"9786052116159","price":138.89,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116159.jpg?v=1616017229"},{"product_id":"alakent-kilisesi_349389-html","title":"Alakent Church","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThe first book of Koç University's Stavros Niarchos Foundation Center for Late Antique and Byzantine Studies (GABAM) was published in two separate volumes, in Turkish and English. The book, titled \"Alakent Church. A Byzantine Structure in Myra (12th – 13th Centuries),\" covers all stages from the excavation to the restoration of a Middle Byzantine church located 250 meters from the Roman-era theater of the ancient city of Myra, in Antalya's Demre district, between 2010 and 2013.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThis small Byzantine church, located in the Alakent neighborhood of Demre, whose existence had long been known by archaeologists and art historians, was unearthed as a result of an excavation carried out within the scope of the Myra Andriake Excavations. The fact that the structure remained under 5 meters of alluvial fill for centuries allowed many elements, from wall paintings to roof tiles, from facade decorations to spolia, to be found in situ and in good condition.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThe book, edited by Engin Akyürek, Director of GABAM and faculty member of Koç University's Department of Archaeology and History of Art, includes articles by Nevzat Çevik, head of the Myra Andriake Excavations, titled \"The Story of the Excavation,\" Engin Akyürek's \"Myra: Metropolis of Lycia,\" \"Alakent Church: Its Location and Architecture\" and \"Evaluation,\" Ayça Tiryaki's \"Architectural Plastic,\" Nilay Çorağan's \"Wall Paintings,\" Özgü Çömezoğlu Uzbek's \"Ceramic Finds\" and \"Tombs,\" Hüseyin Sami Öztürk and Christof Schuler's \"Inscriptions,\" and Sebahattin Küçük's \"Conservation Works.\"\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408952705219,"sku":"9786052116166","price":138.89,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116166.jpg?v=1616017231"},{"product_id":"olum-ve-labirent_350425-html","title":"Death and Labyrinth","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThis book is the first attempt to analyze the work of Raymond Roussel, who holds a truly singular place in world literature and conceptualizes literature as an experiment carried out by language itself. In this book, Michel Foucault addresses one of his fundamental issues that revolutionized philosophy and social sciences: the relationship between the nature of language and the external world, that is, between \"words\" and \"things.\" But this time, unlike his other works, he does not approach it through sexuality, madness, or knowledge, but through a literature that speaks from the inevitable void created by the existence of language.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIn Death and the Labyrinth, Foucault, who constructs a meta-language over Roussel's work and weaves a thought about the nature and existence of language like a net, conceives literature not as a form of aesthetic expression but as an experimental field, a thought experiment in which the existence of language is investigated. He presents a method of literary analysis of a very different nature, not an interpretive study or commentary in the vein of traditional literary criticism. Starting from Roussel, who demonstrated through his literary experiments that language builds a labyrinth for us, and that escape from this labyrinth is only possible through death, both in his works and through his own life and suicide, Foucault leads the reader into the inescapable labyrinth called \"language.\"\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eLocus Solus is the only book by the seldom-written, little-known, and misunderstood Roussel to be translated into Turkish. Death and the Labyrinth, on the other hand, is a rare book by Foucault, many of whose works have been translated into Turkish: an unsettling book that blurs the distinction between reality and fiction, life and literature, and attempts to make the reader experience a literary experiment that bridges language and death.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408952803523,"sku":"9786052116197","price":16.67,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116197.jpg?v=1616017232"},{"product_id":"yenilikci-cerveve-tasarimin-getirdigi-yeni-dusunme-bicimleri","title":"New Ways of Thinking Brought About by Innovative Frame Design","description":"\u003ch1\u003eInnovative Frame: New Ways of Thinking Brought by Design\u003c\/h1\u003e\u003cdiv\u003eCan the unique way of thinking of an expert designer and the experience gained over the years shed light on the complex problems we encounter in today's society? \u003cem\u003eInnovative Frame: New Ways of Thinking Brought by Design\u003c\/em\u003e proposes an innovative approach to the problems organizations struggle with today, by treating them as dynamic dilemmas rather than approaching them with conventional methods and achieving temporary and superficial results.\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eKees Dorst's \"frame creation approach,\" masterfully developed over the years by working with various design initiatives and detailed with case examples demonstrating its measurable impact on social environments, focuses on the way of thinking companies and societies use when facing challenges today. With this innovative approach, which is based on redefining familiar problems with different frames, Dorst aims to make problem-solving methods agile, adaptable, and variable.\u003c\/div\u003e\u003cdiv\u003eKees Dorst is a professor of Design Innovation at the University of Technology Sydney.\u003c\/div\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408952869059,"sku":"9786052116210","price":144.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116210.jpg?v=1616017234"},{"product_id":"dikbaslilar-bilimi-ve-dunyayi-degistiren-52-kadin_350426-html","title":"Headstrong: 52 Women Who Changed Science and the World","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eFrom Virginia Apgar to Barbara McClintock, from Chien-Shiung Wu to Sophie Kowalevski, to Hedy Lamarr… 52 life stories flowing from Rachel Swaby’s entertaining pen, 52 scientists who changed science and the world, 52 women who clung to science despite the injustices and discrimination they faced…\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eSwaby's rebels unravel the structure of DNA, rewrite the laws of nature or establish a brand new scientific discipline; while being mocked, ignored, and insulted. Whatever happens, these women from different eras and geographies never give up on believing in science, not in the opinions of others. These are rebellious women!\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408953098435,"sku":"9786052116241","price":45.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116241.jpg?v=1616017236"},{"product_id":"iktidari-gormek-21-yuzyilda-sanat-ve-aktivizm","title":"Seeing Power-Art and Activism in the 21st Century","description":"\u003ch1\u003eSeeing Power-Art and Activism in the 21st Century\u003c\/h1\u003e\u003cdiv class='\"product-name\"'\u003e\n\n\u003cp\u003eBack Cover Text (From the Promotional Bulletin)\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\u003c!--nl confined to the realm of material wealth; instead, it is a social capital, comprising our inherent qualities and the relationships we cultivate with others. In an era where everything can be commodified and sold, we are perpetually striving to market that ultimate product: ourselves.\u003cbr\u003eCurator and critic Nato Thompson delves into the implications of this for artists and activists committed to social issues. Is it feasible for individuals to discover their own voice amidst a world inundated with a torrent of images and information? How can one contend with the behemoth of consumer capitalism, a system that has appropriated numerous elements from art history and, more recently, many methodologies of grassroots political organizing?\u003cbr\u003eThompson, by focusing on the work of today's most innovative artists and activists, examines the spaces, institutions, and social movements that encourage their communities to perceive and reimagine power. From alternative art spaces to cooperative housing, from the Occupy movement to the Arab Spring, he illustrates how spaces and practices that have recently, and continue to, pave the way for masses to challenge power have become possible.\u003cbr\u003eNato Thompson is an author and curator. He serves as the artistic director of the independent art platform Philadelphia Contemporary.\u003c\/p\u003e\n\n\u003c\/div\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408953196739,"sku":"9786052116258","price":26.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116258.jpg?v=1616017237"},{"product_id":"mahremiyet_350424-html","title":"Privacy","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIs there a danger that we might wake up one day to find that the right to privacy has disappeared? An article published in The Guardian on June 5, 2013, based on information leaked by NSA employee Edward Snowden, showed that the surveillance society was no longer a dystopian future. But how aware are we of this reality? Are we conscious of the problems it entails and the consequences it leads to?\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIn the 21st century, we are consumers of digital services offered by official state institutions, social media companies, banks, and so on. The dangerous companionship of fear caused by the threat of international terrorism has led to an understanding attitude towards surveillance under the pretext of national security. Moreover, trying to live an analog life outside of these digital networks that permeate all aspects of life, in order to protect your right to privacy, might result in attracting more attention; because trying not to leave an electronic trace means taking on a lot of hassle.