{"title":"History of Architecture","description":"","products":[{"product_id":"dini-mimaride-gizli-tasarim-yontemleri","title":"Hidden Design Methods in Religious Architecture","description":"\u003cp\u003eThis book is the product of over twenty-five years of research. Its aim is to introduce and demystify the geometry and numerical symbolism observed in Ottoman, Christian, and Jewish religious architecture, and in the design of Masonic Lodges, their cornerstones, and monuments.\u003c\/p\u003e\n\u003cp\u003eWhen we began our studies on Ottoman mosques and tombs in the late seventies, documents and publications that could shed light on this subject were almost non-existent. While numerous books and articles had been published for approximately 150 years researching and introducing the hidden design methods of Christian religious architecture, no one had shown interest in this aspect of Ottoman architecture.\u003c\/p\u003e\u003cp\u003eThe work of the Russian scholar M.S. Bulatov, which explained the geometry in the designs of Central Asian Islamic architecture, came into our hands only near our retirement years, and the geometric solutions it contained seemed overly complex for that period (especially for the 9th century).\u003c\/p\u003e\u003cp\u003eNevertheless, we courageously continued our work and inevitably strayed down a series of erroneous paths. We introduced the work of those years in some of our articles. Very few of the criticisms reached a level that could point us in the right direction. However, we believe we have convincingly established this much:\u003c\/p\u003e\u003cp\u003eSinan and those before him must have incorporated certain numbers derived from Abjad numerals and the Basmala in their designs for religious architecture.\u003c\/p\u003e\u003cp\u003eAfter retirement, due to a hip operation, we immigrated to Canada and then decided to stay there. As time passed, we realized that we had taken a very productive and auspicious step for our research.\u003c\/p\u003e\u003cp\u003eSomehow, it occurred to us to apply to a Masonic Lodge because we had heard about their rich libraries. Permission was granted, and for weeks we immersed ourselves in books from the 19th and even 18th centuries in their libraries. Finally, one day, flashes of insight began to ignite in our minds. We were almost ready to shout \"Eureka!\" like Archimedes. We had solved the problem. We understood that \"The key to the secret is the Pythagorean triangle.\"\u003c\/p\u003e\u003cp\u003eThe importance given to architecture and the Pythagorean triangle in Masonry was astounding. Pythagoras's \"47th problem\" was constantly referenced. The use of this triangle as an emblem in some lodges, and the inclusion of the compass and square in the Masonic emblem, all began to appear as signs emphasizing the importance of this triangle.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Birsen Yayınevi","offers":[{"title":"Default Title","offer_id":39408932683971,"sku":"9789755114569","price":540.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/3990000030466.jpg?v=1616016951"},{"product_id":"tarih-oncesi-ve-ilk-cag-mimarligi","title":"Prehistoric and Early Age Architecture","description":"\u003ch1 product-name=\"\"\u003e \u003c\/h1\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; font-size: 14px; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThis book, which presents the early periods of the art of architecture in an understandable way for everyone, will fill an important gap as it is a reference book that can be utilized by architects and aspiring architects, as well as by art historians, archaeologists, and guides when introducing archaeological sites.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; font-size: 14px; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eIn the evaluation section at the end of the book, certain topics such as ancient civilizations, architecture, art, and beliefs are discussed with an unconventional approach, moving far beyond previous assessments of antiquity. This book, written with the fluidity of a novel, contains information that can be considered particularly important for Turkish readers. Questions and issues related to ancient civilizations, architecture, and art are presented from a different perspective, and broad research areas are offered to scientists who wish to conduct research on the topics of this period. \"Prehistoric and Ancient Architecture\" is a work prepared with the idea that history is the future, and it is a must-read for every Turkish reader and researcher.\u003c\/p\u003e","brand":"İdeal Kültür Yayıncılık","offers":[{"title":"Default Title","offer_id":39408933372099,"sku":"3990000058243","price":120.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/3990000058243.jpg?v=1616016955"},{"product_id":"istanbul-architecture_347664-html","title":"İstanbul Mimarlık","description":"\u003cp\u003eThis is the latest in the popular Watermark Architectural Guides series, covering the architecture of this huge and ancient city from Byzantine ruins to modern high-rise. Istanbul is one of the world's most exciting and culturally diverse cities and, like most great cities, it has architecture to match. Covering more than two millennia its buildings range from the lofty and many-tiered aqueducts built by the Romans to Ottoman mosques, with their attendant bath houses, schools and hospitals. In Beyoglu, across from the Golden Horn, banks, arcades, embassies and apartment complexes reflect foreign influences. Here disparate architectural styles such as Belle Epoque, Venetian, Gothic and Art Deco all live on in surprisingly happy harmony. Elsewhere along the Bosphorus visitors can see the Baroque palaces of the Sultans and charming yali - quintessentially Turkish waterside mansions, but looming in the background are the skyscrapers, bridges and other elements of a tech-smart metropolis. This book records all Istanbul's architecture, both historic and modern, with area maps, text and images to provide a comprehensive guide to this exotic city.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePage Count: \u003c\/b\u003e266\u003cbr\u003e\u003cb\u003ePress Year: \u003c\/b\u003e2014\u003cbr\u003e\u003cb\u003eLanguage: \u003c\/b\u003eEnglish\u003cbr\u003e\u003cb\u003ePublisher: \u003c\/b\u003eHomer Kitabevi\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFirst Edition Year : \u003c\/strong\u003e2014\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePage Count : \u003c\/strong\u003e266\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLanguage : \u003c\/strong\u003eEnglish\u003c\/p\u003e","brand":"Homer Kitabevi","offers":[{"title":"Default Title","offer_id":39408935010499,"sku":"9780949284938","price":450.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9780949284938.jpg?v=1616016982"},{"product_id":"mimarlikta-estetik-dusunce_348813-html","title":"Aesthetic Thought in Architecture","description":"\u003cp\u003eThe World Congress of Aesthetics organized by the Sanart Association of Aesthetics and Visual Culture in 2007 brought together aestheticians, philosophers, artists, and architects from 42 countries. Many papers approaching architecture from an \"aesthetic\" perspective were presented at the congress. This book makes a significant contribution to the discipline of architecture by publishing a special selection of these papers in Turkish. Although the articles in the book do not cover all areas, they demonstrate how architecture can be approached from many different perspectives. The book, which includes sections titled \"Contemporary World Architecture and Aesthetics\", \"Architecture and Aesthetics in Turkey\", \"Aesthetic Thought Through Monographs\", \"Architectural History\", \"Architecture and the City\", and \"Interiors and Aesthetics\", also offers reading recommendations related to the topics covered.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408937533635,"sku":"9786050100280","price":262.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050100280.jpg?v=1616017016"},{"product_id":"modern-ve-surgun-almanca-konusulan-ulkelerin","title":"Modern and Exile","description":"\u003cp\u003eBernd Nicolai's book Moderne und Exil, originally published in German in 1998, has been translated into Turkish by Yüksel Pöğün Zander and published by the Chamber of Architects Publications. When it was first published, the book was unique in that it was the only work on early Republican era Turkish architecture written using archival documents from Germany, Austria, and Switzerland. As Nicolai revealed through the documents he presented, much of the information that helped us understand many unknown projects and constructed buildings in Turkish architecture was hidden in Central European archives. The book was a first for Turkish architectural history, as well as filling a significant gap in German architectural history.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938025155,"sku":"9786050101300","price":360.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050101300.jpg?v=1616017025"},{"product_id":"modernlik-ve-turkiyee28099de-modern-camiler_349273-html","title":"Modernity and Modern Mosques in Turkey","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThe author criticizes the mosques built today as imitations of Sinan and the failure to construct creative and original modern mosques. In doing so, the author defines modernity, traces it back to the Ottoman Empire, examines the social structure of society, and attempts to uncover the reasons for \"our inability to be modern.\" The book also meticulously examines numerous movements of renewal (modernization) from the Tanzimat Edict to the present day. Providing examples from the Renaissance and Mimar Sinan, the author attempts to draw a comparison between Europe and the Turkish world.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eFurthermore, the author evaluates Turkish Architecture from the 19th century to the present day, analyzing the social impacts of globalization and the EU process, and attempts to explain the current state of architecture. In the book, we also see the author assessing Divan Literature and Traditional Turkish Music.