{"title":"Architectural Theory","description":"","products":[{"product_id":"mimarlikta-estetik-dusunce_348813-html","title":"Aesthetic Thought in Architecture","description":"\u003cp\u003eThe World Congress of Aesthetics organized by the Sanart Association of Aesthetics and Visual Culture in 2007 brought together aestheticians, philosophers, artists, and architects from 42 countries. Many papers approaching architecture from an \"aesthetic\" perspective were presented at the congress. This book makes a significant contribution to the discipline of architecture by publishing a special selection of these papers in Turkish. Although the articles in the book do not cover all areas, they demonstrate how architecture can be approached from many different perspectives. The book, which includes sections titled \"Contemporary World Architecture and Aesthetics\", \"Architecture and Aesthetics in Turkey\", \"Aesthetic Thought Through Monographs\", \"Architectural History\", \"Architecture and the City\", and \"Interiors and Aesthetics\", also offers reading recommendations related to the topics covered.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408937533635,"sku":"9786050100280","price":262.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050100280.jpg?v=1616017016"},{"product_id":"modern-ve-surgun-almanca-konusulan-ulkelerin","title":"Modern and Exile","description":"\u003cp\u003eBernd Nicolai's book Moderne und Exil, originally published in German in 1998, has been translated into Turkish by Yüksel Pöğün Zander and published by the Chamber of Architects Publications. When it was first published, the book was unique in that it was the only work on early Republican era Turkish architecture written using archival documents from Germany, Austria, and Switzerland. As Nicolai revealed through the documents he presented, much of the information that helped us understand many unknown projects and constructed buildings in Turkish architecture was hidden in Central European archives. The book was a first for Turkish architectural history, as well as filling a significant gap in German architectural history.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938025155,"sku":"9786050101300","price":360.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050101300.jpg?v=1616017025"},{"product_id":"cumartesi-bulusmalari-altay-erol_352080-html","title":"Saturday Gatherings: Altay Erol","description":"\u003cp\u003e\u003c\/p\u003e\u003cdiv class=\"kitap-detay-alt\" style=\"margin: 20px 0px 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; border-spacing: 20px; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003c\/div\u003e\u003cdiv class=\"kitap-detay-tanitim\" style=\"margin: 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eWe organized the Saturday Gatherings to enable architects to share their knowledge. In this context, we aimed to make these sharings permanent by filming the gatherings and transforming each presentation into a publication, in addition to a small exhibition accompanying the conferences. This publication, which we present as part of a new series, is the product of this effort.\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eWe invited twelve colleagues to the conference series in one year. Our conference series, which began with Cengiz Bektaş in 2009, filled a void by bringing together architects from different generations. We were delighted to observe that the gatherings provided an environment for the transfer of experience and the sharing of different experiences.\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938090691,"sku":"9786050101379","price":64.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050101379.jpg?v=1616017028"},{"product_id":"modernist-bir-acilimda-oncu-seyfi-arkan","title":"Seyfi Arkan: A Pioneer in a Modernist Approach","description":"\u003cp\u003eIn the 2008-2010 period of the Chamber of Architects Commemoration Program, SEYFİ ARKAN, a pioneering figure in Turkish modern architecture, was deemed worthy of commemoration. Within the framework of the program themed \"A Pioneer in Modernist Expansion: SEYFİ ARKAN,\" between 2008 and 2010, a complete inventory of Arkan's original drawings found in all relevant institutional and private archives was created and transferred to digital media; his standing structures were identified and photographed; published books, theses, articles, and documents written by Arkan or about him were accessed; a symposium was organized that shed light on the architect's work as well as his era; and a retrospective exhibition featuring all of the architect's work was prepared and continues to be exhibited in many cities across Turkey.\u003c\/p\u003e\u003cp\u003eThe book \"A Pioneer in Modernist Expansion: SEYFİ ARKAN,\" edited by Ali Cengizkan, A. Derin İnan, and N. Müge Cengizkan and published in October 2012, includes a catalog compiled from archival documents and current photographs of all of the architect's published\/unpublished projects, buildings, and master plans, as well as symposium papers containing research and evaluations from individuals with expertise and work on Turkish modern architecture and Arkan, quality articles about Arkan published to date, reports prepared by Arkan, Arkan's lecture notes, examples from the diary kept during the construction of İller Bankası, and private and institutional correspondence.\u003c\/p\u003e\u003cp\u003eThe comprehensive research conducted on Seyfi Arkan's (1903-1966) life, works, professional practice, family, and professional circle aimed to learn about his background in concentric circles, starting from the schools he attended and taught at, the places he used as an office, and the houses he lived in. Planned to run for two years between 2008 and 2010, but extended until the book's publication in 2012, the studies involved interviews with many individuals; research in numerous archives and libraries in Ankara, Istanbul, and Berlin; and attempts to obtain as complete a list of his structures as possible and to create a mature catalog with on-site observations. The symposium held at MSGSÜ in January 2010 and the comprehensive exhibition opened on the same date were well-received as two important products of the Commemoration Program research project. The book is a product that is not limited to the aforementioned symposium papers and exhibition materials, but rather shares the lasting documents, determinations, texts, and products of this two-year study and research.\u003c\/p\u003e\u003cp\u003eEven if the scarcity of Seyfi Arkan's drawings and design documents in the sources accessed during this work, and the almost complete absence of his personal belongings, are perceived as a drawback, it is full of social lessons in terms of the profile of an architect who was so prominent and tried to be highly valued in Turkey, at least for a certain period. This book, which calls for a closer understanding and learning of Seyfi Arkan's designs, the story of how his buildings were acquired, the values in these buildings, but also the personality behind all these stories, is bound to provoke and encourage new architectural research and interpretations, given his unique pioneering role in the modernization of Turkish architecture in the 20th century.\u003c\/p\u003e\u003cp\u003eWith this book, light is shed for the first time on the fact that Seyfi Arkan was indeed the most effective architect in Turkey's modernist expansion, how he directly transformed his era within practice, and his growing importance when viewed from today. We observe together how Seyfettin Nasih, whose education coincided with the early Republican period, who was known as \"Atatürk's architect\" for designing buildings for Atatürk for a time, who tried to adapt to the political conjuncture during World War II and the One-Party rule, and between 1950-60, and who competed and clashed with the famous architect Sedad Hakkı in both architectural and urban planning professional practice and education, transformed into Seyfettin Erkan and Seyfi Arkan.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938483907,"sku":"9786050103991","price":640.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050103991.jpg?v=1616017034"},{"product_id":"zeki-sayar-ve-arkitekt","title":"Zeki Sayar and Architect","description":"\u003cp\u003eZeki Sayar (1905-2001) is one of the most recognized architects among the legendary 1928 graduating class of the Academy, and thus among the architects of the early Republican period, after Sedad Hakkı Eldem, and one of the rare architects who managed to remain active in the architectural environment for a remarkably long time. This recognition cannot be considered independent of his close relationship with the architectural magazine Mimar \/ Arkitekt, which holds a very important place in Turkish architectural history and constitutes the most original documentation of our Republican era architectural publishing.\u003c\/p\u003e\u003cp\u003eFor these reasons, the Chamber of Architects Commemoration Program for the 2010-2012 period, beyond focusing solely on an architectural profile, also encompassed Arkitekt magazine, which can be considered Sayar's masterpiece. The book \"Zeki Sayar and Arkitekt\" aims to make sense of and position the production field of a considerably long period spanning 50 years, starting from the early Republican era. It presents its compilation by tracing the publication journey of Arkitekt and the magazine's sphere of influence, in parallel with Sayar's architectural production, his identity as a publisher-thinker-critic, and his active role in the architectural environment.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938647747,"sku":"9786050107777","price":720.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050107777.jpg?v=1616017037"},{"product_id":"yere-ait-ersen-gursel-mimarligi_350933-html","title":"Belonging to the Place: The Architecture of Ersen Gürsel","description":"\u003cp\u003e \u003c\/p\u003e\u003cdiv class=\"kitap-detay-alt\" style=\"margin: 20px 0px 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; border-spacing: 20px; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e \u003c\/div\u003e\u003cp\u003e \u003c\/p\u003e\u003cdiv class=\"kitap-detay-tanitim\" style=\"margin: 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eErsen Gürsel's career, which began when he won the Side and Surroundings Tourism Planning International Competition in 1969, has always focused on understanding and seeking the spirit of the \"place.