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003ePrivacy: Private Life in the Digital Society explains how new technologies directly threaten our private lives. It addresses the legal regulations needed to better protect our private lives, which are violated as our personal data is recorded and shared with intelligence agencies and marketed to commercial companies. It also discusses how to establish a balance that both values privacy and allows for the development of useful digital tools and services.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e*Eirik Løkke works as a consultant at Civita, an independent think tank.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408953426115,"sku":"9786052116463","price":18.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116463.jpg?v=1616017239"},{"product_id":"kulturel-elestiri-olarak-antropoloji_350444-html","title":"Anthropology as Cultural Critique","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThis book by George E. Marcus and Michael M.J. Fischer, first published in 1986, is part of a wave of critical reappraisals of existing styles of interpreting society and culture in the 1980s. Aiming to clarify the state of anthropology at the center of efforts to represent social reality during a period of rapid global change, the authors provide a historical critique of past anthropological works while dwelling on the possibilities and problems of experimental ethnography writing efforts. Marcus and Fischer, who turn to cultural anthropology to analyze various debates on human sciences, take a close look at anthropology's past beginnings, the problems it faces, its future direction, and the insights it can offer to other research areas. The result is a provocative work for researchers seeking a critical approach to anthropology as well as social sciences, art, literature, and history. This now classic work by Marcus and Fischer still retains its importance in understanding the changing global and local conditions in the postmodern era and the ways ethnographers adapt to them. George E. Marcus is a faculty member in the Department of Anthropology at the University of California, Irvine. He is the editor of the Late Editions: Cultural Studies for the End of the Century series and the founding editor of the journal Cultural Anthropology. Michael M.J. Fischer is a professor of anthropology and science and technology studies at MIT. He is the author of Anthropological Futures, Emergent Forms of Life and the Anthropological Voice, and Mute Dreams, Blind Owls, and Dispersed Knowledges.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408953458883,"sku":"9786052116647","price":24.07,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116647.jpg?v=1616017240"},{"product_id":"dunyanin-neden-var-olmadigi-uzerine_350423-html","title":"On Why the World Does Not Exist","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e“To understand why the World does not exist, we must first figure out what it means for something to exist. Something exists only if it is found in the World, but we cannot find the World itself in the World. At least, I have never seen, felt, or tasted it.” \u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eGerman philosopher Markus Gabriel, born in 1980, guides us to rethink philosophically as he answers the question \"Why does the World not exist?\". In doing so, he uses a provocative, witty, and understandable language, even promising his readers from the very beginning: \"You will not encounter philosophical word-monsters in this book.\" Therefore, he offers his readers a simple path through the labyrinth of deep philosophical questions: Where do we come from? What are we in? And what does it all mean?\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e“If we want to learn what all this means, we must first forget everything we thought we knew and start over,” says Gabriel, maintaining his good intentions from beginning to end: “The meaning of life is in meaning itself; it is our confrontation with the infinite meaning we are fortunate enough to share. It is understandable that we are not always happy. The existence of unhappiness and unnecessary suffering is equally real; it should serve as an occasion to rethink what it means to be human and to ethically improve ourselves.”\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408953589955,"sku":"9786052116654","price":20.37,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116654.jpg?v=1616017242"},{"product_id":"beyaz-buyu_350420-html","title":"White Magic","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eWe can write on it, draw on it, print on it; we can tear it, crumple it, or fold it. Paper is a magical object, and nothing else has contributed as much to the development of the modern world, or even transformed humanity to such an extent. From holy books to playing cards, from banknotes to newspapers, from toilet paper to stock certificates, from blank pages to masterpieces, it is present in every field, in the life of every class, every moment.\u003cbr\u003eIn \"White Magic,\" Lothar Müller tells how paper, born in China, came from Egypt to Europe and how it transformed into the raw material of modern civilization. He reintroduces us to the people touched by this magical object, which both shaped and inspired literature, along its journey until it becomes a white page—from paper manufacturers to rag pickers, from inventors to literary figures, from novel characters to statesmen.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eLothar Müller, a literary critic and journalist, is the editor-in-chief of the cultural supplements of the Süddeutsche Zeitung. He is also an honorary professor at Humboldt University in Berlin.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408953622723,"sku":"9786052116708","price":34.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116708.jpg?v=1616017243"},{"product_id":"sifon_350422-html","title":"Siphon","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIf we were to ask what services make it possible for large groups of people to live together in confined spaces, we would certainly have to mention \"plumbing.\" However, the significance of the system that delivers clean water to our homes and removes our waste for modern life is often overlooked.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eW. Hodding Carter, who summarizes the history of plumbing with interesting examples ranging from the first plumbing system built by the Harappans in 3000 BC to Roman baths, medieval monasteries, toilet customs in palaces, and the difficult times in London when there was no sewage system, presents current methods, research on purification and conversion, new products, and possible future technologies to the reader in a vivid narrative.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\"Siphon,\" where Carter combines his personal experiences and observations, born from his interest in plumbing, with historical information to reveal the difference that clean water, toilets, and safe sewage systems make for humanity, is an interesting and informative work that will make you look at plumbing and waste from a different perspective.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408953688259,"sku":"9786052116715","price":28.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116715.jpg?v=1616017245"},{"product_id":"utopyayi-hayata-gecirmek_349734-html","title":"Bringing Utopia to Life","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eCities typically emerge near natural resources like rivers, seas, a deep harbor, or larger and more developed cities. This is not true, however, for “new cities” established by command or planning rather than out of necessity.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIn \u003cem style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: italic; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;\"\u003eRealizing the Utopia\u003c\/em\u003e, Rosemary Wakeman draws a detailed picture of the new city movement, which played an important role in regional growth strategies in the West, and examines how it became a transnational movement in its golden age between 1945 and 1975. Ranging from Tapiola in Finland to Islamabad in Pakistan, from Cergy-Pontoise in France to Irvine in the USA, Wakeman makes observations about the utopian aspects of these cities and what they can teach us about contemporary modernization and urban planning. Presenting this movement as a truly global phenomenon that transcends East-West or North-South polarizations, she repeatedly emphasizes that these cities, regardless of their location or scale, whether historic or forgotten, are a reflection on earth of a utopian hope for the future and a vision for the ideal city.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cem style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: italic; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;\"\u003eRealizing the Utopia\u003c\/em\u003e blends the history of thought with the history of urban planning, tracing the efforts to transform abstract currents of thought into cities of steel and concrete.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cstrong style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: bold; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;\"\u003e- Rosemary Wakeman, Professor of History at Fordham University.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408953786563,"sku":"9786052116739","price":180.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116739.jpg?v=1616017246"},{"product_id":"timbuktue28099nun-elyazmalari_350416-html","title":"The Manuscripts of Timbuktu","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eFor centuries, Timbuktu, the city of legends, was the focus of Western fantasies about the \"dark continent\" of Africa. From the late 18th century onwards, a series of European explorers, caught up in the fervor to \"discover\" this \"distant\" land and its treasures, which were believed to be an earthly paradise, set out on expeditions to reach the city. However, expedition after expedition failed due to attacks, harsh climatic conditions, and diseases.