{"title":"Chamber of Architects Publications","description":"\u003cp\u003eBooks on architecture, urban planning, and the profession published by the Chamber of Architects Publications.\u003c\/p\u003e","products":[{"product_id":"mimarlikta-estetik-dusunce_348813-html","title":"Aesthetic Thought in Architecture","description":"\u003cp\u003eThe World Congress of Aesthetics organized by the Sanart Association of Aesthetics and Visual Culture in 2007 brought together aestheticians, philosophers, artists, and architects from 42 countries. Many papers approaching architecture from an \"aesthetic\" perspective were presented at the congress. This book makes a significant contribution to the discipline of architecture by publishing a special selection of these papers in Turkish. Although the articles in the book do not cover all areas, they demonstrate how architecture can be approached from many different perspectives. The book, which includes sections titled \"Contemporary World Architecture and Aesthetics\", \"Architecture and Aesthetics in Turkey\", \"Aesthetic Thought Through Monographs\", \"Architectural History\", \"Architecture and the City\", and \"Interiors and Aesthetics\", also offers reading recommendations related to the topics covered.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408937533635,"sku":"9786050100280","price":262.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050100280.jpg?v=1616017016"},{"product_id":"cumartesi-bulusmalari-acar-avunduk","title":"Saturday Gatherings - Acar Avunduk","description":"We organized the Saturday Meetings to enable architects to share their knowledge and experiences. In this context, we also aimed to make these sharings permanent by filming the meetings and converting each presentation into a publication, in addition to a small exhibition accompanying the conferences. This publication, which you hold in your hands, presented as part of a new series, is a product of this endeavor.\u003cbr\u003e \u003cbr\u003eWe invited twelve colleagues to the conference series over a year. We were delighted to observe that the meetings facilitated the transfer of experience and the sharing of different experiences.","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408937730243,"sku":"9786050100303","price":64.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050100303.jpg?v=1616017017"},{"product_id":"dogumunun-100-yilinda-geleneksel-mimarinin-sairi_348768-html","title":"Nail V. Çakırhan, Poet of Traditional Architecture, on the 100th Anniversary of His Birth","description":"The Poet of Traditional Architecture on His 100th Birthday","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408937795779,"sku":"9786050100495","price":360.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050100495.jpg?v=1616017019"},{"product_id":"cumartesi-bulusmalari-sinan-omacan","title":"Saturday Gatherings - Sinan Omacan","description":"We organized the Saturday Gatherings to enable architects to share their work. In this context, we also aimed to make these sharings permanent by filming the gatherings and transforming each presentation into a publication, in addition to a small exhibition accompanying the conferences. This publication in your hands, which we present as part of a new series, is a product of this effort.\u003cbr\u003e \u003cbr\u003eWe invited twelve of our colleagues to the conference series over the course of a year. We were pleased to observe that the gatherings created an environment for the transfer of experience and the sharing of different experiences.","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408937861315,"sku":"9786050100655","price":64.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050100655.jpg?v=1616017020"},{"product_id":"karakoy-iskelesi-ve-yakin-cevresi","title":"Karaköy Pier and Its Vicinity","description":"\u003cp\u003eThis is a competition book that includes the exhibition, colloquium, and award ceremony of the \"Karaköy Pier and Its Immediate Surroundings National Student Architectural Idea Competition,\" which was organized to enable architecture students to participate in the city by generating ideas for the city, urban spaces, and the re-evaluation of these spaces in the face of changing needs, and which concluded on September 15, 2009.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408937926851,"sku":"9786050101270","price":80.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050101270.jpg?v=1616017023"},{"product_id":"modern-ve-surgun-almanca-konusulan-ulkelerin","title":"Modern and Exile","description":"\u003cp\u003eBernd Nicolai's book Moderne und Exil, originally published in German in 1998, has been translated into Turkish by Yüksel Pöğün Zander and published by the Chamber of Architects Publications. When it was first published, the book was unique in that it was the only work on early Republican era Turkish architecture written using archival documents from Germany, Austria, and Switzerland. As Nicolai revealed through the documents he presented, much of the information that helped us understand many unknown projects and constructed buildings in Turkish architecture was hidden in Central European archives. The book was a first for Turkish architectural history, as well as filling a significant gap in German architectural history.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938025155,"sku":"9786050101300","price":360.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050101300.jpg?v=1616017025"},{"product_id":"haydarpasa_352106-html","title":"Haydarpaşa","description":"\u003cp\u003e\u003cspan style='color: rgb(51, 51, 51); font-family: \"PT Sans\", sans-serif; font-size: 16px;'\u003e\"The Pier, Station Building, Station Facilities, and Port Facilities that we know as Haydarpaşa have been in the same state for 100 years. When I think of my memories related to this place, the first thing that comes to mind is that nothing has changed. Ships dock at the port, loading and unloading their cargo; trains arrive at the station, dropping off and picking up passengers; and ferries docking at the pier drop off and pick up people arriving by train or traveling by train. This situation continued throughout my childhood, just as it had for years.\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938057923,"sku":"9786050101324","price":105.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050101324.jpg?v=1616017026"},{"product_id":"cumartesi-bulusmalari-altay-erol_352080-html","title":"Saturday Gatherings: Altay Erol","description":"\u003cp\u003e\u003c\/p\u003e\u003cdiv class=\"kitap-detay-alt\" style=\"margin: 20px 0px 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; border-spacing: 20px; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003c\/div\u003e\u003cdiv class=\"kitap-detay-tanitim\" style=\"margin: 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eWe organized the Saturday Gatherings to enable architects to share their knowledge. In this context, we aimed to make these sharings permanent by filming the gatherings and transforming each presentation into a publication, in addition to a small exhibition accompanying the conferences. This publication, which we present as part of a new series, is the product of this effort.\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eWe invited twelve colleagues to the conference series in one year. Our conference series, which began with Cengiz Bektaş in 2009, filled a void by bringing together architects from different generations. We were delighted to observe that the gatherings provided an environment for the transfer of experience and the sharing of different experiences.\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938090691,"sku":"9786050101379","price":64.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050101379.jpg?v=1616017028"},{"product_id":"modernlik-ve-turkiyee28099de-modern-camiler_349273-html","title":"Modernity and Modern Mosques in Turkey","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThe author criticizes the mosques built today as imitations of Sinan and the failure to construct creative and original modern mosques. In doing so, the author defines modernity, traces it back to the Ottoman Empire, examines the social structure of society, and attempts to uncover the reasons for \"our inability to be modern.\" The book also meticulously examines numerous movements of renewal (modernization) from the Tanzimat Edict to the present day. Providing examples from the Renaissance and Mimar Sinan, the author attempts to draw a comparison between Europe and the Turkish world.