{"title":"Conservation - Restoration","description":"","products":[{"product_id":"neoliberal-kent-politikalari-ve-fener-balat-ayvansaray","title":"Neoliberal Urban Policies and Fener-Balat-Ayvansaray","description":"\u003cdiv col-half=\"\"\u003e\n\n\u003ch1 product-name=\"\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\n\n\u003c\/div\u003e\n\u003cdiv col-half=\"\"\u003eIn 1998, a conservation project was initiated in collaboration with UNESCO, the EU, and the Fatih Municipality, aiming to preserve both the architectural fabric of the area and its residents. Before this project, Fener, Balat, and Ayvansaray were historical neighborhoods whose names were only known by their inhabitants and a few curious individuals, secluded and home to ordinary people living in small, multi-story houses with bay windows.\u003cbr\u003e\u003cbr\u003eThis book, which contains academic articles on the past, present, and future of these ancient neighborhoods, is a step towards making the historical and social values of the region more visible, and drawing attention to problematic approaches in urban renewal projects targeting these areas.\u003cbr\u003e(From the Promotional Bulletin)\u003c\/div\u003e","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":39408961421507,"sku":"9786053327851","price":74.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0000000703045-1.jpg?v=1637318128"},{"product_id":"anadolu-kerpic-mimarligi","title":"Anatolian Adobe Architecture","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eAmong the building materials produced with local tools, adobe has maintained its importance to this day due to its positive aspects. Today, while housing needs cannot be met in large cities with modern building materials and technology, it is considered impossible to provide this service to rural areas due to the country's conditions. Anatolian Adobe Architecture extensively examines adobe, which has a widespread use as data and a numerical value among traditional and local material systems.\u003c\/span\u003e\u003c\/p\u003e","brand":"İstanbul Kültür Üniversitesi - İKÜ Yayınevi","offers":[{"title":"Default Title","offer_id":39408964010179,"sku":"9786054233885","price":229.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/anadolukerpic.png?v=1744381325"},{"product_id":"mimari-restorasyon-koruma-teknik-ve-yontemleri","title":"Architectural Restoration Conservation Techniques and Methods","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eConservation practice, in which different disciplines work together, requires a multifaceted education to train creative professionals who can analyze and synthesize. It is essential for those working in conservation to recognize the working principles of historical structures, the damage and deterioration that occur in them, and to evaluate intervention methods to find appropriate solutions.\u003c\/p\u003e\n\u003cp margin-left:=\"\"\u003e \u003c\/p\u003e\n\u003cp margin-left:=\"\"\u003eThis study, aimed at individuals familiar with traditional materials and traditional construction systems, introduces the problems that arise in building materials and structural elements under the influence of deterioration causes and the intervention methods for these problems. In this review, all kinds of techniques and methods for materials or elements are discussed, and their positive and negative aspects are presented. Issues to be considered when determining intervention approaches are mentioned. While masonry, metal, and wooden building materials and elements constitute the content of the study, load-bearing artificial stone material has been excluded. Metal materials are included at the level of auxiliary elements and thin structural elements used in masonry and wooden systems.\u003c\/p\u003e\n\u003cp margin-left:=\"\"\u003e \u003c\/p\u003e\n\u003cp margin-left:=\"\"\u003eEspecially prepared for students of architecture, civil engineering, restorers, and other disciplines who wish to specialize in architectural conservation\/restoration, and for professionals interested in the field of conservation, this book is the first comprehensive study in Turkish that compiles information on architectural conservation techniques and methods. We hope that this book will be useful to our students and colleagues and will pave the way for new studies.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eLORY ZAKAR\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eArchitect (M.Arch.)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Lory Zakar","offers":[{"title":"Default Title","offer_id":39408976822467,"sku":"9786056541629","price":150.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786056541629.jpg?v=1616017543"},{"product_id":"restorasyon-uzerine_347652-html","title":"On Restoration","description":"\u003cem\u003eOn Restoration\u003c\/em\u003e brings together two important works by Viollet le Duc: the report submitted to the ministry for the restoration of Notre-Dame Cathedral in Paris, which he carried out with J.B. Lassus, and the \"Restoration\" article from his book \u003cem\u003eDictionnaire raisonné de l'architecture française du XIe au XVIe siècle\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003e\"One must admit that the urge for restoration, if not in the archaic sense, then at least in the sense of renewing buildings, has appeared in every age when societies reached the end of their own civilizations.\"\u003cbr\u003e\u003cbr\u003e\"Every altered part should be replaced with a new one using the best material, adopting a more perfect or more resolute approach; this work should ultimately transfer the restored building to the future in a state where it can last longer than it has lived.\"\u003cbr\u003e","brand":"Janus","offers":[{"title":"Default Title","offer_id":39408980099267,"sku":"9786056910302","price":400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Restorasyon_Uzerine_2._Baski_ON_KAPAK.jpg?v=1770417926"},{"product_id":"sinop-ta-geleneksel-ahsap-koy-camileri_349122-html","title":"Traditional Wooden Village Mosques in Sinop","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eA significant number of mosques made with wooden materials have been built in the Black Sea Region. The dates of some of these mosques, built using traditional construction techniques, can be traced back to the Turkish history in Anatolia. These mosques, usually located in rural areas, were constructed using the log cabin technique, mostly without nails, by means of an interlocking method.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThis work focuses on 27 village mosques built with the log cabin technique in Sinop city center and its districts. According to our findings, the distribution of these mosques is as follows: the highest number of mosques, 8 in total, were built in the villages of Ayancık. Ayancık is followed by Boyabat with 5 mosques, Dikmen with 4 mosques, Durağan and Türkeli with 3 mosques each, and the districts of Merkez, Erfelek, Gerze, and Saraydüzü with one mosque each. Therefore, according to our study, village mosques built with the log cabin technique are still found in all districts of Sinop province, including the city center.\u003c\/p\u003e","brand":"Kriter Yayınları","offers":[{"title":"Default Title","offer_id":39408984031427,"sku":"9786057890825","price":60.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786057890825.jpg?v=1616017654"},{"product_id":"mimar-sinan-neden-bir-tasarim-dehasidir","title":"Why Is Mimar Sinan a Design Genius?","description":"\u003cp\u003eYEM Yayın has published the new edition of Prof. Dr. Reha Günay's book, in which he pursued the question \"Why is Sinan a design genius?\" and shared his findings with readers. \u003c\/p\u003e\n\u003cp\u003eIn his new work, Reha Günay, who previously examined Sinan and his structures in great detail in his published books, explains the qualities that distinguish Mimar Sinan from other architects in an easily understandable language for anyone interested in Turkish and Ottoman architecture and culture, especially those just beginning their education in architecture, interior architecture, design, art, engineering, history, etc. \u003c\/p\u003e\n\u003cp\u003eIn the book, Günay briefly and clearly explains, using a \"question-answer-example\" method, who Mimar Sinan was as a \"real person\" and what kind of life he led, having been almost transformed into a fairy tale hero not belonging to this world through various legends and many exaggerated stories; what he achieved under what conditions; how he achieved this success with what methods and tools; and how he stood out from his colleagues as a result. \u003c\/p\u003e\n\u003cp\u003eReha Günay defines his reason for feeling the need to convey Mimar Sinan from this perspective as follows:\u003c\/p\u003e\n\u003cp\u003e“Many of us cannot name Ottoman architects, but there is no one who has not heard of Sinan. Everyone knows him as a great architect; even if they don't know much about Sinan, they remember at least a few rumors; they can also say that he was the architect of the Süleymaniye Mosque in Istanbul and the Selimiye Mosque in Edirne. However, it is a bit difficult to fully answer questions like, 'But why is he a great architect? What did he do to become so famous? What is his difference from other architects? Why do we call Sinan a design genius?'\u003c\/p\u003e\n\u003cp\u003eThe Ottoman Beylik was founded in 1299 and expanded rapidly. This small beylic reached the Rumelian side in 1353; until the conquest of Istanbul, it transformed from a small beylic into an empire by dominating many places in Europe, from Albania to Romania, from Greece to Bulgaria. The empire that emerged within 150 years now also had a new worldview. The first külliye built by Fatih Sultan Mehmed in Istanbul is the architectural product of this new view; it is a composition centered around the mosque and developing along its axes. This emerging building type is a cultural center befitting Eastern Rome but also Ottoman with Islamic elements. Thus begins the period of \"Ottoman Classical Architecture.\" Ottoman art would be more influenced by Greco-Roman art in later periods. Until Sinan, the Old Fatih Mosque and Bayezid Mosque shaped Ottoman Classical Architecture as successful examples carrying these influences.\u003c\/p\u003e\n\u003cp\u003eSinan grew up in such an architectural environment, developed himself as a good observer and thinker, and transitioned from military service to architecture. With a conscious analysis and thought system, he elevated the existing architectural art to great heights with the innovations he created over 50 years and captivated his surroundings. The new principles he introduced to architecture were adopted after him; mosques like Cerrahpaşa, Sultan Ahmed, Yeni Cami, Yeni Fatih, and külliyes like Üsküdar Yeni Valide, Eyüp Sultan, Hekimoğlu Ali Paşa, virtually continued to keep Sinan alive for another 150 years. Therefore, today, we find it difficult to pinpoint Sinan's individual contributions to architecture. However, if we had lived in Sinan's era, we would have been more surprised by each innovation he brought to architecture and admired his works even more than we do today. In this book, we will try to highlight the aspects that made Sinan stand out from his colleagues by touching on these topics...”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWHO IS SINAN?\u003c\/p\u003e\n\u003cp\u003eWho is Mimar Sinan?\u003c\/p\u003e\n\u003cp\u003eIn What Kind of Environment Did He Live?\u003c\/p\u003e\n\u003cp\u003eHe Is in Harmony with All Segments of Society\u003c\/p\u003e\n\u003cp\u003eHe Served as Chief Architect for Exactly 50 Years\u003c\/p\u003e\n\u003cp\u003eHe Is the Architect Who Produced the Most Works\u003c\/p\u003e\n\u003cp\u003eHe Is a Good Urban Planner\u003c\/p\u003e\n\u003cp\u003eHe Planned the Largest Külliyes\u003c\/p\u003e\n\u003cp\u003eHe Is the Architect Who Created Istanbul\u003c\/p\u003e\n\u003cp\u003eHE IS A GENIUS BECAUSE...\u003c\/p\u003e\n\u003cp\u003eHe Is a Good Work Scheduler\u003c\/p\u003e\n\u003cp\u003eHe Is a Good Observer and Analyst\u003c\/p\u003e\n\u003cp\u003eHis Designs Are Analytical and Scientific\u003c\/p\u003e\n\u003cp\u003eHe Is Diligent, Determined, and Disciplined\u003c\/p\u003e\n\u003cp\u003eHe Knows Building Economics Well\u003c\/p\u003e\n\u003cp\u003eHe Provided Ornament-Free; Speed and Economy\u003c\/p\u003e\n\u003cp\u003eHe Knows Site Selection Well and Accurately Assesses Topography\u003c\/p\u003e\n\u003cp\u003eHe Defines Building Hierarchy Well\u003c\/p\u003e\n\u003cp\u003eHe Has Always Been on the Side of Safety\u003c\/p\u003e\n\u003cp\u003eHe Is a Good Water Engineer\u003c\/p\u003e\n\u003cp\u003eHe Brought Innovations to Traditional Architecture\u003c\/p\u003e\n\u003cp\u003eHe Added Uniqueness and Innovation to Every Structure\u003c\/p\u003e\n\u003cp\u003eHe Transformed Masonry Structures into Framed Construction Systems\u003c\/p\u003e\n\u003cp\u003eHe Reconciled Structure and Space; Developed the Centralized Plan\u003c\/p\u003e\n\u003cp\u003eSinan's Mosques Are Brighter\u003c\/p\u003e\n\u003cp\u003eHe Wrote a Symphony of Domes\u003c\/p\u003e\n\u003cp\u003eHe Found Civilized Solutions for Social Functions\u003c\/p\u003e\n\u003cp\u003eIN CONCLUSION...\u003c\/p\u003e\n\u003cp\u003eAfter So Many Structures, He Developed the Ambition to Surpass Hagia Sophia\u003c\/p\u003e\n\u003cp\u003eHe Is a Universal Architect, Not a Local One\u003c\/p\u003e\n\u003cp\u003eHe Is Aware of Having Done Important Work\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208407795,"sku":"9786058043428","price":175.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/Mimar_Sinan_Neden_Tasarim_Dehasidir_ONKAPAK_3BASKI.jpg?v=1637049907"},{"product_id":"kultur-mirasini-koruma-ilke-ve-teknikleri","title":"Principles and Techniques of Cultural Heritage Conservation - 5th Edition","description":"\u003cp\u003eYEM Yayın has published \u003cb\u003e\u003ci\u003eKültür Mirasını Koruma İlke ve Teknikleri\u003c\/i\u003e\u003c\/b\u003e (Principles and Techniques for the Conservation of Cultural Heritage), the new book by Prof. Dr. Zeynep Ahunbay, one of Turkey's and the world's leading figures in cultural heritage, conservation, and restoration. This book serves as a complementary work to her earlier publication, \u003ca href=\"https:\/\/www.yemkitabevi.com\/tarihi-cevre-koruma-ve-restorasyon\" target=\"_blank\"\u003e\u003cb\u003e\u003ci\u003eTarihi Çevre Koruma ve Restorasyon\u003c\/i\u003e\u003c\/b\u003e\u003c\/a\u003e (Historical Environment Conservation and Restoration), which is a fundamental reference for architecture schools in Turkey.\u003c\/p\u003e\n\n\u003cp\u003eIn her new book, \u003cb\u003e\u003ci\u003eKültür Mirasını Koruma İlke ve Teknikleri\u003c\/i\u003e\u003c\/b\u003e, Prof. Dr. Zeynep Ahunbay examines international principles and approaches developed to guide contemporary conservation practices, while also attempting to explain the scientific infrastructure that needs to be established. Zeynep Ahunbay summarizes her reasons for preparing the book, which shares information to help identify historical structures, diagnose their ailments, and make correct choices based on conservation principles, using selected national and international examples:\u003c\/p\u003e\n\n\u003cp\u003e\u003ci\u003e“A mobilization is underway for the protection of our country's rich cultural heritage. In addition to the responsible state institutions, municipalities and non-governmental organizations are providing resources for the conservation of cultural assets. The public's embrace of cultural heritage, their interest in conservation, and the voluntary, conscious efforts being made are positive developments. Our wish is that repairs undertaken with good intentions are supported by knowledge and carried out with care and patience by qualified teams, leading to successful results.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003ci\u003eRestoration is not a simple repair job carried out with stereotypical knowledge and ordinary craftsmanship. To achieve success, interdisciplinary teams with systematic knowledge and analytical observation skills must be employed. The planning of conservation actions, the management and monitoring of implementations require professional experience and expertise. Just as a physician who does not know anatomy is not authorized to perform surgery on people, a cultural heritage should not be entrusted to an architect or engineer who does not possess knowledge about the layers and components of a historical settlement, who is unfamiliar with traditional building materials, techniques, historical building types, structural systems, or who cannot \"read\" the historical structure before them.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003ci\u003eThe conservation of cultural heritage is a subject that requires knowledge and experience. It is important for young architects and engineers to prepare for the problems they will encounter in the field, and to acquire the ability to examine issues with scientific methods and evaluate them with a critical perspective. The habit of meticulously examining and evaluating options must be acquired. I wish success to the young people who are drawn to the field of cultural asset conservation, which must be approached and studied with knowledge, patience, care, and love.”