{"title":"Material and Detail Series Books","description":"\u003cstrong\u003eMaterials and Details Series\u003c\/strong\u003e includes books that serve as fundamental resources in the fields of interior architecture, architecture, and furniture design. This series covers important topics such as material selection, detail analysis, and design processes. Buy now with free shipping on discounted sets!","products":[{"product_id":"ic-mimarlikta-malzeme-ve-detay","title":"Materials and Detail in Interior Design - 13th Edition","description":"\u003cp\u003eIn \u003cem data-mce-fragment=\"1\"\u003eMaterial and Detail in Interior Architecture\u003c\/em\u003e, prepared by Genco Berkin primarily for interior architecture and architecture students, as well as designers and practitioners new to the profession, 40 different design elements for interior space design, the processing of raw materials, issues designers should consider in material selection, and the most suitable detail analysis applicable on-site are brought together and presented with original drawings.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eThe book, together with \u003cem data-mce-fragment=\"1\"\u003eMaterial and Detail in Architecture\u003c\/em\u003e, also written by Genco Berkin, forms the \"Material and Detail Series.\"\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn \u003cem data-mce-fragment=\"1\"\u003eMaterial and Detail in Interior Architecture\u003c\/em\u003e, all data (for example, the necessary knowledge for designing furniture: ergonomics, materials, construction, textiles, surface treatments, color information) is presented in a plain and easily understandable manner through carefully prepared drawings, with the aim of providing young designers, in particular, with a complete set of skills to support the design process, focusing on details and materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eDetail is the reconciliation between spirit and mind. Detail evokes a sense of order in people. This feeling arises from the hierarchy and communication between materials. Detail, to take shape, sometimes draws inspiration from construction requirements and sometimes from material properties. Above all, detail enhances the performance of the element used; it extends its durability. For designers, detail is the blending of aesthetic concerns with function. For example, a table detail in a dining room cannot be considered separately from the sideboard that appears as an extension of the fireplace and wall. Every piece of furniture and interior architectural element must speak the same language, supporting each other's roles to convey a message.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn addition to detail, the designer must also design the spatial organization. Because detail and space are design processes that reveal the purpose of use and proceed in coordination. Every space needs an ancillary space. This is a pantry and a terraced barbecue for the kitchen, and a dressing room and en-suite bathroom for the bedroom. Louis I. Kahn, one of the last representatives of modern architecture, described this idea as \"servant space\" and \"served space.\"\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn the service it provides, the designer presents spatial and furniture products for use under comfort criteria to the client. The main interior architectural comfort criteria are air quality, natural light adequacy, thermal balance, and ergonomics. To meet all these criteria, the designer must choose the longest-lasting and least harmful material. Many chemicals are used to protect materials. However, there are also products that make materials long-lasting through natural methods. But natural products are not as effective as chemicals. The interior architect's task will be to establish this balance correctly.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn this book, many points are specified regarding what elements the designer should pay attention to during the material selection process. For example, the decisions made about the material to be used when designing a door and the detail requirements are explained carefully. Furthermore, the necessity of designing the elements used in interior architecture in harmony with each other is also stated. The junctions of baseboards and door frames are among the most important detail solutions in space designs.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eThe book covers all the design parameters necessary for designers. For example, the necessary equipment for designing furniture includes knowledge of ergonomics, materials, construction, textiles, surface treatments, and color. In addition to all these, the history of furniture has also been incorporated into the topics. The content of the book has been prepared to provide those involved in interior design with a complete set of skills to support the design process, focusing on details and materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eDesigners such as Charles Rennie Mackintosh, Frank Lloyd Wright, Le Corbusier, Vedat Tek, and Carlo Scarpa, who elevated their designs not only in the art of architecture but also in interior architecture, crowned material with detail; thus integrating furniture and architectural elements with space. Detail shows the importance we give to the norms of life. The names listed above succeeded because they transformed detail into a motif. In doing so, they also avoided unnecessary ornamentation. Thanks to this book, designers will be able to consider material production methods and detail application together; they will be able to treat every element that constitutes the space as if it were a part of the space itself...”