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThe author, providing examples of original and creative European architecture, divides mosque architecture into three main groups: \"Imitation Mosques, Stylized Mosques, and Original Mosques.\" For instance, the final section of the book features 18 modern mosques built between 1956 and the present day.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938320067,"sku":"9786050101539","price":24.38,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050101539.jpg?v=1616017029"},{"product_id":"eminonu-hanlar-bolgesi-anitsal-eserler-kilavuzu_349270-html","title":"Eminönü Han District Monumental Works Guide","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eWith his work, which serves as a highly significant architectural history catalog, Besim Çeçener presents a piece that will be a reference for many years to come, compiling the historical mosques, churches and synagogues, madrasas, fountains, s\u003c\/span\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eebils, primary schools, libraries, Turkish baths, and hans of the Eminönü hans region, complete with their sources, and accompanied by photographs, plans, and sketches. \u003c\/span\u003e\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938352835,"sku":"9786050101959","price":390.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050101959.jpg?v=1616017031"},{"product_id":"modernist-bir-acilimda-oncu-seyfi-arkan","title":"Seyfi Arkan: A Pioneer in a Modernist Approach","description":"\u003cp\u003eIn the 2008-2010 period of the Chamber of Architects Commemoration Program, SEYFİ ARKAN, a pioneering figure in Turkish modern architecture, was deemed worthy of commemoration. Within the framework of the program themed \"A Pioneer in Modernist Expansion: SEYFİ ARKAN,\" between 2008 and 2010, a complete inventory of Arkan's original drawings found in all relevant institutional and private archives was created and transferred to digital media; his standing structures were identified and photographed; published books, theses, articles, and documents written by Arkan or about him were accessed; a symposium was organized that shed light on the architect's work as well as his era; and a retrospective exhibition featuring all of the architect's work was prepared and continues to be exhibited in many cities across Turkey.\u003c\/p\u003e\u003cp\u003eThe book \"A Pioneer in Modernist Expansion: SEYFİ ARKAN,\" edited by Ali Cengizkan, A. Derin İnan, and N. Müge Cengizkan and published in October 2012, includes a catalog compiled from archival documents and current photographs of all of the architect's published\/unpublished projects, buildings, and master plans, as well as symposium papers containing research and evaluations from individuals with expertise and work on Turkish modern architecture and Arkan, quality articles about Arkan published to date, reports prepared by Arkan, Arkan's lecture notes, examples from the diary kept during the construction of İller Bankası, and private and institutional correspondence.\u003c\/p\u003e\u003cp\u003eThe comprehensive research conducted on Seyfi Arkan's (1903-1966) life, works, professional practice, family, and professional circle aimed to learn about his background in concentric circles, starting from the schools he attended and taught at, the places he used as an office, and the houses he lived in. Planned to run for two years between 2008 and 2010, but extended until the book's publication in 2012, the studies involved interviews with many individuals; research in numerous archives and libraries in Ankara, Istanbul, and Berlin; and attempts to obtain as complete a list of his structures as possible and to create a mature catalog with on-site observations. The symposium held at MSGSÜ in January 2010 and the comprehensive exhibition opened on the same date were well-received as two important products of the Commemoration Program research project. The book is a product that is not limited to the aforementioned symposium papers and exhibition materials, but rather shares the lasting documents, determinations, texts, and products of this two-year study and research.\u003c\/p\u003e\u003cp\u003eEven if the scarcity of Seyfi Arkan's drawings and design documents in the sources accessed during this work, and the almost complete absence of his personal belongings, are perceived as a drawback, it is full of social lessons in terms of the profile of an architect who was so prominent and tried to be highly valued in Turkey, at least for a certain period. This book, which calls for a closer understanding and learning of Seyfi Arkan's designs, the story of how his buildings were acquired, the values in these buildings, but also the personality behind all these stories, is bound to provoke and encourage new architectural research and interpretations, given his unique pioneering role in the modernization of Turkish architecture in the 20th century.\u003c\/p\u003e\u003cp\u003eWith this book, light is shed for the first time on the fact that Seyfi Arkan was indeed the most effective architect in Turkey's modernist expansion, how he directly transformed his era within practice, and his growing importance when viewed from today. We observe together how Seyfettin Nasih, whose education coincided with the early Republican period, who was known as \"Atatürk's architect\" for designing buildings for Atatürk for a time, who tried to adapt to the political conjuncture during World War II and the One-Party rule, and between 1950-60, and who competed and clashed with the famous architect Sedad Hakkı in both architectural and urban planning professional practice and education, transformed into Seyfettin Erkan and Seyfi Arkan.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938483907,"sku":"9786050103991","price":640.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050103991.jpg?v=1616017034"},{"product_id":"zeki-sayar-ve-arkitekt","title":"Zeki Sayar and Architect","description":"\u003cp\u003eZeki Sayar (1905-2001) is one of the most recognized architects among the legendary 1928 graduating class of the Academy, and thus among the architects of the early Republican period, after Sedad Hakkı Eldem, and one of the rare architects who managed to remain active in the architectural environment for a remarkably long time. This recognition cannot be considered independent of his close relationship with the architectural magazine Mimar \/ Arkitekt, which holds a very important place in Turkish architectural history and constitutes the most original documentation of our Republican era architectural publishing.\u003c\/p\u003e\u003cp\u003eFor these reasons, the Chamber of Architects Commemoration Program for the 2010-2012 period, beyond focusing solely on an architectural profile, also encompassed Arkitekt magazine, which can be considered Sayar's masterpiece. The book \"Zeki Sayar and Arkitekt\" aims to make sense of and position the production field of a considerably long period spanning 50 years, starting from the early Republican era. It presents its compilation by tracing the publication journey of Arkitekt and the magazine's sphere of influence, in parallel with Sayar's architectural production, his identity as a publisher-thinker-critic, and his active role in the architectural environment.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938647747,"sku":"9786050107777","price":720.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050107777.jpg?v=1616017037"},{"product_id":"dogan-hasol-cumartesi-bulusmalari","title":"Doğan Hasol \/ Saturday Gatherings","description":"\u003cp\u003eThe \"Architects Share Their Experiences\" themed Saturday Meetings, organized by the Istanbul Metropolitan Branch of the Chamber of Architects since 2009, are now presented in a new publication. The new book in the series is a compilation of the meeting featuring \u003cstrong\u003eDoğan Hasol\u003c\/strong\u003e as a guest... The Istanbul Metropolitan Branch of the Chamber of Architects, with its \"Architects Share Their Experiences\" themed Saturday Meetings, which began in January 2009, contributes to the mutual thinking-questioning process of architects, and aims to make this richness permanent by transforming these meetings, which enrich the architectural environment, into publications.\u003c\/p\u003e\n\u003cp\u003eThe Saturday Meetings, which allowed architects from different generations to share their experiences and professional knowledge, attracted not only young architects but also participants of all ages, and this series of conferences provided a productive platform for sharing and questioning, going beyond a one-sided transfer of experience and actively engaging the audience.\u003c\/p\u003e\n\u003cp\u003eThe effort to publish the conference series can also be considered as documentation work for Turkish architecture. The newest product of this effort is the publication compiled from the meeting held with the participation of Doğan Hasol in 2016.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAbout Doğan Hasol:\u003cbr\u003eDoğan Hasol was born in 1937. He graduated from Galatasaray High School in 1956 and from Istanbul Technical University, Faculty of Architecture in 1961. In 1961, he joined the group that published the Architecture and Art Magazine. In addition to his assistantship at Istanbul Technical University, he served as the Editor-in-Chief of Mimarlık, the magazine of the Chamber of Architects; he held various positions on the Executive Boards of the Chamber of Architects. In 1968, together with a group of friends, he founded the Building-Industry Center (Yapı-Endüstri Merkezi), which is an information center in the construction field. He was elected President of the International Union of Building Centres (UICB) twice (1989-1992, 1992-1995), and later became an Honorary Member.