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eFurthermore, the author evaluates Turkish Architecture from the 19th century to the present day, analyzing the social impacts of globalization and the EU process, and attempts to explain the current state of architecture. In the book, we also see the author assessing Divan Literature and Traditional Turkish Music.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThe author, providing examples of original and creative European architecture, divides mosque architecture into three main groups: \"Imitation Mosques, Stylized Mosques, and Original Mosques.\" For instance, the final section of the book features 18 modern mosques built between 1956 and the present day.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938320067,"sku":"9786050101539","price":24.38,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050101539.jpg?v=1616017029"},{"product_id":"eminonu-hanlar-bolgesi-anitsal-eserler-kilavuzu_349270-html","title":"Eminönü Han District Monumental Works Guide","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eWith his work, which serves as a highly significant architectural history catalog, Besim Çeçener presents a piece that will be a reference for many years to come, compiling the historical mosques, churches and synagogues, madrasas, fountains, s\u003c\/span\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eebils, primary schools, libraries, Turkish baths, and hans of the Eminönü hans region, complete with their sources, and accompanied by photographs, plans, and sketches. \u003c\/span\u003e\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938352835,"sku":"9786050101959","price":390.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050101959.jpg?v=1616017031"},{"product_id":"mehmet-konuralp_349213-html","title":"Mehmet Konuralp","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eMehmet Konuralp, born in Istanbul in April 1939, studied architecture at the Architectural Association School of Architecture (AA) in London between 1960 and 1965. After serving in the Navy, he began his professional career in 1968. Among his professional works, which he actively continues both in Turkey and abroad, the General Directorate of Highways 17th Regional Directorate Administrative Building, which he designed within the Highways Campus in Zincirlikuyu between 1973-1974, was registered as a \"cultural asset to be preserved\" due to the design innovation and technological level it brought to Turkish architecture. The complex he designed and realized for the Sabah Medya İkitelli Facilities received the \"Chamber of Architects National Architecture Award\" in the Building Category in 1994. In 2010, he was awarded the \"Mimar Sinan Grand Prize\" by the Chamber of Architects for his contributions to Turkish architecture. Konuralp's projects, as well as his professional and social articles and writings, are published in various books and magazines, including Neufert, both in Turkey and abroad. He continues his professional practices and academic activities in Istanbul. The book brings together, with comprehensive visual documentation, the presentations and evaluations from the panel organized within the scope of the Sinan Awarded Architects Program (2010-2012) held by the Chamber of Architects for Mehmet Konuralp, as well as the structures and projects Konuralp has designed to date, his writings, interviews, and articles written about his own architecture.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938385603,"sku":"9786050103069","price":52.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050103069.jpg?v=1616017032"},{"product_id":"modernist-bir-acilimda-oncu-seyfi-arkan","title":"Seyfi Arkan: A Pioneer in a Modernist Approach","description":"\u003cp\u003eIn the 2008-2010 period of the Chamber of Architects Commemoration Program, SEYFİ ARKAN, a pioneering figure in Turkish modern architecture, was deemed worthy of commemoration. Within the framework of the program themed \"A Pioneer in Modernist Expansion: SEYFİ ARKAN,\" between 2008 and 2010, a complete inventory of Arkan's original drawings found in all relevant institutional and private archives was created and transferred to digital media; his standing structures were identified and photographed; published books, theses, articles, and documents written by Arkan or about him were accessed; a symposium was organized that shed light on the architect's work as well as his era; and a retrospective exhibition featuring all of the architect's work was prepared and continues to be exhibited in many cities across Turkey.\u003c\/p\u003e\u003cp\u003eThe book \"A Pioneer in Modernist Expansion: SEYFİ ARKAN,\" edited by Ali Cengizkan, A. Derin İnan, and N. Müge Cengizkan and published in October 2012, includes a catalog compiled from archival documents and current photographs of all of the architect's published\/unpublished projects, buildings, and master plans, as well as symposium papers containing research and evaluations from individuals with expertise and work on Turkish modern architecture and Arkan, quality articles about Arkan published to date, reports prepared by Arkan, Arkan's lecture notes, examples from the diary kept during the construction of İller Bankası, and private and institutional correspondence.\u003c\/p\u003e\u003cp\u003eThe comprehensive research conducted on Seyfi Arkan's (1903-1966) life, works, professional practice, family, and professional circle aimed to learn about his background in concentric circles, starting from the schools he attended and taught at, the places he used as an office, and the houses he lived in. Planned to run for two years between 2008 and 2010, but extended until the book's publication in 2012, the studies involved interviews with many individuals; research in numerous archives and libraries in Ankara, Istanbul, and Berlin; and attempts to obtain as complete a list of his structures as possible and to create a mature catalog with on-site observations. The symposium held at MSGSÜ in January 2010 and the comprehensive exhibition opened on the same date were well-received as two important products of the Commemoration Program research project. The book is a product that is not limited to the aforementioned symposium papers and exhibition materials, but rather shares the lasting documents, determinations, texts, and products of this two-year study and research.\u003c\/p\u003e\u003cp\u003eEven if the scarcity of Seyfi Arkan's drawings and design documents in the sources accessed during this work, and the almost complete absence of his personal belongings, are perceived as a drawback, it is full of social lessons in terms of the profile of an architect who was so prominent and tried to be highly valued in Turkey, at least for a certain period. This book, which calls for a closer understanding and learning of Seyfi Arkan's designs, the story of how his buildings were acquired, the values in these buildings, but also the personality behind all these stories, is bound to provoke and encourage new architectural research and interpretations, given his unique pioneering role in the modernization of Turkish architecture in the 20th century.\u003c\/p\u003e\u003cp\u003eWith this book, light is shed for the first time on the fact that Seyfi Arkan was indeed the most effective architect in Turkey's modernist expansion, how he directly transformed his era within practice, and his growing importance when viewed from today. We observe together how Seyfettin Nasih, whose education coincided with the early Republican period, who was known as \"Atatürk's architect\" for designing buildings for Atatürk for a time, who tried to adapt to the political conjuncture during World War II and the One-Party rule, and between 1950-60, and who competed and clashed with the famous architect Sedad Hakkı in both architectural and urban planning professional practice and education, transformed into Seyfettin Erkan and Seyfi Arkan.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938483907,"sku":"9786050103991","price":640.