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThe \"discovery\" eventually happened, and Timbuktu was indeed found to have treasures: the city was a center of learning in the Middle Ages, and its libraries were filled with tens of thousands of manuscripts on countless subjects, from religion to poetry, law to history, pharmacology to astronomy.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIn his compelling book, based on extensive research and direct interviews, Charlie English intertwines this two-hundred-year story of \"discovery\" with another, more recent event: the entry of Al-Qaeda-linked jihadists into Mali in 2012 and the daring escape of thousands of priceless manuscripts from Timbuktu by a group of intrepid librarians and archivists, saving them from destruction.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\"A kind of postmodern historiography executed with extraordinary finesse and skill.\"\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408953852099,"sku":"9786052116760","price":29.63,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116760.jpg?v=1616017248"},{"product_id":"yaratilistaki-catlak-gen-duzenlemenin-evrime-hukmeden-inanilmaz-gucu_350419-html","title":"The Crack in Creation - The Incredible Power of Gene Editing to Rewrite Life","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eImagine a technology unlike any before it. Using this technology, you can change the genetic code of all living things, from fungi to humans, in any way you wish. You no longer need to wait for evolutionary mechanisms to kick in; within hours, you can cure deadly genetic diseases, turn pigs into organ factories for human use, and give plants and animals any trait you can imagine. And humans too, of course… Moreover, you do this with incredible precision, ease, and effectiveness.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eA Crack in Creation recounts this technology, a turning point in the history of biology, namely the CRISPR-Cas9 Gene Editing method, through the words of its discoverer, Jennifer A. Doudna. The long, winding, and arduous path that led Doudna, a pioneering figure in biochemistry, to this biotechnology is also a dazzling story that demonstrates how reaching new knowledge in science is only possible through collective work and solidarity.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eJennifer A. Doudna argues that CRISPR can offer solutions not only to diseases but also to problems such as climate change, environmental destruction, and food security, but that scientists, companies, governments, and the public must address this together. A Crack in Creation was written precisely with this motive, to explain CRISPR to the public. According to Doudna, it is all our responsibility to participate in the discussion about CRISPR, which has the power to irrevocably change human history. However, Doudna says, \"It starts with being open-minded.\" So, will we be open-minded enough to properly evaluate CRISPR, which will challenge existing moral, legal, and political boundaries while pushing the limits of biology? Time will tell…\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408953884867,"sku":"9786052116777","price":25.93,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116777.jpg?v=1616017249"},{"product_id":"ruya-sehirler-dunyayi-sekillendiren-7-tasarim-fikri","title":"Dream Cities","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eFrom the 19th century to today, many design ideas, sometimes utopian, sometimes bizarre, but generally controversial, have been gradually adopted and implemented in cities all over the world, from Dubai to Tokyo, London to Los Angeles. Graham analyzes cityscapes, aiming to show where our urban forms come from, how we shape them, and how they shape us, by drawing on the life stories of the visionaries behind these design ideas and their rivals.\u003c\/p\u003e\n\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eWhile Wade Graham narrates cities in the light of plans, designs, and architectural movements, he also reveals that all of these are in fact an expression of ideas about how we should live, how we should work, how we should shop, and what we should believe. From Bertram Goodhue's baroque fantastic villages to Le Corbusier's Radiant City; he enables us to see luxurious green suburbs, city center skyscrapers, high-rises standing alone in the middle of empty lots, shopping malls promising brand new experiences, eco-sites, squares, narrow streets, and highways with a completely different perspective.\u003c\/p\u003e\n\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eDream Cities, offering a lively, original, and general-reader-friendly cultural history, is a guidebook for understanding the urbanized world.\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408954081475,"sku":"9786052116890","price":162.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Ruya-Sehirler.jpg?v=1741558073"},{"product_id":"kaos-imgelemi_350413-html","title":"Imagining Chaos","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThe stories we tell to give meaning to the world – mythology and religion, literature and philosophy, science and art – are our means of conveying our ideas to others. However, beneath our search for order lies a fundamental fear of disorder. It is difficult to imagine true chaos, and even harder to describe it.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIn \"The Imagined Chaos\", Martin Meisel, with great passion and enthusiasm, makes a tremendous effort to demonstrate, reveal, and rationalize absolute chaos. For this purpose, he tells the story of the social, psychological, and cosmological turning points of the image of chaos. With examples from literature, philosophy, painting, graphic arts, science, linguistics, music, and films, he recounts the extraordinary story of the transformation of chaos from destructiveness to an image with the potential to provide freedom and energy in the 18th and 19th centuries.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eMeisel, who melds readings of Sophocles, Plato, Lucretius, Calderón, Milton, Haydn, Blake, Faraday, Chekhov, Faulkner, Wells, and Beckett with paintings by Brueghel, Rubens, Goya, Turner, Dix, Dada, and Futurist artists, draws attention to the revolution in the treatment of energy and entropy in thermodynamics. The author ultimately uses this chaotic framework to explain concepts such as meaning, purpose, mortality, and the mind.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408954343619,"sku":"9786052116920","price":40.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116920.jpg?v=1616017253"},{"product_id":"yenilgiden-sonra-dogu-bati-ile-yasamayi-nasil-ogrendi_350408-html","title":"After Defeat - How the East Learned to Live with the West","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eTurkey, Japan, Russia; why do three different countries with such disparate geographical locations, languages, religions, sizes, powers, and cultures struggle with the same obsessions? Is there a theoretically consistent explanation for these three countries' similar reactions to what is called \"the West\"? How did these empires, defeated by the West, cope with defeat? After Defeat, drawing on the views of social theorists and thinkers in addition to constructivism, argues that tarnished states become hyper-sensitive to status anxieties and shape their foreign policies accordingly. It deeply examines and compares the cases of Turkey after World War I, Japan after World War II, and Russia after the Cold War. Ayşe Zarakol studied Political Science and Ancient Greek and Roman Civilizations at Middlebury College in the USA. She received her Ph.D. from the Department of Political Science at the University of Wisconsin. She works on East-West relations, comparative Turkish foreign policy, and international relations theories. Zarakol, who worked as an assistant professor at Washington and Lee University in the USA for a period, is currently a faculty member in the Department of Politics and International Studies at Cambridge University.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408970072259,"sku":"9786055250010","price":34.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055250010.jpg?v=1616017453"},{"product_id":"hafizanin-sokaklari-istanbul-da-peyzaj-hosgoru-ve-ulusal-kimlik_349384-html","title":"Streets of Memory: Landscape, Tolerance, and National Identity in Istanbul","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eKuzguncuk is considered a tolerant district where people of historically different religions lived together, and where a nostalgic neighborhood culture can still be experienced. However, the Greek, Armenian, and Jewish populations who once lived here were driven out of their district in the mid-twentieth century, leaving deep traces behind...\u003c\/p\u003e\u003cp style=\"margin-top: 10px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eIn her ethnographic study in Kuzguncuk, Amy Mills traces these marks left by the former inhabitants, street by street, and investigates what these marks mean for those living there today. In her own words, she examines \"how people lived in this nationalized city and how they interpreted the state's national imagination after the impact of Turkification.\" The author engages in a discussion about nationalism hidden behind cosmopolitanism, through what memory forgets and remembers, the meaning attributed to being a Kuzguncuk resident, who is considered a Kuzguncuk resident, and the expressions of the theme of tolerance embedded in cultural memory.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eWhile \"Streets of Memory\" narrates Kuzguncuk's past, transformations, and present, it also invites the reader to review the practices of remembering Istanbul's non-Muslim past and to reflect on how individual and collective memory paths are constructed.