\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cb\u003e\u003ci\u003eKültür Mirasını Koruma İlke ve Teknikleri\u003c\/i\u003e\u003c\/b\u003e consists of main sections such as “Institutions Carrying Out Conservation Practices in Turkey; Their Areas of Authority and Working Methods,” “International Principles Regarding Conservation Techniques,” “Fundamental Principles in Conservation Education,” “Conservation Techniques,” and “Conservation of Archaeological Sites.” Additionally, the “International Charters, Principles, Documents, Declarations, and Guidelines” and “Glossary” sections provided at the end of the book serve as a guide for those who wish to gain detailed information on cultural heritage conservation.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208145651,"sku":"9786058043435","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058043435.jpg?v=1616017673"},{"product_id":"gecmisten-gelecege-yasam-dunyalari-ve-mekanlar","title":"Life Worlds and Spaces: From Past to Future","description":"YEM Yayın has published Dr. Nurderen Özbek’s book titled \u003cstrong\u003e\u003cem\u003eLife Worlds and Spaces from Past to Future – The Kastamonu Experience\u003c\/em\u003e\u003c\/strong\u003e, in which she approaches architecture as “a phenomenon that reflects the traces, values, social and cultural memory of human existence; and encompasses humans with their past, memories, and future.”\u003cbr\u003eNureren Özbek, whose work meticulously uncovers the impact of daily life traces on the formation of settlement textures with their streets, gardens, and houses, aims to outline a sustainability that preserves the traces of the past without hindering contemporary life, rather than merely protecting the texture as a physical shell. She describes the process as follows:\u003cbr\u003e“On this journey I embarked upon to discover Kastamonu, my hometown, from a different perspective, the feelings evoked by the disappearances in the traditional texture led me to the realization that these feelings could not merely be attributed to the loss of the physical structure of “street-garden-house”; in fact, the lives within them shaped the texture and elevated it beyond the ordinary, directing me towards human existence, memory, and culture. The living environments shaped by the unique consciousness structures and values of different societies, communities, and individuals revealed the different layers, diversity, and harmony within this diversity that constitute the texture; valuable conversations during oral history studies revived the city’s fading memory and showcased the changes in the urban texture. While experiencing the city through its dimension of life, perceiving the settlement texture through distant and near observations allowed me to identify characteristic elements specific to the place.”\u003cbr\u003e \u003cbr\u003eThe opinions of the doyens of Turkish architectural education, who have closely followed and observed the study from its inception, regarding the book are as follows:\u003cbr\u003e \u003cbr\u003e“…..Intervening in a place also means intervening in people, established lives, memories, and certain accumulations. This shows that the discourse of today's architecture can no longer be limited to the object of architecture. It is essential to conceptualize and analyze architecture as inherent to people and lives, as much as to the place. We urgently need the construction of such knowledge. It is clear that knowledge of a kind of open-endedness and spontaneity not present in the existing knowledge of architecture, rather than existing forever and stopping time, but including the dimensions of existence-sustainability-perhaps extinction, and change with life, can contribute to the existing knowledge of architecture.\u003cbr\u003eIn this sense, Nurderen Özbek has pursued a very valuable research, but this is also a very challenging path. It is more a quest for how to approach the values we possess, rather than searching for a recipe of what to do. It is an important study in terms of opening the door to new quests that are not hasty and rent-driven, but patient, careful, extended over time, and aware of how different lives build space.”\u003cbr\u003e\u003cstrong\u003e-Prof. Dr. Belkıs Uluoğlu\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e“In the work, where the subject is visualized using numerous drawings and photographs, examples from different historical cities of the world are provided, and at the same time, settlement examples from Anatolia spanning from antiquity to the present day are emphasized. Subsequently, in the study that turns its face to Kastamonu, this city, whose history dates back thousands of years, is comprehensively revived with accompanying drawings and pictures. The author also incorporates literature into her style when she deems it necessary, thus creating a work that communicates with other scientific disciplines; while examining the quietly disappearing wooden buildings and other historical structures of cities, she also draws upon human sciences such as sociology, psychology, and philosophy. After describing living spaces, she seeks solutions for this depletion and destruction in cities, and questions what needs to be done.”\u003cbr\u003e\u003cstrong\u003e-Prof. Dr. Sakine Eruz\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e“Works of art are tangible reflections of the culture a society has created throughout its past life. Architecture, on the other hand, is defined as the field where cultural accumulation is most concretely embodied and manifested within artistic activities. A painting or a sculpture can reach a limited number of people. However, architectural products can reach all segments and individuals of society; they can be perceived and experienced by everyone.\u003cbr\u003eArchitecture is not merely about producing singular structures. Buildings with different functions come together through voids such as streets, gardens, and squares to form settlements – cities. Therefore, the city is where everything human, \"culture,\" can be perceived most widely in all its dimensions. Multi-layeredness and diversity are found in almost every city. This diversity must absolutely be preserved and sustained. \u003cbr\u003eIn this context, in her book \"Life Worlds and Spaces from Past to Future,\" Dr. Nurderen Özbek states that the concept of \"conservation\" does not only mean protecting physical structures, spaces, and productions, but also protecting life data. In her book, where she addresses the concepts of \"structure-life coexistence, documentation of the life dimension, and the protection of urban memory in all its dimensions,\" Özbek successfully demonstrates that architectural-cultural heritage is not only composed of tangible structures, that there are intangible values behind what is visible, using Kastamonu, perhaps one of the most suitable cities for such research, as a laboratory.”\u003cbr\u003e\u003cstrong\u003eProf. Dr. Kutgün Eyüpgiller\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eCONTENTS\u003c\/strong\u003e\u003cbr\u003e06 Foreword\u003cbr\u003e08 Presentation\u003cbr\u003e10 Author’s Foreword\u003cbr\u003e\u003cstrong\u003e12\u003c\/strong\u003e \u003cstrong\u003eIntroduction\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e18\u003c\/strong\u003e \u003cstrong\u003eHome and Life Values in Sustainability\u003c\/strong\u003e\u003cbr\u003e20 Traces of Life in Settlement Design\u003cbr\u003e22 Human Existence\u003cbr\u003e23 Memory\u003cbr\u003e25 Culture\u003cbr\u003e27 Anatolian Housing Settlements in the Context of Life\u003cbr\u003e27 Cultural Stratification and the Phenomenon of Settlement\u003cbr\u003e32 The Impact of Vital Transformation on Housing Settlements and New Settlement Quests\u003cbr\u003e\u003cstrong\u003e40\u003c\/strong\u003e \u003cstrong\u003eStudies Conducted to Ensure the Sustainability of Urban Housing Settlements\u003c\/strong\u003e\u003cbr\u003e41 Conceptual\/Theoretical Approaches\u003cbr\u003e41 Conservation Approaches\u003cbr\u003e42 Sustainability Approaches\u003cbr\u003e44 Methods Applied in the Context of Sustainability \/ Conservation of Traditional Housing Settlements\u003cbr\u003e47 Legal Regulations Regarding the Preservation of Values Pertaining to Human Existence that Constitute Civil Architecture and Civil Life\u003cbr\u003e47 International Organizations and Statutes\u003cbr\u003e49 Laws, Organizations, and Studies Applied in Turkey\u003cbr\u003e50 Examples of Cities That Can Sustain Life Values with Their Original Texture\u003cbr\u003e50 Bath, England\u003cbr\u003e54 Asmara, Eritrea\u003cbr\u003e60 Bologna, Italy\u003cbr\u003e\u003cstrong\u003e68\u003c\/strong\u003e \u003cstrong\u003eA Method Based on the Concept of “Life World” and Housing Settlements\u003c\/strong\u003e\u003cbr\u003e74 Street\u003cbr\u003e76 Garden\u003cbr\u003e78 House\u003cbr\u003e80 Evaluation of the Method Through the Kastamonu Example\u003cbr\u003e\u003cstrong\u003e82\u003c\/strong\u003e \u003cstrong\u003eKastamonu\u003c\/strong\u003e\u003cbr\u003e92 Factors Affecting the Design of the City’s Housing Settlements\u003cbr\u003e94 Kastamonu from a Time Perspective\u003cbr\u003e102 Social Structure\u003cbr\u003e110 Administrative Decisions\u003cbr\u003e115 Conservation Efforts in the City\u003cbr\u003e120 Analysis of Kastamonu’s Traditional Housing Settlements Through Four Streets\u003cbr\u003e125 Saray Cami Street-Yıldırım Street-İzbe Street Line\u003cbr\u003e145 Kırkçeşme Avenue\u003cbr\u003e160 Baba Street\u003cbr\u003e177 Kuleli Street\u003cbr\u003e188 Findings\u003cbr\u003e193 Kastamonu Sustainability Analysis Results and Recommendations\u003cbr\u003e\u003cstrong\u003e200\u003c\/strong\u003e \u003cstrong\u003eConclusion\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e206 References\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e213 Appendices\u003c\/strong\u003e\u003cbr\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370206966003,"sku":"9786058043473","price":245.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058043473.jpg?v=1616017680"},{"product_id":"tarihi-cevre-algisi_351074-html","title":"Perception of Historical Environment","description":"\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003eWe know that the tendency to value and protect cultural assets, and the practices carried out for this purpose, are not a new behavior or a new trend unique to our age, as many people believe, but have a clear and distinct place in human history. This fact has been clearly emphasized in Prof. Dr. Cevat Erder’s books titled Tarihi Çevre Kaygısı (Concern for Historical Environment) and its continuation, Tarihi Çevre Bilinci (Awareness of Historical Environment), and subsequently in the book published by UNESCO as a single volume, “like an updated summary,” titled Our Architectural Heritage: From Consciousness to Conservation.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cbr\u003eTarihi Çevre Algısı (Perception of Historical Environment) is the first updated Turkish edition of Cevat Erder's latest book. Erder suggests that it is natural for there to be differences in decisions and practices related to the protection of cultural assets in places where the cultural values of societies vary; and that time and space must be taken into account in discussions made through examples and analogies from different societies: “In this field, also referred to as ‘conservation science’ in recent years, before criticizing some practices that can be observed in different cultural environments and may appear different, on the grounds that they do not adhere to or comply with generally accepted international principles, it is necessary to investigate the reasons influencing these practices within the overall culture of that country, and the time and environment in which the practices were carried out. I believe that research conducted for this purpose will lead us out of the chaos we are currently in and into a more beneficial, or at least more accurate, environment. I am of the opinion that Turkey, like the European countries such as Italy, France, and England, exemplified in the book, possesses qualities that can easily enable it to reach a level where it can be among these countries with many examples to showcase in conservation.”\u003cbr\u003e\u003cbr\u003eABOUT CEVAT ERDER\u003cbr\u003eProf. Dr. Cevat Erder, one of the pioneering figures in the field of cultural heritage conservation in Turkey and worldwide, joined the METU Faculty of Architecture in 1964 to participate in the establishment of the Department of Maintenance and Repair of Historical Monuments, which continues as a postgraduate program affiliated with the Middle East Technical University Department of Architecture. He served as the head of this department between 1964 and 1973, and as the Dean of the METU Faculty of Architecture between 1977 and 1979, while also serving as a member of the Executive Committee of the International Council on Monuments and Sites (ICOMOS) between 1965 and 1974. \u003cbr\u003eCevat Erder, who was elected as the Director-General of the International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM), headquartered in Rome, twice consecutively between 1981 and 1988, won the Aga Khan Award for Architecture for the restoration of the Al-Aqsa Mosque in 1986, the ICCROM Award in 1997, and the Piero Gazzola Award from ICOMOS in 2003. In 2004, he was honored with the Service Award within Turkey's prestigious TÜBİTAK Science, Service, and Incentive Awards for \"the establishment of the METU Department of Maintenance and Repair of Historical Monuments, his service to conservation, particularly conservation education, at national and international levels, and his pioneering role in the establishment and institutionalization of the discipline related to cultural heritage conservation in Turkey.\" Cevat Erder, who is currently a member of the UNESCO Monitoring Committee and the ICOMOS Turkey National Committee, has been and continues to be the initiator and implementer of campaigns advocating for urgent measures to protect cultural heritage under urban and other environmental threats throughout his professional life.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cstrong\u003eWHO IS PROF. DR. CEVAT ERDER?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003eProf. Dr. Cevat Erder, one of the pioneering figures in the field of cultural heritage conservation in Turkey and worldwide, joined the METU Faculty of Architecture in 1964 to participate in the establishment of the Department of Maintenance and Repair of Historical Monuments, which continues as a postgraduate program affiliated with the Middle East Technical University Department of Architecture. He served as the head of this department between 1964 and 1973, and as the Dean of the METU Faculty of Architecture between 1977 and 1979, while also serving as a member of the Executive Committee of the International Council on Monuments and Sites (ICOMOS) between 1965 and 1974. Cevat Erder, who was elected as the Director-General of the International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM), headquartered in Rome, twice consecutively between 1981 and 1988, won the Aga Khan Award for Architecture for the restoration of the Al-Aqsa Mosque in 1986, the ICCROM Award in 1997, and the Piero Gazzola Award from ICOMOS in 2003. In 2004, he was honored with the Service Award within Turkey's prestigious TÜBİTAK Science, Service, and Incentive Awards for \"the establishment of the METU Department of Maintenance and Repair of Historical Monuments, his service to conservation, particularly conservation education, at national and international levels, and his pioneering role in the establishment and institutionalization of the discipline related to cultural heritage conservation in Turkey.\" Cevat Erder, who is currently a member of the UNESCO Monitoring Committee and the ICOMOS Turkey National Committee, has been and continues to be the initiator and implementer of campaigns advocating for urgent measures to protect cultural heritage under urban and other environmental threats throughout his professional life. In addition to his leadership roles, he has contributed to the training of many experts currently active in this field through his lectures and seminars, particularly in architectural history and the history and theory of monument preservation and restoration. Before Tarihi Çevre Algısı (Perception of Historical Environment), Cevat Erder published Tarihi Çevre Kaygısı (Concern for Historical Environment), Tarihi Çevre Bilinci (Awareness of Historical Environment), and Our Architectural Heritage: From Consciousness to Conservation.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370210373875,"sku":"9786058136601","price":315.