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050103991.jpg?v=1616017034"},{"product_id":"isigin-pesinde-bir-mimar-erkut-sahinbas_349272-html","title":"An Architect in Pursuit of Light: Erkut Şahinbaş","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIt is known that the 'center of influence' for architecture education, practice, and organization originating in Istanbul shifted to Ankara in the 1960s, and the first generation educated at METU played a significant role in this transformation, initiating a new era. Among the most important names in this first generation who stood out with their practitioner identity and also carried their educator identity in the early years of their career is Erkut Şahinbaş... After returning to Turkey, the architect, who transferred the architectural discernment and experience gained in Scandinavian countries to his work and the architectural education he provided at METU, continued his production entirely within architectural practice after the first decade.\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThe discernment acquired in Scandinavian countries, where architecture is considered one of the most respected professions and architectural culture is strong, provided the architect, who internalized Turkey's architectural environment and traditions, with the impetus to push boundaries and transform them into opportunities. Instead of directly transferring the West, he used it as a resource. The linguistic diversity and flexibility of his architecture, the modern, multi-layered, rich language of his structures, correspond, in Abdi Güzer's assessment, to \"an underlying understanding within modernism that can preserve the language-independent values of architecture, rather than resorting to the universally accepted, anonymous, reduced patterns of modern language specific to Turkey.\"\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eHis understanding of how vital light is in architecture in the Nordic countries creates the 'aura' of the interior space, which is surrounded\/transformed\/enriched by the conscious use of light in his buildings. Light, sometimes completely washing over the interior, sometimes subtly seeping into it, sometimes playing within the space, sometimes remaining fixed, makes time visible within the space. Erkut Şahinbaş's architecture is remembered more for the 'aura' of the space it creates than for its images. About the Book The largest award given within the scope of the National Architecture Exhibition and Awards organized by the Chamber of Architects in memory of Mimar Sinan is the \"Mimar Sinan Grand Prize,\" awarded to an architect or collaborating architects for their lifetime achievements and services to architecture. In 2008, the Chamber of Architects began organizing the Sinan Awarded Architects Program to compile and present the works of valuable architects who received the Sinan Award to the architectural community. The program includes a panel evaluating the architect's activity and productions, an exhibition of their works, and the publication of a book covering all of it. The Sinan Awarded Architects Program for the 2012-2014 period was organized for Erkut Şahinbaş, the recipient of the Mimar Sinan Grand Prize. The Selection Committee brought Şahinbaş to the forefront with these words: \"Mr. Erkut Şahinbaş has been awarded the Mimar Sinan Grand Prize for his multi-dimensional contributions to the architectural environment through his architectural practices, his educator identity, and his contributions to non-governmental organizations, for successfully representing Turkish architecture in international settings and in projects realized in different geographies, for serving as an example to subsequent generations with his humble personality and meticulous understanding of quality, and for sharing his practices and thoughts with the architectural community through exhibitions and publications.\" In addition to the panel we held in Ankara on April 12, 2013, as the Chamber of Architects, the exhibition titled \"Adventure with Light: The Architecture of Erkut Şahinbaş\" met its audience between April 12 and April 30, 2013; the exhibition continues to open in various cities in Turkey within a determined program. The book includes the evaluations and inter-discussions made by Esin Boyacıoğlu, Ali Cengizkan, Jale Nejdet Erzen, Abdi Güzer, İlhan Kural, and Ziya Tanalı on Şahinbaş and his architecture during the panel. Additionally, there is an article by Kemal Aran, who describes Şahinbaş's Doğramacızade Ali Paşa Mosque as an \"iconoclastic\" application and examines it from the perspective of mimesis theory. The buildings and projects brought together in the exhibition, where light is a constitutive element, form one of the interfaces of the book. Erkut Şahinbaş, one of the first architects to bring his lifetime productions together in a book as a visionary architect, published his book in 1998. The other interface of the book is an update of Şahinbaş's buildings and projects from 1998 to 2014.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938582211,"sku":"9786050106855","price":304.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050106855.jpg?v=1616017035"},{"product_id":"zeki-sayar-ve-arkitekt","title":"Zeki Sayar and Architect","description":"\u003cp\u003eZeki Sayar (1905-2001) is one of the most recognized architects among the legendary 1928 graduating class of the Academy, and thus among the architects of the early Republican period, after Sedad Hakkı Eldem, and one of the rare architects who managed to remain active in the architectural environment for a remarkably long time. This recognition cannot be considered independent of his close relationship with the architectural magazine Mimar \/ Arkitekt, which holds a very important place in Turkish architectural history and constitutes the most original documentation of our Republican era architectural publishing.\u003c\/p\u003e\u003cp\u003eFor these reasons, the Chamber of Architects Commemoration Program for the 2010-2012 period, beyond focusing solely on an architectural profile, also encompassed Arkitekt magazine, which can be considered Sayar's masterpiece. The book \"Zeki Sayar and Arkitekt\" aims to make sense of and position the production field of a considerably long period spanning 50 years, starting from the early Republican era. It presents its compilation by tracing the publication journey of Arkitekt and the magazine's sphere of influence, in parallel with Sayar's architectural production, his identity as a publisher-thinker-critic, and his active role in the architectural environment.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938647747,"sku":"9786050107777","price":720.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050107777.jpg?v=1616017037"},{"product_id":"dogan-hasol-cumartesi-bulusmalari","title":"Doğan Hasol \/ Saturday Gatherings","description":"\u003cp\u003eThe \"Architects Share Their Experiences\" themed Saturday Meetings, organized by the Istanbul Metropolitan Branch of the Chamber of Architects since 2009, are now presented in a new publication. The new book in the series is a compilation of the meeting featuring \u003cstrong\u003eDoğan Hasol\u003c\/strong\u003e as a guest... The Istanbul Metropolitan Branch of the Chamber of Architects, with its \"Architects Share Their Experiences\" themed Saturday Meetings, which began in January 2009, contributes to the mutual thinking-questioning process of architects, and aims to make this richness permanent by transforming these meetings, which enrich the architectural environment, into publications.\u003c\/p\u003e\n\u003cp\u003eThe Saturday Meetings, which allowed architects from different generations to share their experiences and professional knowledge, attracted not only young architects but also participants of all ages, and this series of conferences provided a productive platform for sharing and questioning, going beyond a one-sided transfer of experience and actively engaging the audience.\u003c\/p\u003e\n\u003cp\u003eThe effort to publish the conference series can also be considered as documentation work for Turkish architecture. The newest product of this effort is the publication compiled from the meeting held with the participation of Doğan Hasol in 2016.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAbout Doğan Hasol:\u003cbr\u003eDoğan Hasol was born in 1937. He graduated from Galatasaray High School in 1956 and from Istanbul Technical University, Faculty of Architecture in 1961. In 1961, he joined the group that published the Architecture and Art Magazine. In addition to his assistantship at Istanbul Technical University, he served as the Editor-in-Chief of Mimarlık, the magazine of the Chamber of Architects; he held various positions on the Executive Boards of the Chamber of Architects. In 1968, together with a group of friends, he founded the Building-Industry Center (Yapı-Endüstri Merkezi), which is an information center in the construction field. He was elected President of the International Union of Building Centres (UICB) twice (1989-1992, 1992-1995), and later became an Honorary Member.