\" His design model is a unique conceptual model based on thinking about structures not as singular monuments but as integrated with the urban, historical, and natural environment. This path was shaped by starting his design work in Side and encountering the two-thousand-year history of the Mediterranean, which in a sense has become a timeless accumulation. In later years of his profession, he would experience the process of enriching the intellectual infrastructure of this conceptual model. In this context, Gürsel's designs always revolve around the concepts of \"time and timelessness\" and \"history and space\" around the place and time; he re-searches them, re-tests them, creates images, deconstructs them, re-creates them, and generates symbols. He questions time, seeks timelessness, connects times, and perhaps, withdraws. This model of seeing and thinking, which began in his early works, exemplifies the difficult line of reviving past settlement patterns in his memory and designing spontaneity without falling into affectation. What is truly important is the existence of a structure that, almost as if it doesn't want to declare itself designed, appears spontaneous. His subsequent designs are works that elevated Gürsel's architectural concept to a higher level of consciousness. His habit of pursuing environmental data transforms into a collaboration, an increasingly passionate attention, turning the clock tower in the square, the old and ruined chapel, the five cypresses of the cemetery, the centuries-old monumental pine tree, or the ancient lighthouse into immortal images, while creating a chess game between \"what exists\" and \"what is new,\" and evokes the dreams and meticulousness of a designer who never forgets, \"like olives, dreamy pomegranate trees, small rural gods.\"\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003e- Afife Batur\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939270339,"sku":"9786050110975","price":487.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050110975.jpg?v=1616017044"},{"product_id":"mimarlik-uzerine-vitruvius","title":"Vitruvius On Architecture","description":"\u003cp\u003eVitruvius's De Architectura (On Architecture) is a ten-book compendium that provides extensive and comprehensive information primarily on the theory and practice of architecture during the Roman period. Due to its universal approach to the principles and education of architecture, it is the only surviving book from antiquity that forms part of the classical Western architectural history known today. As architecture at that time also encompassed engineering, it can be considered the only extant work in the history of engineering. Furthermore, given that the work's topics consist of Greek and Roman temples, public buildings, baths, houses, and even the exterior and interior designs of all these buildings, their wall plasters, reliefs, multi-colored paints, and floors with various patterns, this work is the only comprehensive source from which both classical Western archaeology and art history can draw information regarding this period. In fact, classical archaeology, in particular, owes the source of the scientific language, style, and terminology it uses today to this work. For this reason, On Architecture is the only bedside book that those involved in these sciences throughout the Middle Ages, Renaissance, and up to the present day have consulted and will consult when they wish to learn the history of their fields of study.\u003c\/p\u003e","brand":"Alfa Yayınları","offers":[{"title":"Default Title","offer_id":39408948379843,"sku":"9786051714431","price":675.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/81DZfMe5b4L._SL1500.jpg?v=1771843514"},{"product_id":"konut-sorunu_351791-html","title":"Housing Problem","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eWhy do the houses where workers live collapse at the slightest tremor? Despite the fact that epidemics caused by the poor living in unhealthy conditions also affect capital owners, why can these conditions not be rectified? Why can flood disasters in large cities not be prevented? Is it a revolutionary demand for everyone to own the house they live in?\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eIn this work, Friedrich Engels discusses how social problems stemming from the capitalist mode of production should be approached, by examining the reasons why attempts to solve the housing problem concerning workers by petty-bourgeois socialism, represented by Proudhon, and philanthropic bourgeois were doomed to fail.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eAlthough Proudhon's influence on the European labor movement had significantly diminished by the time the work was written, Engels, foreseeing that the approach of seeking solutions to social problems within the system would gain strength again, complements Karl Marx's critique of Proudhon in his book The Poverty of Philosophy with The Housing Question.\u003cbr\u003e\"It is enough for me to be able to prove that the production of our modern society is capable of providing all members of society with sufficient food, and that there are enough houses to temporarily provide comfortable and healthy housing for the working masses. To speculate on how a future society will arrange the distribution of food and housing directly leads to utopia.\"\u003c\/p\u003e","brand":"Yordam Kitap","offers":[{"title":"Default Title","offer_id":39408950771907,"sku":"9786051723709","price":28.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786051723709.jpg?v=1616017202"},{"product_id":"inandigim-sehircilik","title":"Urbanism I Believe In","description":"\u003cdiv class=\"\" col-half=\"\"\u003e\n\n\u003ch1 class=\"\" product-name=\"\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\n\n\u003c\/div\u003e\n\u003cdiv class=\"\" col-half=\"\"\u003e\n\n\u003cp\u003e\"Urbanism I Believe In\" is a highly significant work and a valuable reference that brings together Professor Dr. Mehmet Çubuk's writings and speeches on the most current topics. We are faced with another example of Professor Çubuk's continuous service to the professional community, his students, his country, and in short, future generations, since the mid-1960s when he returned to Turkey from France and started working as an assistant at the State Academy of Fine Arts, that is, for more than half a century. This valuable work consists of the author's assessment of the recent period of our urbanism, his writings on urbanism, and other writings on urban design. This work can be seen, in a sense, as a continuation of the author's invaluable book, \"History of Urbanism Education in the Academy (1930-2002),\" published in 2012. The general historical approach in that book is further enriched and integrated with current assessments in \"Urbanism I Believe In.\" One of the most important features that draws our attention to \"Urbanism I Believe In\" is the clarification of the concepts of 'urbanism' and 'urban design' within the framework of both theoretical principles and current examples.\u003c\/p\u003e\n\n\u003cp\u003eA point that I deem beneficial to briefly touch upon on this occasion is that the inseparable wholeness between 'micro' and 'macro' issues also holds great truth for the problems addressed in \"Urbanism I Believe In.\" The advice and arguments that our author, who has dedicated years to urbanism education and committed himself to these subjects, gives to his students and colleagues, align with his writings on current issues.\u003c\/p\u003e\n\n\u003cp\u003eTherefore, I congratulate my dear friend, colleague, and 'man of principle,' Prof. Dr. Mehmet Çubuk, not only for his successful assessments in \"Urbanism I Believe In\" but also for his warnings based on his rightful concerns about the general direction of the country. On this occasion, I reiterate my belief that he will continue to be an example to those who will shape the future of our cities for many more years, with his writings, attitudes, and behaviors. I have no doubt that the book \"Urbanism I Believe In\" is a very valuable resource for students, teaching and research institutions, members of professional chambers, and even ordinary citizens.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e(From the Promotional Bulletin)\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Cinius Yayınları","offers":[{"title":"Default Title","offer_id":39408957325507,"sku":"9786052968178","price":350.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052968178.jpg?v=1616017302"},{"product_id":"istanbul-kimin-sehri-_348761-html","title":"Whose City Is Istanbul?","description":"\u003cp\u003eIt seems that the saying \"There is no other Istanbul!\" has given way to the astonishment of \"How many Istanbuls are there in this Istanbul?\" As the city expands at a rapid pace, different Istanbuls emerge from the personal experiences of urban dwellers who differentiate based on class and wealth, ethnicity, gender, and lifestyle. We are faced with a great complexity and diversity, intertwined and superimposed, giving us a sense of incomprehensibility; and it continues to change as we try to understand it. Recognizing this, the book you hold brings together a series of articles from various disciplines around the question \"Whose city is Istanbul?\"\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eAre we talking about a global city that has experienced the process of capitalization with its own unique rhythm and integrated into the global economy? Or is it a giant construction site that capital has turned into an endless cycle of destruction and construction? A glittering display window, a billboard left to marketing strategies? Should we look for Istanbul in the historical city that tourists see from postcards, in themed residential sites, or in the back streets conquered by the weak, the \"guerrillas\" of the city? How do Filipino migrant women workers spend a Sunday, or what tactics do street vendors develop to keep their businesses going? Who knows, maybe Istanbul is not reality itself, but a collage created by the artist re-imagining and producing it each time, a superposition of many fictional cities.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eWhose City is Istanbul? invites its readers to reflect on the city's daily reproduction within a framework that listens to its rhythm, which is shaped not only by strong and systematic efforts, institutional influences, or marketing activities, but also by individual contributions and coincidences.