\u003c\/p\u003e\n\u003cp\u003eUntil April 2013, when he was at the head of the Building-Industry Center, in line with the institution's function as an information center, he pioneered the publication of professional catalogs, especially the Building Catalog, architectural and art books, in addition to YAPI Magazine, the organization of courses, conferences, seminars, and the establishment of the Virtual Architecture Museum. For his publishing activities, he was awarded the Press-Publication Award by the Turkish Association of Independent Architects for the 1994\/95 period. Also, in line with the information center concept, he initiated and developed the YAPI fairs as Turkey's first specialized exhibition.\u003c\/p\u003e\n\u003cp\u003eHe won awards and honorable mentions in some architectural project competitions and served as a jury member in national and international competitions. Together with his wife, Architect Hayzuran Hasol, he won the Chamber of Architects' 1990 National Architecture Award in the building category. He continues his freelance architectural work within the Has Mimarlık group, which he established with his wife and daughter, both architects.\u003c\/p\u003e\n\u003cp\u003eHe was awarded an Honorary Doctorate by Istanbul Technical University in 1998, by Yıldız Technical University in 1999, and by Istanbul Kültür University in 2012; the Professional Contribution Achievement Award by the Chamber of Architects in 2000 and by the Istanbul Association of Independent Architects in 2014; the Honorary Award in architecture by Beykent University in 2007; and the Honorary Award within the scope of SotCA Awards by Hürriyet Newspaper in 2015.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938746051,"sku":"9786050110166","price":60.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050110166.jpg?v=1616017038"},{"product_id":"oda-tarihinden-portreler-aydin-boysan","title":"Portraits from the History of the Chamber: Aydın Boysan","description":"The Istanbul Metropolitan Branch of the Chamber of Architects continues and publishes oral history studies with valuable colleagues who have made their mark in the history of the architectural profession. The publication of the series, which started in the 2000s, was paused and it was decided to update it again in recent months. \u003cbr\u003e\u003cbr\u003e \"Portraits from the History of the Chamber of Architects \/ Aydın Boysan\" was the first book published in this new period within the scope of this series. Aydın Boysan, one of the founders of the Chamber of Architects and the Secretary General in its first term board of directors, is a productive senior colleague known for his versatile personality in addition to his professional performance, having authored many publications. A publication has been created by compiling his articles that have appeared in architectural publications at different times. \u003cbr\u003e\u003cbr\u003eIn the articles and interviews in this book, you will find Aydın Boysan's architectural performance, developments in professional organization, and his observations and the changes experienced in our cities throughout his long life.","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938844355,"sku":"9786050110371","price":52.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/51suDF8mUbL.jpg?v=1679488471"},{"product_id":"ernst-a-egli-turkiyeye-katkilar","title":"Ernst A. Egli's Contributions to Turkey","description":"\u003cp\u003eWhen Ernst A. Egli was invited to Turkey in 1926 to reorganize the architecture education program and design educational-instructional, i.e., school buildings, according to contemporary principles and methods, he found himself in the midst of the three fundamental development policies of the nascent Republic of Turkey. As the compulsory policies of the war years gave way to new orientations reinforced by the ideas of creating a strong national population and, relatedly, establishing a modern nation-state, it became imperative to implement reforms in health, law, and education, respectively. Education reform constituted the third link in these almost simultaneous priority steps, to enable the construction of a sustainable, healthy, modern society with high productive capacity. Unlike the German-speaking architects who came to Turkey as 'exiles' fleeing Europe's tense political climate, Egli was invited from Vienna by Clemens Holzmeister's suggestion.\u003c\/p\u003e\u003cp\u003eHe was appointed as the chief architect responsible for the design of schools where modern individuals of the Republic would be educated, within the Ministry of National Education, and undertook the tasks of \"organizing and improving their programs, giving lectures, and teaching\" at the Academy of Fine Arts. Egli's innovations at the Academy, such as student admission through an entrance exam, extending the duration of education to five years, and curriculum changes, shaped architectural education in Turkey. The National Architectural Seminar, aiming to document and publicize the civil architectural heritage, was initiated at the Academy in the early 1930s under Egli's leadership, with the assistance of his assistant Sedad Hakkı Eldem, and a unique body of knowledge was accumulated.\u003c\/p\u003e\u003cp\u003eDuring his 14 years in Turkey, Egli designed significant buildings of Republican-era modern architecture, including the İsmet Pasha Girls' Institute, the Music Teachers' School, the Atatürk Forest Farm (AOÇ) Urban Design, Brewery, Civil Servant and Worker Housing, and Bathhouse, Ragıp Devres Villa, Fuat Bulca House, Etimesgut Model Village, Higher Agricultural Institute, School of Political Science, Istanbul University Biology Institute, Turkish Aeronautical Association Administrative Building and Flight School, and the Iraqi and Swiss Embassies. He also signed urban development plans for cities and towns, including districts of Niğde, Edirne, Balıkesir, Samsun, and Denizli.\u003cbr\u003eAfter Atatürk's death in 1938, he lost his protector and left Turkey in 1940 due to the changing political climate. In 1953, he returned to Turkey on a United Nations assignment, giving lectures at the Faculty of Political Sciences at Ankara University and the Institute of Public Administration for Turkey and the Middle East established within the faculty. In 1955, Egli returned to Switzerland, which he considered his homeland, and passed away in Zurich in 1974.\u003c\/p\u003e\u003cp\u003eThis book, which examines Egli's contributions to Turkey in the context of local interpretations and the accountability of programs and practices in education, includes articles by İlhan Tekeli, Oya Atalay Franck, Bernd Nicolai, Sıdıka Çetin, Berna Güç, F. Cânâ Bilsel, Neslinur Hızlı, Nezih R. Aysel, Jan Hoffmann, and Ali Cengizkan. The entire work, compiled by N. Müge Cengizkan and Selda Bancı, which addresses Egli's buildings, projects, and urban development plans in Turkey, was authored by Leyla Alpagut, T. Elvan Altan, Oya Atalay Franck, Afife Batur, Gaye Birol Özerk, Esin Boyacıoğlu, Ali Cengizkan, Işıl Çokuğraş, C. İrem Gençer, Pelin Gürol Öngören, Bilge İmamoğlu, Kıvanç Kılınç, F. Nurşen Kul, and Haluk Zelef.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939172035,"sku":"9786050110487","price":720.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050110487.jpg?v=1616017043"},{"product_id":"tasi-yenen-adam_350739-html","title":"The Man Who Conquered Stone - A Novel of Mimar Koca Sinan","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: \" open sans sans-serif font-size: text-align: center\u003eIn Turgut Güler's brilliant pen, this time another great name from the magnificent cast of the Ottoman-Turkish centuries, our Golden Age, appears with a dazzling shimmer within history: Chief Architect Koca Sinan! Turgut Güler, who previously, guided by Yahya Kemal, took us through the peaks of our national history among the \"tugs whose horizon encompassed the world\" of Yavuz Sultan Selim, this time, together with Yahya Kemal, and guided by the manuscripts dedicated to Sinan by Sâ'î Mustafa Çelebi and Rif'at Osman Bey, lifts the \"dusty curtains of time,\" letting our hearts soar to the \"magnificent mornings\" when we conquered stone under the command of \"Ser-Mîmârân-ı Hâssa Koca Sinan,\" that \"architect of the temple of victory.\" Thus, he demonstrates his endeavor, following the principle that \"it is also a skill to appreciate the value of an artist.\" \"I, Sinan, the carpenter from Ağırnas, realized that the best preparation for entering the Hereafter is to be a good gardener in the garden of the World. (...) I lived quite long, and this era ground my aching tooth and my spinning head well in its own millstone, making me a weak old man. (...) I did my work well and solidly. I wish for them to stand until the Day of Judgment. I have one request from my friends and brothers who love me and appreciate my works. Please do not forget this poor man and pray to Almighty God for an easy reckoning.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Ötüken Neşriyat","offers":[{"title":"Default Title","offer_id":39408947003587,"sku":"9786051556987","price":75.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786051556987.jpg?v=1616017150"},{"product_id":"mimarlik-uzerine-vitruvius","title":"Vitruvius On Architecture","description":"\u003cp\u003eVitruvius's De Architectura (On Architecture) is a ten-book compendium that provides extensive and comprehensive information primarily on the theory and practice of architecture during the Roman period. Due to its universal approach to the principles and education of architecture, it is the only surviving book from antiquity that forms part of the classical Western architectural history known today. As architecture at that time also encompassed engineering, it can be considered the only extant work in the history of engineering. Furthermore, given that the work's topics consist of Greek and Roman temples, public buildings, baths, houses, and even the exterior and interior designs of all these buildings, their wall plasters, reliefs, multi-colored paints, and floors with various patterns, this work is the only comprehensive source from which both classical Western archaeology and art history can draw information regarding this period. In fact, classical archaeology, in particular, owes the source of the scientific language, style, and terminology it uses today to this work. For this reason, On Architecture is the only bedside book that those involved in these sciences throughout the Middle Ages, Renaissance, and up to the present day have consulted and will consult when they wish to learn the history of their fields of study.