\u003c\/p\u003e\n\u003cp\u003eUntil April 2013, when he was at the head of the Building-Industry Center, in line with the institution's function as an information center, he pioneered the publication of professional catalogs, especially the Building Catalog, architectural and art books, in addition to YAPI Magazine, the organization of courses, conferences, seminars, and the establishment of the Virtual Architecture Museum. For his publishing activities, he was awarded the Press-Publication Award by the Turkish Association of Independent Architects for the 1994\/95 period. Also, in line with the information center concept, he initiated and developed the YAPI fairs as Turkey's first specialized exhibition.\u003c\/p\u003e\n\u003cp\u003eHe won awards and honorable mentions in some architectural project competitions and served as a jury member in national and international competitions. Together with his wife, Architect Hayzuran Hasol, he won the Chamber of Architects' 1990 National Architecture Award in the building category. He continues his freelance architectural work within the Has Mimarlık group, which he established with his wife and daughter, both architects.\u003c\/p\u003e\n\u003cp\u003eHe was awarded an Honorary Doctorate by Istanbul Technical University in 1998, by Yıldız Technical University in 1999, and by Istanbul Kültür University in 2012; the Professional Contribution Achievement Award by the Chamber of Architects in 2000 and by the Istanbul Association of Independent Architects in 2014; the Honorary Award in architecture by Beykent University in 2007; and the Honorary Award within the scope of SotCA Awards by Hürriyet Newspaper in 2015.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938746051,"sku":"9786050110166","price":60.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050110166.jpg?v=1616017038"},{"product_id":"haluk-baysal-melih-birsel-rasyonalizmi_349212-html","title":"Haluk Baysal - Melih Birsel Rationalism","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eHaluk Baysal and Melih Birsel are prominent figures of the 1950s and 60s modernism in Turkish architecture and the founders of Baysal-Birsel Architecture Office, one of the country's first architectural partnerships as a newly organized professional practice. They were actively engaged in architectural practice during a period when the traditionalist architectural approach, which had gained momentum within the framework of the Second National Architecture movement in the 1940s, was waning. In the 1950s and 60s, within the socio-economic and political context of the time, they were pioneering figures of an approach that turned towards international contemporary architecture and regenerated rationalist perspectives. They are two important names who not only participated in this transformation in architecture but also triggered it, succeeding without promoting themselves as figures through various means such as architectural media, schools, or organizations. In their 26-year professional partnership from 1952 to 1978, they produced high-quality works, if not quantitative, including approximately 20 buildings, 5 urban planning projects, and 21 competition projects entered either together or with different teams. Their most significant work in architectural literature is the Lawyers' Site (Hukukçular Sitesi) in Mecidiyeköy, Istanbul, where they introduced a unique and experimental approach to high-rise residential design. Other quality works such as the Vakko Factory, Hami Çon Villa, Jak Kamhi Apartment, Birkan Apartments, Pegasus House, and the Moda Mass Housing and Tourism Facilities project, which are important from various perspectives in the context of their time, are relatively less known.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eDuring the 2012-2014 period of the Chamber of Architects Commemoration Programs, Haluk Baysal and Melih Birsel were brought to the forefront, and a comprehensive update was made. This book, a product of the program, also aims to bring Baysal and Birsel to the recognition they deserve by updating the Haluk Baysal - Melih Birsel monograph published in 2007 within the Chamber of Architects Publications' monograph series, which examines the lives, personalities, and works of important architects who contributed to the development of modern Turkish architecture within the context of their place and role in the architectural environment.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938778819,"sku":"9786050110272","price":200.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050110272.jpg?v=1616017040"},{"product_id":"oda-tarihinden-portreler-aydin-boysan","title":"Portraits from the History of the Chamber: Aydın Boysan","description":"The Istanbul Metropolitan Branch of the Chamber of Architects continues and publishes oral history studies with valuable colleagues who have made their mark in the history of the architectural profession. The publication of the series, which started in the 2000s, was paused and it was decided to update it again in recent months. \u003cbr\u003e\u003cbr\u003e \"Portraits from the History of the Chamber of Architects \/ Aydın Boysan\" was the first book published in this new period within the scope of this series. Aydın Boysan, one of the founders of the Chamber of Architects and the Secretary General in its first term board of directors, is a productive senior colleague known for his versatile personality in addition to his professional performance, having authored many publications. A publication has been created by compiling his articles that have appeared in architectural publications at different times. \u003cbr\u003e\u003cbr\u003eIn the articles and interviews in this book, you will find Aydın Boysan's architectural performance, developments in professional organization, and his observations and the changes experienced in our cities throughout his long life.","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938844355,"sku":"9786050110371","price":52.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/51suDF8mUbL.jpg?v=1679488471"},{"product_id":"ernst-a-egli-turkiyeye-katkilar","title":"Ernst A. Egli's Contributions to Turkey","description":"\u003cp\u003eWhen Ernst A. Egli was invited to Turkey in 1926 to reorganize the architecture education program and design educational-instructional, i.e., school buildings, according to contemporary principles and methods, he found himself in the midst of the three fundamental development policies of the nascent Republic of Turkey. As the compulsory policies of the war years gave way to new orientations reinforced by the ideas of creating a strong national population and, relatedly, establishing a modern nation-state, it became imperative to implement reforms in health, law, and education, respectively. Education reform constituted the third link in these almost simultaneous priority steps, to enable the construction of a sustainable, healthy, modern society with high productive capacity. Unlike the German-speaking architects who came to Turkey as 'exiles' fleeing Europe's tense political climate, Egli was invited from Vienna by Clemens Holzmeister's suggestion.\u003c\/p\u003e\u003cp\u003eHe was appointed as the chief architect responsible for the design of schools where modern individuals of the Republic would be educated, within the Ministry of National Education, and undertook the tasks of \"organizing and improving their programs, giving lectures, and teaching\" at the Academy of Fine Arts. Egli's innovations at the Academy, such as student admission through an entrance exam, extending the duration of education to five years, and curriculum changes, shaped architectural education in Turkey. The National Architectural Seminar, aiming to document and publicize the civil architectural heritage, was initiated at the Academy in the early 1930s under Egli's leadership, with the assistance of his assistant Sedad Hakkı Eldem, and a unique body of knowledge was accumulated.\u003c\/p\u003e\u003cp\u003eDuring his 14 years in Turkey, Egli designed significant buildings of Republican-era modern architecture, including the İsmet Pasha Girls' Institute, the Music Teachers' School, the Atatürk Forest Farm (AOÇ) Urban Design, Brewery, Civil Servant and Worker Housing, and Bathhouse, Ragıp Devres Villa, Fuat Bulca House, Etimesgut Model Village, Higher Agricultural Institute, School of Political Science, Istanbul University Biology Institute, Turkish Aeronautical Association Administrative Building and Flight School, and the Iraqi and Swiss Embassies. He also signed urban development plans for cities and towns, including districts of Niğde, Edirne, Balıkesir, Samsun, and Denizli.