\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408970137795,"sku":"9786055250249","price":34.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055250249.jpg?v=1616017454"},{"product_id":"antionch-on-the-orontes-asi-deki-antakya_349381-html","title":"Antioch on the Orontes","description":"\u003cp\u003e\u003cspan style='color: rgb(0, 0, 0); font-family: \"Open Sans\", sans-serif; font-size: 15px; text-align: center;'\u003eFrom the very first moment when their picks and shovels hit the ground in 1932, archaeologists started to expose the remains of an enchanted city hidden under the roads, squares, and gardens of modern Antioch. The olive trees that constitute one of the most important symbols of the city, as they are also depicted in the mosaics of the Roman villas, concealed underneath their roots some of the most impressive works of ancient pictorial art... Thus came to light one of the most magnificent cities of the Roman Empire. Antioch on the Orontes, Early Explorations in the City of Mosaics narrates the story of the first archaeological discoveries with texts and photographs, and also provides information about the ongoing archaeological excavations in Antioch today.\u003c\/span\u003e\u003cbr style='color: rgb(0, 0, 0); font-family: \"Open Sans\", sans-serif; font-size: 15px; text-align: center;'\u003e\u003cbr style='color: rgb(0, 0, 0); font-family: \"Open Sans\", sans-serif; font-size: 15px; text-align: center;'\u003e\u003cspan style='color: rgb(0, 0, 0); font-family: \"Open Sans\", sans-serif; font-size: 15px; text-align: center;'\u003eFrom the very first moment when their picks and shovels hit the ground in 1932, archaeologists started to expose the remains of an enchanted city hidden under the roads, squares, and gardens of modern Antioch. The olive trees that constitute one of the most important symbols of the city, as they are also depicted in the mosaics of the Roman villas, concealed underneath their roots some of the most impressive works of ancient pictorial art... Thus came to light one of the most magnificent cities of the Roman Empire. Antioch on the Orontes, Early Explorations in the City of Mosaics narrates the story of the first archaeological.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408970170563,"sku":"9786055250263","price":64.81,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055250263.jpg?v=1616017456"},{"product_id":"turquerie-ve-temsil-politikasi-1728-1876","title":"Turquerie and the Politics of Representation, 1728-1876","description":"\u003cdiv col-half\u003e\u003ch1 product-name\u003eTurquerie and the Politics of Representation, 1728-1876\u003c\/h1\u003e\u003c\/div\u003e\u003cdiv col-half\u003eIn this, the first book-length study dedicated to the examination of Ottoman\/Turkish-inspired architecture in Western Europe during the eighteenth and nineteenth centuries, Nebahat Avcıoğlu emphasizes not divisions but the harmony of diversity in the matter of cultural boundaries. She considers turquerie, often reduced to the limits of exoticism, as an intercultural art form. By looking at previously neglected paintings, designs, and buildings, the author connects the West's interest in the Ottoman Empire to notions of self-representation and national politics. Turquerie and the Politics of Representation, 1728-1876, offers a comprehensive cultural interpretation of the art and architecture of this period, investigating what influences led Europeans to turn to Turks for inspiration and why.\u003cbr\u003e\u003cbr\u003eAvcıoğlu examines three specific building types: pavilions, mosques, and hammams. She selects these from the first fully-fledged examples built in Western Europe and thoroughly researches the cultural politics of architectural forms and styles in these structures. According to the author, the assimilation of these building types was not accidental, nor does it merely demonstrate Europe's dominance over another culture. It was fundamentally a dialectical process that contributed to transculturation in both the West and the East.\u003cbr\u003e(From the Promotional Bulletin)\u003cbr\u003e \u003c\/div\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408970268867,"sku":"9786055250355","price":41.67,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055250355.jpg?v=1616017457"},{"product_id":"unutulmus-krallik-antik-alalah-ta-arkeoloji-ve-fotograf_349397-html","title":"The Forgotten Kingdom: Archaeology and Photography in Ancient Alalakh","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\" _msttexthash=\"152584159\" _msthash=\"1139164\"\u003eThe Forgotten Kingdom, a compilation of photographs taken during excavations at Aççana Höyük, the ancient city of Alalah, in both the 1930s and 40s and today, offers a glimpse into the history of archaeology, photography, and the community landscape from the early twentieth century to the twenty-first century. The ancient settlement is located on the Asi River in the Amik Plain of Antakya, Turkey. The mound was a major settlement of the Middle and Late Bronze Age and the capital of the Kingdom of Mukish in the second millennium BCE.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr\u003e\u003cfont _msttexthash=\"141250525\" _msthash=\"1139762\" _mstmutation=\"1\"\u003eThe Forgotten Kingdom offers a comparative look at the history of archaeology, archaeological photography, and the community landscape from the early twentieth century to the twenty-first century, drawing from excavations at Atchana, ancient Alalakh, both in the 1930s-40s and today. The site is located along the main channel of the Orontes River in the Amuq Valley of Hatay, near present-day Antakya in southern Turkey. It is the largest Middle and Late Bronze Age settlement in the region and was the capital of the Kingdom of Mukish.\u003c\/font\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408970629315,"sku":"9786055250379","price":74.07,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055250379.jpg?v=1616017459"},{"product_id":"non-paris_350446-html","title":"Not Paris","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eWith the photographer “non paris,” in a land she had never known and whose language she did not speak, she tried to open the door to an introspective gaze, sometimes fragile, sometimes precarious, yet perhaps for the first time in a long while courageous—a voice she expected to hear as her own, or her own objections.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eImages, in their inherent uncertainty, when not forced into contrived encounters, can represent a forgotten voice for a photographer, a face never seen, or an unexpected meeting. They can also reveal a previously unknown emotion stemming from a tiny detail at the edge of a scene on a street walked for the first time—an emotion that might have been escaped, overlooked, even denied, and perhaps unaddressed for years.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eLaleper Aytek, after graduating from Boğaziçi University’s Faculty of Economics and Administrative Sciences, Department of Economics, pursued her master's studies in Social Economy at the University of Oslo, where she increasingly focused on photography. Due to her growing interest in photography, which began during her university years, she returned to Turkey in the early 1990s and opened her own studio, specializing in advertising photography. In 1998, she served as the photography and advertising director in the establishment of Turkey’s first comprehensive digital photography studio. Since 2009, she has been teaching photography at Koç University, Department of Media and Visual Arts (MAVA).\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eSince 2000, her photographic writings have focused on \"modes of seeing\" and \"the history of photography\" within the scope of subjectivity. She elaborated and developed this fundamental approach in her master's thesis titled \"Rethinking the Canon of Photography History: A Study on Subjectivity.\" Her published works include \u003cem\u003eKendine Ait Bir Fotoğraf\u003c\/em\u003e (2005), which compiles her writings on photographic thought, as well as the photo albums \u003cem\u003ePalimpsest Istanbul\u003c\/em\u003e (2010) and \u003cem\u003eIssız\u003c\/em\u003e (2013). 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Wilson teaches architecture and design history at the Ringling College of Art and Design in Florida.\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408970760387,"sku":"9786055250485","price":32.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055250485.jpg?v=1616017462"},{"product_id":"antik-kentler_350442-html","title":"Ancient Cities","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIn \"Ancient Cities,\" the cities and civilizations of the ancient Near East, Egypt, Greece, and Rome are presented from an archaeological perspective. Focusing on urban centers, the book discusses architecture and other material remains, historical and socioeconomic contexts, and the experiences of the people who lived there. Charles Gates traces the urban centers from their emergence in the Near East in the ninth and sixth millennia BCE to the end of paganism in the early fourth century CE. He examines an area that combines the region under the control of the Persian Empire and conquered by Alexander the Great, extending from the Indus Valley in modern Pakistan to England in the west, with the territories of the Roman Empire at its greatest extent.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408970989763,"sku":"9786055250522","price":378.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055250522.jpg?v=1616017464"},{"product_id":"muze-dersleri","title":"Museum Lessons","description":"\u003ch1 class=\"\" product-name\u003e\u003cbr\u003e\u003c\/h1\u003e\u003cp\u003eWhat role can museum education play in our relationship with works of art? How can educators and volunteer guides contribute to deepening this relationship? Can we imagine a collective art experience? How can a museum experience that fosters a sense of research and discovery be designed? What should be the theoretical framework of the education that can create such an experience?