\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48461991051507,"sku":"9786257008068","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ICMIMARLIKTA_MALZEME_DETAY_ONKAPAK.jpg?v=1697545329"},{"product_id":"mimarlikta-malzeme-ve-detay","title":"Materials and Detail in Architecture - 11th Edition","description":"\u003cp\u003eG\u003cspan style=\"font-family: 'Helvetica','sans-serif'; color: #666666;\"\u003eenco Berkin's book, \u003cem\u003e\u003cspan style=\"font-family: 'Helvetica','sans-serif';\"\u003eMaterials and Details in Architecture\u003c\/span\u003e\u003c\/em\u003e, published by YEM Yayın, was prepared with architecture, interior architecture, and landscape design students, as well as designers and practitioners new to the profession, in mind.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp style=\"background: white; box-sizing: border-box; font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; text-align: start; widows: 2; -webkit-text-stroke-width: 0px; word-spacing: 0px; margin: 0cm 0cm 8.65pt;\"\u003e\u003cspan style=\"font-family: 'Helvetica','sans-serif'; color: #666666;\"\u003eThis book, published after \u003cem\u003e\u003cspan style=\"font-family: 'Helvetica','sans-serif';\"\u003eMaterials and Details in Interior Architecture\u003c\/span\u003e\u003c\/em\u003e, which was published last year and quickly became a fundamental reference due to its great interest, is the second book in YEM Yayın's \"Materials and Details Series.\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn \u003cem\u003eMaterials and Details in Architecture\u003c\/em\u003e, 40 different design elements for architectural design, the processing of raw materials, considerations for material selection, and the most suitable detail solutions for on-site application are brought together and presented with original drawings.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eAll design parameters considered necessary for architectural design are discussed under the sections SITE | ORIENTATION | MATERIAL SELECTION, FOUNDATIONS, FLOORS, VERTICAL CIRCULATION, WALLS, WINDOWS AND DOORS, ROOFS, STRUCTURAL SYSTEMS, covering a very wide perspective ranging from site selection to landscape design, from reinforced concrete foundations to steel stairs, from expansion joints to trombe walls, and from off-axis doors to walkable terraces.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn \u003cem\u003eMaterials and Details in Architecture\u003c\/em\u003e, all the data an architect or designer needs, from design to implementation, is conveyed in a simple and easily understandable way through carefully prepared drawings, with the aim of providing young designers, in particular, with a complete understanding to support the design process based on details and materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eGenco Berkin summarizes the rationale and content of the book as follows:\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e“In architectural design, the duo of material and detail constitutes all the solution elements of the project. Whether design problems arise from function (architectural program) or location (site), the architect must provide a solution that can create value with the instruments he will use. If the conceptual dimension of architectural design emerges in the material or detail, the bond established with the space will be further strengthened and \u003cem\u003earchitectura magna\u003c\/em\u003e will be realized.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eEvery structure should be thought of as a system of fragmented wholes, formed by the harmonious arrangement and combination of sufficient elements. While architects reveal physical and chemical formations through the materials they apply in their buildings, they also strive for the sustainability of holding these formations together with detail analysis. Every applied process will direct the building system towards becoming an artificial environment, but at this point, the architect must present the nature of the material in its most natural state. It should be remembered that every application is actually for the sake of increasing human comfort, because human health is adversely affected by artificial environments.