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058136601.jpg?v=1616017719"},{"product_id":"osmanli-anit-mimarisinde-klasik-yapi-detaylari","title":"Classical Building Details in Ottoman Monumental Architecture","description":"A whole is made up of details. In traditional architecture, details have been developed over time through trial and error. There is no reason for a detail believed to perfectly fulfill its expected function to change. This understanding, which is one of the most important characteristics of traditional architecture, is diametrically opposed to today's architectural understanding. A careful examination will reveal that even two details applied in distant regions or at different times can exhibit astonishing similarities. Therefore, the important thing is to understand the essence of a detail and to decipher how it fulfills its function. An architect who achieves this will have mastered that detail; they can contribute to the development of that detail under the changing conditions of today. This book, the result of a long effort spanning sixty years, primarily addresses architects, restorers, and students in these fields. Perhaps the most important feature of this work is that it presents Ottoman classical building details collectively for the first time. Some of the monuments to which the presented details belong have lost their originality due to faulty restoration work, some are on the verge of collapse due to neglect, and some have been completely lost. If this book can draw the attention of its target audience to these excellent details, help them appreciate them and understand their principles, it will have achieved its purpose. Because we all know that perfection lies in the details.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA whole is made up of details. In traditional architecture a detail is developed over time through trial and error. When it is believed to have been ‘perfected', however, it need no longer change. Close inspection will reveal that most traditional details of the same type have many similarities, even when produced in different regions at different times. This is one of the most characteristic aspects of traditional architecture, and is the exact opposite of our understanding of architecture today. One must strive to understand the working principle of a detail-how and why it has evolved to function so well, and, often, so beautifully. An architect capable of this understanding has mastered that detail and its utility, and can help its further evolution in the context of contemporary conditions of construction. This book, which is the outcome of 60 years of professional experience, is useful primarily for architects, preservationists and students in these fields. Yet this book can also address a much greater audience because it is the first to compile Ottoman classical details in a single volume. Furthermore, some of the buildings which these details are part of have fallen into ruins and others have lost their authenticity due to faulty interventions. These may be the only records of their details. If this book can attract attention to these beautiful details and further an understanding of their working principles it would have accomplished its purpose. Perfection lies in the details.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209292531,"sku":"9786058136687","price":245.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058136687.jpg?v=1616017728"},{"product_id":"tarihi-cevre-koruma-ve-restorasyon","title":"Protection and Restoration of Historic Environment - 20th Edition","description":"\u003cp\u003eThe 20th edition of \u003cstrong\u003eProf. Dr. \u003ca href=\"https:\/\/yemkitabevi.com\/search?type=product\u0026amp;q=Zeynep+AHUNBAY\" rel=\"noopener\" target=\"_blank\"\u003eZeynep Ahunbay\u003c\/a\u003e\u003c\/strong\u003e's book, \u003cstrong\u003e\u003cem\u003eHistorical Environment Protection and Restoration\u003c\/em\u003e\u003c\/strong\u003e, a fundamental reference for restoration and conservation education in Turkey, has been published.\u003c\/p\u003e\n\u003cp\u003eSince its first edition, \u003cem\u003eHistorical Environment Protection and Restoration\u003c\/em\u003e has been met with great interest. It comprehensively addresses the conservation and restoration process from a broad perspective, ranging from the theoretical basis of conservation thought to the studies to be carried out before restoration, from the preparation of the restoration project to restoration techniques.\u003c\/p\u003e\n\u003cp\u003eProf. Dr. Zeynep Ahunbay, who wrote the book \u003cem\u003eHistorical Environment Protection and Restoration\u003c\/em\u003e to inform architecture students about conservation, states:\u003c\/p\u003e\n\u003cp\u003e“Every architect trained in Turkey must be observant of their surroundings, sensitive, and eager to learn. In this country, which harbors cultural layers spanning a long period from prehistory to the present, to fully carry the responsibility placed upon us as architects, it is necessary to embrace the idea that cultural heritage is a common value of humanity and to be internationally equipped. For those involved in conservation practices, making respect for nature and history a principle and avoiding the production of fake historical artifacts is part of professional ethics. I believe that the cultural heritage of our country will thrive through the efforts of sensitive, knowledgeable, and interdisciplinary professionals.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe topics covered in the book are presented under the following main headings:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003eDevelopment and Theoretical Basis of Conservation Thought\u003c\/li\u003e\n\n\u003cli\u003eValues to be Protected and Evaluation Criteria\u003c\/li\u003e\n\n\u003cli\u003eFactors Causing Deterioration in Monuments\u003c\/li\u003e\n\n\u003cli\u003eStudies Carried Out Before Restoration\u003c\/li\u003e\n\n\u003cli\u003ePreparation of the Restoration Project\u003c\/li\u003e\n\n\u003cli\u003eRestoration Techniques\u003c\/li\u003e\n\n\u003cli\u003eHistorical Environment Protection\u003c\/li\u003e\n\n\u003cli\u003eOrganization, Laws, and Conservation Education Related to the Protection of Cultural Heritage\u003c\/li\u003e\n\n\u003cli\u003eThe texts of the Carta del Restauro, Venice Charter, Amsterdam Declaration, NARA Document on Authenticity, ICOMOS Charter on Traditional Architectural Heritage, and Decision No. 378 of the High Council for the Protection of Immovable Cultural and Natural Heritage are also included in the APPENDIX section of the book.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Prof. Dr. Zeynep AHUNBAY\u003c\/strong\u003e\u003cbr\u003eBorn in Ünye in 1946. She completed her primary education in Zara and Giresun and her secondary education at Arnavutköy American Girls' College in 1965. In 1970, she graduated from Istanbul Technical University (ITU), Faculty of Architecture. In 1971, she became an assistant at the Department of Architectural History and Surveying, ITU Faculty of Architecture. She completed her doctorate in 1975 on \"Sultan Ahmed Complex and Beyond in Ottoman Architecture\" under the supervision of Prof. Doğan Kuban. In the academic year 1977-78, she attended a specialized course on conservation at the University of York, England, and received a diploma with her thesis on \"Archaeology and Conservation in the Ancient City of Side.\" In 1980, she became an associate professor with her work \"Istanbul Madrasahs: An Evaluation in Terms of Conservation and Reuse.\" In 1988, she was promoted to professor with her work \"Architect Sinan's Educational Buildings.\"\u003cbr\u003eShe is currently a faculty member at the Department of Restoration, ITU Faculty of Architecture. She has participated in the documentation and conservation efforts of historical cities such as Edirne, Gaziantep, Safranbolu, Samsat, Tarsus, and Hasankeyf; and has carried out monumental restoration projects and applications. These include the Side Temple of Apollo, Marmara University Rectorate Building, Istanbul City Walls between T1-T6, Hagia Sophia Southwest Corner, Zeyrek Mosque, Bursa Green Tomb, and Uzunkemer restoration projects. The restoration of the Southwest Corner of Hagia Sophia, which she carried out with her husband Prof. Dr. Metin Ahunbay, was awarded the \"Special Repair Award\" by the Chamber of Architects 8th National Architecture.\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370210406643,"sku":"9786058136694","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/RESTORASYON_on_KAPAK.jpg?v=1666867486"},{"product_id":"rolove","title":"As-Built Survey - 19th Edition","description":"\u003cp\u003eIn order to understand what historical artifacts and monuments reflect from the past and how they shed light on architectural development, it is necessary to document, or \"survey,\" both those that are preserved and those that are in ruins. A survey is the first step to be taken when intervention is required on an ancient artifact. Whether for archiving or for preparing a restitution-restoration project, surveying an ancient artifact is essential. From this perspective, the importance of surveying in our country, which has so many historical artifacts, is very clear.\u003c\/p\u003e\n\u003cp\u003ePrimarily prepared for architecture students who are new to this field, the SURVEY book is also an extremely useful resource for professionals. It addresses the subject in an easy-to-understand language and method for everyone; the stages of sketching, photographing, measuring, and drawing are explained with examples from the author's years of work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Bülent Uluengin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Istanbul in 1944. Graduated from the Department of Architecture of the Istanbul State Academy of Fine Arts in 1969.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAfter his military service, he worked as a control architect at a private bank until 1974 and traveled to many regions of Turkey. In 1974, he started working as an assistant in the Department of Architecture at the Istanbul State Academy of Architecture and Engineering (İDMMA). In 1982, upon the invitation of King Abdulaziz University in Jeddah, he went to Saudi Arabia and worked as a research architect at the Hajj Research Center of the same university until 1986. Between 1986 and 1995, in addition to working as a freelance architect in Istanbul, he worked as a contract lecturer at Yıldız Technical University and Mimar Sinan Fine Arts University.\u003cbr\u003eHe completed his doctoral thesis and received his Ph.D. in 1996; he became an associate professor in 1997 and a professor in 2003. Between 1995 and 2007, he worked as a faculty member in the Architectural Restoration Program at the Vocational School of Mimar Sinan Fine Arts University. Since 2007, he has been working as a faculty member and Head of the Department of Architecture at Bahçeşehir University, Faculty of Architecture and Design.\u003cbr\u003eHe has written various papers and articles related to his field of expertise, and has carried out survey and project studies. He has participated in national and international symposia (Sudan, Yemen, Jordan, Tunisia, Sri Lanka, and America) and presented papers.\u003cbr\u003eUluengin has published books such as \"Methods of Utilizing Photographic Techniques in the Architectural Design Process\" (doctoral thesis, published by Yıldız Technical University in 1997), \"Architectural Metals, Properties, Causes of Deterioration, Protection and Restoration Techniques\" (Birsen Publishing House, Istanbul 2006), \"Osmaneli and Its Traditional Houses\" (Kirkuk Foundation Publication, Istanbul 2009), \"Classical Building Details in Ottoman Monumental Architecture\" (YEM Publishing, 3rd edition, Istanbul 2010), which won first prize in the Architectural Award category at the 2010 Writing-Documentation-Translation Awards of the Organization of Islamic Capitals and Cities, and \"Survey\" (YEM Publishing, 4th edition, Istanbul 2010).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209947891,"sku":"9786058177758","price":315.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ROLOVE_16_BASKI_KAPAK.jpg?v=1729133294"},{"product_id":"sivrihisar-evleri","title":"Sivrihisar Houses","description":"\u003cp\u003e\u003ci\u003e\u003cspan\u003eSivrihisar, an old Anatolian town, is one of the rare places in our country that still largely preserves its identity today. Despite its proximity to Ankara and its location on a major route, the town center has developed slowly, perhaps allowing its historical fabric to be preserved. However, recent interventions have led this fabric to gradually change and disappear. The old houses, which line its clean, stone-paved streets from two sides and stand like ornaments, are at the forefront of such a change.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAmong the historical and cultural heritage of Sivrihisar and its surroundings, monumental structures have been the subject of some publications, yet little mention has been made of its old houses. It was this oversight that drew my attention and became one of the most important factors in the preparation of this book. The effort to bring these houses, which are decreasing in number every day, into the pages of a book has been the main objective of my research. I hope that this work, which is the product of more than three years of study, will help document some of our old houses, which are important examples of our traditional civil architecture, through publication and thus pass them on to future generations.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e","brand":"Ege Üniversitesi","offers":[{"title":"Default Title","offer_id":39409052942531,"sku":"9789754838381","price":280.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/51G8Z_Fk-sL.jpg?v=1710762554"},{"product_id":"ahsap-pencereler","title":"Wooden Windows","description":"\u003cp\u003eAs can be seen in the text of the book, we deemed it useful to provide a brief explanation of the wooden lattices used in traditional houses in our country.\u003cbr\u003eEspecially among peoples adhering to the Muslim faith, elements called KAFES (lattices) were used, typically in the form of thin wooden screens, applied as double sashes that slide vertically upwards to the height of the window and open outwards as side-pivoting sashes, with the aim of preventing the interior life of the building from being seen from outside.\u003cbr\u003e\u003cbr\u003eToday, lattices, which have almost lost their original meaning, in addition to their religious purpose, allow for the ventilation of interior spaces by partly or fully opening the inner window sashes, and also provide protection from intense sunlight.\u003cbr\u003e\u003cbr\u003eHowever, it might be necessary to apply them in contemporary buildings to revive a longing for the past.\u003cbr\u003eIn Istanbul, it is possible to find some sympathetic examples in contemporary buildings along the Bosphorus.\u003cbr\u003e12.5.1998\u003cbr\u003eProf. Muhittin Binan\u003c\/p\u003e","brand":"Birsen Yayınevi","offers":[{"title":"Default Title","offer_id":39409054220483,"sku":"9789755111223","price":540.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789755111223.jpg?v=1616018459"},{"product_id":"tarihi-cevrede-yapilasma-deneyimleri_349223-html","title":"Construction Experiences in Historic Environments","description":"\u003cp\u003e\u003cspan style=\"color: #454545; font-family: 'Source Sans Pro', sans-serif;\"\u003eDrawing on experiences in new construction within historic environments, this work addresses conservation approaches through various examples. The success of conservation and the transmission of historic environments to future generations are highlighted with various insights, using outstanding examples at both settlement and building scales. It is also strongly emphasized that these types of environments possess centuries of accumulated knowledge based on building production and hold great potential to inspire contemporary designs, which should not be overlooked.\u003c\/span\u003e\u003cbr style=\"color: #454545; font-family: 'Source Sans Pro', sans-serif;\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Birsen Yayınevi","offers":[{"title":"Default Title","offer_id":39409076699331,"sku":"9789755116754","price":675.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789755116754.jpg?v=1616018811"},{"product_id":"sile-deki-ev","title":"The House in Şile","description":"\u003cp data-mce-fragment=\"1\"\u003eProf. Dr. Reha Günay's new book, \u003cem data-mce-fragment=\"1\"\u003eThe House in Şile\u003c\/em\u003e, which intimately recounts the story of the house where he was born and raised in Şile and its preservation-restoration-renovation process, has been published by YEM Yayın.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eReha Günay, whom we know for his original works in fields such as architectural history, art history, traditional building and construction techniques, photography, and archaeology, tells the story of his ancestral home, where he was born and raised in Şile, with an approach distilled from all these fields. Of course, as in all his books, unique photographs accompany the text, adding vitality and emotion to this work.