\u003c\/p\u003e","brand":"Metis Yayıncılık","offers":[{"title":"Default Title","offer_id":39408958505155,"sku":"9786053160144","price":508.5,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786053160144.jpg?v=1616017321"},{"product_id":"mimarin-solugu-peter-zumthor-mimarligi-uzerine-denemeler","title":"The Architect's Breath","description":"\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eSwiss architect Peter Zumthor is among the sharpest opponents of the second postmodern wave of information and communication that arrived with the 1990s. \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eThis is not a written or verbal political opposition; \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eit is once again expressed in his name, as it were. \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eOn the other hand, it's different in other ways: by emulating the technique of making earthenware pots, in another, drawing inspiration from the sheer solidity of rocks, and in yet another, taking refuge in timber depots or resembling a herringbone pattern. \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eHis work, which establishes a unique relationship with each material and situation, must be planned with the common goal of touching and stimulating the senses. \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eThis is Peter Zumthor's secret, from 2008'\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Metis Yayıncılık","offers":[{"title":"Default Title","offer_id":39408958931139,"sku":"9786053160335","price":270.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786053160335.jpg?v=1616017324"},{"product_id":"mekan-yaratmak","title":"Creating a Space","description":"\u003cp\u003eAs beings of flesh and blood, we all occupy a place in space. Moreover, whether we are aware of it or not, we register the space we are in, in many aspects, and adjust our movements accordingly. Locating objects, distinguishing them by perceiving their boundaries, measuring distances, and becoming aware of our own position are all indispensable skills related to our spatial perception. So, how does the brain do these things?\u003cbr\u003e\u003cbr\u003eJennifer Groh reveals how intricate the brain's mechanisms for spatial perception are, and how even the simplest detection involves complex activities on a microscopic scale. She also explains how spatial perception intertwines with many different functions of the brain; the relationship of sight, hearing, and touch, as well as memory and awareness, to spatial perception, through interesting and creative experiments.\u003cbr\u003e\u003cbr\u003e\"For me, the most interesting problem in science is how neural firing patterns create thought. I have always wanted to learn how our rich mental life of thinking, imagining, reasoning, worrying, desiring, planning, and decision-making is embodied in the electrical signals generated by microscopic cells within the brain. This book does not answer that, but it offers a powerful analogy: if we can grasp how the brain processes information about things we can measure (like sensory stimuli), perhaps we can understand how it processes things we cannot measure (like ideas).\"\u003c\/p\u003e","brand":"Metis Yayıncılık","offers":[{"title":"Default Title","offer_id":39408959258819,"sku":"9786053160502","price":324.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786053160502.jpg?v=1616017326"},{"product_id":"yikarak-yapmak","title":"To do by washing","description":"\u003cdiv class=\"\"\u003e\n\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\u003cdiv summary=\"\" class=\"\"\u003e\n\n\u003cp\u003e“I’m talking about building by demolishing, because many individuals and movements often described with adjectives like ‘progressive,’ ‘pioneering,’ ‘avant-garde,’ have put forward arguments that couldn't discard the old, even using them as a repository of wisdom to justify the contemporary. 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It also does not include a section with an album of newly taken, highly successful photographs of Sinan's structures. Many such books already exist.\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eMimar Sinan: Historical and Imaginary is a work based on two interconnected research paths: First, it discusses approaches to writing the history of Sinan and the architecture of the Sinan era and proposes alternatives, then it attempts to understand how the image of Sinan, created and still being produced in popular culture, was constructed. In the first section, it tries to show how some new possibilities can be used to write different and realistic histories of Sinan, diverging from what has been written until now. Most importantly, it endeavors to present a cool-headed historical text about Sinan, rather than a sanctifying one. The second section of the book is about the popular perception of Sinan in contemporary Turkey: why is there a popular vein that avoids seeing Sinan in the context of the ordinary social, political, economic, and cultural realities of the 16th century?\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eWe cannot write history without willfully forgetting the possibilities and phenomena, ideas, techniques, attitudes, organizational structures, political patterns, and concerns whose existence we are overly familiar with today but which did not exist in the past. 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For this reason, the decision regarding form is one of the most sensitive issues for architects.\u003cbr data-start=\"704\" data-end=\"707\"\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"443\"\u003eConsidering that all forms can be derived from basic geometric shapes, the main purpose of this study is to introduce the techniques of processing and using the primitive geometric forms that everyone knows, and to exemplify that these forms have been used with similar techniques despite changing needs, technologies and trends from past to present.\u003cbr data-start=\"1319\" data-end=\"1322\"\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"443\"\u003e\u003cbr data-start=\"216\" data-end=\"219\"\u003e\u003cem\u003eIn this book, Prof. Dr. Esen Onat systematically presents and illustrates the fundamental techniques and approaches for generating architectural forms by utilizing and transforming three-dimensional geometric primitives.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"445\" data-end=\"992\"\u003e\u003cem\u003eThe mass form of a building is a multifaceted phenomenon that carries functional, spatial, spiritual, symbolic, and semantic attributes, shaping its relationship with both the physical and social environment. 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On the snowy London streets of the movie \"Notting Hill,\" as we wander the boundaries of love, we will delve into the metropolitan life of London, also inhabited by people who don't know what they want, are drowned in complicated relationships, and are in search of something, through the film \"Closer.\" In Istanbul, the city that remained untouched by forty thieves, we will pray with Yahya Kemal at \"Süleymaniye on Eid Morning\" and walk the pavements of Istanbul with Necip Fazıl. After watching the \"Walnut Tree\" in \"Gülhane Park\" with Nazım Hikmet and traveling with Sezai Karakoç \"From an Exiled Country to the Capital of Capitals,\" we will close our eyes with Orhan Veli.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"İdealKent Yayınları","offers":[{"title":"Default Title","offer_id":39408980066499,"sku":"9786056892790","price":56.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786056892790.jpg?v=1616017589"},{"product_id":"form-ve-deformasyon","title":"Form and Deformation","description":"\u003cp\u003e“This book discusses architectural forms and geometry.”\u003c\/p\u003e\u003cp\u003e“Of course, we wanted to provoke something when we asserted that analyzing building plans alone could yield very valuable information and that the formalization of architecture presents specific and irreducible problems.”\u003c\/p\u003e\u003cp\u003e“Our project experience, whatever it may be, requires us to consider that in every architecture there are, of course, forms that are intended to be achieved, but also forms that are accepted or discovered along the way.”\u003c\/p\u003e\u003cp\u003e“An architect is not merely a spatializer, a faithful translator. An architect is also a technician who deals with forms and space; this is absolutely the most specific aspect of their profession.”\u003c\/p\u003e","brand":"Janus","offers":[{"title":"Default Title","offer_id":39408980295875,"sku":"9786056910326","price":640.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/FormVeDeformasyonONKAPAK.jpg?v=1769523950"},{"product_id":"mimarligin-kehaneti","title":"The Prophecy of Architecture","description":"There is an architectural movement that is influential throughout Europe, and even in countries that believe they are outside this movement, tastes are directed in a certain direction. Are Italian architects aware of this?\" \"New architecture in Italy was born with foreign-sourced associations.\" \"In our opinion, Italian 'Rationalism' is dead. It was born out of an artificial need for novelty or a desire to imitate similar movements abroad, and it has not been able to go beyond being a document of mental unrest that failed to consistently define the symptoms of the problem.\"\u003cbr\u003e\u003cbr\u003e ","brand":"Janus","offers":[{"title":"Default Title","offer_id":39408980361411,"sku":"9786056910333","price":400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/MimarliginKehanetiONKAPAK.jpg?v=1769523562"},{"product_id":"mimarligin-ozu-ve-mimari-yaratim","title":"The Essence of Architecture and Architectural Creation","description":"\u003cdiv class='\"col-half\"'\u003e\n\n\u003cp class='\"product-name\"'\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eAugust Schmarsow is the first person to address spaces in buildings as an architectural element. \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eSchmarsow argued that the meaning given to space was part of a particular historical-psychological narrative. \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eKonrad Fiedler defends the unique languages and expressive methods of painting and sculpture; \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eart is an activity parallel to but separate from changing influences. \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\"Isn't it time to question the origin and inner essence of architecture?\" \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\"As in all spiritual activities, we should not start from where architecture progresses from the unformed to the formed.\" \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\"(...) architecture creates space in accordance with the ideal forms of human spatial intuition.\" \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\"The history of architecture is the history of change (...)\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\u003cdiv class='\"col-half\"'\u003e\n\n\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e(From the Promotion Bulletin)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Janus","offers":[{"title":"Default Title","offer_id":39408980426947,"sku":"9786056910340","price":360.