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eArchitectural students should not be content with the information in this book but must also incorporate information from different sources into their repertoire. Prospective architects are primarily responsible for developing themselves in terms of raw material procurement, processing, and construction. In light of this information, material and detail analyses can reach a certain level. Since the parameters in architecture are constantly dynamic, architectural students must act with a research-oriented spirit and update their knowledge. In an environment where new materials are introduced every day, this book will also renew itself with each edition and keep up with the times…”\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003c\/ul\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370211127539,"sku":"9786257008150","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/MIMARLIKTA_MALZEME_DETAY_ONKAPAK.jpg?v=1631791935"},{"product_id":"mobilya-tasariminda-malzeme-ve-detay","title":"Material and Detail in Furniture Design - 7th Edition","description":"\u003cp\u003eProf. Dr. Genco Berkin's new book, \u003cem\u003eMaterial and Detail in Furniture Design\u003c\/em\u003e, prepared primarily for industrial design, interior architecture, and architecture students, as well as designers and practitioners just starting their careers, has been published by YEM Yayın.\u003c\/p\u003e\n\u003cp\u003eThe book, along with \u003cem\u003eMaterial and Detail in Architecture\u003c\/em\u003e and \u003cem\u003eMaterial and Detail in Interior Architecture\u003c\/em\u003e, which were also prepared by Genco Berkin in previous years and quickly became fundamental reference sources due to their popularity, forms YEM Yayın's \"Material and Detail Series.\"\u003c\/p\u003e\n\u003cp\u003eAs with the previous books in the series, the book, with graphic design and illustrations by Sedef Sav, features contemporary furniture designs of 10 different types by 40 world-renowned designers and architects. Along with the selected designers, the aim is to take a brief journey through 'the history of contemporary furniture design,' presenting both the 40 pioneering figures and their masterful works to the reader.\u003c\/p\u003e\n\u003cp\u003eTo achieve successful results in furniture design, it is first necessary to determine the material. Looking at the recent history of furniture, it can be seen that important designers used innovative production techniques that highlighted the material to add a different quality to the product. In \u003cem\u003eMaterial and Detail in Furniture Design\u003c\/em\u003e, especially for young designers, the material selection criteria and data supported by details of pioneering designers are conveyed in a simple and easy-to-understand manner, accompanied by carefully prepared drawings, with the aim of supporting the design process focusing on detail and material.\u003c\/p\u003e\n\u003cp\u003eIn the book \u003cem\u003eMaterial and Detail in Furniture Design\u003c\/em\u003e, the 40 designers and their furniture, such as Michael Thonet (Chair No. 14), Kaare Klint (Faaborg and Safari Chair), Gunnar Asplund (Grace Cinema Seat), Lilly Reich (Reich Curtains), Eileen Gray (Transat Chair), Richard Neutra (Camel Table), Alvar Aalto (Paimo Armchair), Vico Magistretti (Cinqueterre Kitchen), Vladimir Kagan (Serpentine Sofa), Carlo Scarpa (Doge Dining Table), Ettore Sottsass (Sistema 45 Office Furniture), Norman Foster (Nomos Office Desk), Aziz Sarıyer (Mono Armchair), Philippe Starck (WW Stool), Toyo Ito (Ripples Bench), Atilla Kuzu (Open Kitchen), were selected either for having a valuable story in terms of ergonomics or for pioneering breakthroughs in production technology.\u003c\/p\u003e\n\u003cp\u003eThe book was planned considering that those new to furniture design often lack the courage to imagine new furniture and therefore struggle to start designing. To spark the inspiration needed for an initial design, the educational processes, sources of inspiration, and cultural backgrounds of globally known designers are presented with rich narrative examples to encourage young designers.\u003c\/p\u003e\n\u003cp\u003eProf. Dr. Genco Berkin summarizes the rationale and content of the book as follows:\u003c\/p\u003e\n\u003cp\u003eMy aim in writing the book \u003cem\u003eMaterial and Detail in Furniture Design\u003c\/em\u003e is to make architects, interior architects, and industrial product designers say, 'I can design furniture!' after reading the book and internalizing the information provided. They say, 'Half the battle of finishing a job is starting it.'\u003cbr\u003eI realized that many of my students participating in interior architecture project courses lacked sufficient knowledge about furniture design, preventing them from having the courage to imagine new furniture, and thus experiencing difficulty in starting their designs. In fact, what will make that initial start is the very inspiration that will come to them. Inspiration emerges after a person gains knowledge, is nourished by environmental factors, and internalizes them. Therefore, narratives enriched with cases and examples formed the main structure of this book. For this reason, I tried to present the mentors and cultural backgrounds that influenced many designers' inspirations within their development processes. On the other hand, since the design process is enriched by the accumulation of a visual repertoire, I prepared a selection supported by material selection criteria and details to create awareness in this regard, touching upon 10 different types of furniture designs by 40 pioneering designers.