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eReha Günay summarizes his reason for preparing this book for publication as follows:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"...In this book, you will find my memories related to the house where I spent part of my childhood in Şile. I specifically tried to ensure that these memories were solely about the house. I did not include Şile or my other memories. To better understand what I heard as a child, and what I saw and found in the house, I researched them from various sources. Therefore, you will find the fleeting stories of my memories alongside the realities of that time. In this way, I am, in a sense, grounding myself. Who knows, you might even say 'you shouldn't have grounded yourself'! The items and objects in the book are synonymous with the house for me. I cannot imagine 'The House in Şile' without them. Moreover, these objects can be considered an inventory of an Ottoman family from a hundred years ago. Although they may not have monetary value, they are important from the perspective of folklore and cultural history. Such everyday use items are now rarely found in homes or museums. My greatest wish is for these objects to live on with the house...\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBurçin Yılmaz edited \u003cem data-mce-fragment=\"1\"\u003eThe House in Şile\u003c\/em\u003e, Gökçen Yanlı Atmaca designed the cover, Mecit Demir did the proofreading, Hüseyin Aktürk handled the graphic design, and Kemal Kara prepared it for printing.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370210111731,"sku":"9786257008310","price":350.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/YEM_Siledeki_Ev_Kapak.jpg?v=1618904812"},{"product_id":"restorasyon-kurami-cesare-brandi","title":"Restoration Theory","description":"\u003cp data-start=\"301\" data-end=\"671\"\u003e\u003cstrong data-start=\"301\" data-end=\"323\"\u003eTheory of Restoration\u003c\/strong\u003e is a classic text that sets forth the fundamental theoretical approach developed by \u003cstrong data-start=\"377\" data-end=\"394\"\u003eCesare Brandi\u003c\/strong\u003e, one of the founding figures of modern restoration thought, on the preservation and restoration of works of art. In this work, Brandi treats restoration not merely as a technical intervention but also as an \u003cstrong data-start=\"606\" data-end=\"654\"\u003eaesthetic and historical evaluation process\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"673\" data-end=\"1039\"\u003eThe book defines the purpose of restoration as preserving both the \u003cstrong data-start=\"721\" data-end=\"743\"\u003ehistorical identity\u003c\/strong\u003e and the \u003cstrong data-start=\"751\" data-end=\"774\"\u003eaesthetic integrity\u003c\/strong\u003e of the work of art, and it discusses the delicate balance between these two dimensions. Brandi’s concept of \u003cstrong data-start=\"875\" data-end=\"902\"\u003e“critical restoration”\u003c\/strong\u003e argues that restoration should not be a random renovation but a decision-making process based on conscious and intellectual foundations.\u003c\/p\u003e\n\u003cp data-start=\"1041\" data-end=\"1331\"\u003eThe work meticulously addresses topics such as the originality of the artwork, the traces left by time, the limits of intervention, and the ethical dimension of restoration. It emphasizes that restoration is not only a physical improvement but also a \u003cstrong data-start=\"1254\" data-end=\"1312\"\u003erelationship established with history, memory, and aesthetic values\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1333\" data-end=\"1684\"\u003e\u003cstrong data-start=\"1333\" data-end=\"1355\"\u003eTheory of Restoration\u003c\/strong\u003e is a \u003cstrong data-start=\"1510\" data-end=\"1543\"\u003efundamental and reference source\u003c\/strong\u003e for professionals working in the fields of architecture, art history, conservation, cultural heritage, and restoration, as well as for students studying these disciplines. It is an indispensable reference book for readers who wish to approach works of art and architectural heritage from a theoretical perspective.\u003c\/p\u003e","brand":"Janus","offers":[{"title":"Default Title","offer_id":39779652632771,"sku":"9786257035101","price":640.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/RestorasyonKuramiONKAPAK.jpg?v=1768999021"},{"product_id":"guzel-sehir-ilkeleri-eski-prag-eski-ankara","title":"Beautiful City Principles Old Prague - Old Ankara","description":"\u003cspan data-mce-fragment=\"1\"\u003eContents\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. A Beautiful, Aesthetic, Preserved, Livable, Green City:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. Principles of a Beautiful City: Protection of Natural Landscape Values, Historical and Cultural Monuments:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. Principles of a Beautiful City: Protection of Natural Landscape Values, Historical and Cultural Monuments:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. Principles of a Beautiful City: Preservation and Restoration of Natural Landscape Values:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. Principles of a Beautiful City: Protection and Restoration of Historical and Cultural Values from Petřín Hill Downwards\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. Principles of a Beautiful City: Protection and Restoration of Historical and Cultural Values\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. Principles of a Beautiful City: Pedestrian-Friendly Transportation\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. Principles of a Beautiful City: Protection of Natural Landscape Values, Historical and Cultural Monuments\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9. Principles of a Beautiful City: Development of Natural Landscape Values:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. Principles of a Beautiful City: Protection of Historical Fabric and Monuments and Creation of Pedestrian Zones\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11. Principles of a Beautiful City: Pedestrian Zones, Protection of Monuments\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12. Principles of a Beautiful City: Proliferation and Public Access to Museums and Cultural Spaces\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e13. Principles of a Beautiful City Prague-Ankara Results and Recommendations\u003c\/span\u003e","brand":"Gazi Kitabevi","offers":[{"title":"Default Title","offer_id":40356276797635,"sku":"9786257588744","price":103.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/450929.png?v=1628505654"},{"product_id":"anadolu-selcuklu-mimarisindeki-geometrik-suslemelerde-restorasyon-hatalari","title":"Restoration Mistakes in Geometrical Ornamentation in Anatolian Seljuk Architecture","description":"\u003cp data-mce-fragment=\"1\"\u003eThe Seljuks, who established the architectural formations of the Turks in Anatolia, adorned the cities in various regions of the Anatolian geography they ruled with architectural works such as mosques, masjids, madrasahs, hospitals, castles, caravanserais, bridges, baths, tombs, and dervish lodges. These works not only met needs structurally but were also aesthetically embellished with various materials and techniques. The works, reflecting the aesthetic taste of the period in an original style, have been damaged over time, both by human hands and the destructive power of nature. Repairs have been needed from the time of their construction to the present day to preserve these architectural works and pass them on to future generations. Although repairs are generally carried out for the structural protection of the building, it is also observed that the ornamentations, which are an integral part of the structure, are repaired. The restorations of these works have sometimes been carried out in accordance with their original state, and sometimes in a way that makes one long for their former condition.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis study aims to reveal the model errors in the restorations carried out on architectural works within the framework of a specific period and a specific motif group. Unlike other ornamentation motifs, geometric ornamentations, in particular, should be made according to strict rules that do not allow for improvisation or different interpretations. In geometric ornamentations, measurement, proportion, ratio, order, harmony, rhythm, discipline, balance, symmetry, centrality, infinity, abstractness, and mathematical integrity should be provided. When any of these are overlooked, distortions occur in the design. From this perspective, the restoration of geometric ornamentations is a more meticulous job than other ornamentations. Even though we narrowed down the subject to Anatolian Seljuk Architecture and geometric ornamentation, encountering errors in more than a hundred Seljuk works indicates that the necessary sensitivity was not shown in the repairs of these works.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn this study, photographs showing the old conditions of the works we identified, if any, were included, the entirety of the model was revealed, and drawings were provided, along with photographs of their current state and opinions on where and how the errors were made. We hope that our study will create awareness and lead to future restorations being carried out under the control of experts, with appropriate materials and equipment, by skilled individuals. The aim of ornamentation restorations should be to restore them to their former glory with correct materials, rather than merely completing missing parts in any way possible.\u003c\/p\u003e","brand":"Literatür Yayıncılık","offers":[{"title":"Default Title","offer_id":40458258186435,"sku":"9786053372516","price":112.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/515-l1-vFNL.jpg?v=1629288423"},{"product_id":"istanbul-un-kaybolan-ahsap-konutlari","title":"Istanbul's Vanishing Wooden Houses","description":"\u003cp data-mce-fragment=\"1\"\u003eA new edition of Prof. Dr. Reha Günay's book, \"The Lost Wooden Houses of Istanbul,\" which documents the wooden architectural fabric of Istanbul that has been a characteristic feature of the city for centuries but has now vanished, has been released.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe new version of the book, without compromising its content, quality, or page count, was prepared in a smaller size than the first editions to make it easily portable for readers and affordably priced, and it was printed on lightweight paper.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe book, prepared by YEM Yayın, consists of two main sections: The first part starts with the history of wooden house construction and explains the concept of \"Turkish house\" in terms of its architecture and construction technique. It then presents distinguished examples of this tradition that have survived to the present day, accompanied by plans, drawings, engravings, and photographs. The second part attempts to trace the residential fabric of Istanbul district by district with over 200 black-and-white photographs selected from nearly 4000 photographs taken by Reha Günay at different times from 1960 to the present. Günay's lens takes us on a historical journey from Zeyrek to Süleymaniye, from Cibali to Beşiktaş, from Üsküdar to Anadoluhisarı, from Kadıköy to Göztepe.\u003c\/p\u003e\n\u003col start=\"15\" data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eand the 16th century to the present, where the most extraordinary examples of the Turkish house tradition came to life, Istanbul seems to have lost the wooden residential fabric it preserved until recently, and the parallel culture of living that developed with it. This book, which immortalizes examples of this tradition with unique photographs, stands out as an important documentation work that will convey this typology and the residential fabric it created to future generations. \u003cbr data-mce-fragment=\"1\"\u003e The Lost Wooden Houses of Istanbul aims to be a documentation work that goes beyond merely describing a building typology or construction technique, providing insights into the home life and social relations of an era, and also \"showing how time has changed and where society, economy, technology, and urbanization have gone.\" \u003cbr data-mce-fragment=\"1\"\u003e Prof. Dr. Reha Günay describes the book and the photographs included in it as follows:\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"After graduating from ITU in 1960, as an architect, I tried to document my surroundings with only my own resources until now. The street I lived on, the roads I took to school, the neighborhoods, were all made up of wooden houses. Wooden houses that were gradually disappearing, being demolished and replaced by apartment buildings, always interested me, also with the education we received at the faculty. Whenever I had the opportunity, I would walk around the streets, look for houses with architectural features, and try to photograph them. Since I was looking for quality houses, dilapidated or altered houses that were rented out floor by floor, mansions, always remained outside the scope. Now, looking back, I think, 'I wish I had taken street photographs.' The street perspectives created by wooden houses; even if the houses were individually unexceptional or deteriorated, they were very beautiful. In architectural terms, they had an organic structure.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhat I present in \"The Lost Wooden Houses of Istanbul\" is a part of my small collection! This so-called small collection includes almost three to four thousand frames from Istanbul. While preparing and selecting the photographs, I tried to show the houses together with their surroundings. Sometimes with an unbuilt, tree-lined adjacent plot, sometimes with telephone and electricity poles and wires, stovepipes extending from windows and the sooty canned goods attached underneath, with their connecting wires, with crows and pigeons that had made their homes in a rotten piece of the wooden house cladding, with tiny sparrow nests with grass hanging out, and later with television antennas placed on the roofs... All of these are documents that will go down in history as part of the house life of that time. From time to time, you will also see pictures of demolished, ruined houses. Ruined houses are among my favorites because they provide us with important information about construction methods. Furthermore, scattered houses remaining in a deteriorating, or rather, urbanizing environment, not only give us information about the old fabric of that neighborhood but are also documents that show how time has changed and where society, economy, technology, and urbanization have gone. You can either learn from it, or you can say, 'Change is fundamental, it couldn't have been otherwise,' and move on...\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCONTENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eINTRODUCTION\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWooden Houses in My Memories\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIstanbul Houses Through the Eyes of Sedad Hakkı Eldem\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTURKISH HOUSE TRADITION\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhat is a Turkish House?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLifestyle\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRooms\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTurkish House Plan Types\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUSE OF WOOD IN TURKISH HOUSES\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDevelopment of Wooden Houses Throughout History\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhere is the Origin of the Turkish Wooden House?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eISTANBUL HOUSES\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHistorical Development of Istanbul Houses\u003c\/p\u003e\n\u003col start=\"15\" data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eand 16th Century Houses\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eCentury Classical Ottoman Houses (First Period)\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eCentury Ottoman Baroque Period Houses (Second Period)\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eCentury Empire Houses – Napoleonic Period Classicism – (Third Period)\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eCentury Vizier and Statesmen's Mansions in Istanbul\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEXAMPLES OF WOODEN HOUSES FROM THE ANATOLIAN SIDE\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEXAMPLES OF WOODEN HOUSES FROM THE RUMELIAN SIDE\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207686899,"sku":"9786257008419","price":175.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/ISTANBUL_KAYBOLAN_AHSAP_KONUTLAR_ON_Kapak.jpg?v=1637049316"},{"product_id":"istanbul-adalarinin-yasayan-ahsap-konutlari","title":"The Living Wooden Houses of Istanbul's Islands","description":"\u003cp data-mce-fragment=\"1\"\u003eA new edition of Prof. Dr. Reha Günay's book \"Living Wooden Houses of Istanbul Islands,\" which documents the still vibrant wooden architectural fabric of the Istanbul islands, has been released.