\u003cbr\u003e\u003cbr\u003eThrough similar questions, Museum Lessons opens up a comprehensive discussion on museum education, which dates back over a century, along with its history and function. Rika Burnham and Elliott Kai-Kee, both of whom have been teaching in various museums in the US for years, skillfully blend the conceptual foundations and practical dimensions of the profession to question what museum education should be in their pioneering work. They focus on the dialogical nature of communication with viewers during educational sessions and the experiences of the viewers, ultimately outlining a new way of seeing and learning together.\u003cbr\u003e(From the Introduction)\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408971055299,"sku":"9786055250553","price":32.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055250553.jpg?v=1616017465"},{"product_id":"ronesans-ve-osmanli-ducc88nyasi_349380-html","title":"The Renaissance and the Ottoman World","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThe Renaissance and the Ottoman World brings together the latest research on the cultural, intellectual, and commercial interactions between Western Europe and the Middle East during the Renaissance period. This book, which investigates the elements of contact and exchange between the Christian West and the Muslim Eastern Mediterranean, considers the Ottoman Empire as an integral part of the geopolitical and cultural continuity in which the Renaissance evolved. In doing so, it aims to advance the discussion regarding the nature of the Renaissance by refining how we understand diverse artistic, intellectual, and political interactions in the pre-modern and early modern Mediterranean world today.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eTopics discussed include commercial contacts, exchange of knowledge, use of goods, sources of architectural inspiration, musical interactions, and the use of Eastern Mediterranean sources in the West and European sources in the Ottoman Empire.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eShe is a professor of Islamic Art History in the Department of Art and Archaeology.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; strong-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eClaire Norton is a lecturer in the Department of History at St. Mary's University College in Twickenham.\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408971546819,"sku":"9786055250560","price":36.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055250560.jpg?v=1616017467"},{"product_id":"eski-yakindogu-da-kent-bellek-anit","title":"City, Memory, Monument in the Ancient Near East","description":"\u003cp\u003eThe creation of new cities is considered an ideological project or divine intervention in the political narratives and myths of Near Eastern cultures, and the social production of urban space is often masked. In this book, Ömür Harmanşah argues that urban spaces shape social memory and identity, and that this practice of place-making is an arena for political action and state spectacle. He examines the official discourse that developed around the practices of Assyrian and Syro-Hittite rulers during the Late Iron Age (c. 1200-850 BCE) of building cities, constructing irrigation canals, erecting monuments, and organizing public festivals.\u003c\/p\u003e\n\u003cp\u003eIn the Early Iron Age, city-building among the Assyrian Empire and the Syro-Hittite states was a common practice of construction, an official discourse, and a source of cultural identity. City, Memory, Monument in the Ancient Near East is the first detailed and comprehensive analysis of this multifaceted historical phenomenon from a comparative perspective. The book presents a cultural history of city-building practices by examining ancient texts, archaeological excavations and surveys, and environmental and spatial analyses.\u003c\/p\u003e\n\u003cp\u003eÖmür Harmanşah is a faculty member in the Department of Art History at the University of Illinois Chicago.\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408971645123,"sku":"9786055250706","price":192.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/kent-bellek-anit.jpg?v=1738864593"},{"product_id":"yerinden-edilenlerin-cografyalari-filistin-koy-tarihleri_350440-html","title":"Geographies of Displacement: Palestinian Village Histories","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eAs a result of the 1948 Arab-Israeli War, thousands of Arabs living in Palestine were displaced, and dozens of villages were destroyed. A significant portion of Palestinians began living as refugees in Lebanon, Syria, Jordan, Egypt, and the Gaza Strip. Palestinians called all these events the Nakba (catastrophe). More than 120 “village memorial books” have been published about over 400 Palestinian villages that were evacuated and largely destroyed during the Nakba. Today, these books are presented as evidentiary files that these villages, once inhabited by Palestinians, existed on the map.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eBased primarily on ethnographic research and village books, \"Geographies of the Displaced\" examines how history is written, recorded, and debated. It demonstrates how the destroyed Palestinian villages and their histories affect the current lives of Palestinian refugees. Rochelle A. Davis seeks to answer what village histories and village books mean to Palestinians today and where they stand in their struggle.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eRochelle A. Davis is a faculty member at Georgetown University's Edmund A. Walsh School of Foreign Service.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408971677891,"sku":"9786055250751","price":27.78,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055250751.jpg?v=1616017470"},{"product_id":"bizansin-yapi-ustalari","title":"Master Builders of Byzantium","description":"\u003cp\u003eRobert Ousterhout, who studies Byzantine architecture, primarily the churches built in the Constantinople area between the ninth and fifteenth centuries, identifies the most common problems in design and construction processes. Analyzing written evidence, archaeological records, and especially the surviving structures, he concludes that Byzantine architecture was much more creative and innovative than previously thought.\u003cbr\u003eOusterhout describes how the masters selected, produced, and used all materials, from bricks and mortar to roof tiles, from foundations to domes. He positions the richly decorated church interiors, covered with marble slabs, mosaics, and frescoes, along with their complex iconographic programs, within the framework of the master builder's perspective. Ousterhout also refers to masters in Russia, the Balkans, and Israel. Robert Ousterhout is a professor of Byzantine Art and Architecture in the Department of Art History at the University of Pennsylvania and director of the Center for Ancient Studies.\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408971743427,"sku":"9786055250799","price":249.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/BIZANS1.png?v=1617871030"},{"product_id":"kurmaca-mekan_349378-html","title":"Fictional Setting","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eFictional Space: The Emotional Geography of Northern Cyprus is based on an ethnographic study conducted by Yael Navaro in the Turkish Republic of Northern Cyprus when the border was still closed (between 1998-2003). The term \"fictional,\" which Navaro uses as an analytical category, refers not only to the space and country but also to its administration and material practices. Among the fundamental questions the book attempts to answer are: How is a fictional space created? What are its characteristics? Through what practices is it formed? What kind of feeling does it evoke?\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThis study, based on interviews with Turkish Cypriots, explains their lives and experiences within and outside Northern Cyprus from an ethnographic perspective and examines Northern Cyprus as an emotional geography; Northern Cyprus appears as a space where the ghostly becomes visible and tangible.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eFictional Space: The Emotional Geography of Northern Cyprus was selected as the best book in European anthropology in 2012 and won the William A. Douglass Prize from the Society for Europeanist Anthropology in 2013.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eYael Navaro is a faculty member in the Department of Social Anthropology at Cambridge University.\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408971808963,"sku":"9786055250829","price":34.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055250829.jpg?v=1616017473"},{"product_id":"cagdas-sanat-muzeleri_349376-html","title":"Contemporary Art Museums","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eContemporary art museums are institutions supported in many countries, having effects such as revitalizing tourism, stimulating the service sector, rehabilitating peripheral neighborhoods of cities, and reviving cities in decline.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThe Musée des Artistes Vivant in Paris and the Museum of Modern Art in New York, which J. Pedro Lorente describes as models of contemporary art museums, were institutions that defined artistic paradigms in the 19th and 20th centuries. Although the artistic taste trends shaped there were imitated in some countries and entirely rejected in others, it is certain that they transformed into museological criteria.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eIn his book \"Çağdaş Sanat Müzeleri\" (Contemporary Art Museums), J. Pedro Lorente discusses the history of these institutions in two periods, presenting various approaches and answering questions about terminology. He places the concept of the contemporary art museum within a historical-geographical perspective, tracing its evolution over time, and reveals how cultural policies are determined today.