\u003c\/p\u003e\n\u003cp\u003eIn furniture design, detailing begins primarily with determining the material; then comes the shaping of the material (e.g., obtaining profiles + bending processes), and finally, it is completed by joining with the same or different materials (e.g., stitching, welding, or riveting). Looking at the recent past of furniture, we see that pioneering designers used innovative production techniques to highlight the material to add a different characteristic to the product. Thus, designs acquire the quality, as Otto Wagner said, of 'reflecting their era.'\u003c\/p\u003e\n\u003cp\u003eThis book examines the masterpieces of 40 famous furniture designers and architects. The designers and furniture discussed and analyzed are those with a valuable story in terms of ergonomics or those that pioneered breakthroughs in production technology. Of course, many other valuable pieces of furniture have been produced besides these designs. However, I was compelled to create a didactic selection. I tried my best to identify the most important designers and discuss their prominent works...\u003c\/p\u003e\n\u003cp\u003eConsidering that the book is one of the few works written and published on furniture design and designers in Turkish literature, it is expected to greatly contribute to interior architecture, architecture, and industrial product design students, new graduates of these departments, and furniture manufacturers in the sector. As a faculty member, I hope that the number of such books will rapidly increase. I owe my thanks to everyone who contributed to the preparation of this beautiful book.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHO IS PROF. DR. GENCO BERKIN?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Niğde in 1971, Genco Berkin completed his secondary education at Kadıköy Anatolian High School in 1990. Genco Berkin, who studied architecture at Brighton (England) and European University of Lefke (TRNC), began his academic career as a research assistant in 1995 after receiving an offer from his alma mater.\u003c\/p\u003e\n\u003cp\u003eIn 1998, he completed his master's degree with his thesis \"Architectural Utopias\" in the field of Architectural History at Eastern Mediterranean University. In 2006, he earned his Ph.D. with his work at Mimar Sinan University, Faculty of Architecture, Department of Building Physics and Materials; in 2015, he became an associate professor; in 2020, he became a professor at Fatih Sultan Mehmet Vakıf University, Faculty of Architecture and Design.\u003c\/p\u003e\n\u003cp\u003eGenco Berkin, who teaches architecture and interior architecture courses at various universities, has conducted research and development studies on \"ecological glass in architecture\" and developed ideas on \"improving project-design courses.\" Berkin, who particularly focuses on combining ergonomics and technology in furniture designs, has also produced numerous works on this subject. Prof. Dr. Genco Berkin currently serves as the Dean of the Faculty of Art and Design at Istanbul Nişantaşı University.\u003c\/p\u003e\n\u003cp\u003eBooks by Genco Berkin published by YEM Yayın:\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e\u003cem\u003eMaterial and Detail in Furniture Design\u003c\/em\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cem\u003eMaterial and Detail in Interior Architecture\u003c\/em\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cem\u003eMaterial and Detail in Architecture\u003c\/em\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cem\u003eIn the Footsteps of Wood: A Dictionary of Forest Products in Design\u003c\/em\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cem\u003eModulor and Le Corbusier's Cabin\u003c\/em\u003e\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cem\u003eFrom Square to Plan: Module and Architecture\u003c\/em\u003e (with Yusuf Civelek)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208997619,"sku":"9786257008600","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/MOBILYA_TASARIMINDA_MALZEME_DETAY_KAPAK.jpg?v=1667892368"},{"product_id":"ic-mimarlikta-paslanmaz-celik-ve-cam","title":"Stainless Steel and Glass in Interior Architecture - 4th Edition","description":"\u003cp data-mce-fragment=\"1\"\u003eThe book \u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e, prepared by Genco Berkin and Gökhan Mermi primarily for students of interior architecture, architecture, and industrial product design, as well as for designers and practitioners new to the profession, has been published by YEM Yayın.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eTo achieve successful results in interior design, it is necessary to thoroughly understand the materials to be used. In \u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e, detailed information about stainless steel and glass materials, supported by details and carefully prepared drawings, is conveyed to young designers in particular, in a simple and easily understandable manner, focusing on details and materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eStainless steel and glass are two of the five most commonly used basic building materials (plasterboard, MDF, ceramic, stainless steel, glass) in interior design today. These two complementary building materials, with their technical specifications and application details, are primary construction materials that designers must master.