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/MimarliginOzuVeMimariYaratimONKAPAK2.BASKI.jpg?v=1770411909"},{"product_id":"mimarlikta-uslup-neden-durmadan-degisiyor","title":"Why Does Style In Architecture Constantly Change?","description":"\u003cp\u003e\"The reason for the constant change of style in architecture is the fatigue that affects one's enjoyment of form as the memory image sharpens.\"\u003c\/p\u003e\u003cp\u003e\"Whatever architects may create, they will all one day fall victim to a sense of form that grows weary step by step!\"\u003c\/p\u003e\u003cp\u003e\"During a period of stylistic change, old and new forms that momentarily come together are only superficially connected to each other.\"\u003c\/p\u003e","brand":"Janus","offers":[{"title":"Default Title","offer_id":39408980721859,"sku":"9786056910357","price":320.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/MimarliktaUslupNedenDurmadanDegisiyorONKAPAK.jpg?v=1776857317"},{"product_id":"mimarligin-maddiligi_348831-html","title":"The Materiality of Architecture","description":"\u003cp\u003eArchitecture works on matter to make it speak. Matter is mute; it is architecture's job to break its stubbornness. The interpretation of materiality has changed significantly since Vitruvius. In this work, Antoine Picon prepares to write a new history of architecture, starting from materiality.\u003c\/p\u003e\u003cp\u003e\"Architecture is an extremely material art. It works on masses of wood, brick, stone, concrete, or steel.\"\u003c\/p\u003e\u003cp\u003e\"Where does architecture stand? Architecture stands beside matter, but also beside its expression on the path to language. There is an impossible distance between architecture and expression; architecture is separate from expression.\"\u003c\/p\u003e","brand":"Janus","offers":[{"title":"Default Title","offer_id":39408981082307,"sku":"9786056910371","price":640.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Mimarligin_Maddiligi_ON_KAPAK.jpg?v=1773177900"},{"product_id":"susleme-ve-curum","title":"Embellishment and Delinquency","description":"Adolf Loos’s writings, collected in Ornament and Crime, are back on the shelves with a new edition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArketon Yayınları has released a new edition of Adolf Loos’s forty-eight essays, translated into Turkish by Erdem Ceylan, with his introduction and editorial notes, under the title Ornament and Crime. Published under the general editorship of Aykut Köksal, Ornament and Crime organizes the essays into eight main categories: Craft, Culture, Art, Fashion, Furniture, Material, Style, and Architecture. The essays compiled in Ornament and Crime were selected from Loos’s collections titled “Spoken into the Void” (1921) and “Despite” (1931).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn his foreword to the book, Erdem Ceylan writes: “As the reader engages with Loos’s texts, they witness the numerous identities of the 'author.' He is an architectural, art, and fashion critic, prophet, teacher, advertiser, essayist, storyteller, orator. Sometimes several of these at once, even within the same text. Loos’s written language is far from the cold objectivity of scientific discourse, the profundity of intellectualism, its detached stance, and its condescending perspective. The reason for this attitude is his opposition to the intellectualization of writing, just as he opposed it in architecture, and thus his desire to return language to culture. He writes, gets angry, complains, claims to be wronged, in a sincere and honest language that the average segment of society can understand, in the living, everyday spoken language of the people; yet, ultimately, he is always the authority on the subject. The 'correct' information, perspective, assessment, interpretation, and judgment reside with him. To legitimize his theses and justify his claims, he gathers evidence from the depths of history — evidence he believes will be familiar to his reader. He wants to be understood and avoids wordplay. Yet, it is also true that he is occasionally allusive and sarcastic. His aim is not to wander into the convoluted paths of literature, but to engage in dialogue with his reader — whoever that may be and at whatever cost — and, just as he did with his sensational projects in Vienna, to provoke his readers to ask questions and think through his writings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA citizen of the Austro-Hungarian Empire, an Austrian national, a Viennese, a visitor to the United States, a sympathizer of English culture, a short-term Secessionist, an enemy of the Secession and Wiener Werkstätte, an anti-ornamentalist, a civil servant, a regular at Viennese cafes, one of the Viennese modernists, an architect, furniture designer, writer, critic, pioneer, intellectual, man, son of a sculptor and stonemason, deaf until the age of twelve, always alone, a husband, a misogynist, a womanizer. Loos is all of these. And much more.”\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Arketon Yayınları","offers":[{"title":"Default Title","offer_id":48343480762611,"sku":"9786057293640","price":344.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Loos-Yenikapak-5.jpg?v=1713270163"},{"product_id":"istanbul-un-yabanci-ve-levanten-mimarlari","title":"Foreign and Levantine Architects of Istanbul","description":"\u003cp data-mce-fragment=\"1\"\u003eCengiz Can’s study, which addresses an important aspect of late Ottoman architecture, has taken its place among Arketon books with its new edition. Can’s research, written as a thesis in 1993, was transformed into a book format after a meticulous editorial process and was first published in 2020. The new edition of the book, which quickly sold out, is reaching readers with a new cover.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe work, complemented by photographs taken by Aykut Köksal for this book, extends from Melling to the Fossati brothers, from Barborini to Montani, from Vallaury to D'Aronco, and to Mongeri. Can, who also examines architects about whom very little is known, reveals an era in all its dimensions.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn a section of his \"Introduction\" to the book, Aykut Köksal states: \"Cengiz Can's book reveals that foreign and Levantine architects, who were previously known through superficial information and about whose lives very little was known, played a decisive and determining role at the culminating point of the modernization process of Ottoman architecture. Can investigates the lives of these architects by consulting previously unexamined sources and refutes certain entrenched prejudices. For example, he identifies some architects known as 'foreigners' as 'Ottoman Levantine architects.' It is immediately noticeable that a significant portion of the architects discussed by Cengiz Can are Italian or of Italian-Levantine origin. Can also underlines this fact and examines its reasons.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe productions of foreign and Levantine architects show a sharp break with 18th-century Ottoman architecture. This break is particularly evident in the greater dominance of new building programs resulting from Ottoman modernization compared to traditional programs. Furthermore, it would not be wrong to say that 19th-century Ottoman modernization parallels 19th-century European architecture. The eclectic approaches of the 19th century also found their echoes in these architects working in Istanbul.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eForeign architects working in Istanbul, such as Fossati and D'Aronco, are creative and competent designers whose works would be respectfully received in any European city. D'Aronco's Art Nouveau structures, in particular, constitute the distinguished and \u003cem data-mce-fragment=\"1\"\u003eunique\u003c\/em\u003e examples of the 'early Modernist' line seen simultaneously in the Ottoman capital. In discussing these architects, Cengiz Can provides a broad framework for a shadowed aspect of Ottoman modernization.\"\u003c\/p\u003e","brand":"Arketon Yayınları","offers":[{"title":"Default Title","offer_id":48343478993139,"sku":"9786057293633","price":464.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/CengizCan-Kapak-22.jpg?v=1703501100"},{"product_id":"mimarlik-sanat-uzerine-deneme","title":"Architecture: An Essay on Art","description":"\u003cp\u003eThe works of Étienne-Louis Boullée (1728-1799) belong to the great upheavals in the field of ideology at the end of the 18th century. Shaped by the Sensationalist philosophy through the writings of Locke and Condillac, and matured by Montesquieu, Rousseau, and Voltaire,\u003c\/p\u003e\n\u003cp\u003eBoullée believed that art possessed didactic virtues.\u003c\/p\u003e\n\u003cp\u003eBoullée approaches two works as a \"revolutionary architect\": he criticizes the architecture of his time, proposes audacious and progressive solutions, but at the same time wishes to embody the social progress demanded by the Revolution.\u003c\/p\u003e\n\u003cp\u003eNo works have survived besides L'Hôtel Alexandre (Paris) and L'Hôtel d'Evreux, which is now used as Le Palais de l'Elysée.\u003c\/p\u003e\n\u003cp\u003e“Is architecture merely an invented, imaginary art from start to finish, or is it based on the nature of fundamental policies?”\u003c\/p\u003e\n\u003cp\u003e“If I was able to arrange my buildings as I expected, with beautiful order up to perfect symmetries, but without falling into an error like monotony, I was able to find this in this beautiful environment where I am.”\u003c\/p\u003e","brand":"Janus","offers":[{"title":"Default Title","offer_id":39408981934275,"sku":"9786257035002","price":440.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/MIMARLIKSanatUzerineDenemeONKAPAK.jpg?v=1776857832"},{"product_id":"sanat-ilkelerine-gore-kent-insa-etmek","title":"Building Cities According to Art Principles","description":"\u003cp\u003eCamillo Sitte (1843-1903), an Austrian architect and art historian. His book City Planning According to Artistic Principles (\"Der Städtebau nach seinen künstlerischen Grundsätzen\") became the focal point of urban discussions, particularly in Austria and Germany, since its publication in 1889.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCan we avoid the ugliness of the urban environment created by the Industrial Revolution? Amidst the great upheavals experienced by our societies, can we create a contemporary beauty, a beautiful urban environment? It is certain that old cities are dead, but what are the aesthetic principles that allowed them to possess artistic beauty?\u003c\/p\u003e","brand":"Janus","offers":[{"title":"Default Title","offer_id":39408981999811,"sku":"9786257035019","price":560.