\u003c\/p\u003e","brand":"Alfa Yayınları","offers":[{"title":"Default Title","offer_id":39408948379843,"sku":"9786051714431","price":675.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/81DZfMe5b4L._SL1500.jpg?v=1771843514"},{"product_id":"bogazici-sayfiyeleri_351220-html","title":"Bosphorus Summer Residences","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e“Will I be able to see the book \"Boğaziçi Sayfiyeleri\" in person and deliver a copy to the Mekhitarist Monastery on St. Lazarro Island in Venice (where the book was first published)?\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eIf I succeed in doing so, a new life story will begin for İnciciyan's book, which you (hopefully) hold in your hands.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eI am nothing but a link in this adventure. The book itself is a love story. A love for the Bosphorus.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThis must be the magic that brought together all the people involved in this little adventure I recounted.\"\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eFerit Edgü\u003c\/p\u003e","brand":"Alfa Yayınları","offers":[{"title":"Default Title","offer_id":39408949493955,"sku":"9786051716909","price":35.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/41ie7smTNqL.jpg?v=1639473887"},{"product_id":"antik-caglardan-gunumuze-mimarligin-oykusu","title":"The Story of Architecture from Antiquity to the Present Day","description":"\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003e\"Four walls\" and \"a roof over one's head\" separate a person from their surrounding environment, providing protection. They make cities, towns, and villages habitable. The memory of a geography is often determined by whether its architecture is preserved or not.\u003c\/p\u003e\n\u003cp\u003ePerhaps architecture expresses social context more than any other human creation. This is because construction is almost always a social act that takes place in the social sphere. As such, the history of this important art sheds light not only on the history of architecture and architects but also on the history of societies.\u003cbr\u003e\u003cbr\u003eIn his book, The Story of Architecture, Jan Gympel invites the reader into the depths of this art with his vast knowledge. All that's left for us is to enjoy the splendor of this important art within its pages!\u003c\/p\u003e\n\u003cp\u003e176 pages, translated into Turkish by Derya Nüket Özer.\u003c\/p\u003e","brand":"Hep Kitap","offers":[{"title":"Default Title","offer_id":39408951099587,"sku":"9786051922782","price":448.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786051922782.jpg?v=1616017213"},{"product_id":"harputta-dini-mimari","title":"Religious Architecture in Harput","description":"\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\u003cp\u003eHarput, which forms the origin of the city of Elazığ and has been an important settlement in every period of history, has extremely important historical remains and artifacts. Harput hosted the Çubuk Beylik, Artuqids, Seljuks, Dulkadirids, and Aq Qoyunlu throughout its history, and after finally joining the Ottoman Empire, it became one of the empire's favorite cities, becoming the center of science and wisdom in the region.\u003cbr\u003e\u003cbr\u003eIn this study, among the historical heritage such as castles, mosques, tombs, churches, baths, and other historical remains that still exist in Harput, which is now a neighborhood connected to Elazığ province, and are disappearing day by day, the mosques, masjids, and tombs that have survived with their existing inscriptions, and the inscriptions found in these structures, have been examined. While examining these structures, a comparison was made between their initial and final states, highlighting their striking features, and examining the inscriptions belonging to the structures in terms of their condition, calligraphic styles, and location within the structure.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e(From the Promotional Bulletin)\u003c\/p\u003e","brand":"Çizgi Kitabevi Yayınları","offers":[{"title":"Default Title","offer_id":39408951394499,"sku":"9786051960166","price":135.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786051960166.jpg?v=1616017215"},{"product_id":"barselona_348756-html","title":"Barcelona","description":"The writings collected in this book recount what I have learned from Barcelona, a city I have visited on average twice a year since 2006. All chapters touch upon Barcelona's physical and cultural presence and, at every opportunity, upon Gaudí. Architecture is always central. \u003cbr\u003e\u003cbr\u003eThe Spanish author of the first modern novel, Miguel de Cervantes, in 1605, has one of his characters in Don Quixote say:\u003cbr\u003e\u003cbr\u003e“Barcelona, a famous, rich, and well-founded city, is an alarm and fear for Spain's distant and near enemies, a source of luxury and joy for its inhabitants, a refuge for foreigners, offering more than anyone could desire to all who are civilized and discerning. It is also a school of elegance, a resting place for travelers, a protector of the poor, a home for heroes, and a happy meeting place for those seeking friendship.”\u003cbr\u003e\u003cbr\u003eMany of these things can still be found in Barcelona four centuries later. Barcelona is a very important Mediterranean city in the fields of art, culture, and architecture. 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Here, to the best of our ability, an attempt has been made to capture the content of the final stage of an ancient accumulated knowledge that took shape with its Islamic layer. In doing so, while providing details from pre-Islamic examples, we primarily strived to present the meaning and symbolic dimension by considering the scientific and cultural factors that constitute the Islamic segment.\u003c\/p\u003e\n\n\u003cp\u003eWith this research, we have attempted to reveal the philosophical, psychological, religious, and scientific data pertaining to architecture, one of the most significant components of Islamic art. We embarked on the path of creating a repertoire of meaning by combining the unseen aspects behind Islamic architecture, or Islamic art in general, with the visible ones. In its general appearance, Islamic architecture has not refrained from incorporating the accumulated knowledge of ancient cultures and has expanded its repertoire by adding its own accumulated knowledge to these. In this case, Islamic architecture has presented its structure by drawing from ancient culture, while its ornamentation or aesthetics remained within the sphere of Islam.\u003c\/p\u003e\n\n\u003cp\u003e(From the Promotional Bulletin)\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Palet Yayınları","offers":[{"title":"Default Title","offer_id":39408954572995,"sku":"9786052338094","price":540.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052338094.jpg?v=1616017261"},{"product_id":"mimar-sinan-national-geographic-kids_348999-html","title":"Mimar Sinan - National Geographic Kids","description":"\u003cp\u003eAre you ready to meet the world's first \"star architect\"?\u003cbr\u003eIf so, get ready to discover Mimar Sinan through dozens of illustrations and photographs!\u003c\/p\u003e\u003cp\u003eMimar Sinan is a great architect recognized worldwide for his extraordinary genius. He lived in the Ottoman Empire in the 16th century, served as chief architect to three sultans for 50 of his approximately 100 years of life, and trained dozens of great architects. He was an exemplary person with his trustworthy character and work discipline.\u003c\/p\u003e\u003cp\u003eMany of the works he designed and built 500 years ago are still standing today! His architectural style continues to inspire architects and engineers.\u003c\/p\u003e\u003cp\u003eWith this book, you will learn about Mimar Sinan's:\u003cbr\u003e\u003cbr\u003e• Family and childhood,\u003cbr\u003e• Selection as a devşirme and his arrival in Istanbul,\u003cbr\u003e• Years in the military and campaigns with Suleiman the Magnificent,\u003cbr\u003e• Appointment as chief architect and his apprenticeship, journeyman, and master periods,\u003cbr\u003e• The great architects he trained,\u003cbr\u003e• How he is known worldwide and how his name lives on,\u003cbr\u003e• Why he is referred to as the world's first \"star architect.\"\u003c\/p\u003e","brand":"Beta Kids","offers":[{"title":"Default Title","offer_id":39408955359427,"sku":"9786052423318","price":58.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052423318.jpg?v=1616017274"},{"product_id":"yirmibirinci-yuzyil-icin-mimarlik-tarihi","title":"Architectural History for the Twenty-first Century","description":"Şevki Pekin, who has been thinking about and practicing architecture since the mid-1960s, has released his new book, \u003cstrong\u003e\u003cem\u003eArchitecture History for the Twenty-First Century\u003c\/em\u003e\u003c\/strong\u003e.\u003cbr\u003e \u003cbr\u003eThis new book by Şevki Pekin is a written work compiling his thoughts that have formed during the years he pursued architectural studies, without solely focusing on the promotion of projects and structures. Rather than being a history of architecture or a manifesto, this book is intended as a guide for the youth of our country, and it serves as a compilation of many perspectives that have emerged during his 50 years in the architectural profession.