\u003cbr\u003eAfter Atatürk's death in 1938, he lost his protector and left Turkey in 1940 due to the changing political climate. In 1953, he returned to Turkey on a United Nations assignment, giving lectures at the Faculty of Political Sciences at Ankara University and the Institute of Public Administration for Turkey and the Middle East established within the faculty. In 1955, Egli returned to Switzerland, which he considered his homeland, and passed away in Zurich in 1974.\u003c\/p\u003e\u003cp\u003eThis book, which examines Egli's contributions to Turkey in the context of local interpretations and the accountability of programs and practices in education, includes articles by İlhan Tekeli, Oya Atalay Franck, Bernd Nicolai, Sıdıka Çetin, Berna Güç, F. Cânâ Bilsel, Neslinur Hızlı, Nezih R. Aysel, Jan Hoffmann, and Ali Cengizkan. The entire work, compiled by N. Müge Cengizkan and Selda Bancı, which addresses Egli's buildings, projects, and urban development plans in Turkey, was authored by Leyla Alpagut, T. Elvan Altan, Oya Atalay Franck, Afife Batur, Gaye Birol Özerk, Esin Boyacıoğlu, Ali Cengizkan, Işıl Çokuğraş, C. İrem Gençer, Pelin Gürol Öngören, Bilge İmamoğlu, Kıvanç Kılınç, F. Nurşen Kul, and Haluk Zelef.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939172035,"sku":"9786050110487","price":720.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050110487.jpg?v=1616017043"},{"product_id":"yere-ait-ersen-gursel-mimarligi_350933-html","title":"Belonging to the Place: The Architecture of Ersen Gürsel","description":"\u003cp\u003e \u003c\/p\u003e\u003cdiv class=\"kitap-detay-alt\" style=\"margin: 20px 0px 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; border-spacing: 20px; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e \u003c\/div\u003e\u003cp\u003e \u003c\/p\u003e\u003cdiv class=\"kitap-detay-tanitim\" style=\"margin: 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eErsen Gürsel's career, which began when he won the Side and Surroundings Tourism Planning International Competition in 1969, has always focused on understanding and seeking the spirit of the \"place.\" His design model is a unique conceptual model based on thinking about structures not as singular monuments but as integrated with the urban, historical, and natural environment. This path was shaped by starting his design work in Side and encountering the two-thousand-year history of the Mediterranean, which in a sense has become a timeless accumulation. In later years of his profession, he would experience the process of enriching the intellectual infrastructure of this conceptual model. In this context, Gürsel's designs always revolve around the concepts of \"time and timelessness\" and \"history and space\" around the place and time; he re-searches them, re-tests them, creates images, deconstructs them, re-creates them, and generates symbols. He questions time, seeks timelessness, connects times, and perhaps, withdraws. This model of seeing and thinking, which began in his early works, exemplifies the difficult line of reviving past settlement patterns in his memory and designing spontaneity without falling into affectation. What is truly important is the existence of a structure that, almost as if it doesn't want to declare itself designed, appears spontaneous. His subsequent designs are works that elevated Gürsel's architectural concept to a higher level of consciousness. His habit of pursuing environmental data transforms into a collaboration, an increasingly passionate attention, turning the clock tower in the square, the old and ruined chapel, the five cypresses of the cemetery, the centuries-old monumental pine tree, or the ancient lighthouse into immortal images, while creating a chess game between \"what exists\" and \"what is new,\" and evokes the dreams and meticulousness of a designer who never forgets, \"like olives, dreamy pomegranate trees, small rural gods.\"\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003e- Afife Batur\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939270339,"sku":"9786050110975","price":487.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050110975.jpg?v=1616017044"},{"product_id":"mimarlar-odasi-tarihinden-portreler-afife-batur","title":"Portraits from the History of the Chamber of Architects: Afife Batur","description":"\u003cp\u003e\u003cem style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: border-box; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: italic; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; orphans: 2; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eFor my part, I am one of those who prefer the Chamber's political role to be on a professional platform. That is to say, not directly with politics, but in the practice or theory of the profession, or in the problems encountered, I believe that its political aspect should not be overlooked, its political ground should be reviewed, it should be examined, and perhaps an attempt should be made to explain it, and thus the connections and channels of architecture with the social and economic base should be kept constantly open. Because I think that architecture has an aspect that is not detached from society and should be considered as a product of society. I also see this when I read the history of architecture.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939401411,"sku":"9786050112863","price":112.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050112863.jpg?v=1616017047"},{"product_id":"mimarlar-odasi-tarihinden-portreler-nur-akin","title":"Portraits from the History of the Chamber of Architects: Nur Akın","description":"\u003cp\u003eTo understand how Anatolian cities should be preserved, I researched many publications on successful small-town preservation examples in the West. I read important articles and books. Indeed, there was a lot of scientifically valuable material to read on the subject in foreign languages. I was also considering the issue of social structure, which is of great importance in historical environment preservation, and I'm reading about that as well. This is because historical environment preservation efforts developed by ignoring the social structure—as in the example of Safranbolu—need to integrate with their users. If the local people don't accept it, nothing will happen. For this reason, I also worked quite a bit on social structure preservation, which was a new topic for me. During these studies, I took a course with our dear professor, Prof. Dr. Mübeccel Kıray, who teaches at ITU. I had long conversations with her. She tirelessly answered my questions, and with her guidance, I learned a lot about the subject. She truly made a great contribution to my work in Kula. To understand user preferences, for the first time in my life, I conducted social surveys primarily using questions formulated by Mübeccel Hanım. In my subsequent educational journey, I extensively used what I learned in my classes and project work with students.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939466947,"sku":"9786050113136","price":112.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050113136.jpg?v=1616017049"},{"product_id":"mimarlar-odasi-tarihinden-portreler-celen-guven-birkan","title":"Portraits from the Chamber of Architects' History: Çelen-Güven Birkan","description":"\u003cp style=\"background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(54, 54, 53); display: block; font-family: Arial,sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; margin-bottom: 15px; margin-left: 0px; margin-right: 0px; margin-top: 0px; orphans: 2; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: top; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cem style=\"background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: top;\"\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(252, 252, 252); color: rgb(54, 54, 53); font-family: Arial,sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(54, 54, 53); display: block; font-family: Arial,sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; margin-bottom: 15px; margin-left: 0px; margin-right: 0px; margin-top: 0px; orphans: 2; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: top; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cem style=\"background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: top;\"\u003eEvery life is a set of experiments, a doctrine, illuminating and nourishing the future. The life story of the Birkan family is a story of embracing the values acquired through architectural education - scientific work, ethical conduct in the professional environment, integration with our people who provided us with education, sensitivity to the environment we live in and interact with, collaboration, solidarity, and sharing. They lived this intensity with dedication, patience, and humility. They left a mark and set an example with their thoughts, actions, writings, and diligence. (Yavuz Önen)\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939565251,"sku":"9786050113266","price":104.