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/SanatIlkelerineGoreKentInsaEtmekONKAPAK.jpg?v=1776856149"},{"product_id":"mekansallik-sanat-uretiminde-eszamanlilik-durumu_351881-html","title":"Spatiality: The State of Simultaneity in Art Production","description":"\u003cp\u003eIn his Critique of Pure Reason, Kant stated: \"There are two pure forms of sensible intuition as principles of a priori knowledge: space and time.\" Deleuze interprets Kant's conceptualization as \"everything that appears, appears under the conditions of time and space.\" In simple terms, we can say that an art object also defines two different realities, temporal and spatial. A structural analysis shows that temporality is based on the succession of elements in time, while spatiality gains reality through the simultaneity of elements. In short, spatiality creates a state\/possibility of simultaneity in contrast to temporality. The state of simultaneity emerges as a specific fact resulting from an ontological possibility. However, it does not stop there; it opens the door to new modes of expression in all areas of spatial production and creates a broad discursive space for the artist to respond to the world. Today, in addition to disciplines that manifest themselves with temporality like poetry and spatiality like painting, we also talk about disciplines that have a spatio-temporal structure, such as music, theatre, or contemporary art.\u003c\/p\u003e\n\u003cp align=\"right\"\u003eAykut Köksal\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eContributors to the Book:\u003c\/p\u003e\n\u003cp\u003eAykut Köksal, Emre Zeytinoğlu, Erdem Ceylan, Erdem Çöloğlu, Esen Çamurdan, İlke Boran, Mehmet Kerem Özel, Nihal Geyran Koldaş, Nusret Polat, Önay Sözer, Sevgi Doğan, Tijen Savaşkan, Tolga Yayalar, Yiğit Özatalay, Zeynep Dündar.\u003c\/p\u003e","brand":"Yeni İnsan Yayınevi","offers":[{"title":"Default Title","offer_id":48383903465715,"sku":"9786057764317","price":300.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786057764317.jpg?v=1616017644"},{"product_id":"4-endustriyel-devrim-ve-mimarlik_351867-html","title":"4. Industrial Revolution and Architecture","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e4th Industrial Revolution and Architecture consists of five articles by architect and urban planner Raşit Gökçeli, examining the situation of architects and architecture under the conditions of the 4th Industrial Revolution, and the transformations in the real estate sector. Under the titles \"Industrial Revolution and Architecture \/ No Crisis, Only Transformation\", \"Exercises on David Harvey\", \"While Seeking Solutions to Environmental Problems in Our Cities...\", \"Real Estate-Based Instruments \/ A Model Proposal for the Transformation of Real Estate Values into Securities and the Taxation of Secondary Markets for Environmental Protection\", and \"The Metaphorization of Qualified Labor \/ Transformation Vectors in the Field of Architecture\", the financial transformation of the real estate sector is examined in a sociopolitical, economic, and philosophical context; artificial intelligence, design and architecture, urban rent in capitalist societies, financial constructions in the commodity-money-commodity cycle, techniques for transforming real estate into securities, mortgage practices in capital markets, and the phenomenon of precarization in the neocapitalist order and its reflections on the architectural profession are explored.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Verita Yayıncılık","offers":[{"title":"Default Title","offer_id":39408984654019,"sku":"9786058040151","price":20.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058040151.jpg?v=1616017665"},{"product_id":"mimar-sinan-neden-bir-tasarim-dehasidir","title":"Why Is Mimar Sinan a Design Genius?","description":"\u003cp\u003eYEM Yayın has published the new edition of Prof. Dr. Reha Günay's book, in which he pursued the question \"Why is Sinan a design genius?\" and shared his findings with readers. \u003c\/p\u003e\n\u003cp\u003eIn his new work, Reha Günay, who previously examined Sinan and his structures in great detail in his published books, explains the qualities that distinguish Mimar Sinan from other architects in an easily understandable language for anyone interested in Turkish and Ottoman architecture and culture, especially those just beginning their education in architecture, interior architecture, design, art, engineering, history, etc. \u003c\/p\u003e\n\u003cp\u003eIn the book, Günay briefly and clearly explains, using a \"question-answer-example\" method, who Mimar Sinan was as a \"real person\" and what kind of life he led, having been almost transformed into a fairy tale hero not belonging to this world through various legends and many exaggerated stories; what he achieved under what conditions; how he achieved this success with what methods and tools; and how he stood out from his colleagues as a result. \u003c\/p\u003e\n\u003cp\u003eReha Günay defines his reason for feeling the need to convey Mimar Sinan from this perspective as follows:\u003c\/p\u003e\n\u003cp\u003e“Many of us cannot name Ottoman architects, but there is no one who has not heard of Sinan. Everyone knows him as a great architect; even if they don't know much about Sinan, they remember at least a few rumors; they can also say that he was the architect of the Süleymaniye Mosque in Istanbul and the Selimiye Mosque in Edirne. However, it is a bit difficult to fully answer questions like, 'But why is he a great architect? What did he do to become so famous? What is his difference from other architects? Why do we call Sinan a design genius?'\u003c\/p\u003e\n\u003cp\u003eThe Ottoman Beylik was founded in 1299 and expanded rapidly. This small beylic reached the Rumelian side in 1353; until the conquest of Istanbul, it transformed from a small beylic into an empire by dominating many places in Europe, from Albania to Romania, from Greece to Bulgaria. The empire that emerged within 150 years now also had a new worldview. The first külliye built by Fatih Sultan Mehmed in Istanbul is the architectural product of this new view; it is a composition centered around the mosque and developing along its axes. This emerging building type is a cultural center befitting Eastern Rome but also Ottoman with Islamic elements. Thus begins the period of \"Ottoman Classical Architecture.\" Ottoman art would be more influenced by Greco-Roman art in later periods. Until Sinan, the Old Fatih Mosque and Bayezid Mosque shaped Ottoman Classical Architecture as successful examples carrying these influences.\u003c\/p\u003e\n\u003cp\u003eSinan grew up in such an architectural environment, developed himself as a good observer and thinker, and transitioned from military service to architecture. With a conscious analysis and thought system, he elevated the existing architectural art to great heights with the innovations he created over 50 years and captivated his surroundings. The new principles he introduced to architecture were adopted after him; mosques like Cerrahpaşa, Sultan Ahmed, Yeni Cami, Yeni Fatih, and külliyes like Üsküdar Yeni Valide, Eyüp Sultan, Hekimoğlu Ali Paşa, virtually continued to keep Sinan alive for another 150 years. Therefore, today, we find it difficult to pinpoint Sinan's individual contributions to architecture. However, if we had lived in Sinan's era, we would have been more surprised by each innovation he brought to architecture and admired his works even more than we do today. In this book, we will try to highlight the aspects that made Sinan stand out from his colleagues by touching on these topics...”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWHO IS SINAN?\u003c\/p\u003e\n\u003cp\u003eWho is Mimar Sinan?\u003c\/p\u003e\n\u003cp\u003eIn What Kind of Environment Did He Live?\u003c\/p\u003e\n\u003cp\u003eHe Is in Harmony with All Segments of Society\u003c\/p\u003e\n\u003cp\u003eHe Served as Chief Architect for Exactly 50 Years\u003c\/p\u003e\n\u003cp\u003eHe Is the Architect Who Produced the Most Works\u003c\/p\u003e\n\u003cp\u003eHe Is a Good Urban Planner\u003c\/p\u003e\n\u003cp\u003eHe Planned the Largest Külliyes\u003c\/p\u003e\n\u003cp\u003eHe Is the Architect Who Created Istanbul\u003c\/p\u003e\n\u003cp\u003eHE IS A GENIUS BECAUSE...\u003c\/p\u003e\n\u003cp\u003eHe Is a Good Work Scheduler\u003c\/p\u003e\n\u003cp\u003eHe Is a Good Observer and Analyst\u003c\/p\u003e\n\u003cp\u003eHis Designs Are Analytical and Scientific\u003c\/p\u003e\n\u003cp\u003eHe Is Diligent, Determined, and Disciplined\u003c\/p\u003e\n\u003cp\u003eHe Knows Building Economics Well\u003c\/p\u003e\n\u003cp\u003eHe Provided Ornament-Free; Speed and Economy\u003c\/p\u003e\n\u003cp\u003eHe Knows Site Selection Well and Accurately Assesses Topography\u003c\/p\u003e\n\u003cp\u003eHe Defines Building Hierarchy Well\u003c\/p\u003e\n\u003cp\u003eHe Has Always Been on the Side of Safety\u003c\/p\u003e\n\u003cp\u003eHe Is a Good Water Engineer\u003c\/p\u003e\n\u003cp\u003eHe Brought Innovations to Traditional Architecture\u003c\/p\u003e\n\u003cp\u003eHe Added Uniqueness and Innovation to Every Structure\u003c\/p\u003e\n\u003cp\u003eHe Transformed Masonry Structures into Framed Construction Systems\u003c\/p\u003e\n\u003cp\u003eHe Reconciled Structure and Space; Developed the Centralized Plan\u003c\/p\u003e\n\u003cp\u003eSinan's Mosques Are Brighter\u003c\/p\u003e\n\u003cp\u003eHe Wrote a Symphony of Domes\u003c\/p\u003e\n\u003cp\u003eHe Found Civilized Solutions for Social Functions\u003c\/p\u003e\n\u003cp\u003eIN CONCLUSION...\u003c\/p\u003e\n\u003cp\u003eAfter So Many Structures, He Developed the Ambition to Surpass Hagia Sophia\u003c\/p\u003e\n\u003cp\u003eHe Is a Universal Architect, Not a Local One\u003c\/p\u003e\n\u003cp\u003eHe Is Aware of Having Done Important Work\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208407795,"sku":"9786058043428","price":175.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/Mimar_Sinan_Neden_Tasarim_Dehasidir_ONKAPAK_3BASKI.jpg?v=1637049907"},{"product_id":"tenin-gozleri","title":"Skin's Eyes: Architecture and the Senses","description":"\u003ch3\u003eThe Eyes of the Skin: Architecture and the Senses\u003c\/h3\u003e\n\u003cp\u003eExplore the relationship between architecture and sensory experience with this groundbreaking book's latest edition!\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFirst published in 1996, The Eyes of the Skin instantly became a classic of architectural theory upon its release. The book posed a comprehensive and profoundly impactful question that would lead us to re-examine all our cognitive activities, from philosophy to art: Despite having five senses instead of one, why has one of them – sight – become so dominant in architectural culture and design? The rise of the digital medium and the pervasive influence of electronically transmitted images in every field make this question far more urgent and relevant today than when the book was first published.