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe new version of the book was prepared in a smaller size than the first editions, without compromising its content, quality, or number of pages, with the aim of being easily portable for readers and affordably priced. It was also printed on lightweight paper.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn his book \"Istanbul's Lost Wooden Houses,\" Reha Günay revealed the sadness of Istanbul's disappearing wooden housing fabric. In \"Living Wooden Houses of Istanbul Islands,\" he presents a selection of structures on the Islands that continue to thrive with enthusiasm despite urbanization, population growth, and our general indifference.\u003cbr data-mce-fragment=\"1\"\u003e The book allows us to view Istanbul's islands through the distilled lens of Reha Günay's more than 50 years of experience as an architect, photographer, academic, and author.\u003cbr data-mce-fragment=\"1\"\u003e In the book, Reha Günay provides examples ranging from very small traditional houses to magnificent Neo-Classical or Art-Nouveau mansions, in addition to the street fabric of Büyükada, Heybeliada, Burgazada, and Kınalıada. He offers highly original explanations regarding the architectural and artistic features of these structures.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eReha Günay summarizes his reason for carefully selecting black and white photographs taken over many years on the Islands to prepare a book as follows:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"While preparing 'Istanbul's Lost Wooden Houses,' I considered including the island houses, but I didn't feature them because they are a very important group of houses and they are still alive. With this book, instead of the sorrow of lost houses, we experience the joy of living houses. Indeed, these structures, located right next to Istanbul, continue to exist thanks to the struggles and efforts of their owners. In this way, we find the cultural values we lost on the mainland collectively preserved in this natural wonder of a geography and enjoy them to the fullest. Cultural heritage teaches us history as a passage of time. Not just events, but also humanity, economy, technology, art, and culture... Isn't it an easy attitude to simply take a ferry and see these structures without making any effort to protect them? That's why we owe a thank you to the islanders. If we look at the foreign tourists wandering the Islands, it seems they understand the value of Islands' architecture better than we do. Going to the Island should not just be about eating, drinking, riding a phaeton, swimming, lying under a tree, or sitting in a café. It is necessary to walk around the Island, see its structures from the simplest houses to the most magnificent mansions, understand them, learn their stories, and even feel the necessity to enjoy them.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe photographs in the book are mostly recent. We did not attempt to collect all important structures. Rather, we made selections from houses of various segments. We took examples from very small or traditional houses as well as from magnificent Neo-Classical and Art-Nouveau mansions. Although there are some structures on the Islands that have suffered from restoration, most have been recently compiled, tidied up, painted, and adorned. Seeing these structures in their living state truly gladdens one's heart...\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eToday, the Islands are like an open-air museum reflecting various styles of 19th-century European architecture. Nearby Istanbul, which is thousands of years old, has now entirely lost its traditional wooden housing fabric; it barely preserves its old masonry societal structures while having lost its historical environment. In contrast, the Islands standing before us in a remarkably preserved state today seems like a miracle. To sustain this miracle and pass it on to future generations will provide extraordinary contributions to our culture in the future...\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCONTENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA LOOK AT THE HISTORY AND ARCHITECTURE OF THE ISLANDS\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTanzimat Edict and Minorities\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWesternizing Architecture\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eExpansion in Istanbul's Settlement Borders\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIslands Architecture\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBÜYÜKADA\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHEYBELİADA\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBURGAZADA\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKINALIADA\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207654131,"sku":"9786257008426","price":175.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/ADALARIN_YASAYAN_AHSAP_KONUTLAR_ON_Kapak.jpg?v=1637049702"},{"product_id":"balyanlar-osmanli-mimarligi-ve-balyan-arsivi","title":"THE BALYANS Ottoman Architecture and the Balyan Archive","description":"\u003cp\u003eThe 352-page book, printed in a limited edition of 500 copies on special paper and featuring a hard cover, is presented to readers with double, triple, and quadruple fold-out pages to allow for detailed viewing of important large-format images. It contains 158 rare photographs, including portrait photographs of the Balyan family, documents from international archives, seals, and invaluable plans, sections, and facade views.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eFOREWORD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eLooking at the Balyan Architectural Archive \/ \u003cem\u003eArsen Yarman\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eWith Respect to the Balyan Family and Imperial Architects \/ \u003cem\u003eHAYCAR - Association of Architects and Engineers Reviving and Researching Cultural Heritage\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eRemembering the Balyans \/ \u003cem\u003eKevork Özkaragöz\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eGETTING STARTED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 1\u003c\/strong\u003e \/ \u003cstrong\u003eBALYAN ARCHITECTURAL ARCHIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eBeyond Function: Balyan Architecture with Myths and Prejudices\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eBalyan Archive: The Stack of Memory, The Adventure of Classification \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eArchitect Balyans\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 2\u003c\/strong\u003e \u003cspan\u003e\u003c\/span\u003e\/ \u003cstrong\u003eBALYAN FAMILY: PERSONAL HISTORIES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Balyan Family and Its Origins\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eKrikor Bal(i)yan (1764-1831) and the Birth of the Family Workshop\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSenekerim Balyan (1768-1833)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Last Amira Architect Garabed Balyan (1800-1866) \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eEducation of Garabed Balyan's Children\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eYoung Genius Nigoğos Balyan (1826-1858) \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eArchitect, Engineer and Versatile Tanzimat Elite Sarkis Balyan (1831-1899)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDeath of the Great Grandfather, Changing Fortunes and the Last Period of the Balyan Workshop\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan as an Engineer-Mechanic and Inventor\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eArt Patron, Intellectual Architect Hagop Balyan (1837-1875)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eMaster of Drawing, Building Artist Simon Balyan (1846-1894)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Last Architect of the Balyan Workshop, Levon Balyan (1855-1925)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 3\u003c\/strong\u003e \/\u003cstrong\u003e BALYAN ARCHITECTURE AND ITS REPRESENTATIONS\u003c\/strong\u003e \u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eImperial Palaces and the Organization of Large Construction Sites: The Silence of the Construction Sites\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003ePhotography in the Representation of Sarkis Balyan Architecture as a Claim to Progress and Visual Negotiation\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003ePortrait of the Architect\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 4\u003c\/strong\u003e \/ \u003cstrong\u003eBALYAN ARCHITECTURE IN THE TANZIMAT PERIOD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eTranscending Time and Geography: The Plural Sources of Balyan Eclecticism\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eNeo-Gothic Elements in Tanzimat Architecture Under the Leadership of the Balyan Workshop\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eHistory as an Encyclopedic Source\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eAn Egalitarian Demand: Influences in Çırağan and Beylerbeyi Palaces\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eNew Methodologies in the Search for a National Style and the Ottoman Renaissance \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cbr\u003e\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eFrom Imperial Architect to Master Builder of the Imperial Palace: The Position of the Architect in the Architectural Organization of the Tanzimat Period\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 5\u003c\/strong\u003e \/ \u003cstrong\u003eBALYAN ARCHIVE CATALOGUE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eOTTOMAN PALACE AND RESIDENTIAL ARCHITECTURE IN THE TANZIMAT PERIOD \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDynastic Palaces on the Bosphorus Shores\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSultan Mahmud II's Çırağan Palace\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Absolute Model of Tanzimat Palaces: Dolmabahçe \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDesign Model Where the Old Palace Was Included in the New Complex: Beylerbeyi\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eNigoğos Balyan's Facade Proposal for the New Çırağan Palace and \u003cem\u003eHorror Vacui\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis and Hagop Balyan's Oriental, Polychrome Facade Proposals for the New Çırağan Palace\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eNew Çırağan Palace\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eMonumental Coastline from Çırağan to Fer'iye Palaces\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Yıldız Palace Grand Mabeyn Pavilion Expansion Project\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Balyans and Imperial Festivities in the Tanzimat Period\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eA Project by Antoine Bourgeois in the Balyan Archive\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eIn Pursuit of the Ideal Plan: Pavilion and Kiosk Designs \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eKabataş Esma Sultan Mansion \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eMiddle-Class Housing Designs as an Exception in Balyan Architecture\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eDECORATION FOR THE EMPIRE \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e19th Century Ottoman Palace Decoration\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003ePerspective Drawings of \"Serkis Bey\" Found in the Nubar Library, Paris\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eParis-Origin Furniture, Chandelier, and Furnishing Designs in the Balyan Archive\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eA Conceptual Reappropriation: Reuse of Mother-of-Pearl Doors from Çırağan Palace in the Yıldız Chalet Kiosk Banquet Hall\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eNEW SPACES OF OTTOMAN DIPLOMACY \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Arrangement for the Assembly of Deputies\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Plan Proposals for Bâb-ı Âli After the 1878 Fire\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eRELIGIOUS BUILDINGS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eTanzimat Period Mosques and the Balyans' Contribution\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Four-Minaret Selatin Mosque Design: Aziziye Mosque\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSecond Group of Mosque Drawings in the Balyan Archive\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eChurch Designs Between the Capital and the East\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eNEW SPACES OF PUBLIC LIFE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Exhibition Plan for Mecmua-i Esliha-i Atika in Hagia Irene\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eEducational Buildings\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Plan for Galatasaray Imperial High School\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eHospital Project in the Balyan Archive\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSimon Balyan's Design Proposal for Sarayburnu Warehouses\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eProject for a Public Building and Landscape Design\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eMILITARY BUILDINGS \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eBarracks Designs as Pioneers of the Order Principle in Architecture\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eMaçka Armory\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eINDUSTRIAL BUILDINGS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDadyan and Balyan Collaboration in the Early Period of Ottoman Industrialization \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eFeshane Imperial Factory\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDolmabahçe Gasworks\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eIMPROVEMENT OF THE TANZIMAT CITY: BALYANS AND URBAN DESIGN\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eABBREVIATIONS\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBIBLIOGRAPHY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eOn the Index of Balyan Buildings\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eIndex of Structures and Individuals\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n","brand":"Korpus Yayıncılık","offers":[{"title":"Default Title","offer_id":42074650083571,"sku":"9786055495664","price":1500.