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eJ. Pedro Lorente works in the Department of Art History at the University of Zaragoza.\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408971874499,"sku":"9786055250881","price":36.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055250881.jpg?v=1616017474"},{"product_id":"turkiyee28099de-sehirler-ve-ickaleler_349383-html","title":"Cities and Inner Castles in Turkey","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eWalled citadels served as residences for rulers and armies for a thousand years, and as sacred centers that embodied power for the elite. The \"citadel phenomenon,\" which is often overlooked in architectural history and usually overshadowed by palace and temple architecture, receives the attention it deserves with this book.\u003cbr\u003eIn \"Cities and Citadels in Turkey,\" a product of the symposium organized by Koç University's Anatolian Civilizations Research Center (ANAMED) in 2009, leading experts on the subject take a close look at citadels built in Anatolia and Mesopotamia from the Iron Age to the 14th century.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; right: 0px; left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eCitadels, which served as protectors, representatives, and witnesses of cities in every era from the Urartians to the Anatolian Seljuks, and from the Assyrians to Byzantium, tell their own stories at the intersection of archaeology, architecture, art history, and history.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; right: 0px; left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eScott Redford is the Nasser D. Khalili Professor of Islamic Art and Archaeology in the Department of History of Art and Archaeology at the School of Oriental and African Studies, University of London. Nina Ergin is an associate professor in the Department of Archaeology and Art History at Koç University.\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408971907267,"sku":"9786055250980","price":40.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055250980.jpg?v=1616017476"},{"product_id":"bocekler-gezegeni_351187-html","title":"Planet of Insects","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThe planet of insects is changing. The balance of the ecosystem has been disrupted in the last century at a speed never before seen in human history.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eWe are increasingly consuming the Earth's freshwater resources. We have produced and discarded so much plastic that future generations will find it in sediments. Every year, we release large quantities of chemicals into nature. Consciously or unconsciously, we are displacing species.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eAll of this also affects insects. And everything that affects insects affects us too. The decrease in the number of insect species or the extinction of insects will lead to enormous consequences, like ripples in water, within the ecosystem.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eFortunately, we will never manage to eradicate all insects. But it would be beneficial for us to get to know these small friends better and to take more care of them. Although they have been on Earth for 479 million years, they are now in trouble.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eAnne Sverdrup-Thygeson is a professor of conservation biology at the Norwegian University of Life Sciences (NMBU) and a scientific advisor at the Norwegian Institute for Nature Research (NINA).\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408982720707,"sku":"9786057685162","price":30.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786057685162.jpg?v=1616017632"},{"product_id":"yeni-uzerine-gecmisle-gelecek-arasinda-kulturel-ekonomi_349985-html","title":"On the New: Cultural Economy Between Past and Future","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eAs thoughts migrate from one context to another, \"novelty\" is created and boundaries are redrawn. Boris Groys, tracing these continuous shifts at the boundary that separates the valuable from the worthless, culture from the mundane, maps the processes behind innovation in art and its perception and recognition.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eHe also examines the economies of exchange and valuation that drive the intellectual marketplace and archive, which are the main drivers of modern culture. On the New primarily investigates how art becomes art today. Groys analyzes the unique qualities of the cultural artifacts of our time, while also prompting the reader to reflect on these works. Combining in-depth analyses with philosophical questions, he explores key issues in the production of culture in the modern world.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eBoris Groys is an art critic, media theorist, and philosopher. He is a professor of Russian and Slavic Studies at New York University and a senior researcher at the Karlsruhe University of Arts and Design.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408982786243,"sku":"9786057685186","price":30.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786057685186.jpg?v=1616017634"},{"product_id":"dikey-dunya_350711-html","title":"Vertical World","description":"\u003cp style=\"margin-right: 0px; margin-left: 0px; color: rgb(0, 0, 0); font-family: \" open sans sans-serif center font-size:=\"\" text-align:=\"\"\u003eAre the political and economic worlds merely two-dimensional lines on a map? What lies behind the construction frenzy all over the world? Why are the artificial islands in Dubai built to be visible from Google Earth? What is life like for Brazil's \"uber\" rich in their skyscraper penthouses? What is the secret behind the basement excavations in billionaires' London homes?\u003c\/p\u003e\u003cp style=\"margin-right: 0px; margin-left: 0px; color: rgb(0, 0, 0); font-family: \" open sans sans-serif center font-size:=\"\" text-align:=\"\"\u003eIn Vertical World, Stephen Graham redraws the world and the city by adding the missing third axis; he explores the geography of inequality, politics, and identity by taking this missing third dimension into account. He takes us on a breathtaking journey from the all-seeing eyes of satellites in space, through our atmosphere filled with killer drones and helicopters, to the homes of the richest and poorest in the world's giant cities. He points out that the reflection of advancements in the technology behind the elevators we use without a second thought can be found both in the lifestyles of the rich atop skyscrapers and in the mines with arduous working conditions deep underground. Graham also underlines the human cost of the exploitation of the underground resources of poor countries by imperialist powers and giant corporations.\u003cbr\u003eVertical World allows us to look at the cities we live in, the atmosphere, and what happens in the world beneath our feet with a brand new perspective. By revealing the third dimension in the class struggle, it aims to create a revolution in our understanding of our place in the world.\u003c\/p\u003e\u003cp style=\"margin-right: 0px; margin-left: 0px; color: rgb(0, 0, 0); font-family: \" open sans sans-serif center font-size:=\"\" text-align:=\"\"\u003eStephen Graham is a Professor of Cities and Society at the Global Urban Research Unit, School of Architecture, Planning and Landscape, Newcastle University.\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408982819011,"sku":"9786057685230","price":60.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786057685230.jpg?v=1616017636"},{"product_id":"genclesme_350438-html","title":"Rejuvenation","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eHow old are you? Answering this question is actually not as easy as we think. Because within a certain culture and history, we \"age\" biologically, psychologically, and socially. Late modernity tells us, people of the 21st century, that in many ways we are older than at any other time in history. We are old, but according to Robert Pogue Harrison, we are also surprisingly getting younger in our appearance, our mentality, and our behavior. We are now in a new era: The era of rejuvenation.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIn his book \"Rejuvenation\", Harrison traces the spirit of youth throughout history. While examining the stopping points and transformations of the idea of \"youth\" in the thousand-year history of Western culture, from Socrates to Heidegger, from Vico to Darwin, from Sophocles to Rilke, he emphatically emphasizes two fundamental concepts: Genius and Wisdom.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\"Genius liberates the novelties that the future holds,\" says Harrison, \"while wisdom renews and transmits the legacies of the past from generation to generation.\"\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eRejuvenation is a fresh and exciting study on how civilizations, societies, cultures, people, and ideas can remain \"young.\"\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eRobert Pogue Harrison is the Rosina Pierotti Professor of Italian Literature and director of graduate studies in Italian at Stanford University.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408999268547,"sku":"9786059389051","price":29.63,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059389051.jpg?v=1616017846"},{"product_id":"kuratorluk","title":"Curatorship","description":"\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003eDuring the Roman Empire, curators were state officials appointed as guardians for individuals unable to manage their own affairs – minors, the mentally ill, spendthrifts. Their duty was to protect these individuals from the world and, more importantly, from themselves. Over the millennia, the definition of the curatorship profession has undergone a radical change: we now call people who organize art exhibitions \"curators.