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050113266.jpg?v=1616017050"},{"product_id":"2018-ulusal-mimarlik-odulleri_352074-html","title":"2018 National Architecture Awards","description":"\u003cp\u003e\u003cspan style=\"color: rgb(97, 94, 97); font-family: \" open sans helveticaneue neue helvetica-neue helvetica arial sans-serif font-size:\u003eThe catalog of projects that participated in the 2018 \/ 16th edition of the National Architecture Exhibition and Awards program, held biennially since 1988, met readers during this year's award ceremony on September 18, 2020. Published bilingually in Turkish and English, the 2018 catalog features all projects that participated in the exhibition. The catalog allows for a detailed examination of the 5 structures, 2 projects, and 2 idea projects that received awards from a total of 123 works, including 54 buildings, 61 projects, and 8 idea projects. It also provides a detailed look at the past period through the evaluation articles of the Jury members. The catalog continues the practice, initiated last year, of grouping works under building types and visualizing more information about projects with infographics. The display aims to reveal the potential of the award program to speak about Turkish architecture, by enabling the reading of information such as the distribution of buildings and projects by cities, and which projects of which function are concentrated in which cities, and much more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939630787,"sku":"9786050113792","price":360.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050113792.jpg?v=1616017052"},{"product_id":"prof-dr-zeynep-ahunbay-a-armagan_352143-html","title":"A Gift for Prof. Dr. Zeynep Ahunbay","description":"\u003cdiv class=\"content-area\" style=\"color: rgb(33, 37, 41); font-family: Roboto;\"\u003e\u003ch6 style=\"margin-bottom: 20px; font-size: 18px; line-height: 28px;\"\u003eThe book titled \"A Gift to Prof. Dr. Zeynep Ahunbay: Writings on the Research, Documentation, and Protection of Monuments and Sites\" was recently published by the Istanbul Metropolitan Branch of the Chamber of Architects. The graphic design and application were undertaken by Ebru Laçin Kilci on behalf of the Architectural Foundation's Economic Enterprise. The book was prepared for publication by Zeynep Ahunbay's three former doctoral students: Deniz Mazlum, Umut Almaç, and Esra Kudde.\u003cbr\u003eThe book compiles 35 original articles prepared by Zeynep Ahunbay's master's and\/or doctoral students and close colleagues. Part I, titled \"Architectural History Research,\" contains 10 articles. One of these articles is the last piece written by our esteemed professor, Prof. Afife Batur, whom we lost on December 16, 2018. Part II of the book consists of 15 articles presenting documentation studies and conservation proposals at the single-building scale. Part III, titled \"Urban, Rural, and Natural Environment Protection,\" also presents 10 articles.\u003cbr\u003eThe authors of the articles in the book, listed in alphabetical order by surname, are: Hande Akarca, Nur Akın, H. Demet Aksu, Umut Almaç, E. Görün Arun, Afife Batur, İrem Bezek Temel, Ela Bozkurt, Ömer Dabanlı, İclal Dinçer, Esra Ekşi Balcı, H. Ceren Emir, Hülya Erdoğan, Zeynep Eres, Mine Esmer, Şeyda Güngör, Fatma Meral Halifeoğlu, Ruba Kasmo, Turgay Kerem Koramaz, Pelin Kotas, Esra Kudde, Nazlı İpek Mavuşoğlu, Deniz Mazlum, Gülşen Mercimek Altınsoy, Elif Özlem Oral Aydın, Semra Ögel, Filiz Özer, Suphi Saatçi, N. Turgut Saner, Nadide Seçkin, Nurcan Sefer, Nisa Semiz, Esin Şebin Aşık, Gülsün Tanyeli, Nurbanu Tosun Soyel, Saliha Tupal Yeke, Tina Wik, Senem Yiğit, and Nuran Zeren Gülersoy.\u003cbr\u003eThis commemorative book, the product of over three years of work, is dedicated to Prof. Dr. Zeynep Ahunbay, one of our country's iconic figures in the field of cultural heritage conservation and restoration. It is hoped that this book will be a valuable resource for those working in this field. Our wish is for it to draw attention to the issues of conservation and restoration, which are increasingly becoming a priority and require careful consideration in our country's agenda, and to serve as an inspiration for similar studies.\u003c\/h6\u003e\u003c\/div\u003e\u003cdiv class=\"below-post-banner\" style=\"margin-bottom: 20px; color: rgb(33, 37, 41); font-family: Roboto;\"\u003e\u003cdiv id=\"div-gpt-ad-1550235550997-0\" data-google-query-id=\"COelmdi6ze4CFbXuuwgd76IPGg\" style=\"height: 90px; width: 728px;\"\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939925699,"sku":"9786050113891","price":520.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050113891.jpg?v=1616017053"},{"product_id":"cumhuriyet-donemi-istanbul-planlama-raporlari-1934-1995_349217-html","title":"Istanbul Planning Reports from the Republican Period 1934 - 1995","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cem\u003eCumhuriyet Dönemi İstanbul Planlama Raporları 1934-1995\u003c\/em\u003e (Republic Period Istanbul Planning Reports 1934-1995), published by the Istanbul Metropolitan Branch of the Chamber of Architects of Turkey (TMMOB), is an important reference book that brings together planning reports that can be described as cornerstones of Istanbul's urban planning history during the Republican era. It emerged from a suggestion by Şener Özler and his meticulous work over many years collecting relevant documents, and is, in his words, a \"documentary compilation\". Following Şener Özler's passing, Yıldız Uysal and Cevad Özdil's efforts led to the publication of this work in February 2007. The book is a valuable resource where anyone interested in Istanbul's urban, urbanism, and planning history, as well as Republican era planning policies and approaches in Turkey, can find primary sources, reports, documents, and finally, in the appendix section, some important articles related to Istanbul's planning, all in one place.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39409052188867,"sku":"9789753952902","price":480.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789753952902.jpg?v=1616018427"},{"product_id":"istanbul-mimarlik-rehberi","title":"Istanbul Architecture Guide","description":"\u003cp\u003eThe Istanbul Architecture Guide, prepared as a five-volume set, has been conceived as an effective method for learning about this city. The structures, large and small, architectural organisms, organizations, and narratives contained within this city, from its strictest realities to its wildest legends, its history and geography, have been examined and questioned, and a new model different from previous Istanbul city guides has been sought. The Istanbul Architecture Guide consists of four books and a Historical Peninsula and Bosphorus Map. \u003cbr\u003e\u003cbr\u003eThe Guide’s:\u003cbr\u003eBook 1 contains introductory texts about historical and architectural structures dating up to the 1930s in the Historical Peninsula, covering the walled city, Eyüp-Silahtarağa, Bakırköy, and Yeşilköy; \u003cbr\u003e\u003cbr\u003eBook 2 contains introductory texts about historical and architectural structures dating up to the 1930s in the Galata area, covering Karaköy, Galata, Pera, Taksim, Tophane, Fındıklı, Dolapdere, Kasımpaşa, Hasköy, Sütlüce, Kurtuluş, Şişli, Nişantaşı, Teşvikiye, Maçka, Beşiktaş-Yıldız, Mecidiyeköy, and Ayazağa-Maslak;\u003c\/p\u003e \u003cp\u003eBook 3 contains introductory texts about the Bosphorus and Islands, covering the eastern and western shores of the Bosphorus, extending from Paşalimanı and Ortaköy to the Anatolian and Rumelian Lighthouses, as well as Üsküdar, Kadıköy, and the Islands between Fenerbahçe and Bostancı;\u003c\/p\u003e \u003cp\u003eBook 4, titled \"Modern and Contemporary,\" contains introductory texts about the Historical Peninsula, Galata-Pera, Taksim, Şişli, Mecidiyeköy, Levent, Maslak, Bosphorus, Kadıköy, Islands, Bakırköy-Yeşilköy, Merter, İkitelli regions, and structures of historical and architectural significance located on the city's outer periphery, such as Kurtköy;\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eBook 5, the Historical Peninsula and Bosphorus Map, contains two maps: one at a 1:10000 scale covering the Istanbul Historical Peninsula and Galata, and the other at a 1:20000 scale covering the Bosphorus.