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/51WV12d-BlS.jpg?v=1637227643"},{"product_id":"the-balyans-ottoman-architecture-and-balyan-archive","title":"THE BALYANS Ottoman Architecture and Balyan Archive","description":"\u003cp\u003e\u003cstrong\u003eFOREWORD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eLooking into the Balyan Architecture Archive \/ \u003cem\u003eArsen Yarman\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eWith Respect to the Balyan Family and Imperial Architects\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHAYCAR - Solidarity Association of Architects and Engineers for the Revitalization and Research of Cultural Assets\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eRemembering the Balyans \/ \u003cem\u003eKevork Özkaragöz\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003ePROLOGUE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 1  \u003c\/strong\u003e\u003cstrong\u003eBALYAN ARCHITECTURE ARCHIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eBeyond Function: Balyan Architecture with Myths and Prejudices\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eBalyan Archive: Pile of Memories and Journey of Classification\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eArchitect Balyans\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 2\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e \u003cstrong\u003eBALYAN FAMILY: PERSONAL HISTORIES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eBalyan Family and Its Origins\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eKrikor Bal(i)yan (1764-1831) and the Birth of a Family Practice\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSenekerim Balyan (1768-1833)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Last Amira Architect Garabed Balyan (1800-1866) \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eEducation of Garabed Balyan’s Children\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eA Young Genius: Nigoğos Balyan (1826-1858) \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eArchitect, Engineer and Versatile Tanzimat Elite Sarkis Balyan (1831-1899)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDeath of the Great Patron, Stroke of Fate and Final Period of Balyan Practice\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan as an Engineer-Mechanician and Inventor\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eArt Patron and Intellectual Architect: Hagop Balyan (1837-1875)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eA Drawing Master and Imperial Draughtsman: Simon Balyan (1846-1894)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eLast Architect of the Balyan Practice: Levon Balyan (1855-1925)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 3\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e \u003cstrong\u003eBALYAN ARCHITECTURE AND ITS REPRESENTATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eImperial Palaces and Organization of Large Scale Construction Sites: Silence of the Construction Sites\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eA Pledge of Progress and a Visual Negotiation: Photography in the Representation of Sarkis Balyan’s Architecture\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003ePortrait of the Architect\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 4\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e \u003cstrong\u003eBALYAN ARCHITECTURE IN THE TANZİMAT ERA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eBeyond Time and Geography: Multiple Sources of Balyan Eclecticis\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eBalyan Practice as a Pioneer of Neo-Gothic Elements in Tanzimat Architecture\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eHistory as an Encyclopedic Source\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eAn Egalitarian Demand: Influences on Çırağan and Beylerbeyi Palaces\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eNew Methodologies in the Search of a National Style and Ottoman Renaissance\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eFrom Imperial Architect to Imperial Palace Master Builder: The Position of Architect in the Architectural Organization of Tanzimat Period\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 5\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e \u003cstrong\u003eBALYAN ARCHIVE CATALOGUE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eOttoman Palace and Residential Architecture in the Tanzimat Era\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eImperial Palaces on the Banks of Bosphorus\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Çırağan Palace of Sultan Mahmud II\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDolmabahçe: The Absolute Model of Tanzimat Palaces\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Design Model Integrating the Old Palace into the New Complex: Beylerbeyi\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eNigoğos Balyan’s Facade Proposal for the New Çırağan Palace and \u003cem\u003eHorror Vacui\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis and Hagop Balyan’s Eastern, Polychrome Facade Proposals for the New Çırağan Palace\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe New Çırağan Palace\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eMonumental Coastal Line from Çırağan to Fer’iye Palaces\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan’s Expansion Project for Yıldız Palace Büyük Mabeyn Kiosk\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Balyans and Imperial Feasts in the Tanzimat Period\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eA Project by Antoine Bourgeois in the Balyan Archive\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eIn the Pursuit of an Ideal Plan: Kiosk and Pavilion Designs\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eKabataş Esma Sultan Mansion\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eAn Exception of Balyan Architecture: Middle Class Housing Designs\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eDecoration for the Empire\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDecoration of the 19th Century Ottoman Palaces\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003ePerspective Drawings by “Serkis Bey” in the Nubar Library, Paris\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eParisian Furniture, Chandelier and Furniture Designs in the Balyan Archive\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eA Conceptual Spolia: Re-use of Çırağan Palace’s Mother-of-Pearl Inlaid Doors in Yıldız Şale Kiosk’s Dining Hall\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eNew Spaces of the Ottoman Diplomacy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan’s Reorganization for Chamber of Deputies\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan’s Bâb-ı Âli Building Plan Proposals After the 1878 Fire\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eReligious Buildings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eTanzimat Period Mosques and Contributions of the Balyans\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan’s Four-Minaret \u003cem\u003eSelâtin\u003c\/em\u003e Mosque Design: Aziziye Mosque\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Second Set of Mosque Drawings in the Balyan Archive\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eChurch Designs Between the Imperial Capital and the East\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eNew Spaces of the Public Life\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan’s Display Plan for the Collection of Antique Weapons at Hagia Irene\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eEducation Buildings\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan’s Galatasaray Imperial High School Plan\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Hospital Project in the Balyan Archıve\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSimon Balyan’s Design Proposal for Sarayburnu Entrepots\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eA Public Building and Landscape Design Project\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eMilitary Buildings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eMilitary Barrack Designs 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I would like to thank Dr. Yusuf Civelek for translating this book, which draws our attention to a very different dimension of architecture than what we have seen so far, bringing to the forefront a topic that many architects have only touched upon. I hope that this book encourages architects, caught up in daily trivial disputes, to pause and reflect, to take a fresh breath, and to take the time to reconsider the responsibility their profession places upon them. - Dr. M. 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Although this period, which lasted until 1044, was interrupted for twenty years by Byzantine rule, the new era that began with the Seljuk conquest in 1064 initiated Ani's second period of prosperity. Ani now became one of the rare medieval cities where Christians and Muslims could coexist freely.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile Ani, governed by the Shaddadid Emirate under Seljuk suzerainty, was adorned with a new architectural style, it also directly influenced the subsequent Turkish-Islamic architecture of Anatolia. This book aims to evaluate the pioneering traces of Seljuk architecture in Anatolia by presenting this new architectural style of Ani under Seljuk rule with the most up-to-date data. 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After the 1984 earthquake in the Princes' Islands, many masonry buildings were destroyed, and wooden buildings, thought to be earthquake-resistant, were constructed in their place. Today, it is considered a significant opportunity that buildings believed to be first and second-degree cultural assets still survive. In some of the houses and mansions in Heybeliada, a synthesis of Art Nouveau, Ampir, and Art-Deco approaches is observed. Due to the wooden construction of the buildings, Art Nouveau and other approaches were implemented on limited elements, differently from masonry buildings. Because Heybeliada's topographical structure is steeper than Büyükada's, some of the selected buildings are quite difficult to reach. 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In the second and third parts, Sürmene and Traditional Sürmene Aksu Houses, which are unique examples of rural architecture in the Eastern Black Sea Region, are introduced. In the fourth part, rural development and rural tourism are discussed as a proposal for the preservation of rural architectural heritage, and in the last part, approaches and project proposals for the reuse of traditional houses in the Sürmene Aksu region with new functions to serve rural tourism are presented.\u003c\/span\u003e","brand":"Gece Akademi","offers":[{"title":"Default Title","offer_id":42665882845427,"sku":"9786257958417","price":147.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0002202.jpg?v=1649930746"},{"product_id":"ykks-kente-bir-acilim-an-opening-to-the-city","title":"YKKS An Opening To The City","description":"\u003cp data-mce-fragment=\"1\"\u003eYKKS An Opening to the City tells the stories behind the design conception and reconstruction process of the Yapı Kredi Culture and Arts (YKKS) building. 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This characteristic may also stem from its proximity to Kayseri, which was called \"Darü'l Mülk\" and also \"Darü'l Feth\" because it served as the capital to the state after Konya during the Anatolian Seljuk period. Develi, with its historical names Bagadaonia-Gabadania-Gavadanek-Develü, has tried to preserve its centuries-old architectural works to this day, but it faces the danger of losing its true identity due to demolished structures and improper repairs and additions.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUntil now, information regarding the architectural works in Develi District consisted of a few articles about both Seljuk period structures and those from other periods. This book, viewing previous studies for the region as an important step, sheds light on the formation of Turkish architectural works in Develi District until the early 20th century, with the aim of clarifying structures that had not previously entered the literature. 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The fact that the question of how to sustain traditional architectural heritage, which is under threat in Turkey as in the rest of the world, is a fundamental problem for all disciplines specializing in conservation, laid the groundwork for this book.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn \"Kırıkkale - Keskin's Cultural Heritage: A Documentation and Conservation Study in Central Anatolia,\" the aim was to document the cultural assets in Keskin, whose history dates back to ancient times, develop conservation proposals, and contribute to Keskin's promotion by creating a tourist route that would reveal the region's tourism potential alongside these studies.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhen the concept of tourism is addressed together with conservation projects and the sustainability of the historical environment is ensured, the cultural heritage of Keskin, located in the heart of Central Anatolia, will be preserved and passed on to future generations.\u003c\/p\u003e","brand":"Literatür Yayıncılık","offers":[{"title":"Default Title","offer_id":43388464333043,"sku":"9789750407222","price":126.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0000000720005-1.jpg?v=1666256274"},{"product_id":"balkanlarda-osmanli-donemi-konutlari","title":"Ottoman Period Houses in the Balkans","description":"\u003cp data-mce-fragment=\"1\"\u003eIn addition to the housing culture that Turkish tradition brought to the region, local characteristics and the diversity resulting from communal living are gradually evolving into an interesting and functional structure.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn the other hand, the Ottoman housing heritage cannot be adequately preserved due to the turbulent period the region has undergone. Unfortunately, a significant portion of the residences featured with photographs and drawings in this work can no longer be seen today.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis research has a history of over a decade. A year of preparation in Viennese libraries, which served as a center for Balkan studies in 1985, was integrated with detailed trips in 1989 and 1990. These trips took place just before the political changes and subsequent turmoil that soon began in the countries subject to the research. In this context, the findings and documentations made stood out as an opportunity perhaps provided by history, just before the destruction and eradication.\u003c\/p\u003e","brand":"Literatür Yayıncılık","offers":[{"title":"Default Title","offer_id":43388509061363,"sku":"9799758431044","price":618.75,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0004932_balkanlarda-osmanli-donemi-konutlari-ciltli_480.jpg?v=1681562705"},{"product_id":"safranbolu-koylerinin-yoresel-mimarisi","title":"Traditional Architecture of Safranbolu Villages","description":"\u003cdiv data-mce-fragment=\"1\"\u003eProf. Dr. Aysun Özköse's new book, titled \"Vernacular Architecture of Safranbolu Villages,\" has been published by YEM Publications.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThe book, published with the valuable contributions of the Safranbolu Culture and Tourism Foundation, the Karabük Governorship, and the Karabük University Scientific Research Projects Coordination Office, was meticulously prepared from Prof. Dr. Aysun Özköse's 30 years of both dedicated personal efforts and labor-intensive field identification studies conducted with her students.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eAysun Özköse emphasized the need to raise awareness for the documentation, protection, and sustainability of the traditional architectural heritage in Safranbolu villages:\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e“The historical city center of Safranbolu has been crowned by UNESCO as one of the most special historical environments in the world requiring protection, due to its unique works such as houses, mosques, inns, Turkish baths, bridges, fountains, and mills, which can shed light on the future, and its rich cultural heritage. Influenced by this, significant progress has been made in inventory-research documentation and conservation-development efforts for the vernacular architectural values in the Safranbolu city center that require protection. In parallel, substantial identification and registration work has been carried out in the villages surrounding Safranbolu, especially Yörükköyü, Yazıköyü, and Bulakköyü in Karabük.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eHowever, it is observed that the vernacular architectural heritage in the remaining villages, consisting of unique examples of folk building art such as traditional timber-framed houses, mills, schools, inns, Turkish baths, mosques, laundries, fountains, cemeteries, bridges, etc., is undergoing a process of deterioration and loss. Yet, it is a fact that these structures possess similar and common unique values to those in Safranbolu's historical city center. The data we obtained from our research support the fact that there are works with the same unique values in all rural settlements surrounding the region.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThe book presents the general settlement and values requiring protection in 67 villages in and around Safranbolu, including local structural systems and materials, interior features, and examples of selected houses, barns, schools, mills, religious buildings, bridges, Turkish baths, fountains, archaeological values, and cemeteries from these villages, illustrated with drawings and photographs. Additionally, some project trials outlining visions for the sustainability of ecological values in the villages are also presented.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThis book aims to both update the findings of the local architectural values in Safranbolu villages, which have been part of my personal archive for 30 years, and to collectively publish them. Thus, the goal is to document the traditional architectural heritage that is rapidly being lost in the villages and to raise awareness for the protection and sustainability of these works...”\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThe book consists of the following chapters:\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e1. Settlement Characteristics and Protected Vernacular Values of Safranbolu Villages\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e2. Settlement Characteristics and Protected Values of Selected Villages from Other Districts of Karabük\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e3. Structural Systems, Materials, and Construction Techniques in the Vernacular Architecture of Safranbolu Villages\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e4. Vernacular Facade Architecture in Safranbolu Villages\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e5. Vernacular Residential Architecture in Safranbolu Villages\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e6. Vernacular Barns and Haylofts in Safranbolu Villages\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e7. Vernacular Public Buildings in Safranbolu Villages\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e8. Lost Schools in Safranbolu Villages\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e9. Lost Mills in Safranbolu Villages\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e10. Archaeological Values and Tombs in Rural Safranbolu\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e11. Ecological Visions for the Sustainability of Safranbolu Villages: Project Trials\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e12. Conservation Problems and Recommendations in Safranbolu Villages\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e13. Concluding Remarks (Vernacular Architectural Terms of Safranbolu Villages, Safranbolu Village Legends, Project Participants)\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong\u003eWHO IS PROF. DR. AYSUN ÖZKÖSE?