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e aims to be a guide for the use of stainless steel and glass materials in schools, design offices, and construction site applications. The information contained in the book includes contemporary and valid detail solutions currently in active use.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eThe book \u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e consists of six chapters:\u003c\/p\u003e\n\n\u003col data-mce-fragment=\"1\"\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 1 examines the production and technical characteristics of stainless steel, its manufacturing methods, and the types of stainless steel used in interior architecture.\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 2 covers the production and technical characteristics of glass, its manufacturing methods, and the types used in interior architecture.\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 3 presents all elements used in interior architecture, separately as both stainless steel and glass materials, to the reader; examples including both materials are also discussed.\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 4 investigates how various pieces of furniture in interior spaces are made with stainless steel and glass, detailing them to the finest points.\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 5 examines the sustainability characteristics of both materials.\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 6 consists of additional detail drawings that can serve as alternatives to the details provided in the previous chapters.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eProf. Dr. Genco Berkin and Interior Architect Gökhan Mermi's reasoning for preparing the book is summarized in the \"Introduction\" as follows:\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"...This book serves as a guide for interior architects and architects on the use of stainless steel and glass materials in design offices and construction site applications. We are fully confident that such a resource will become an indispensable reference book, especially for interior architects. The information in the book includes contemporary and valid detail solutions currently in active use. It should be kept in mind that, in addition to the stainless steel and glass duo, a third material can also be used in detailing...\"\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eWe hope that the detail drawings and graphics in the book will serve as useful and guiding examples for architecture and interior architecture students and our colleagues who have started their professional careers, in their designs involving stainless steel and glass. We would like to state that the drawings are not to scale and designers should examine these details only for inspiration for their work...\"\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eMechanical and Aeronautical Engineer Mehmet Engin Kılınç, who also worked with Genco Berkin and Gökhan Mermi in the past, states the following in the \"Foreword\":\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"Dear Interior Architects, Architects, Industrial Product Designers;\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe inadequacy of practical application in university education manifests itself as various shortcomings in professional life. Although students undergo a short period of internship training, this is often insufficient. True success comes from supplementing theoretical knowledge with real-world applications.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eOur young people, who lack practical training in universities, often feel inadequate in terms of practical knowledge focusing on materials and details. This situation should be remedied by reading technical books written by experienced interior architects, architects, and engineers with practical knowledge in the field.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAfter graduating from the ITU Mechanical Engineering Department, Aeronautical Engineering in 1972, I experienced the same difficulties in my professional life. I learned how to use the theoretical knowledge I gained at university in the field, through trial and error over time. I always longed for helpful books on this subject, but there were not enough resources.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAfter gaining experience in various companies for about 30 years, I established my own design firm in 2002. At that time, my young, hardworking, and eager-to-learn architect colleague, Genco Berkin, who had just graduated from university, started working as an architect in my company. He personally experienced and witnessed the applications in business life and was involved in very good projects in this field. Later, he received an offer to start an academic career and became a faculty member. Our connection never broke during this period. I always followed his work with appreciation. Subsequently, with Genco Berkin's reference, I brought interior architect Gökhan Mermi, who graduated first in his department, into our team. We worked together successfully on many projects for a long time. I enthusiastically conveyed to him how to apply academic knowledge in the real manufacturing industry, especially regarding materials and details. I felt immense pride when I read the first draft of this book, a collaborative effort by my two designer colleagues.