\u003cbr\u003e \u003cbr\u003eŞevki Pekin, who states, \"Change is inevitable if we want our thoughts and our work to endure,\" shares some prominent views in the book as follows:\u003cbr\u003e \u003cbr\u003e\u003cem\u003e “In the twenty-first century, architecture is not progressing along conventional paths, and the new world order, born from diversity, continues in an environment where some praise it and others criticize it, just like in eras before us. Today's structures and projects gain validity only through the development and building upon knowledge created and learned in the past, and architecture builds its own development on these roots. Against a conservative attachment to old structures, over the years, Medieval architecture gave way to Renaissance architecture, and then to many different architectural movements, and time has always created new architectural developments built upon one another using similar roots. In the continuation of this development process, modern architecture emerged almost more than a century ago, and new approaches based on computer usage have appeared since then and continue today. Thoughts and works created in the past, and those existing today, express an achievement, a development, only when evaluated within their own time frames. There are viewpoints and theories that time is not a measure, not a reality, but time is the only and most important measure that can change only within itself, not subject to personal control, and cannot be controlled. Although the power of thoughts and created architecture or a structure may be built upon very old roots, merely using knowledge from the past is not sufficient. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe power of every work can certainly be measured by its ability to endure within the measure of time and simultaneously not lose its value. Therefore, architectural works—that is, structures, projects, designs, or architectural thoughts—will only be valuable if they can resist time in the years to come, maintain their intellectual and conceptual connection with the past, and not get carried away by daily trends. Architecture endures through physical durability and intellectual durability, which complement each other in relation to time…”\u003c\/em\u003e","brand":"Ofset Yapımevi","offers":[{"title":"Default Title","offer_id":39408956080323,"sku":"9786052455241","price":70.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052455241.jpg?v=1616017284"},{"product_id":"turk-ahsap-konut-mimarisi","title":"Turkish Wooden House Architecture","description":"\"House,\" the primary and most unique product of the relationship between space and human, has long transcended the boundaries of architecture and been embraced as an indicator of a broad disciplinary field. 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Although the Turkish house has been described in travelogues, engravings, and paintings for five hundred years, the limited lifespan of its building materials, especially wood, has not left sufficient data to study this architecture in all its details.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith this book, which attempts to evaluate Turkish wooden residential architecture with comprehensive historical research and a deep theoretical approach, we hope it will achieve the position and value it deserves in universal architectural history.","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":39408956801219,"sku":"9786052951071","price":288.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/turk-ahsap-konut-mimarisi.webp?v=1740951755"},{"product_id":"istanbul-tarihi-arastirmalari-halil-inalcik","title":"Istanbul Historical Studies","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eIn Halil İnalcık's İstanbul Tarihi Araştırmaları (Studies on the History of Istanbul), one of the works he entrusted to our publishing house before his death, İnalcık's articles on Istanbul's history and previously unpublished works, through which he contributed to the subject for sixty years, are presented together. In the first section of the work, İnalcık compiles his various studies on the repopulation and reconstruction activities of Istanbul after its conquest. He examines the city's re-establishment as a Turkish-Islamic city, drawing upon archival documents and primary sources in various languages. Additionally, the city's population, settlements, and economic life are among the book's significant contributions. In the second section, İnalcık presents his research on Galata, Eyüp, and Üsküdar as the Bilâd-i Selâse (Three Cities). Alongside various Istanbul censuses, he dedicates a significant portion to the 1885 Istanbul Census, focusing on the structural characteristics of Istanbul's demographics. By providing a list of existing neighborhoods in Istanbul from 1911, he illustrates the developmental stages of Istanbul as a Turkish-Islamic city over a broad spectrum from 1453 to 1911. In İstanbul Tarihi Araştırmaları, İnalcık's research on the history of Istanbul over many years is presented as a whole, along with his work The Survey of Istanbul 1455, published in 2012, which was the first Ottoman cadastral survey of Istanbul after its conquest.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":39408956866755,"sku":"9786052957578","price":495.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/IstanbulTarihiArastirmalari.webp?v=1741027336"},{"product_id":"osmanli-mimarligi-bibliyografyasi","title":"A Bibliography of Ottoman Architecture","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cp\u003eAs a result of its long reign, the Ottoman Empire adorned the lands we live in and the surrounding geography with its architectural works. These architectural works can be seen today in countries as far apart as Tunisia, Egypt, Syria, Bulgaria, and Greece. The fact that they built charitable foundations, viewing the places they went as their own land, with an approach far from colonialism, undoubtedly shows the power of the Ottomans.\u003c\/p\u003e\n\n\u003cp\u003eAfter determining the topic in a scientific study, the next step is to identify the sources related to the topic. Scanning publications such as books, theses, articles, encyclopedia entries, and papers is quite time-consuming. One of the reasons for this is the scarcity of bibliographic publications in our country. This book was created to benefit researchers who will prepare books, theses, articles, and papers on the aforementioned subject and to save them time, by providing the bibliographic information of Master's and Doctoral theses completed in different disciplines such as Art History, Architectural History, History, Restoration, Islamic History, and Arts related to Ottoman Architecture, from the establishment of YÖK (Council of Higher Education) to the present day.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e(From the Promotion Bulletin)\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Cinius","offers":[{"title":"Default Title","offer_id":39408956965059,"sku":"9786052967157","price":207.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052967157.jpg?v=1616017297"},{"product_id":"hassa-basmimarlari-el-hac-mustafa-aga-kara-ahmed-aga-ve-mehmed-tahir-aganin-doneminde-istanbuldaki-imar-faaliyetleri","title":"Construction Activities in Istanbul During the Period of Chief Imperial Architects El-Hac Mustafa Ağa, Kara Ahmed Ağa, and Mehmed Tahir Ağa","description":"\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003eIn the 18th century, the reform movements of the Ottoman Empire are generally referred to as \"Westernization.\" During this century, the reforms and changes made in the military field were primarily oriented towards France. It is also known that the changes and innovations seen in Ottoman architecture starting from the reign of Sultan Mahmud I were influenced by the West. This study examines Westernization in Ottoman architecture through the works produced during the terms of office of the chief architects El-Hac Mustafa Ağa, Kara Ahmed Ağa, and Mehmed Tahir Ağa.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe years these architects served as chief architects at the head of the Imperial Architects' Guild during the reigns of Sultan Mahmud I, Sultan Mustafa III, and Sultan Abdülhamid I have been fully established for the first time, supported by archival documents. Their original surviving works built in Istanbul concretely demonstrate the innovations of their era. Furthermore, this study also focuses on the establishment, development, and duties of the Imperial Architects' Guild, in addition to these works.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Cinius Yayınları","offers":[{"title":"Default Title","offer_id":39408956997827,"sku":"9786052967645","price":85.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052967645.jpg?v=1616017299"},{"product_id":"osmanli-batililasmasi-baglaminda-18-yuzyilin-ikinci-yarisinda-istanbul","title":"Istanbul in the Second Half of the 18th Century in the Context of Ottoman Westernization","description":"\u003cdiv class='\"col-half\"'\u003e\n\n\u003ch1 class='\"product-name\"'\u003e\u003cbr\u003e\u003c\/h1\u003e\n\n\n\u003c\/div\u003e\n\u003cdiv class='\"col-half\"'\u003e\n\n\u003cp\u003eThe Ottoman Empire entered the 18th century having experienced significant territorial losses for the first time through treaties signed as a result of defeats in wars. In this century, Ottoman military technology, in particular, was observed to have fallen behind that of the West. Having lost its influence and superiority over the West, the Ottoman Empire turned its attention to Europe, especially France, and efforts toward innovation in military training and art took place in this century.\u003c\/p\u003e\n\n\u003cp\u003eArchitecture holds an important place within these modernization movements, also referred to as Westernization efforts. In the second half of the 18th century, many works concretely reflecting this situation were created. This work aims to present the works built in Istanbul during the reigns of Sultan Mustafa III and Sultan Abdülhamid I within the context of Ottoman Westernization. In addition, the works mentioned in the study were compared in terms of their locations and patrons.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Cinius Yayınları","offers":[{"title":"Default Title","offer_id":39408957227203,"sku":"9786052967652","price":70.