\" But as Vesna Madzoski shows in her work, the essence of this ancient profession has, in fact, never changed. Curatorship, just as in the Roman era, is still a job of \"protection\" and \"confinement.\"\u003cbr\u003e\u003cbr\u003eMadzoski traces this complex relationship between protection and confinement through three cases. These include documenta, a contemporary art exhibition held every five years in Kassel, Germany; Manifesta, a European biennial of contemporary art whose every edition takes place in a different location worldwide; and, surprisingly, a film: James Cameron's magnificent 3D spectacle, Avatar. In all three cases, Madzoski uncovers the \"confinement\" practices – violence, exclusion, limitation, suppression, discrimination, censorship, othering – cleverly hidden by the discourse of \"protection.\"\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408999366851,"sku":"9786059389075","price":26.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059389075.jpg?v=1616017848"},{"product_id":"mulkiyeti-geri-almak","title":"Reclaiming Ownership?","description":"\u003ch1 class='\"product-name\"'\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003eProperty, which lies at the heart of our lives and our short, medium, and long-term vision, is a phenomenon that allows individuals to define themselves in both collective and individual life. However, the definition of property, one of the fundamental elements that constitute humanity's economic, political, legal, and cultural foundation, does not remain constant. Especially with the formation of the concept of intellectual property and the economic value attributed to ideas surpassing the economic value attributed to material property in the 21st century, thoughts on property are also evolving, enriching, and changing.\u003cbr\u003e\u003cbr\u003eEdited by Marysia Lewandowska and Laurel Ptak, \"Retake Property?\" attempts to understand the concept of property through culture, political economy, intangible production, and the public sphere, evaluating the warnings given by the capitalist system and seeking answers to the questions: \"Who owns culture and knowledge, and what are the conditions, politics, and economics of their production and circulation today?\"\u003cbr\u003e\u003cbr\u003eMarysia Lewandowska is a Polish-born artist working in London and a professor of art in the public sphere at Konstfack in Stockholm.\u003cbr\u003e\u003cbr\u003eLaurel Ptak is a contemporary art curator based in New York. She is an associate curator at Tensta konsthall and teaches at The New School.\u003cbr\u003e(From the Promotional Bulletin)\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408999661763,"sku":"9786059389082","price":50.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059389082.jpg?v=1616017849"},{"product_id":"cingene_350437-html","title":"Romani","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eHow is a nation's social memory shaped, how are multiple identities constructed within society, and how does the transformation of social categories occur? Gül Özateşler seeks answers to these questions through the exclusionary violence perpetrated against Roma in Turkey, focusing on the events that took place in 1970 in the town of Bayramiç, Çanakkale, leading to the forced displacement of the Roma. Özateşler, within an analytical framework extending from a small town to the entire country, also traces the socio-economic structure of Turkey, the construction of the Romani category, nationalism, and the reproduction of ethnic and religious identities.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThe oral history method used in the study offers a perspective that allows us to view the event from the perpetrators', victims', and authorities' points of view, revealing the historical structure behind the everyday.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eGül Özateşler is a faculty member in the Sociology Department at Dokuz Eylül University.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408999694531,"sku":"9786059389143","price":29.63,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059389143.jpg?v=1616017851"},{"product_id":"yesil-paradoks-kuresel-isinmaya-arz-yanli-yaklasim","title":"The Green Paradox - A Supply-Side Approach to Global Warming","description":"\u003cdiv class='\"col-half\"'\u003e\n\n\u003ch1 class='\"product-name\"'\u003e\u003cbr\u003e\u003c\/h1\u003e\n\n\n\u003c\/div\u003e\n\u003cdiv class='\"col-half\"'\u003eThe climate is changing, the world is warming, and increasing energy demand is causing more carbon emissions. To slow this trend, policies are being developed that encourage the use of diesel engines, strengthen building insulation, and promote greater utilization of green energy sources such as solar and wind. However, according to Sinn, current policies to reduce global warming are ineffective. Some policies, such as encouraging biofuel use, are outright harmful. This is where the \"Green Paradox\" emerges: according to Sinn, the expectation that fossil-derived energy consumption will decrease actually accelerates climate change. Sinn proposes a provocative solution to this paradox.\u003cbr\u003e\u003cbr\u003eWith a special preface by the author for the Turkish edition.\u003cbr\u003e\u003cbr\u003eHans-Werner Sinn is a professor of economics and public finance at the University of Munich and president of the CESifo Group.\u003cbr\u003e(From the Promotional Bulletin)\u003c\/div\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408999760067,"sku":"9786059389150","price":32.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059389150.jpg?v=1616017852"},{"product_id":"susuzluk-antik-dunyada-su-ve-iktidar_350436-html","title":"Thirst: Water and Power in the Ancient World","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eOur planet is facing a global water crisis. Scientists predict that the depletion of freshwater resources will affect 75% of the world's population by 2050. Unbounded urbanization, destruction of nature, and climate change are the main drivers of this crisis. In Thirst, Steven Mithen addresses the water crisis we are experiencing by offering a historical perspective.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eSince the Neolithic Revolution, water has been seen as a commodity and a source of economic power. History is full of ambitious water management projects and examples of hydraulic engineering. Mithen takes the reader on a journey through time: from the Sumerians, who became a civilization with their success in agricultural irrigation, to the Nabataeans, who created an oasis in the middle of the desert, from the Minoans, the inventors of the flush toilet, to the baths of the Roman Empire, from the inter-city aqueducts of Constantinople to the water canals of China, Thirst spans the globe and is a comprehensive book that brings together past experiences to guide the future.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !!important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eSteven Mithen is a professor of archaeology and pro-vice-chancellor at the University of Reading.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408999825603,"sku":"9786059389297","price":27.78,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059389297.jpg?v=1616017854"},{"product_id":"camera-ottomana_349386-html","title":"Ottoman Camera","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eFrom the moment it was born in 1839, photography both became and symbolized modernity. This new technology, with its capabilities for recording and displaying, and its claims to precision and reality, became intimately intertwined with the dynamism of the modern world. The Ottoman Empire embraced photography with great enthusiasm. The impact and meaning of photography converged and merged with the modernization and Westernization drive of the Tanzimat movement. By the early twentieth century, photography had become a common part of daily life, the press, and the state apparatus in Ottoman lands.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThis book addresses the most striking aspects of the close relationship between photography and modernity in the context of the Ottoman Empire. A significant portion of the material it contains is about the display of modernity through photography, as seen in the photographs and albums commissioned by the sultan to introduce his empire to Western audiences. Modernity became part of the art of photography, turning it into a common, ordinary practice.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eWith illustrated press, postcards sent to family members or anonymous collectors, portraits given to friends and acquaintances, and photographs of employees or prisoners, photography began to occupy all areas of public and private life. The visual world we live in today was born approximately 150 years ago. Camera Ottomana is both an expression of interest and respect for photography, and a critical evaluation of its local dimension as one of the most influential technological inventions with transformative power in the recent past.\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408999891139,"sku":"9786059389310","price":100.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059389310.jpg?v=1616017856"},{"product_id":"lydia-arkeolojisi-gygese28099ten-buyuk-iskendere28099e_349382-html","title":"Lydian Archaeology: From Gyges to Alexander the Great","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eIn his work, \u003cem\u003eLydian Archaeology from Gyges to Alexander\u003c\/em\u003e, written as a result of long-term and extensive research, Christopher H. Roosevelt paints a general picture of the regional archaeology of Lydia, which is of key importance for understanding the power relations between East and West in ancient Anatolia. The book consists of two parts: a systematic discussion of Lydia's settlement history, followed by a catalogue of finds unearthed in studies conducted in various parts of the region. Roosevelt presents a brand new synthesis of the archaeology of Sardis, the region's ancient capital, and previously unpublished data, offering a fresh perspective on understanding Lydia, a region considered difficult due to limited archaeological and historical records. The book, which compiles data from surface surveys, stylistic analyses of finds in local museums, ancient texts, and environmental research, is a significant contribution to the literature on Lydian geography.