\u003cbr\u003eAccording to Juhani Pallasmaa, the suppression of the other four sensory domains leads to the neglect of the multisensory character of human spatial experience, thereby both crippling humanity and weakening architecture's ability to inspire, engage, and celebrate the value of life in all its aspects; this is also the fundamental reason for the general impoverishment of our built environment.\u003cbr\u003eIn this revised and expanded edition, prepared based on the 4th English Edition of The Eyes of the Skin, a masterpiece that offers transformative insights and understandings and should be read by all architecture students as well as general readers, the reader will find: \u003cbr\u003e•    The author's latest views on the importance of place, unfocused perception, and existential experience;\u003cbr\u003e•  Updates and elucidations emphasizing that the most important and influential sense in architecture is our sense of self in the world;\u003cbr\u003e•    An updated Introduction addressing the groundbreaking nature of understanding the importance of existential sense today;\u003cbr\u003e•    And Peter MacKeith's comprehensive essay, \"A Door Handle, A Handshake,\" which serves as an introduction to Pallasmaa's thoughts on architecture and the nature of sensory experience, and an insider's testimony.\u003cbr\u003eFor a student reading it for the first time, The Eyes of the Skin is a moment of enlightenment. More than a quarter-century after its first publication, it continues to inspire with the fresh and powerful insights it offers about architecture.\u003c\/p\u003e","brand":"İnka Yayınları","offers":[{"title":"Default Title","offer_id":48328057323763,"sku":"9786259828077","price":260.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/110001252174533.jpg?v=1767616514"},{"product_id":"mimarlik-kavramlari","title":"Architectural Concepts - 19th Edition","description":"\u003cp\u003eYEM Yayın, which publishes books on topics such as architecture, interior design, design, engineering, urban planning, urbanization, industrial product design, landscape design, archaeology, culture, and art, has released the 19th edition of its book titled Mimarlık Kavramları (Architectural Concepts).\u003c\/p\u003e\n\n\u003cp\u003e“The process of acquiring knowledge passes through theoretical teaching and printed paper. When it is accepted that the best person to teach architecture (except in special cases) should be an architect, the necessity for the architect to have the ability to express the act of building verbally, either to explain themselves or to understand what their colleagues are saying, arises. I hope this small book can, to some extent, show aspiring architects ways to articulate their work.”\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eDOĞAN KUBAN\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMimarlık Kavramları, which aims to correctly define architectural activity at a general and conceptual level, especially for those new to architecture and design education, comprehensively evaluates the boundaries of the objective conditions of building production, societal organization, the construction process, building form, and the relationships between individuals and society within a theoretical framework.\u003c\/p\u003e\n\n\u003cp\u003eIn his book Mimarlık Kavramları, which was initially prepared for introductory architectural history courses but was developed in subsequent editions to become one of the fundamental reference sources for architectural education in Turkey, Doğan Kuban gradually examines the emergence and development of basic concepts, which can be called the ABCs of architecture, within the history of architecture.\u003c\/p\u003e\n\n\u003cp\u003eThe book defines all components of architecture, from building materials and techniques such as stone, soil, wood, and mortar to structural elements like columns, arches, vaults, and domes; its relationships with art, aesthetics, cities, and society are examined in detail.\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208669939,"sku":"9786058136663","price":273.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Mimarlik_Kavramlari.jpg?v=1686646173"},{"product_id":"mimarlik-uzerine-17-mektup","title":"17 Letters on Architecture","description":"\u003cdiv class='\"col-half\"'\u003e\n\n\u003ch3 class='\"product-name\"'\u003e17 Letters on Architecture\u003c\/h3\u003e\n\n\u003cp\u003e\"In this book, literature and politics, theoretical thought and history, cinema and visual arts are called upon to defend architecture; they will do so by using cross-cutting themes such as fragmentation, duration, atopism, caricature, the aestheticization of daily life, social responsibility, the displacement of values, or the heritage of history: All these will be based on the contradictions experienced by the city and the region recently.\"\u003cbr\u003e \u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eLuigi Snozzi\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eBernardo Secchi\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eJoseph Rykwert\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eWim Wenders\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eJean-Louis Cohen\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003ePierre-Alain Croset\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eManfredo Tafuri\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eGianni Vattimo\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eMarc Fumaroli\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eFranco Purini\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDaniele del Giudice\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eNorman Foster\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eGuido Martinotti\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eMassimo Cacciari\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eGiorgio Agamben\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eOriol Bohigas\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eFranco Rella\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cbr\u003e\"Just as there is no place without a project, there is no project without a place.\"\u003cbr\u003e(From the Promotional Bulletin)\n\u003cp\u003e \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\u003cdiv class='\"col-half\"'\u003e \u003c\/div\u003e","brand":"Janus","offers":[{"title":"Default Title","offer_id":39408992321731,"sku":"9786058398740","price":600.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Mimarlik_Uzerine_17_Mektup.jpg?v=1770410603"},{"product_id":"yasadigimiz-gunun-tarihleri","title":"Dates of Our Time","description":"\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align=\" inherit\u003eAnthony Vidler's 'The Dates of the Day We Live In' examines how four architectural historians – Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri – constructed the calendar of Modernism. \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\"When this book is read with chapters dedicated to Emil Kaufmann, followed by chapters devoted to Colin Rowe, Reyner Banham, and Manfredo Tafuri, it becomes evident that Vidler intermittently chronicled architecture for three-quarters of the last century. \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eEven this alone is a high-quality endeavor; if it is included where the Day is rapidly consumed and forgotten, this effort should be praised even more.\" -Peter Eisenman- (From the Promotion Bulletin)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Janus","offers":[{"title":"Default Title","offer_id":39408992420035,"sku":"9786058398771","price":520.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Yasadigimiz_Gunun_Tarihleri.jpg?v=1770410738"},{"product_id":"mimarligin-icinde","title":"Within Architecture","description":"\u003cp\u003e\"This book consists of two symmetrical parts, different from each other not in terms of content or material, but in terms of how the questions are presented, yet equally reflecting the architectural perspective. The first part evaluates some of the conditions surrounding current developments in architectural discourse.\"\u003cbr\u003e\u003cbr\u003e\"In the second part of the book, some ways of using these conditions in architectural projects are discussed. These methods, as possible design procedures, have been selectively chosen and processed in a fragmented manner; although they do not claim to form a complete theory of architecture today, they at least offer a particular perspective.\"\u003cbr\u003e(From the Promotional Bulletin)\u003c\/p\u003e","brand":"Janus","offers":[{"title":"Default Title","offer_id":39408993796291,"sku":"9786058495555","price":480.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/MimarliginIcinde2.BaskiONKAPAK.jpg?v=1771461087"},{"product_id":"mimarligin-dort-ogesi-ve-iki-konferans","title":"Four Elements of Architecture and Two Conferences","description":"\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eThis book, which could be named \"The Four Elements of Architecture and Two Conferences,\" brings together Gottfried Semper's most important works on architecture and style. Semper is considered the greatest theorist of architecture and art in the 19th-century German-speaking world. \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eIn this book, we publish the author's work \"The Four Elements of Architecture,\" along with his 1854 London lecture \"On Architectural Symbols\" and his award-winning 1869 Zurich lecture \"On Architectural Styles,\" all of which cover the full scope of Gottfried Semper's application of style in architecture.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\"Architecture, like other arts based on drawing, is a creative art that does not aim to imitate nature. In fact, there are no original examples of comprehensive architectural works; architectural works are parts of a science that brings together central imagination, alternatives, and recorded data.\" \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eThese three works by Gottfried Semper are published in Turkish for the first time.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e(From the Promotional Bulletin)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Janus","offers":[{"title":"Default Title","offer_id":39408993829059,"sku":"9786058495579","price":480.