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThere was a significant need for a technical handbook in the field of interior architecture that focused on stainless steel and glass materials and included all application details. Both materials are unforgiving of even the smallest mistake and require specific detailed solutions. This work has become a guide that provides technical knowledge to interior architecture students and recent graduates for construction site applications.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThis work by Genco Berkin and Gökhan Mermi blends fundamental theoretical knowledge with implemented manufacturing practices. The book \u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e has been very beneficial because it supports its technical information with application drawings.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eI congratulate them for bringing this valuable book, which also describes the latest developments in stainless steel and glass production technologies, to the design world, and I hope for its continuation.\"\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eThe concept design for \u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e, the 4th book in YEM Yayın's \"Material and Detail Series,\" is by Sedef Sav, the designer of the series. The book's detailed drawings and layout were done by Gökhan Mermi; it was prepared for printing by Resul Atabay.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTABLE OF CONTENTS\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 1 STAINLESS STEELS\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e12 Production and Technical Characteristics\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e16 Manufacturing Methods\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e20 Stainless Steels Used in Interior Architecture\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 2 GLASSES\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e24 Production and Technical Characteristics\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e26 Manufacturing Methods\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e30 Glasses Used in Interior Architecture\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 3 INTERIOR ARCHITECTURE ELEMENTS\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e36 Stairs\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e42 Railings\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e44 Elevators\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e46 Panoramic Elevators\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e48 Escalators\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e50 Glass Flooring\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e52 Glass Partitions\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e54 Glass Doors\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e56 Column Cladding\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e58 Fireplaces\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 4 FURNITURE\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e62 Tables\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e64 Benches\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e66 Display Units\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e68 Shelves\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e70 Lighting Fixtures\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 5 SUSTAINABILITY\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e74 Stainless Steel Material Type Selection\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e76 Glass Material Type Selection\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e78 Stainless Steel Material Application Errors\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e80 Glass Material Application Errors\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e82 Transportation and Stacking\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e84 Stainless Steel Maintenance Methods\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 6 APPENDICES\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e88 Connection Apparatuses\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e90 Floor Drains\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e92 Grab Bars\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e94 Details for Visually Impaired\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e96 Pool Ladders\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWHO IS PROF. DR. GENCO BERKİN?\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eBorn in Niğde in 1971, Genco Berkin completed his secondary education at Kadıköy Anatolian High School in 1990. Genco Berkin, who studied architecture at Brighton (England) and European University of Lefke (TRNC), began his academic career as a research assistant in 1995 after being offered a position by his alma mater.