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052967652.jpg?v=1616017301"},{"product_id":"eski-insanlar-eski-evler-19-yuzyilda-beyoglunun-sosyal-topografyasi","title":"Old People Old Houses-The Social Topography of Beyoğlu in the 19th Century","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOld People Old Houses: The Social Topography of Beyoğlu in the 19th Century is a valuable resource written about yesterday's Cadde-i Kebir, extending from Taksim Square to Tünel, and deals with the residential areas of the merchant bourgeoisie in 19th-century Istanbul. Said Naum-Duhani recounts the story of the buildings, which are merely \"stones\" today, and the \"people\" within those spaces, firsthand, by going door-to-door. In doing so, he inventories the urban architecture of the Westernization period in Beyoğlu and its surroundings by traversing İstiklal Avenue, which he defines as an \"urban artery,\" along three different routes. With Cemal Süreya's master translation and Çelik Gülersoy's rare portrait writing...\u003c\/p\u003e","brand":"Kırmızı Kedi Yayınevi","offers":[{"title":"Default Title","offer_id":39408957522115,"sku":"9786052982631","price":100.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052982631.jpg?v=1616017304"},{"product_id":"15-yucc88zyilda-tucc88rk-mimarligi-ve-tezyinati_351869-html","title":"15th Century Turkish Architecture and Decoration","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eFrench architect Léon Parvillée's work titled Turkish Architecture and Ornamentation in the 15th Century, published in French in Paris in 1874, is being translated into Turkish for the first time after 146 years. Léon Parvillée, who lived in Istanbul for 16 years and undertook the restoration of early Ottoman monuments such as the Tiled Kiosk in Istanbul in the 1860s, and the Orhan Mosque, Green Mosque, and Green Tomb in Bursa in 1864 at the invitation of Ahmet Vefik Pasha, is an indispensable figure in the historiography of Ottoman architecture due to his contributions to Ottoman-Turkish architectural and art history. Turkish Architecture and Ornamentation in the 15th Century is also one of the first books on the subject published in Europe.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eHere, Léon Parvillée gives a clear answer to the question emphasized by his teacher Viollet-le-Duc in the book's preface: \"Does such a thing as Turkish art truly exist?\"\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eMiyuki Aoki Girardelli also contributed a comprehensive preface to this Turkish edition of the book, which features survey and detailed drawings of 15th-century Ottoman architectural works such as the Green Mosque, Green Tomb, Orhan Mosque, and Muradiye Tombs in Bursa, the former Ottoman capital.\u003c\/p\u003e","brand":"Kırmızı Kedi Yayınevi","offers":[{"title":"Default Title","offer_id":39408957817027,"sku":"9786052986158","price":340.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052986158.jpg?v=1616017309"},{"product_id":"le-corbusier-turkiyee28099de-izmir-nazim-plani-1939-1949_351963-html","title":"Le Corbusier in Turkey - İzmir Master Plan 1939 - 1949","description":"\u003cdiv style=\"margin: 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\" class=\"kitap-detay-tanitim\"\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eLe Corbusier's İzmir master plan project, prepared in 1939 at the request of the İzmir city administration, is known to only a few specialists in both France and Turkey. The architect's work, which fell victim to the international conjuncture and was slowed down by tough negotiations with the İzmir city administrators, ended in 1949. However, the submitted project file caused hesitation among the İzmir administrators. The file later disappeared in the city's municipal service buildings. A copy, along with original drawings and plans related to the master plan project, was fortunately preserved at the Le Corbusier Foundation in Paris. These documents were exhibited in İzmir and Strasbourg within the framework of a traveling exhibition held in May and July 2009. This book is the revised and expanded Turkish edition of the book Le Corbusier in Turkey – İzmir Master Plan (1939-1949), which was published in French as part of the exhibition. Accompanied by anecdotes that clarify the testimonies, it re-examines the İzmir project's place in Le Corbusier's urban planning oeuvre and in the discussions that developed around the European concept of the city in the first half of the 20th century, addressing its historical and emotional aspects.\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Kırmızı Kedi Yayınevi","offers":[{"title":"Default Title","offer_id":39408958079171,"sku":"9786052986905","price":339.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052986905.jpg?v=1616017311"},{"product_id":"mimar-sinan-tarihsel-ve-muhayyel","title":"Mimar Sinan Historical and Imagined","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eThis book is not a monograph on Mimar Sinan. It does not offer a new summary of what is known about his life and works. It does not contain a list of his buildings. Nor does it explain why he was such an important genius and his contributions to world architecture. It does not praise Sinan and his works. It also does not include a section with an album of newly taken, highly successful photographs of Sinan's structures. Many such books already exist.\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eMimar Sinan: Historical and Imaginary is a work based on two interconnected research paths: First, it discusses approaches to writing the history of Sinan and the architecture of the Sinan era and proposes alternatives, then it attempts to understand how the image of Sinan, created and still being produced in popular culture, was constructed. In the first section, it tries to show how some new possibilities can be used to write different and realistic histories of Sinan, diverging from what has been written until now. Most importantly, it endeavors to present a cool-headed historical text about Sinan, rather than a sanctifying one. The second section of the book is about the popular perception of Sinan in contemporary Turkey: why is there a popular vein that avoids seeing Sinan in the context of the ordinary social, political, economic, and cultural realities of the 16th century?\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eWe cannot write history without willfully forgetting the possibilities and phenomena, ideas, techniques, attitudes, organizational structures, political patterns, and concerns whose existence we are overly familiar with today but which did not exist in the past. It is deplorable that there is almost no other mistake we make as frequently in historiography, especially in architectural history. Here, an effort is made not to make the same mistake, that's all.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Metis Yayıncılık","offers":[{"title":"Default Title","offer_id":39408960798915,"sku":"9786053162155","price":684.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786053162155.jpg?v=1616017338"},{"product_id":"neoliberal-kent-politikalari-ve-fener-balat-ayvansaray","title":"Neoliberal Urban Policies and Fener-Balat-Ayvansaray","description":"\u003cdiv col-half=\"\"\u003e\n\n\u003ch1 product-name=\"\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\n\n\u003c\/div\u003e\n\u003cdiv col-half=\"\"\u003eIn 1998, a conservation project was initiated in collaboration with UNESCO, the EU, and the Fatih Municipality, aiming to preserve both the architectural fabric of the area and its residents. Before this project, Fener, Balat, and Ayvansaray were historical neighborhoods whose names were only known by their inhabitants and a few curious individuals, secluded and home to ordinary people living in small, multi-story houses with bay windows.\u003cbr\u003e\u003cbr\u003eThis book, which contains academic articles on the past, present, and future of these ancient neighborhoods, is a step towards making the historical and social values of the region more visible, and drawing attention to problematic approaches in urban renewal projects targeting these areas.\u003cbr\u003e(From the Promotional Bulletin)\u003c\/div\u003e","brand":"İş Bankası Kültür Yayınları","offers":[{"title":"Default Title","offer_id":39408961421507,"sku":"9786053327851","price":74.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0000000703045-1.jpg?v=1637318128"},{"product_id":"anadolu-kerpic-mimarligi","title":"Anatolian Adobe Architecture","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eAmong the building materials produced with local tools, adobe has maintained its importance to this day due to its positive aspects. Today, while housing needs cannot be met in large cities with modern building materials and technology, it is considered impossible to provide this service to rural areas due to the country's conditions. Anatolian Adobe Architecture extensively examines adobe, which has a widespread use as data and a numerical value among traditional and local material systems.\u003c\/span\u003e\u003c\/p\u003e","brand":"İstanbul Kültür Üniversitesi - İKÜ Yayınevi","offers":[{"title":"Default Title","offer_id":39408964010179,"sku":"9786054233885","price":229.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/anadolukerpic.png?v=1744381325"},{"product_id":"bicimin-seruveni","title":"The Adventure of Form","description":"\u003ch1 class=\"\" product-name=\"\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003eIn The Journey of Form, Müfide Aksoy traces the transformation of \"biçim\" into \"form\" from prehistory to the nineteenth century. She defines her aim as \"grasping the fundamental rather than getting lost in details, and looking at time with a comparative and critical eye.\" This book contains references to important art and architecture history reference books and abundant visual examples from painting, sculpture, and architecture. The book's short chapters, visual examples, and a glossary at the end make The Journey of Form a clear and useful resource for anyone who wants to learn about art and architecture history.