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eSelected structures are marked on the maps with different colors indicating different periods, and they are listed in the book's index both alphabetically and by their identified numbers on the maps.\u003c\/p\u003e \u003cp\u003eContributors: Zeynep Ahunbay, Afife Batur, Nuray Zeren Gülersoy, Tülay Kılınçaslan, Doğan Kuban, Metin Ahunbay, Aygül Ağır, Gül Köksal \u003c\/p\u003e \u003cp\u003e (From the Promotional Bulletin)\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39409084596419,"sku":"9789759503116","price":1500.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789759503116.jpg?v=1616018962"},{"product_id":"gelecek-biziz","title":"We are the Future","description":"\u003cp\u003e\"I write...\u003c\/p\u003e\u003cp\u003eI write what I want to share. 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Due to the urban scale of Istanbul and the distribution of Kemaleddin's works, which created significant difficulties in route planning and map marking, large-scale maps enabling urban comprehension have been arranged, along with addresses\/maps that allow each structure to be easily located.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAfife Batur, the editor of the guide, says the following about Architect Kemaleddin and the guide:\u003cbr\u003e\"The relationship between a city and an architect is magical. One is born from it, the other gives birth to it anew. Whether what is born is beautiful or ugly, the cycle remains constant.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWhen the city is Istanbul and the architect is Kemaleddin, the magic multiplies itself. This place has a soul. It not only inspires; it provokes, teaches, educates, and opens one to the world, to the past, and to the future. Of course, the work also changes it, either enriching and beautifying it or diminishing and spoiling it.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eKnowing that Istanbul has been enriched and beautified by Kemaleddin, we propose a journey of discovery. We suggest the accompaniment of a guide that invites us to see Kemaleddin's architecture anew, not only in Istanbul but also including the other cities it carries, Ankara and Edirne. 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In this context, we aimed to make these shared experiences permanent by filming the gatherings and publishing each presentation, in addition to a small exhibition accompanying the conferences. The publication you hold, presented as part of a new series, is a product of this effort.\u003cbr\u003e \u003cbr\u003eWe invited twelve of our colleagues to the conference series in one year. Our conference series, which began with Cengiz Bektaş in 2009, filled a void by bringing together architects from different generations. 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Egli made numerous critical, constructive, and assimilating contributions to Turkish architectural education as an educator, to architectural practice with his designs for educational, cultural, industrial, and residential buildings, and to the formation of cities with the plans he envisioned and discussed, as well as with his writings. Ernst Arnold Egli was a multifaceted architect. The historical period he lived in saw the transformation of world architecture with the \"Modern Movement\"; the country he 'moved to' was transitioning from a seven-century-old empire to a Republic; in this chaotic environment, his close relationship with Atatürk led to him being commissioned to innovate the architectural education program at the School of Fine Arts, then newly named the Academy of Fine Arts, and to establish and manage the Project Office of the Ministry of National Education. This describes a quite privileged position for his own experience and role. 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Ali Cengizkan * The text is an abridged excerpt from Ali Cengizkan’s foreword to the Turkish edition of the book.\u003c\/span\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39724379078851,"sku":"9786050107586","price":225.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0001707443001-1.jpg?v=1620297341"},{"product_id":"m-emin-onat-yapilar-rehberi","title":"M. Emin Onat's Buildings Guide","description":"\u003cdiv class=\"kitap-baslik\" data-mce-fragment=\"1\"\u003e\n\n\u003cp\u003eThe M. Emin Onat Buildings Guide is a study that includes the architect's completed and still existing works. In accordance with guide preparation rules, demolished or entirely altered buildings have been excluded. Our list includes İstanbul and Ankara, where the majority of Onat's works are located, as well as Bursa and Zonguldak, and the very important Village Institute settlements in Kırklareli and Eskişehir.\u003c\/p\u003e\n\n\u003cp\u003eAs is always the case with guide preparations, the distribution of the works caused significant challenges in route planning and map marking. Therefore, in addition to city maps that provide an understanding at an urban scale, address\/maps linked to the buildings were created. The buildings were numbered and prepared according to route-following rules.\u003c\/p\u003e\n\n\u003cp\u003eThe Guide, aiming to facilitate seeing and learning, was supported by informative texts designed to encourage reflection.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\u003cdiv class=\"kitap-bilgi\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39730821464259,"sku":"9789944897488","price":40.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/KB9789944897488.jpg?v=1620384947"},{"product_id":"musfik-erem-mimarlar-odasi-tarihinden-portreler","title":"Müşfik Erem - Portraits from the History of the Chamber of Architects","description":"\u003cp data-mce-fragment=\"1\"\u003eWe deemed it appropriate to address and examine Müşfik Erem's three different facets, touching upon them but treating them separately. First, we attempted to evaluate his work in his professional organization as a Chamber of Architects executive and to convey his accomplishments in this regard. We learn about Erem's experiences during the different phases of his political life through the writings of his companions during this period. We also tried to reflect what can be said about his architectural performance throughout his long life and to portray Müşfik Erem in his professional life. We also included in this book the documents of the memorial tomb competition organized by his friends after the passing of both him and his wife.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhat is expressed about Müşfik Erem's work in his professional organization and his approaches in the field of architecture and construction define a personality shaped by the political views he adopted and internalized from his early youth. This is the portrait of a dedicated individual whom you can trust without hesitation, rely on, always feel close to, and consult.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39990912024771,"sku":"9786050113556","price":120.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0_org_2e7fb1d8-72fc-4c35-aeb7-00957d2fcd27.jpg?v=1623670831"},{"product_id":"oda-tarihinden-portreler-niyazi-duranay","title":"Portraits from the History of the Chamber - Niyazi Duranay","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn the 50th anniversary of the establishment of the Chamber of Architects and during the 38th working period of the Istanbul Metropolitan Branch of the Chamber of Architects, extensive interviews were conducted with architects who had been involved, contributed, and left their mark in various periods of the Chamber's 50-year history. These interviews were added to the Chamber's archive under the title \"Oral History Studies.