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn 1998, he completed his master's degree at Eastern Mediterranean University with his thesis \"Architectural Utopias\" in the field of Architectural History. In 2006, he earned his doctorate (Ph.D.) degree with his studies at the Mimar Sinan Fine Arts University, Faculty of Architecture, Department of Building Physics and Materials; he became an associate professor in 2015; and in 2020, he became a professor at Fatih Sultan Mehmet Vakıf University, Faculty of Architecture and Design.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eGenco Berkin, who teaches architecture and interior architecture courses at various universities, has conducted research and development studies on \"ecological glass in architecture\" and developed ideas on \"improving project-design courses.\" Berkin, who particularly emphasizes combining ergonomics and technology in furniture designs, has also produced numerous works on this subject. Prof. Dr. Genco Berkin currently serves as the Dean of the Faculty of Arts and Design at Istanbul Nişantaşı University.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eGenco Berkin's books published by YEM Yayın:\u003c\/p\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMaterials and Details in Architecture\u003c\/em\u003e\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMaterials and Details in Interior Architecture\u003c\/em\u003e\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMaterials and Details in Furniture Design\u003c\/em\u003e\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\n\n\u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e (with Gökhan Mermi)\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIn the Footsteps of Wood: A Dictionary of Forest Products in Design\u003c\/em\u003e\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eModulor and Le Corbusier's Cabin\u003c\/em\u003e\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\n\n\u003cem data-mce-fragment=\"1\"\u003eFrom Square to Plan: Module and Architecture\u003c\/em\u003e (with Yusuf Civelek)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\" style=\"font-size: 0.875rem;\"\u003eWHO IS INTERIOR ARCHITECT GÖKHAN MERMİ?\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eBorn in Istanbul in 1987, Gökhan Mermi completed his secondary education at Şehremini Anatolian High School in 2003. Gökhan Mermi, who studied interior architecture at Haliç University, graduated as the top student in his department with honors in 2008. After graduation, he began his master's degree with a scholarship at Haliç University.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn 2012, he completed his master's degree in Interior Architecture with his thesis \"Evaluation of Stainless Steel Material in Interior Architectural Applications from a Sustainability Perspective.\" With this thesis, he served as a designer and controller for the fabrication of stainless steel and glass in many projects, primarily metro, hotel, and residential projects in the private sector. As of 2013, he has served as a project manager in several architectural offices, including Alarko Contracting Group. He has undertaken roles as both a designer and site chief in hotel, metro, shopping mall, office, restaurant, and residential projects. One of his successfully completed projects, where he served as a designer and site architect, is the \"Levent-Hisarüstü Metro Project.\"\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eCurrently, Gökhan Mermi works as a full-time lecturer for interior architecture courses and is also pursuing his doctoral studies at Mimar Sinan Fine Arts University, Department of Architecture, Building Physics and Materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207359219,"sku":"9786257008754","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/IC_MIMARLIKTA_PASLANMAZ_CELIK_CAM_KAPAK.jpg?v=1698911072"},{"product_id":"endustriyel-tasarimda-malzeme-ve-detay-genco-berkin","title":"Material and Detail in Industrial Design","description":"\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eGenco Berkin’s new book, Materials and Details in Industrial Design, prepared for designers and practitioners new to the profession, especially industrial design and interior architecture students, has been published by YEM Yayın.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMaterials and Details in Industrial Design, prepared for industrial design, interior architecture, and architecture students, as well as product designers and practitioners new to the profession, brings together 40 different product designs, design approaches, characteristics and processing of raw materials, issues designers should consider in material selection, and detail analyses for industrial product design, presented with original drawings.