\u003c\/p\u003e","brand":"İstanbul Kültür Üniversitesi","offers":[{"title":"Default Title","offer_id":39408964174019,"sku":"9786054233939","price":150.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786054233939.jpg?v=1616017390"},{"product_id":"osmanli-mimarisi-1","title":"Ottoman Architecture","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cb\u003eOTTOMAN ARCHITECTURE \/ USÛL-İ Mİ’MARİ-İ OSMÂNÎ\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFrom the 19th century onwards, development activities accelerated in the Ottoman Empire. While the state opened modern factories to meet its needs, it also tried various ways to revive small tradesmen who had difficulty keeping up. To this end, the state prioritized promotion and attached importance to the international exhibition of domestic goods. The Ottoman Empire first participated in a London International Exhibition in 1851. It then participated in many international exhibitions in cities such as Paris, Chicago, Naples, Germany, Madrid, Pest, Barcelona, and Italy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOne of the exhibitions the Ottoman Empire participated in was the Vienna Exhibition. The state, which participated in this exhibition in 1873, had been preparing for it for about two years. During these preparations, the state had two books prepared and printed to introduce Ottoman architectural works and the clothing worn by its Muslim and non-Muslim citizens living in its territories during the exhibition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThis work, prepared by a committee headed by İbrahim Edhem Pasha, one of the Ottoman era’s Ministers of Public Works (Nâfia nâzırları), was published in Turkish (Ottoman), French, and German in 1873. This book, titled \"Usûl-i Mî’mârî-i Osmânî\" (Methods of Ottoman Architecture), was designed to introduce the Ottoman architectural style to the whole world at the Vienna exhibition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eApart from the outer and inner covers, the book consists of fourteen sections and is enriched with pictures, plans, figures, and ornamentation. All the images in the book were used in common across the texts in all three languages. Given that it would be very difficult for the reader to connect the texts and images through the references in the texts, the simplified version of the original text in modern Turkish, the French and German texts, followed by the transcription of the original text, and the transcriptions and images of imperial edicts related to the book and exhibition, were added. Subsequently, a glossary, which we believe will be useful to the reader, was provided, and the original Ottoman text was added in the final section. The images (plates) in the book were placed at the end of the relevant sections of the simplified text.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThis valuable work, which reveals the history of Ottoman architecture with its visuals, is being presented from library shelves, especially to architects, engineers, historical and architectural professionals such as tile and porcelain manufacturers, those engaged in fine arts such as illumination, and, more importantly, to everyone curious about the history of Ottoman architecture.\u003c\/span\u003e\u003c\/p\u003e","brand":"Çamlıca Basım Yayın","offers":[{"title":"Default Title","offer_id":39408965255363,"sku":"9786054421206","price":598.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786054421206.jpg?v=1616017402"},{"product_id":"kirsaldan-kente-goc-surecinde-mekansal-degisim","title":"Spatial Transformation in the Rural-to-Urban Migration Process","description":"\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003eIn the context of the continuity of national culture, the fact that rural housing incorporates every criterion we architects seek in space design makes it important to discuss it and to pass this design culture on to future generations. Considering migration and rapid urbanization, rural housing, which I believe forms the basis of housing culture, is currently undergoing a significant change compared to traditional housing culture. The inability of rural homes of users who migrate to cities to adapt to urban life; the transition to multi-story housing types such as apartments, residences, etc.; the appearance of the same spatial style in every region and every climate; and as a result of all these, the gradual disappearance of traces of national culture, have necessitated this study.\u003cbr\u003e\u003cbr\u003eThis study, which focuses on applying the Space Syntax Method to traditional rural houses located on the outskirts of cities, can help architects seeking new directions in urban housing design.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Çizgi Kitabevi Yayınları","offers":[{"title":"Default Title","offer_id":39408965419203,"sku":"9786054451692","price":50.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786054451692.jpg?v=1616017405"},{"product_id":"istanbulun-100-hani_348952-html","title":"100 Caravanserais of Istanbul","description":"\u003cp\u003eThe word \"han\" comes from the Persian word \"hane\" (house). In Arabic literature, the word \"han\" appeared with the construction of Han al-Akaban in 1213.\u003c\/p\u003e\u003cp\u003eHanas were used for two structurally different types: menzil hans (caravanserais) and city hans. While caravanserais served as accommodation stations during long journeys, city hans were places where goods were stored, sold, traded, merchants stayed, and trade and manufacturing were regularly conducted.\u003c\/p\u003e\u003cp\u003eIn Istanbul, one of the world's most important port cities, trade hans were undoubtedly among the most important instruments of urban life.\u003c\/p\u003e\u003cp\u003eThese hans were trade centers where goods from all over the world were stored and sold. In addition to their commercial function, hans also served as residences, thus having a similar function to modern-day hotels. Considering that many hans also served as main distribution points for various goods, it would not be wrong to say that Istanbul hans were commercial complexes that functioned as import-export centers, warehouses, shopping malls, and hotels.\u003c\/p\u003e\u003cp\u003eIn this book titled \"Istanbul's 100 Hans,\" you will see original examples of hans referred to as Istanbul hans, as well as examples that underwent structural and spatial changes starting from the 19th century, and you will witness how important these hans were as instruments in urban life.\u003c\/p\u003e","brand":"İBB Yayınları","offers":[{"title":"Default Title","offer_id":39408966598851,"sku":"9786054595167","price":50.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786054595167.jpg?v=1616017413"},{"product_id":"osmanli-mimarlik-kulturu","title":"Ottoman Architectural Culture","description":"\u003ch1 class=\"\" product-name=\"\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003eHigh Architect Engineer Ekrem Hakkı Ayverdi, who left permanent works as a restorer, collector, and architectural historian for the preservation and protection of Ottoman architectural culture, was commemorated in 2014 with a series of events on the occasion of the thirtieth anniversary of his death. Within the scope of these events, an International Ottoman Architectural Culture symposium was organized on October 23-24, 2014, at the Taşkışla campus of the Engineering School (today ITU), from which Ekrem Hakkı Bey graduated in 1920, with the support of the Kubbealtı Academy Culture and Art Foundation and Istanbul Technical University. In this symposium, the past and present of Ottoman architectural history studies, along with various aspects and topics of Ottoman architecture, were discussed through twenty-two presentations. The twelve articles in this book consist of some of the papers presented at this symposium, either in their revised article form by their authors or as different new studies.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Kubbealtı Neşriyatı Yayıncılık","offers":[{"title":"Default Title","offer_id":39408967221443,"sku":"9786054750276","price":200.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786054750276.jpg?v=1616017421"},{"product_id":"mimar-sinan-mimarideki-osmanli-muhru","title":"Mimar Sinan: The Ottoman Seal in Architecture","description":"\u003cp\u003e\u003c\/p\u003e\u003cdiv class=\"kitap-detay-alt\" style=\"margin: 20px 0px 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; border-spacing: 20px; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003c\/div\u003e\u003cdiv class=\"kitap-detay-tanitim\" style=\"margin: 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eSinan's mosques embody such a wholeness: they blend marble with art, and art with life. You begin to be astonished and mesmerized even in the courtyard. In that moment of wonder and admiration, look at the doors and windows: observe the captivating harmony of the windows with the walls, the ascension of the \"kündekari\" door to the domes, the scattered \"speckled domes\" that seem to have been strewn by a powerful hand, transforming into minarets in places without ever disturbing the eye, reaching into infinity...\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eThen, as if entering Yahya Kemal’s poetry, step into the mosque and ponder how such a deep and peaceful interweaving is achieved between the pulpit and the mihrab, and the mihrab and the minbar, each so distinct and independent, yet so close to one another...\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eTry to decipher Sinan's state of mind in the seemingly contradictory characters of the simplicity of the domes and the riot of colors on the walls: the genius, in love with the impossible, attempted the \"impossible\" in every one of his works, achieving what he couldn't in real life by capturing the \"aesthetic harmony of opposites\"!\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003e\"And from love!