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/MimarliginDortOgesiVeIkiKonferans2.BaskiONKAPAK.jpg?v=1771458283"},{"product_id":"az-yeterlidir-mimarlik-ve-asketizm-uzerine","title":"Less Is Enough: On Architecture and Asceticism","description":"\u003cp\u003eAccording to Aureli, asceticism is not merely a state of contemplation or renunciation of the world, as commonly understood; it is, first and foremost, a method of radically questioning social and political conditions in pursuit of an alternative way of life. Aureli demonstrates how the meaning of asceticism has changed over time, from its emergence as a radical critique of power and an opportunity for autonomy, to its diffusion into everything from the logic of capitalism to the concept of \"social\" housing and the ideological rhetoric of minimalist design. As the minimalist design motto \"less is more\" once again becomes fashionable alongside the austerity tendencies of capitalism, which is always in pursuit of achieving more with less, and as asceticism transforms into a moral imperative and an ideological aura, can saying \"less is enough\" lead us to a different way of life than that imposed by the status quo? Can the practice of asceticism be a form of resisting the subjective power of capitalism, rather than an instrument of oppression?\u003cbr\u003e\u003cbr\u003ePier Vittorio Aureli: Aureli, who has various publications including the books \"Project of Autonomy: Politics and Architecture Within and Against Capitalism\" (2000) and \"Possibility of an Absolute Architecture\" (2011), is a faculty member at the Architectural Association (AA) and a visiting faculty member at Yale University. He is one of the two founders of DOGMA, an office that explores the relationship between architecture and the city.\u003cbr\u003e\u003cbr\u003e\"Today, many artists, architects, and designers feel an urge to initiate social change through their proposals; however, they rarely review their own existence, which forms the main source of their production. Many working in the fields of architecture, art, and design live in precarious conditions, work for free, and lack social security. Their lives are increasingly marked by anxiety, suffering, frustration, and at times, depression. Despite the socially concerned agenda that curators, architects, and artists enthusiastically champion in their initiatives, we know that the creative industry is highly competitive and shows no mercy to those who refuse to adapt. [...] Ironically, many of these people already lead an ascetic life; but unwillingly, they live this life [...] lacking the ability to give it an autonomous structure. In this case, the slogan \"less is more\" would at best resonate as a sarcastic commentary on our increasingly precarious situation; because we know that less is merely less, and there is nothing romantic about it.\"\u003cbr\u003e\u003cbr\u003e\"Today, many artists, architects, and designers feel an urge to initiate social change through their proposals; however, they rarely review their own existence, which forms the main source of their production. Many working in the fields of architecture, art, and design live in precarious conditions, work for free, and lack social security. Their lives are increasingly marked by anxiety, suffering, frustration, and at times, depression. Despite the socially concerned agenda that curators, architects, and artists enthusiastically champion in their initiatives, we know that the creative industry is highly competitive and shows no mercy to those who refuse to adapt. [...] Ironically, many of these people already lead an ascetic life; but unwillingly, they live this life [...] lacking the ability to give it an autonomous structure. In this case, the slogan \"less is more\" would at best resonate as a sarcastic commentary on our increasingly precarious situation; because we know that less is merely less, and there is nothing romantic about it.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Lemis Yayın","offers":[{"title":"Default Title","offer_id":39408997105859,"sku":"9786058672949","price":144.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/AzYeterlidir_onkapak.jpg?v=1744489183"},{"product_id":"mekan-ve-millet_349385-html","title":"Place and Nation","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eSpace and Nation is an attempt to establish an interdisciplinary dialogue on the interwoven histories of Turkey and Greece. Greek and Turkish academics examine geography and nationalism, as well as religious and secular, ethnic and constitutional principles in the context of Greece and Turkey, where these are in constant tension.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThe first part of the book consists of articles that explore the nation's relationship with space, pre-modern interpretations, and the contradictions between modernists' and nation-state founders' projects. The second part, which consists of articles on Cyprus, reveals that some of the problems that the book attempts to shed light on have been ongoing on the island for more than half a century. In the third part, which covers a broader geography, the authors discuss narratives related to Thrace, İzmir, Antakya, and Istanbul, and describe the lives of the residents of these regions and cities, rooted in the concreteness of space and social relations.\u003cbr\u003e\"For social scientists and historians, it is difficult to find a more fertile field of research than the problematic and inseparable histories of Greece and Turkey as regional nation-states… The freshness and depth of the articles make the book noteworthy for its contribution and impact on this field.\"\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39409001332931,"sku":"9786059389846","price":198.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059389846.jpg?v=1616017885"},{"product_id":"mimarligin-tum-oykusu_352189-html","title":"The Whole Story of Architecture","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"margin: 20px 0px 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; border-spacing: 20px; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\" class=\"kitap-detay-alt\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\" class=\"kitap-detay-tanitim\"\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eFrom ancient masterpieces to recent contemporary structures, architecture continues to shape the face of our world. This book, part of the All Story series published by Hayalperest Publishing, presents the stages that architecture has gone through throughout human history, supported by an encyclopedic examination and rich visuals.\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eWith its chronological narrative extending from the Neolithic period to today's \"sustainability\" approach, The Whole Story of Architecture takes the reader on a journey through every era and continent, touching upon hundreds of structures, their designers, and their contextual importance. The book contains exciting information about the Pyramids of Egypt and the tomb structures of the Ur Dynasty, the \"lost\" city of Machu Picchu, Chinese pagodas, Japanese temples, mosques that symbolize Islamic geography, and much more. In addition to classic Western styles such as Romanesque, Gothic, Renaissance, and Baroque, the book also discusses Colonial Architecture, Regency Style, Beaux-Arts, Art Deco, Modernism movements, and Utopian approaches, along with many other styles.\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eInformative texts prepared by experts in the field of architecture tell the history of each style and provide detailed information about the most important practitioners of these styles. In The Whole Story of Architecture, iconic structures, which are the best examples of their periods, are examined with comments and visuals that explain their inspirations, constructions, use of materials, and stylistic features. The book, which arouses curiosity about architecture, \"brings together\" the architects behind the world's most magnificent structures, from Imhotep and Leon Battista Alberti to Le Corbusier, Frank Lloyd Wright, and Alvar Aalto, who have influenced and inspired many generations with their visions and technical mastery.\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eAn indispensable reference book for anyone who wants to have a comprehensive knowledge of the art of architectural design, The Whole Story of Architecture provides the reader with all the necessary equipment to look at the spaces where they live, work, worship, and have fun with completely different eyes.\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eAnd it does so with the support of more than 1,000 visuals.\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39409007820995,"sku":"9786059452595","price":2400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059452595.jpg?v=1616017986"},{"product_id":"klasik-muzik-islikla-calinmaz","title":"Classical Music Cannot Be Whistled","description":"\u003cblockquote class=\"blockquote\" style=\"margin: 0cm 0cm 0.0001pt; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; vertical-align: baseline;\"\u003e \u003cspan arial=\"\" blinkmacsystemfont=\"\" cambria=\"\" font-size:=\"\" lang=\"EN-US\" neue=\"\" open=\"\" sans=\"\" sans-serif=\"\" system-ui=\"\" ui=\"\"\u003eCengiz Yetken's book, which conveys his \"learning and producing\" experience with Louis I. Kahn, one of the leading figures of 20th-century architecture, with an original approach,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan arial=\"\" blinkmacsystemfont=\"\" cambria=\"\" font-size:=\"\" lang=\"EN-US\" letter-spacing:=\"\" major-latin=\"\" neue=\"\" open=\"\" sans=\"\" sans-serif=\"\" system-ui=\"\" ui=\"\"\u003ewas published by YEM Yayın.\u003c\/span\u003e\n\u003c\/blockquote\u003e\u003cp\u003e\u003cb\u003e\u003cspan cambria=\"\" lang=\"EN-US\" major-latin=\"\" style=\"font-size: 11.0pt;\"\u003e“While working in the office, I had a habit of whistling Beethoven’s 5th Symphony. ‘Cengiz, please… You can’t whistle Beethoven!’ This was sudden and unexpected. Kahn continued: ‘You can’t whistle classical music, but you can hum it.’”\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e Cengiz Yetken is a figure who worked and produced with Louis Kahn, first as a student in Kahn's legendary graduate studio at the University of Pennsylvania School of Architecture, and then as a young colleague in his office at 1501 Walnut Street. This was a period when significant projects were underway in the relatively short but brilliant career of Kahn, a thinker, artist, and architectural guru, who was one of the important actors in 20th-century world architecture between the 1950s and 70s. As understood from the Yetken-Kahn dialogue carried in the book's title, this book is about the experiences of two architects who internalized architecture as a way of life, concerning the ordinary flow of life, the tonalities of music, the art of design, the experiences of a building beyond brick and mortar, its beginning, its formation, its life, its measurable and immeasurable values, and the essence of light and silence\u003cu\u003e.