\" These ongoing studies aim to shed light not only on the architectural education and understanding of the past but also to create a rich archive of historical significance where architects' memories of their professional practice environment and their social and private lives are conveyed to the future in their own voices. The first four books of the publication series titled \"From the Chamber's History\/Portraits,\" compiled from the materials gathered so far, were written based on the memoirs of Niyazi Duranay, Maruf Önal, Orhan Şahinler, and Doğan Hasol. These books, which also contain numerous visual materials from various periods of the Chamber's history, serve as references not only to the Chamber's history but also to the history of architectural culture.\u003c\/span\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":42807254417651,"sku":"9789944890359","price":41.25,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/51wceuwW8kL.jpg?v=1653568398"},{"product_id":"oda-tarihinden-portreler-orhan-sahinler","title":"Portraits from Room History - Orhan Şahinler","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn the 50th anniversary of the establishment of the Chamber of Architects and during the 38th working period of the Istanbul Metropolitan Branch of the Chamber of Architects, extensive interviews were conducted with architects who had been involved, contributed, and left their mark during various periods of the Chamber's 50-year history. These interviews were then added to the Chamber's archive under the title \"Oral History Studies.\" These ongoing studies aim not only to shed light on past architectural education and understanding but also to create a rich archive of historical importance, where architects convey their memories regarding their professional practice environment and their social and private lives in their own voices for future generations. The first four books of the publication series titled \"From the History of the Chamber\/Portraits,\" compiled from the materials gathered so far, were written based on the memoirs of Niyazi Duranay, Maruf Önal, Orhan Şahinler, and Doğan Hasol. The books, which also include numerous visual materials from various periods of the Chamber's history, serve as references not only for the Chamber's history but also for the history of architectural culture.\u003c\/span\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":42807256121587,"sku":"9789944891509","price":63.75,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/51-kmcVv7YL.jpg?v=1653568546"},{"product_id":"oda-tarihinden-portreler-dogan-hasol","title":"Portraits from the History of Architecture - Doğan Hasol","description":"\u003cspan data-mce-fragment=\"1\"\u003eIn celebration of the 50th anniversary of the Chamber of Architects and the 38th working period of the Chamber of Architects Istanbul Metropolitan Branch, extensive interviews were conducted with architects who participated, contributed, and left their mark during various periods of the Chamber's 50-year history. These interviews were then added to the Chamber's archives under the title \"Oral History Studies.\" These ongoing studies aim not only to shed light on past architectural education and understanding but also to create a rich archive of historical significance, preserving the architects' memories of their professional practice environment, social, and private lives in their own voices for future generations. The first four books in the \"From the Chamber's History\/Portraits\" publication series, compiled from the materials gathered so far, were written based on the memoirs of Niyazi Duranay, Maruf Önal, Orhan Şahinler, and Doğan Hasol. The books, which also include numerous visual materials from various periods of the Chamber's history, serve as references not only for the Chamber's history but also for the history of architectural culture.\u003c\/span\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":42807256350963,"sku":"9789944891684","price":68.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/51yHsWomHPL.jpg?v=1653568684"},{"product_id":"leman-cevat-tomsu-turk-mimarliginda-bir-oncu-1913-1988","title":"Leman Cevat Tomsu: A Pioneer in Turkish Architecture 1913 - 1988","description":"\u003cspan data-mce-fragment=\"1\"\u003eWhile being a woman in a male-dominated profession is inherently difficult, being the first in this field requires even greater responsibility, courage, and dedication. The roots of the architectural profession, based on master building, are the most significant reason why creative thinking is associated with physical strength or, in other words, the male world. If Leman Cevat Tomsu’s story of entering the profession by graduating from the Academy of Fine Arts in 1934 with Münevver Belen is compared with the stories of other pioneering female architects in Europe and America, one can see how significant an advantage the Republican ideology’s policies supporting women’s entry into the public sphere created in Turkey. In this book, Leman Tomsu is not only evaluated for being the first female architect. The pasts of individuals and families provide a unique field for understanding the social dynamics specific to the early periods of the Turkish Republic. Leman Tomsu’s biography carries significance for studies on family history during the Republican era, with a family story extending from the Tanzimat period to the Republic, and from Anatolia to Istanbul, while also revealing the unique conditions of women’s entry into public life in Republican Turkey from the perspective of women’s history.\u003c\/span\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":42807259922675,"sku":"9786050104493","price":224.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/6121395ujSL.jpg?v=1653569226"},{"product_id":"emin-onat-kurucu-ve-mimar","title":"Emin Onat - Founder and Architect","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe Istanbul Metropolitan Branch of the Chamber of Architects continues to celebrate the 100th anniversary of the \"Ottoman Association of Engineers and Architects,\" founded on August 28, 1908, with a series of events launched in October as part of the \"Architecture and Urban Festival.\" Following the symposium held in November 2008 for Ord. Prof. Emin Onat, who is predominantly known in Republican era architectural history as the architect of Anıtkabir alongside Orhan Arda, but also designed many other significant structures, an exhibition titled \"Emin Onat: Founder and Architect\" was opened at the ITU Faculty of Architecture, where he played a pivotal role in its establishment and organization. The exhibition can be visited between December 25, 2008, and February 17, 2009, in the Onat Hall at ITU Taşkışla Campus. Emin Onat achieved an unforgettable status not only for the very important and enduring works he created in his short life but also for his great success in organizing architectural education and establishing teaching staff. The exhibition aims to introduce this \"short but intense and successful life\" to the public and the architectural community with a comprehensive perspective.\u003c\/span\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":42807263887603,"sku":"9789944896597","price":112.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/o329-scaled.jpg?v=1653569603"},{"product_id":"mimarlar-odasi-tarihinden-portreler-cevat-erder","title":"Portraits from the History of the Chamber of Architects - Cevat Erder","description":"\u003cspan data-mce-fragment=\"1\"\u003eArticle 63 of our 1961 Constitution states that \"it is the government's responsibility to protect cultural, natural, and historical assets.\" It is its duty, it says. I go into the classroom and ask my students: Do you know what it is that we protect? They say \"a trust,\" they say \"an inheritance.\" This is neither a trust nor an inheritance. This is something else. Why do I reject \"trust\"? Latin speakers say \"patrimoine.\" We are neither Latin, nor Chinese, nor English. We speak Turkish. Our words should also be Turkish. We need to express what we are trying to protect with a Turkish word. The word \"varlık\" (asset\/being) fits very well. The things we protect are assets. They are natural, historical, cultural assets. What is an asset? It is a living thing. Because they too are born, live, and die. If you take good care of them, they won't die; they can live up to 90 years, like me, for example.\u003c\/span\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":42807269589235,"sku":"9786050114614","price":112.5,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/cevat-erder-kapak-tek-683x1024-kopya.jpg?v=1653570080"}],"url":"https:\/\/yemkitabevi.com\/en-us\/collections\/mimarlar-odasi-yayinlari\/basimtarihi_2011.oembed","provider":"YEM Kitabevi","version":"1.0","type":"link"}