\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eBorn in Ankara in 1958. She completed her undergraduate and postgraduate studies in the Department of Architecture at Gazi University. After two years of working in DHMİ Air Navigation duties while studying architecture, she worked in the architectural offices of Servet Kılıç, Vedat Özsan, TİTA, and Behruz Çinici. During her tenure as a Restorer-Architect at the Ministry of Culture of the Republic of Turkey, she completed courses in \"Restoration of Monuments and Planning of Historical Centers\" at CECTI in Florence in 1989 with a scholarship from the Italian government, and \"Architectural Restoration\" at ICCROM in Rome in 1991. During her time at the Ministry, she managed survey-restoration and museum conversion projects for various historical buildings in Mardin, Trabzon, Kırşehir, Antalya, Ordu, and Safranbolu. In the process of Safranbolu being included in the World Heritage List, where she has lived since 1991, she led the \"Safranbolu Rehabilitation Project,\" the establishment and\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\n\u003cdiv\u003edevelopment of SMYO Safranbolu Vocational School, and the efforts to include Safranbolu in UNESCO. She played an active role as both an administrator and an academic in the establishment and development phases of the Faculty of Fine Arts and then the Faculty of Architecture in Safranbolu.\u003c\/div\u003e\n\n\u003cdiv\u003eOver 40 of her projects contributing to the development of conservation and restoration efforts in Safranbolu have been implemented. She served as the Head of the Karabük Cultural Heritage Preservation Board for two terms. In 2017, she worked on \"Ottoman Neighborhood Culture\" as a visiting faculty member in the Middle East Studies Department at San Francisco State University with a TÜBİTAK Scholarship. Currently, at Karabük University's Department of Architecture, she conducts studios and courses at the undergraduate and graduate levels in Graduation Project, Survey-Restoration Project, Ecological Design, Vernacular Architecture Research, Re-functionalization of Old Buildings, Ottoman Neighborhood Culture Research, Population Exchange and Architecture, and Open and Closed Spaces in Anatolian Urban Fabric. Her national and international research and publications are also in this direction.\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209980659,"sku":"9786257008440","price":875.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/SAFRANBOLU_KOYLERININ_KAPAK.jpg?v=1668764167"},{"product_id":"mimari-buluntularin-korunmasi-ve-onarilmasi","title":"Conservation and Restoration of Architectural Finds","description":"\u003cp\u003eThéophile Beaudoire, a renowned 19th-century French typographer, engraver, and typeface designer, illuminates a period of approximately 1,500 years by delving into the mysterious and dusty pages of Christian history. This work, offering significant insights into cryptography, ritual architecture, and Christian art, allows us to deeply examine the cryptographic symbols and their meanings that took shape during periods of persecution extending from Asia Minor to Africa and Rome.\u003cbr\u003eBeaudoire explains that this art, known only to early Christians and containing esoteric meanings, was not limited solely to churches. It has persisted for centuries in many different areas such as rock tombs, temples, musical notations, signatures, medals, frescoes, stained glass, furniture, jewelry, costumes, coats of arms, books, sarcophagi, and shields. This work, taking the reader on a journey full of surprising discoveries, traces the history of Christian fine arts.\u003c\/p\u003e\n\u003cp\u003eTranslator Fatma Canverdi Çevik meticulously handled this text, which requires profound knowledge in religious, architectural, philosophical, historical, mythological, and sociological aspects, during its translation. Blending specialized disciplines such as literature, linguistics, architecture, printing, heraldry, and numismatics with a researcher's discipline, she aimed for readers to both gain knowledge and enjoy a pleasant reading experience.\u003c\/p\u003e\n\u003cp\u003eThis work sheds light on historical events in the Roman province of Asia Minor (present-day Turkey) and its surroundings, once again revealing the unique religious, architectural, and sociological heritage of the lands we inhabit. Enriched by the observations, books, drawings, and testimonies of 19th-century travelers, this book uncovers many unknown truths. As the author states in the original text: \"Whoever acquires this book will possess a unique work that occupies a small space in their library but contains a great treasure and a true museum of antiquity.\"\u003c\/p\u003e","brand":"Kabalcı Yayınları","offers":[{"title":"Default Title","offer_id":43621653643507,"sku":"9786258214116","price":397.5,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/mimari-buluntularin-korunmasi-onarilmasi-1.jpg?v=1742400874"},{"product_id":"balat-ilyas-bey-kulliyesi","title":"Balat Ilyas Bey Complex","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eAlman Veliahtı’nın 1903’te Balat’ı Ziyareti \/ The Visit of the German Crown Prince to Balat in 1903\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eLuttrell, Anthony – Elizabeth A. Zachariadou \/ Batı Anadolu’nun 15. Yüzyıl Başlarındaki Siyasal Karmaşası İçinde Menteşe Emiri İlyas Bey \/ İlyas Bey, the Emir of Menteşe, within the Political Turmoil of Early 15th-Century Western Anatolia\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eEmecen, Feridun M. \/ Beylikler Döneminde Batı Anadolu: Menteşeoğulları ve İlyas Bey \/ Western Anatolia in the Period of the Emirates: The Mentese Emirate and İlyas Bey\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eBaykara, Tuncer \/ Balat’ın Beylikler Devri \/ Balat During the Period of the Anatolian Emirates\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eTurkantoz, Kayahan \/ Menteşeoğlu Döneminde Balat’ın Kent Dokusu ve Yapıların Dağılımı \/ The Urban Fabric and Distribution of Structures in Balat During the Mentese Period\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eArel, Ayda \/ Menteşe Beyliği Mimarisi ve Balat İlyas Bey İmareti: Bir Aidiet Sorunu \/ The Architecture of the Mentese Emirate and the İlyas Bey Almshouse in Balat: A Question of Belonging\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eTanman, M. Baha \/ İlyas Bey Camii’ne İlişkin Bazı Düşünceler \/ Some Reflections on the İlyas Bey Mosque\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eTanman, M. Baha \/ Balat İlyas Bey Külliyesi Haziresindeki Mezartaşları \/ Tombstones in the Enclosed Cemetery of the İlyas Bey Complex\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eBalata, Rafet Yalçın \/ Mezartaşlarından Seçme Katalog \/ Selective Catalogue of Tombstones\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eEskici, Bekir - Yaşar Selçuk Şener - Ali Akın Akyol -Yusuf Kağan Kadıoğlu \/ İlyas Bey Külliyesi Yapılarına Ait Özgün Malzemelerin Korunmasına Yönelik Araştırma ve Uygulama Çalışmaları \/ Research and Application Work for the Conservation of the Original Building Materials of the İlyas Bey Complex\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eDemiralp, Yekta - Şakir Çakmak \/ Balat İlyas Bey Külliyesi 2007-2008 Kazı ve Temizlik Çalışmaları \/ Balat İlyas Bey Complex 2007-2008 Excavation and Clearing Work\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eKadıoğlu, Selma - Yusuf Kağan Kadıoğlu \/ İlyas Bey Camii ve Çevresinde Yapılan Jeofizik Yer Radarı Çalışmaları \/ Ground Penetrating Radar Work in and Around the İlyas Bey Mosque\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eEskici, Bekir - Cengiz Kabaoğlu \/ Balat İlyas Bey Külliyesi Koruma ve Onarım Çalışmaları \/ Conservation and Restoration at the Balat İlyas Bey Mosque Complex\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eŞahin Güçhan, Neriman \/ Türkiye’de Kültür Varlığı Niteliğindeki Restorasyon Sürecine İlişkin ve İlyas Bey Külliyesi Modeli \/ Problems Related to the Restoration Process of Cultural Assets in Turkey and the Case of the İlyas Bey Complex\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eAkyüz, Uğurhan \/ İlyas Bey Külliyesi Yapılarının Statik Değerlendirmesi ve Güçlendirilmesi \/ Static Assessment and Strengthening of Structures in the İlyas Bey Complex\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eÇakmak, Şakir \/ Balat İlyas Bey Külliyesi Kazı ve Temizlik Çalışmalarında Bulunan Sikkeler \/ Coins Found in the Excavations and Cleaning Work of the Balat İlyas Bey Complex\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eGök Gürhan, Sevinç \/ 2007 ve 2008 Yıllarında Balat İlyas Bey Külliyesi'nde Yapılan Kazı ve Temizlik Çalışmalarında Ortaya Çıkarılan Seramikler \/ Ceramics Unearthed During the Excavation and Cleaning Work Conducted at the İlyas Bey Complex in 2007 and 2008\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Söktaş","offers":[{"title":"Default Title","offer_id":43625286205683,"sku":"9786056255106","price":1200.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/balatilyasbey_b.jpg?v=1675324474"},{"product_id":"kultur-varliklari-koruma-ve-onarim-terimleri-sozlugu","title":"Glossary of Terms for the Conservation and Restoration of Cultural Heritage","description":"\u003cspan data-mce-fragment=\"1\"\u003eMost terms used in the field of conservation and restoration are expressed as foreign words and do not have exact Turkish equivalents. In addition, since there is not yet full linguistic unity among colleagues, this sometimes leads to major problems such as incorrect applications and material use, along with misunderstandings resulting from incorrect or incomplete definitions.\u003c\/span\u003e","brand":"Ege Yayınları","offers":[{"title":"Default Title","offer_id":43625336045811,"sku":"9786258056204","price":90.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/kultur-varliklari-koruma-ve-onarim-terimleri-sozlugu--ingilizce-turkce---turkce-ingilizce--16540936750.jpg?v=1675327846"},{"product_id":"restorasyon-islerinde-metraj-ve-maliyet-hesaplamasi","title":"Quantity Surveying and Cost Estimation for Restoration Works","description":"\u003cp\u003eThis book was prepared not as the end, but perhaps as a result, of the educational journey that began with my teaching the \"Restoration Discovery and Quantity Surveying\" course at Şişli Vocational School. While attempting to address the problems encountered in restoration and their sources, not only calculations related to quantity surveying and cost, but also drawings and photographs were utilized.\u003c\/p\u003e\n\u003cp\u003eI believe that my work, which started as lecture notes and evolved into a book, will serve as a starting point and increase awareness of restoration applications in terms of quantity surveying and cost, opening up an area for those working on the subject to further deepen and enrich this topic.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":43755549327603,"sku":"9786050115642","price":337.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/0151717c4d806e130b34dddc9df8e3f62.jpg?v=1683102004"},{"product_id":"an-atypical-architectural-practice-ds-from-rural-painting-to-landscape-from-documentation-to-preservation","title":"An Atypical Architectural Practice – DS | From Rural Painting to Landscape – From Documentation to Preservation","description":"\u003cp\u003e“An Atypical Architectural Practice – DS | From Rural Painting to Landscape – From Documentation to Preservation” is an attempt to discuss two special areas of architecture, namely landscape architecture and documentation for preservation, based on the personal experiences of Deniz Aslan and Sevim Aslan, the co-founders of DS, a firm specializing in these areas. Their personal stories, from their student days to the beginning of their professional careers and from there to this day, offers clues about the stages architectural practices in Turkey have gone through during this period (the last thirty years). As we listen to them, we come to understand that architecture is not only about designing buildings, and begin to intuit its multi-dimensionality and richness when placed in the proper context and as part of the relationships spanning the past, present, and future. Together with them we feel the excitement of getting to know the material, conducting experiments, discovering new methods, and engaging in research that occasionally approaches the work of a detective. There are also failures, settling of accounts, and even resentments. Their experience introduces us to other actors who have shared or still share a similar passion-actors who passionately love the grown and the built, following their life cycles with great interest, sharing what they learn with their students, putting it into writing and letting it go around. \u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\nConstituting one part of the book’s long title, “From Rural Painting to Landscape” points at the common perception regarding the concept of landscape. Probably because of the perception based on “rural painting,” even many architects today think landscape architecture is about “gardening.” The second part of the title, “From Documentation to Preservation,” refers to the fact that ideal preservation depends on the quality of documentation. The concept of the “atypical” in the title offers the key to the way the book is set up. This is not a typical memoir, a portfolio, or an attempt to read praxis through theory. The book is based on the people, projects, and experiences that constitute thresholds in the lives of Deniz and Sevim Aslan. As such, the book has a highly personal aspect to it. The way some of these thresholds are presented can be seen as case studies in terms of the method employed-with a contextualization that takes snapshots of both the professional practices and the academic world at different points in time.\u003c\/p\u003e\n\n\u003cp\u003eThe book, translated into English by Cem Akaş, was designed by Aslı Altay.\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48328024457459,"sku":"9786054793532","price":780.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Atypical-kapak.jpg?v=1727421496"},{"product_id":"zeynep-ahunbay-kitaplari-seti-2-kitap","title":"Zeynep Ahunbay Books Set (2 Books)","description":"\u003cp\u003eProf. Dr. Zeynep Ahunbay is one of Turkey's leading architectural history professors. She is known for her work in the fields of historical buildings, cultural heritage preservation, and restoration. Having retired after a long academic career at Istanbul Technical University, Ahunbay has actively participated in the restoration projects of important architectural structures in Turkey and contributed to the widespread awareness of conservation. Through her research conducted both domestically and internationally, she has become a respected name in the field of architectural history and restoration.\u003c\/p\u003e\n\u003cp\u003eIn this two-book set published by YEM Yayın, comprising \"Principles and Techniques of Cultural Heritage Conservation\" and \"Historic Environment Conservation and Restoration,\" Zeynep Ahunbay's accumulated knowledge and experience over the years offer both a theoretical and practical guide in the fields of architecture and restoration.\u003c\/p\u003e\n\u003cp\u003eThe work titled \u003cstrong\u003ePrinciples and Techniques of Cultural Heritage Conservation\u003c\/strong\u003e addresses the fundamental principles and application methods for preserving historical artifacts, while also thoroughly examining international standards in this field. Providing crucial technical information particularly for restoration works, this book is an indispensable resource for architects, restoration specialists, and anyone interested in cultural heritage conservation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHistoric Environment Conservation and Restoration\u003c\/strong\u003e is a comprehensive study that delves into the challenges encountered and solutions developed in the process of preserving the historical fabric of cities. Based on Ahunbay's extensive experience, this book was written with the understanding that urban planning and restoration must be addressed together, offering important insights into cultural heritage conservation.\u003c\/p\u003e\n\u003cp\u003eThis special two-book set is a rich source of information not only for professionals but also for anyone interested in cultural heritage. Through YEM Yayın, these valuable works are reaching readers and continue to add value to architectural history.