\u003c\/u\u003e\u003c\/p\u003e\u003cp\u003e The book, edited by Müge Cengizkan, translated by Özlem Erdoğdu Erkarslan, and designed by Utku Lomlu, is meeting readers through YEM Yayın. Cengiz Yetken describes the book as follows:\u003c\/p\u003e\u003cp\u003e \u003cem\u003e“Throughout my professional life, both in architectural practice and as a professor in design education, I often encountered questions about Louis Kahn, perhaps one of the most distinguished architects of the 20th century. Many friends encouraged me to write about Kahn. Initially, I considered writing a series of letters to my children, conveying my experiences with Lou and why his buildings were so special. However, I later realized that I should convey these to students in architecture schools and to my colleagues in practice. This would be the best way to communicate the design sensibility ingrained in his buildings and the ideas that gave rise to them. Gradually, I understood that what I wrote could not remain merely memories, but would shed light on the act of design. This also became a personal journey that allowed me to rediscover my own understanding of design. This book does not aim to explain Kahn’s architectural approach or his views. These memories are what I learned from my time with Kahn, from his class, his office, his buildings, and from being in the profession for all these years. I am trying to answer a difficult question: What did I learn from Kahn?”\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003cb\u003e\u003cspan cambria=\"\" lang=\"EN-US\" major-latin=\"\" style=\"font-size: 11.0pt;\"\u003eCONTENTS\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e FOREWORD\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cbr\u003e\u003cb\u003e\u003cspan cambria=\"\" lang=\"EN-US\" major-latin=\"\" style=\"font-size: 11.0pt;\" text-transform:uppercase=\"\"\u003eKAHN STUDIO AT PENN\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan cambria=\"\" lang=\"EN-US\" major-latin=\"\" style=\"font-size: 11.0pt;\" text-transform:uppercase=\"\"\u003e1.A FOREIGN STUDENT\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e PHILADELPHIA\u003c\/p\u003e\u003cp\u003e\u003cb\u003e2. “ART IS THE LANGUAGE OF GOD”\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e MEETING\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e UNDER THE TREE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e DESIRE \/ NEED\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e RICHARDS\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e STRUGGLE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e AROUND THE TABLE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e PAINTED LINES\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e SEEING THE PLACE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e LIFE STORIES\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e MAKING MODELS\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e POETICISM\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e STRADIVARIUS\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e BELIEF\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e AROUND THE TABLE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e PANEL\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e DON'T COPY KAHN\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e SYMPHONY\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e CORRIDOR\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e THE TRAVELED AND THE PASSED\u003c\/p\u003e\u003cp\u003e ASKING\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e SOUND\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e INTERSECTIONS\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e FINAL JURY\u003c\/p\u003e\u003cp\u003e \u003cb\u003e\u003cspan cambria=\"\" lang=\"EN-US\" major-latin=\"\" style=\"font-size: 11.0pt;\" text-transform:uppercase=\"\"\u003e3. “ARCHITECTURE HAS NO EXISTENCE”\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e PROJECT INTRODUCTION: FDR MEMORIAL\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e FOUNTAIN\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e AROUND THE TABLE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e MOZART IN GREECE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eWHO IS CENGIZ YETKEN?\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003eBorn in Ceyhan, Adana in 1940. He graduated from METU Faculty of Architecture with a bachelor's degree in 1963 and a master's degree in 1964. In 1965, he went to the University of Pennsylvania to pursue a master's degree in Louis Kahn's studio, graduating in 1966. He worked as a \"project manager\" at Louis Kahn's Office, where he started working during his studies, until 1968. In addition to his work at the office, he also served as a faculty member at the University of Pennsylvania, leading an architectural design studio between 1966 and 1968. In 1968, he returned to Turkey and taught architectural design at the METU Faculty of Architecture, his alma mater, until 1975. In 1975, he decided to return to the USA. He worked as a faculty member at Ball State University, School of Architecture and Planning until 1977, and at the University of Virginia until 1981. He decided to transition from academia to professional practice. Between 1981 and 1986, he worked as a senior architect at SOM Chicago. In 1984, he qualified to become a member of the American Institute of Architects (AIA). In 1986, he decided to open his own office, and until 1990, in his Oak Park office, he not only produced architectural designs but also designed industrial design objects and continued his film directing studies. Between 1987 and 1991, he taught as a visiting artist at the School of the Art Institute of Chicago. From 1990 to 2006, he had a long and productive career as a senior project architect at Perkins+Will Chicago. From 2006 to 2009, he served as an architectural design consultant for the same company. In addition to being a licensed architect in Illinois as an AIA member, he is also a member of the Chamber of Architects of Turkey and the Fulbright Education Commission. After his retirement in 2009, he continues his life by engaging in personal work at his homes in Chicago and Bodrum Demir Tatil Evleri.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207850739,"sku":"9786257008051","price":490.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786257008051.jpg?v=1616018036"},{"product_id":"mimarlik-fotografi_351884-html","title":"Architectural Photography","description":"\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eProf. Dr. Reha Günay, who first brought together the concepts of \"architecture and photography\" in Turkey and continuously taught \"Architectural Photography\" courses for 33 years, has had his new book \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eAnalog and Digital Architectural Photography\u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e published by YEM Yayın.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e Reha Günay explains the technical and detailed aspects of the subject for those with basic photography knowledge and an interest in photography, as well as for architects, interior designers, urban planners, archaeologists, landscape architects, those managing industrial products, visual communicators, and professional photographers.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e Günay, who has a large share in the widespread adoption of architectural photography as a field in Turkey and can be classified as the teacher of today's well-known architectural photographers, is an expert and authority in his field. Here are the details of his work in preparing the book:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e \"In the years when I was still a recent graduate of the faculty of architecture and was interested in photography and archaeology, I was directed towards architectural photography. Starting with distinguished architects like Turgut Cansever, Doğan Tekeli, Sami Sisa, Aydın Boysan; architects like Sedat Gürel, Hayati Tabanlıoğlu, Emin Necip Uzman, Behruz Çinici, Birleşik Mimarlar, Mehmet Konuralp, and construction companies like Gama, AEA, Gök, Koray entrusted me with their buildings to document them.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e While dealing with the technical problems of photography, I also began to become more aware of building and space issues. The blend that developed in me was evaluated by the Aga Khan Award for Architecture Foundation, and I had the opportunity to document some important buildings in the Islamic world between 1983 and 2004. Furthermore, the State Academy of Fine Arts Photography Institute, of which I was one of the founders, began photography education in 1979 and continues today as the Photography Department. The \"Architectural Photography\" courses, which continued for 33 years without interruption, prepared me to better understand and explain the technical and visual recording of the subject...\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e Despite all this accumulated knowledge, when it came to preparing a book on this subject, I had to re-examine everything I knew and learn new things. When digital photography emerged, as I learned this new information, I felt as if my photography was starting over. The possibilities brought by this new technology, although still very early, herald a great future for architectural photography.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e The information in this book appeals to those with basic photography knowledge and an interest in photography, as well as to architects, interior designers, urban planners, archaeologists, landscape architects, those who direct industrial products, visual communicators, and professional photographers. Architectural systems are present, and architectural photography is also in short supply, not widespread, and desired by a few architects or producers... There are very few cameras working in the field of architectural photography. To be a good architectural photographer, one needs to see many structures, test their records, define functional-formal-structural features, classify locations, and differentiate them internally by architectural history or movement. This accumulated knowledge develops over time. In my work, I tried to address these issues without boring the reader...\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ca name=\"_GoBack\"\u003e\u003c\/a\u003e\u003cspan style=\"font-size: 11.0pt; letter-spacing: .2pt;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208637171,"sku":"9786257008082","price":420.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786257008082.jpg?v=1634196838"}],"url":"https:\/\/yemkitabevi.com\/en-us\/collections\/mimarlik-kurami\/yazar_mike-davis.oembed","provider":"YEM Kitabevi","version":"1.0","type":"link"}