\u003c\/p\u003e\n\n\u003cp\u003eDespite the thousands, even millions, of products that can fall under industrial design, to open a thoughtful window for designers new to the profession, the topics are covered under the sections \u003cstrong\u003eEVERYDAY ITEMS, HOUSEHOLD ITEMS, SPORTS EQUIPMENT, VEHICLES, DEFENSE INDUSTRY, and ADDITIONS\u003c\/strong\u003e; ranging from forks, spoons, and knives to jewelry, shoes to thermoses, chandeliers to irons, bicycles to tennis rackets, Audis to Harley-Davidsons, airplane seats to UAVs, thus covering a very broad perspective. \u003c\/p\u003e\n\n\u003cp\u003eProf.Dr. Genco Berkin summarizes the rationale and content of the book as follows: “This book has been written for Industrial Design Department students and recent graduates. Although the topics covered in the book belong to a specific sector, due to the common areas of contemporary professions in both production and consumption, the content of the book partly concerns interior architects and even, to a considerable extent, architects. Historically, the professional fields of architecture, interior architecture, and industrial design have never been as close as they are today. The primary factor enabling this is standardization in production. All the tools and equipment mentioned in the \"Household Items\" section, which is one of the chapters in this book, are actually systems that can be integrated into buildings. Moreover, for thousands of years, there has been a transfer of knowledge from the industrial sector to architecture... The book consists of five main sections; each section contains eight current topics. In some topics, you will see that products traditionally made have also been manufactured using modern materials and production techniques as alternatives... This work serves as a guide for today's design world and also acts as a kind of record book bequeathed to the future. I believe that the book will be a fundamental resource for industrial design students in reinforcing their professional knowledge.”\u003cbr\u003e\nProf.Dr. Önder Küçükerman says the following in the Foreword of the book: “With this book, in which it is pointed out that ‘every product originates from a very special design culture and has separate application areas,’ Genco Berkin reveals that very interesting and realistic design lessons are hidden behind all the products around us, telling designers to act in accordance with these realities and to approach problems from the material-detail axis; he states that for industrial design, planning and production processes ‘should be resolved not only with general rules, but by delving into the root of multifaceted real problems’...”\u003c\/p\u003e\n\n\u003cp\u003eIn Materials and Details in Industrial Design, all data (such as ergonomics, materials, functionality, chemical knowledge, etc. necessary for designing a product) is presented in a simple and easily understandable manner through carefully prepared drawings, with the aim of providing young designers, in particular, with complete equipment to support the product design process from a detail and material perspective.\u003c\/p\u003e\n\n\u003cp\u003eThe book, along with Architecture in Materials and Details and Interior Architecture in Materials and Details, Furniture Design in Materials and Details, Stainless Steel and Glass in Interior Architecture (co-authored with Gökhan Mermi), all previously prepared by Genco Berkin and considered fundamental reference sources, forms YEM Yayın’s “Material and Detail Series.”\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWHO IS GENCO BERKIN?\u003c\/strong\u003e\u003cbr\u003e\nBorn in Niğde in 1971, Genco Berkin completed his secondary education at Kadıköy Anatolian High School in 1990. Genco Berkin, who studied architecture at Brighton (England) and European University of Lefke (TRNC), started his academic career as a research assistant in 1995 upon an offer from the university he graduated from. \u003cbr\u003e\nIn 1998, he completed his master's degree at Eastern Mediterranean University with his thesis “Architectural Utopias” in the field of Architectural History. In 2006, he earned his doctorate (Ph.D.) with his studies at the Building Physics and Materials Department of Mimar Sinan Fine Arts University, Faculty of Architecture; in 2015, he became an associate professor; and in 2020, he became a professor at Fatih Sultan Mehmet Vakıf University, Faculty of Architecture and Design. \u003cbr\u003e\nGenco Berkin, who teaches architecture and interior architecture at various universities, has conducted research and development studies on “ecological glass in architecture” and developed ideas on “improving project-design courses.” Berkin, especially considering combining ergonomics and technology in furniture designs, has also produced many works in this field. \u003cbr\u003e\nProf.Dr. Genco Berkin is currently a faculty member at Istanbul Nişantaşı University, Faculty of Art and Design.\u003cbr\u003e\nGenco Berkin's books published by YEM Yayın:\u003cbr\u003e\n• Materials and Details in Architecture\u003cbr\u003e\n• Materials and Details in Interior Architecture\u003cbr\u003e\n• Materials and Details in Furniture Design\u003cbr\u003e\n• Stainless Steel and Glass in Interior Architecture (co-authored with Gökhan Mermi)\u003cbr\u003e\n• In the Footsteps of Wood: A Glossary of Forest Products in Design\u003cbr\u003e\n• Modulor and Le Corbusier’s Cabin\u003cbr\u003e\n• Module and Architecture from Square to Plan (co-authored with Yusuf Civelek)\u003cbr\u003e\n• Materials and Details in Industrial Design\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370206867699,"sku":"9786259710204","price":350.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ENDUSTRIYEL_TASARIMDA_MALZEME_DETAY_KAPAK.jpg?v=1744733796"}],"url":"https:\/\/yemkitabevi.com\/en-us\/collections\/malzeme-ve-detay-dizisi\/basimtarihi_nisan-2025.oembed","provider":"YEM Kitabevi","version":"1.0","type":"link"}