\"\u003cbr\u003eRemember: Art is the name of \"eternity\" and \"love.\"\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Panama Yayıncılık","offers":[{"title":"Default Title","offer_id":39408968794307,"sku":"9786055143879","price":156.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055143879.jpg?v=1616017439"},{"product_id":"bir-sehir-kurmak_348890-html","title":"Building a City","description":"\u003cp\u003eHas modern Turkey been able to create its unique house type and urban form? 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Who organized this city, who built this house, and are we obliged to live in these foreign spaces? Here we are faced with an identity problem. Turgut Cansever constructs two major identity concepts: the modernist identity inherited from Christian Europe and the identity of Islamic civilization. Undoubtedly, the most important visible element of the civilization concept is the city. Our unique city and home will be built by our experts and practitioners based on a demand that is ours.\u003c\/p\u003e","brand":"Klasik Yayınları","offers":[{"title":"Default Title","offer_id":39408970039491,"sku":"9786055245825","price":395.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055245825.jpg?v=1616017451"},{"product_id":"turquerie-ve-temsil-politikasi-1728-1876","title":"Turquerie and the Politics of Representation, 1728-1876","description":"\u003cdiv col-half\u003e\u003ch1 product-name\u003eTurquerie and the Politics of Representation, 1728-1876\u003c\/h1\u003e\u003c\/div\u003e\u003cdiv col-half\u003eIn this, the first book-length study dedicated to the examination of Ottoman\/Turkish-inspired architecture in Western Europe during the eighteenth and nineteenth centuries, Nebahat Avcıoğlu emphasizes not divisions but the harmony of diversity in the matter of cultural boundaries. She considers turquerie, often reduced to the limits of exoticism, as an intercultural art form. By looking at previously neglected paintings, designs, and buildings, the author connects the West's interest in the Ottoman Empire to notions of self-representation and national politics. Turquerie and the Politics of Representation, 1728-1876, offers a comprehensive cultural interpretation of the art and architecture of this period, investigating what influences led Europeans to turn to Turks for inspiration and why.\u003cbr\u003e\u003cbr\u003eAvcıoğlu examines three specific building types: pavilions, mosques, and hammams. She selects these from the first fully-fledged examples built in Western Europe and thoroughly researches the cultural politics of architectural forms and styles in these structures. According to the author, the assimilation of these building types was not accidental, nor does it merely demonstrate Europe's dominance over another culture. It was fundamentally a dialectical process that contributed to transculturation in both the West and the East.\u003cbr\u003e(From the Promotional Bulletin)\u003cbr\u003e \u003c\/div\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408970268867,"sku":"9786055250355","price":41.67,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055250355.jpg?v=1616017457"},{"product_id":"eski-yakindogu-da-kent-bellek-anit","title":"City, Memory, Monument in the Ancient Near East","description":"\u003cp\u003eThe creation of new cities is considered an ideological project or divine intervention in the political narratives and myths of Near Eastern cultures, and the social production of urban space is often masked. 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Analyzing written evidence, archaeological records, and especially the surviving structures, he concludes that Byzantine architecture was much more creative and innovative than previously thought.\u003cbr\u003eOusterhout describes how the masters selected, produced, and used all materials, from bricks and mortar to roof tiles, from foundations to domes. He positions the richly decorated church interiors, covered with marble slabs, mosaics, and frescoes, along with their complex iconographic programs, within the framework of the master builder's perspective. Ousterhout also refers to masters in Russia, the Balkans, and Israel. Robert Ousterhout is a professor of Byzantine Art and Architecture in the Department of Art History at the University of Pennsylvania and director of the Center for Ancient Studies.\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408971743427,"sku":"9786055250799","price":249.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/BIZANS1.png?v=1617871030"},{"product_id":"turkiyee28099de-sehirler-ve-ickaleler_349383-html","title":"Cities and Inner Castles in Turkey","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eWalled citadels served as residences for rulers and armies for a thousand years, and as sacred centers that embodied power for the elite. The \"citadel phenomenon,\" which is often overlooked in architectural history and usually overshadowed by palace and temple architecture, receives the attention it deserves with this book.\u003cbr\u003eIn \"Cities and Citadels in Turkey,\" a product of the symposium organized by Koç University's Anatolian Civilizations Research Center (ANAMED) in 2009, leading experts on the subject take a close look at citadels built in Anatolia and Mesopotamia from the Iron Age to the 14th century.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; right: 0px; left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eCitadels, which served as protectors, representatives, and witnesses of cities in every era from the Urartians to the Anatolian Seljuks, and from the Assyrians to Byzantium, tell their own stories at the intersection of archaeology, architecture, art history, and history.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; right: 0px; left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eScott Redford is the Nasser D. Khalili Professor of Islamic Art and Archaeology in the Department of History of Art and Archaeology at the School of Oriental and African Studies, University of London. Nina Ergin is an associate professor in the Department of Archaeology and Art History at Koç University.\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408971907267,"sku":"9786055250980","price":40.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055250980.jpg?v=1616017476"},{"product_id":"gotik-mimarlik-ve-skolastik-felsefe","title":"Gothic Architecture: An Examination of the Commonalities Between Art, Philosophy, and Religion in the Middle Ages","description":"\u003cp\u003e\u003cstrong\u003eGothic Architecture\u003c\/strong\u003e discusses the relationship between medieval thought patterns and architectural formation, focusing on art, philosophy, and religion.\u003c\/p\u003e\u003cp\u003eIt is now an undeniable fact that art, with its form and content, is a phenomenon that develops with the economic, social, and intellectual structure of the environment in which it was created.\u003c\/p\u003e\u003cp\u003eIn his work, Prof. Erwin concretizes this relationship by comparing it in two components: philosophy and art. 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font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e- Sultanahmet Mosque\u003c\/span\u003e\u003cbr style=\"line-height: 7px; color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e- Ancient artifacts in Istanbul\u003c\/span\u003e\u003cbr style=\"line-height: 7px; color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e- Obelisk\u003c\/span\u003e\u003cbr style=\"line-height: 7px; color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e- Column of Mari\u003c\/span\u003e\u003cbr style=\"line-height: 7px; color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e- Column of Mürekkeb\u003c\/span\u003e\u003cbr style=\"line-height: 7px; color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e- Souvenir of the Visit\u003c\/span\u003e\u003cbr style=\"line-height: 7px; color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e- Exhibition\u003c\/span\u003e\u003cbr style=\"line-height: 7px; color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e- Foundation of the Hippodrome\u003c\/span\u003e\u003cbr style=\"line-height: 7px; color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e- Hippodrome\u003c\/span\u003e\u003cbr style=\"line-height: 7px; color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e- School of Industry\u003c\/span\u003e\u003cbr style=\"line-height: 7px; color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e- Binbirdirek Cistern\u003c\/span\u003e\u003cbr style=\"line-height: 7px; color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e- Çemberlitaş Column\u003c\/span\u003e\u003cbr style=\"line-height: 7px; color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e- Kıztaşı Column\u003c\/span\u003e\u003cbr style=\"line-height: 7px; color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e- Column of Arcadius\u003c\/span\u003e\u003cbr style=\"line-height: 7px; color: rgb(0, 0, 0); font-family: Tahoma; font-size: 11px; background-color: rgb(254, 245, 230);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); 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For this reason, attempts to answer the question \"What kind of result would emerge if architectural organization in the late Ottoman period were examined?\" find their place in the book with a perspective beyond idealized schemes. In the first section of the book, based on available information, the aim was to examine the transformations in construction organization from the late 18th century onwards by making comparisons with practices from the classical period. The organization in the provinces between the second half of the 18th century and the Tanzimat period, the regulation of architectural revenues and construction organization after the Tanzimat, and the gaps created by the system in Ottoman construction organization are discussed. In the book, events related to the construction environment are specialized and explained under subheadings with examples that reinforce the subject. 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