\u003c\/p\u003e","brand":"YEM Kitabevi","offers":[{"title":"Default Title","offer_id":46283180998899,"sku":"978047899854711","price":1170.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/zeynepahunbayseti_SON.jpg?v=1728902929"},{"product_id":"koruma-onarim-cengiz-bektas","title":"Protection Repair","description":"\u003cp\u003e\u003cstrong\u003eConservation and Restoration – Carrying Traditional Building Arts into the Future\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCengiz Bektaş\u003c\/strong\u003e, renowned for his significant contributions to architecture and cultural heritage, offers a comprehensive perspective on the preservation and sustainability of our traditional building arts in his work titled \"Conservation and Restoration.\" The book delves not only into physical restoration processes but also explores how we can preserve a structure's soul, identity, and its connection with its environment. Bektaş questions how traditional architectural values can be sustained and carried into the future without erasing the traces of the past, while simultaneously conveying to readers the fundamental principles to be observed in conservation and restoration processes.\u003c\/p\u003e\n\u003cp\u003eThis work serves as a reference for architects and restorers, as well as anyone interested in the preservation of historical buildings and cultural heritage. The book seeks answers to questions such as \"Why should we conserve?\", \"How should we conserve?\", and \"Is conservation merely for the building, or is it a way of life?\", emphasizing the importance of transmitting historical heritage to future generations.\u003c\/p\u003e","brand":"Literatür Yayıncılık","offers":[{"title":"Default Title","offer_id":46803762315507,"sku":"9789758431359","price":337.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/0005704_koruma-onarim_480.jpg?v=1742048393"},{"product_id":"kurmak-ve-onarmak-mimar-restorator-mualla-eyuboglu-1919-2009","title":"Building and Restoring: Architect-Restorer Mualla Eyüboğlu (1919-2009)","description":"\u003cp\u003eBuilding and Restoring examines the life and professional career of Mualla Eyüboğlu, one of Turkey's first female architects, spanning from the 1940s to the 1980s, based on her personal archive. Immediately after graduating from the Architecture Department of the State Academy of Fine Arts, Eyüboğlu worked on the establishment of Village Institutes, one of the most important initiatives of the Republic's ideology; in later periods of her career, she took part in the restoration of monumental Ottoman works such as Topkapı Palace and Rumelihisarı.\u003c\/p\u003e\n\u003cp\u003eVarious documents from Mualla Eyüboğlu's archive, including autobiographical notes, letters, professional notebooks, drawings, building photographs, and correspondence related to restoration processes, help us not only reconstruct the architect's portrait but also understand the architectural and restoration environment, both in thought and practice, of that period.\u003c\/p\u003e","brand":"İstanbul Araştırmaları Enstitüsü","offers":[{"title":"Default Title","offer_id":46821279236339,"sku":"9786057120571","price":600.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/9786057120571.jpg?v=1742992399"},{"product_id":"restore-etmeyelim-koruyalim","title":"Let's Conserve, Not Restore!","description":"\u003cp\u003e\u003cstrong\u003eTexts opposing restoration massacres: Let's not restore, let's preserve! \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe book titled \"Let's not restore, let's preserve!\" includes texts by Georg Dehio and Aloïs Riegl that criticize the restoration approach focused on completing, and even reconstructing, old artifacts, and discuss it through concrete examples. The discussion, which begins with a critique of a restoration project of a building in Heidelberg Castle, expands to a broader context and continues with fundamental texts that propose a new understanding of conservation at the beginning of the 20th century. The Dehio and Riegl articles included in the book are complemented by \"Modern Cult of Monuments,\" a paradigm-setting text by Aloïs Riegl, which is included as an appendix to the book. Hüseyin Tüzün translated the three texts by Dehio and Riegl, while Erdem Ceylan translated \"Modern Cult of Monuments.\" The book was edited and introduced by Aykut Köksal. In a part of his introduction, Köksal says:\u003c\/p\u003e\n\u003cp\u003e\"The message of the texts that constitute the content of the book titled 'Let's not restore, let's preserve!' can be summarized by Dehio's words: 'The right thing is not to restore, but to preserve.' The 19th century witnessed the clash of two opposing views in the context of restoration and conservation. The first of these views belonged to Viollet-le-Duc, who aimed to bring the monument to its pure style, and the second belonged to John Ruskin, who said that we have no right to touch a historical structure in any way. For John Ruskin, the monument had to die; its beautiful death would serve as an example for future architects. In the background of Ruskin's ideas lies the 'ruin culture' and 'ruin aesthetics,' which have roots dating back to the 17th century. The 18th century became the century when 'ruin culture' reached its peak. After visiting a Salon consisting of ruin paintings, Diderot said, 'To make a monument interesting, it must be turned into a ruin.' The English architect John Soane turned this culture into the main concept of the museum he founded, carrying ruin aesthetics into the next century.\u003c\/p\u003e\n\u003cp\u003eIndeed, behind Georg Dehio's words 'The right thing is not to restore, but to preserve,' there is the intellectual result of a three-century process expressed in Ruskin. It was Aloïs Riegl who systematized this view with his own conceptualizations in 'Modern Cult of Monuments.'\"\u003c\/p\u003e","brand":"Arketon Yayınları","offers":[{"title":"Default Title","offer_id":48343480467699,"sku":"9786259586601","price":472.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Dehio-Riegl-Kapak-11.jpg?v=1747356064"},{"product_id":"tas-konusur-mu-mardin-farkliliklardan-birliktelige-bir-mimarinin-hikayesi","title":"Can Stone Speak? - MARDIN: The Story of an Architecture from Differences to Togetherness","description":"\u003cp align=\"left\"\u003e\u003cstrong\u003e\u003cem\u003eDoes Stone Speak? Mardin: The Story of an Architecture from Differences to Togetherness\u003c\/em\u003e, a book by Architect and Restorer Zuhal Ayanoğlu, was published by YEM Yayın. In the book, Ayanoğlu discusses Mardin's historical urban fabric and settlement principles as a whole, where the diversity finds its reflection in a culture of living that can produce conciliation rather than separation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003ePrepared with the idea that spatial design is not merely the art of filling empty spaces, the book proposes to read Mardin as \"the space of living together,\" \"the architecture of conciliation in space,\" and \"a whole of human values concretized in stone.\" This reading, developed through Mardin, aims to create both academic and ethical awareness in the reader, with the purpose of offering a basis for thinking about the common future of humanity in the contemporary world through human values, beyond just understanding the historical, cultural, artistic, and architectural heritage of a city.\u003c\/p\u003e\n\u003cp\u003eZuhal Ayanoğlu explores Mardin, shaped by Mesopotamia's millennia-old cultural accumulation and located at the crossroads of different religions, languages, ethnic identities, and cultures throughout history. Beyond describing it as a \"stone city,\" she examines Mardin as a multi-layered civilization space formed by the aesthetic and craftsmanship language of stone masonry, along with a culture of love, respect, tolerance, kindness, empathy, and living together.\u003c\/p\u003e\n\u003cp\u003eAyanoğlu examines Mardin not only through its city center but also within a holistic framework encompassing all its districts. She presents the housing fabric, places of worship, educational buildings, and public spaces as indicators of a settlement culture shaped by an understanding that considers others' sun, views, water, and living spaces.\u003c\/p\u003e\n\u003cp\u003eThe book, which begins with \"Preface\" articles by Prof. Dr. Metin Sözen, Prof. Dr. Önder Küçükerman, and Dr. M. Sinan Genim, includes Zuhal Ayanoğlu's summary remarks about Mardin and the book:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUnderstanding Mardin is not merely reading the history of a city; it is re-thinking humanity's experience of living together through a memory etched into space. Mardin's geographical data, historical development process, architectural layers, housing typology, and monumental structures demonstrate that this city is not just a physical urban fabric, but also a multidimensional language of civilization where human values are concretized in space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn Mardin, stone is not merely a load-bearing material. While stone carries patience, labor, aesthetic intuition, and craftsmanship knowledge passed down through generations, it is also a silent narrator of a moral way of life. The narrowness of the streets, the inward-looking arrangement of the courtyards, the overseeing positioning of the terraces, and the transitional language established by the intermediate spaces reveal that the city not only produces a formal unity but also develops a sense of balance that regulates human relationships. This balance elevates Mardin from an ordinary historical city to \"the architecture of conciliation in space.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe historical urban fabric, beyond being an aesthetic heritage, also reveals the ethical stance hidden in its spatial organization. Because architectural decisions in Mardin cannot be explained solely by climatic, topographical, or technical necessities. The placement of buildings that consider each other's sun and views, the balanced transitions between public and private spaces, and the plan layout of houses that preserve privacy while maintaining social relationships demonstrate that space is produced as a living area conceived with human values. In this context, Mardin is a powerful example that reminds us that architecture is not merely a construction activity, but a form of social consciousness.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis multi-layered heritage has been able to harmoniously carry the traces of different periods and cultures not as mutually exclusive parts, but together within the same fabric. The city's true distinctive power emerges here: Mardin is an experimental space that not only tells that differences can transform into a whole without creating discord, but also makes this possible on a spatial level. The city's mosques, churches, monasteries, madrasas, and traditional living fabric demonstrate that common memory can establish continuity without fragmentation...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMardin attracts attention not only in terms of its historical urban architecture but also in terms of the layers of meaning carried by architecture and urban space. Because the language of stone does not only tell the past, it also questions the present. This silent narrative, which can be read in Mardin's streets, courtyards, terraces, and stone ornaments, shows that humans can live by respecting the rights of others, that differences can coexist as a richness, and that this culture can be made sustainable through space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTherefore, what makes Mardin valuable is not just the magnificence of its stone, but the human delicacy nurtured within that stone. The city's true heritage is the culture of grace, respect, empathy, and brotherhood that lies behind its formal beauties. For this reason, reading Mardin is actually humanity remembering itself. The question 'Does Stone Speak?' in this context is not just a title; it is a call directed to the depth of humanity's relationship with space. Because some cities are silent, but some cities speak to humanity through the language of stone. Mardin is one of the oldest and strongest examples of this speech...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eE\u003cspan lang=\"EN-GB\"\u003edited by Burçin Yılmaz, with Turkish proofreading by Burcu Bilir Agalar, and graphic design and print preparation by Kemal Kara, Mardin is comprehensively presented to the reader in the book under the following four main sections and topics:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSECTION 1 - FROM GEOGRAPHY TO IDENTITY: MARDIN'S SOCIAL AND CULTURAL STRUCTURE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe City Facing Mesopotamia: Geographical Location and Natural Structure\u003c\/li\u003e\n\n\u003cli\u003eThe Impact of Nature on the City: Climate and Landscape\u003c\/li\u003e\n\n\u003cli\u003eMardin Through History\u003c\/li\u003e\n\n\u003cli\u003eTraces of Cultural Geography: Districts\u003c\/li\u003e\n\n\u003cli\u003eDemographic Structure: The City's Population Profile\u003c\/li\u003e\n\n\u003cli\u003eMulti-layered Identity: Social and Cultural Structure\u003c\/li\u003e\n\n\u003cli\u003eLiving Heritage: Tourism, Culture, and Art\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSECTION 2 - TRACES OF TIME: HISTORICAL DEVELOPMENT OF ARCHITECTURE IN MARDIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003ePrehistory and Classical Era\u003c\/li\u003e\n\n\u003cli\u003eRoman-Byzantine and Christian Period\u003c\/li\u003e\n\n\u003cli\u003eIslamic States Period\u003c\/li\u003e\n\n\u003cli\u003eArtukid Period\u003c\/li\u003e\n\n\u003cli\u003eKara Koyunlu and Ak Koyunlu Period\u003c\/li\u003e\n\n\u003cli\u003eOttoman Period\u003c\/li\u003e\n\n\u003cli\u003eRepublican Period  \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSECTION 3 - THE CITY OF STONE: MARDIN'S URBAN FABRIC AND ARCHITECTURAL CHARACTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe City Built on the Slope: Spatial Formation and Settlement Pattern of the Historic City\u003c\/li\u003e\n\n\u003cli\u003eThe Castle and the Birth of the City\u003c\/li\u003e\n\n\u003cli\u003eThe Architecture of Shadow: Streets and Abbaras\u003c\/li\u003e\n\n\u003cli\u003eThe Common Space of Neighborhood: Neighborhoods\u003c\/li\u003e\n\n\u003cli\u003eThe Memory of Stone: Traditional Houses\u003c\/li\u003e\n\n\u003cli\u003eThe Backbone of Trade: Bazaar Axis and Commercial Spaces\u003c\/li\u003e\n\n\u003cli\u003eTraces of Faith: Religious and Public Buildings\u003c\/li\u003e\n\n\u003cli\u003eFrom Courtyard to Terrace: The Spatial Design of Mardin Houses\u003c\/li\u003e\n\n\u003cli\u003eInfluence of Natural and Environmental Components on the Formation of Houses\u003c\/li\u003e\n\n\u003cli\u003eSpatial Components of Houses\u003c\/li\u003e\n\n\u003cli\u003eStructural System Components of Houses\u003c\/li\u003e\n\n\u003cli\u003eFormal and Aesthetic Components of Houses\u003c\/li\u003e\n\n\u003cli\u003eInfluence of Cultural and Sociological Components on the Formation of Houses\u003c\/li\u003e\n\n\u003cli\u003eSymbols of the City Skyline: Representative Buildings of the City\u003c\/li\u003e\n\n\u003cli\u003eGrand Mosque\u003c\/li\u003e\n\n\u003cli\u003eKasimiye Madrasah\u003c\/li\u003e\n\n\u003cli\u003eDeyr-ül Zafaran Monastery\u003c\/li\u003e\n\n\u003cli\u003eOld PTT Building\u003c\/li\u003e\n\n\u003cli\u003eMardin Museum\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSECTION 4 - HERITAGE AND CIVILIZATION: VALUES EXTENDING TO THE FUTURE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHO IS ZUHAL AYANOĞLU?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Mardin. In 2002, she graduated from Mimar Sinan Fine Arts University, Department of Architectural Restoration, and then from Ankara Gazi University, Faculty of Engineering and Architecture, Department of Architecture. She completed her master's degree at Mimar Sinan Fine Arts University with her thesis titled \"Participatory Policies in the Urban Transformation Process and an Analysis on Mardin.\"\u003c\/p\u003e\n\u003cp\u003eIn her extensive professional work in restoration and architecture, she served in various capacities, from project coordinator to manager. She actively participated in the development and execution of numerous urban design projects in historical sites, cultural heritage, and modern settlement areas. She worked on smart city applications, sustainability, and climate policies. She was a speaker at many national and international symposiums and conferences.\u003c\/p\u003e\n\u003cp\u003eZuhal Ayanoğlu, who lectures at various universities, continues her professional and academic studies on architecture, cultural heritage, and historical cities.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48778712514803,"sku":"9786259010816","price":945.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/YEM_MARDIN_KTP_KAPAK.jpg?v=1774903421"}],"url":"https:\/\/yemkitabevi.com\/en-us\/collections\/koruma-restorasyon\/basimtarihi_nisan-2021.oembed","provider":"YEM Kitabevi","version":"1.0","type":"link"}