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eChristopher H. Roosevelt is a faculty member in the Department of Archaeology and Art History at Koç University and the director of the Anatolian Civilizations Research Center (ANAMED).\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408999923907,"sku":"9786059389334","price":48.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059389334.jpg?v=1616017857"},{"product_id":"yeni-kotu-gunler-sanat-elestiri-acil-durum","title":"New Bad Days-Art, Criticism, Emergency","description":"\u003ch1 class='\"product-name\"'\u003eBad New Days: Art, Criticism, Emergency\u003c\/h1\u003e\u003cp\u003e\"Start not with the good old days, but with the bad new ones.\"\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn \u003cem\u003eBad New Days\u003c\/em\u003e, Hal Foster examines the major transformation art and criticism have undergone in the last twenty-five years, in light of Bertolt Brecht's advice.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eLooking at the works of artists working in different media such as Cindy Sherman, Thomas Hirschhorn, and Isa Genzken, with the help of writings by thinkers from different \"schools of thought\" such as Jacques Rancière, Bruno Latour, and Giorgio Agamben, Foster tries to understand the global \"emergency\" created by neoliberalism and the war on terror from within art, and offers us four \"conceptual tools\": the abject, the archive, mimesis, and precarity.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eBad New Days\u003c\/em\u003e is a courageous book that gathers the answers contemporary art and criticism have and have not given to the volatile and murky reality of today's world and opens them up for discussion with new questions.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\"Foster is one of those few art historians who, with his measured style, can reach a wide readership.\" Guardian\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eHal Foster is the Townsend Martin Professor in the Department of Art and Archaeology at Princeton University and an editor of \u003cem\u003eOctober\u003c\/em\u003e magazine.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e(From the Promotional Bulletin)\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408999989443,"sku":"9786059389358","price":24.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059389358.jpg?v=1616017859"},{"product_id":"bicimler_350434-html","title":"Formats","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e2015 James Russell Lowell Prize, Modern Language Association\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e2016 Dorothy Lee Award for Outstanding Academic Achievement in Cultural Ecology, Media Ecology Association\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eOne of Flavorwire’s 10 best academic titles of 2015\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eHow can forms be related to their political, social, and historical contexts? Caroline Levine offers a new and compelling answer to this important question facing literary, critical, and cultural studies. According to Levine, forms organize not only works of art but also \"life\" in its broad sense: they overlap, contend, clash, cooperate, and ultimately construct our world. While examining how four main forms—wholeness, rhythm, hierarchy, and network—have shaped culture, politics, and academic knowledge in different eras, this book proposes insightful new ways to connect formalism with historicism and literature with politics.\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eRereading formalist and anti-formalist theorists such as Michel Foucault, Jacques Rancière, Mary Poovey, and Judith Butler, Levine reveals the \"formal story\" at work behind numerous structures and works, from medieval monasteries to contemporary theme parks, from Sophocles's Antigone to Charles Dickens's Bleak House and the renowned television series The Wire.\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eCaroline Levine is the David and Kathleen Ryan Professor of Humanities in the Department of English at Cornell University.\u003c\/span\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39409000153283,"sku":"9786059389365","price":28.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059389365.jpg?v=1616017860"},{"product_id":"soyagacimizdaki-maymun_350433-html","title":"The Monkey in Our Family Tree","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e“Human Evolution” is an enigma everyone has an opinion on but few truly understand. Its political connotations, conflicts with cultural norms, and the potential it offers for curious humankind perhaps distort our grasp of it. In \u003ci\u003eSoyağacımızdaki Maymun\u003c\/i\u003e (The Monkey in Our Family Tree), by going beyond all these inevitable manipulations, the question of how we know that \"humanity\" has evolved is revealed through the most frequently asked questions: If we are close relatives, why don't our monkey relatives contract the same diseases as us? Why do they remain stagnant while we have advanced so much? Why can't we mate, why don't we have children? \u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIn \u003ci\u003eSoyağacımızdaki Maymun\u003c\/i\u003e, Eugene E. Harris also sincerely shares the transformation his own understanding of evolution underwent: while he was a physical anthropologist examining organisms by comparing anatomical details, he became captivated by the infinite possibilities contained in the four-letter alphabet of DNA, and his personal journey ending in paleogenomics heralds the Genome Revolution to the reader.\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eWhether we accept it or not, the new science of human evolution will change us all. \u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eEugene E. Harris is a professor of Molecular Anthropology in the Department of Biological Sciences and Geology at the City University of New York.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39409000415427,"sku":"9786059389419","price":27.78,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059389419.jpg?v=1616017862"},{"product_id":"benlik-aile-ve-insan-gelisimi_350410-html","title":"Self, Family, and Human Development","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThis book brings together 20 years of work by Çiğdem Kağıtçıbaşı, an internationally renowned Turkish academic and one of the founders of social psychology. It is an expanded and updated new edition of the author's book Cultural Psychology, published ten years ago. In the book, which examines human psychology and social development from the perspective of what Kağıtçıbaşı calls the Majority World, the author investigates the effect of culture on personal development with a contextual-developmental-functional approach.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThis study, which examines the nature of the self and human development from an intercultural perspective in the context of increasingly similar lifestyles due to globalization, corrects the West's dependence on and relativity of culture. While guiding cultural and intercultural psychologists to universalize psychology and make it less dependent on culture, it also serves as a unique resource for psychology and social sciences students.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39409000513731,"sku":"9786059389440","price":42.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059389440.jpg?v=1616017863"},{"product_id":"hukukun-ekolojisi","title":"The Ecology of Law","description":"\u003cdiv class='\"col-half\"'\u003e\u003ch1 class='\"product-name\"'\u003eThe Ecology of Law\u003c\/h1\u003e\u003c\/div\u003e\u003cdiv class='\"col-half\"'\u003e\n\n\u003cp\u003eIt's time for us to change the order!\u003c\/p\u003e\n\n\u003cp\u003eThis order, where private property is considered a \"natural right\" and natural resources, which should be the common heritage of all living beings on earth, are plundered and exploited, cannot continue. Placing the focus of the debate on the Western tradition of science and law, The Ecology of Law argues that the environmental, social, and economic crisis we are experiencing globally today stems from a mechanistic view that sees the world as a \"machine\" and declares humans its owners. Scientist Fritjof Capra and jurist Ugo Mattei believe that natural sciences and law have progressed in parallel since antiquity and that these two disciplines have had a great influence on each other. According to them, the path to change lies in the laws that determine the way of life of society and the power of states and corporations ceasing to be products of the existing, mechanistic view and being re-created by the communities themselves in light of ecological principles. Fritjof Capra is a physicist and systems theorist, and the founding director of the Center for Ecoliteracy, which aims to promote ecological perspective and systems thinking at the primary and secondary education levels.\u003c\/p\u003e\n\n\u003cp\u003eUgo Mattei is a professor of law at Hastings College of the Law in the USA and the University of Turin in Italy.\u003c\/p\u003e\n\n\u003cp\u003e(From the Promotion Bulletin)\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39409000546499,"sku":"9786059389464","price":27.78,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059389464.jpg?v=1616017865"}],"url":"https:\/\/yemkitabevi.com\/en-us\/collections\/koc-universitesi-yayinlari\/yazar_wade-graham.oembed","provider":"YEM Kitabevi","version":"1.0","type":"link"}