{"title":"Architecture","description":"","products":[{"product_id":"raj-rewal","title":"Raj Rewal","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\"Yet, in the Modern Movement, there are very few architects who can successfully interpret form intrinsically in the context of culture and extrinsically in the context of climate and natural environment. Luis Baragan from Mexico and Alvar Aalto from Finland can be counted among the architects of the previous generation who achieved this goal. Today, the country with the most intense focus on this objective is India, with architects such as Charles Correa, Balkrishna Doshi, Romi Khosla, Anand Raje, and Ranjit Sabikhi being the Indians who dedicate their thought and talent to this endeavor. More importantly, the fame of each of them has transcended India and become international. Raj Rewal, on the other hand, holds a separate position in this environment, focused on Delhi, valuing the generally Islamic architectural heritage of North India and using these values as a starting point.\" -Suha Özkan-\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Boyut Yayın Grubu","offers":[{"title":"Default Title","offer_id":39408931864771,"sku":"3990000000335","price":212.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/3990000000335.jpg?v=1616016937"},{"product_id":"yapi-teknik-resmi-cilt-1-2_349222-html","title":"Building Technical Drawing Volume 1-2","description":"\u003cdiv class=\"layoutArea\" style=\"color: #454545; font-family: 'Source Sans Pro', sans-serif;\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp style=\"margin-right: 0px; margin-left: 0px;\"\u003e\u003cspan style=\"font-size: 10pt; font-family: 'Franklin Gothic Medium';\"\u003eTechnical drawing is a common communication tool between those who explain their designs with lines and those who use them to transform the design into production. The flawless understanding and application of this tool is the first and important condition for works to be made flawlessly and completely.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp style=\"margin-right: 0px; margin-left: 0px;\"\u003e\u003cspan style=\"font-size: 10pt; font-family: 'Franklin Gothic Medium';\"\u003eWe have prepared this book to provide the drawing principles, which are the common language of technical school students at all levels who will take part in construction production and construction technicians, together.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp style=\"margin-right: 0px; margin-left: 0px;\"\u003e\u003cspan style=\"font-size: 10pt; font-family: 'Franklin Gothic Medium';\"\u003eIn the book, in order to ensure the relationship between the topics, we deemed it appropriate to provide general technological information about building elements. Especially since the standards covering all the principles related to building technical drawings have not yet been completed, some differences, albeit small, are observed in the drawing methods, signs and symbols currently in use. In order not to cause hesitation to the readers in this regard, in addition to the generally applied drawing principles, various explanation methods that may be encountered in some projects have also been taken into consideration. For this purpose, while creating the source for the preparation of the book, the methods followed in our technical education institutions and the practices of professional chambers and investor public institutions for the same subjects have also been taken into consideration.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp style=\"margin-right: 0px; margin-left: 0px;\"\u003e\u003cspan style=\"font-size: 10pt; font-family: 'Franklin Gothic Medium';\"\u003eOur book consists of two volumes. The first volume covers basic preliminary information, and the second volume covers architecture, reinforced concrete, installation, and infrastructure projects. As it is known, building structures and their installations and infrastructures are specialized subjects with linear narration features that are distinct from each other. Each of these requires multi-faceted and voluminous studies. For this reason, the elements of building structures and the drawing and reading of projects have been covered in detail, while general principles and example drawings have been provided for the preparation of installation and infrastructure projects.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp style=\"margin-right: 0px; margin-left: 0px;\"\u003e\u003cspan style=\"font-size: 10pt; font-family: 'Franklin Gothic Medium';\"\u003eWe will be very pleased if any shortcomings in our book are reported to us and by the criticisms of our readers.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp style=\"margin-right: 0px; margin-left: 0px;\"\u003e\u003cspan style=\"font-size: 10pt; font-family: 'Franklin Gothic Medium';\"\u003eAdana, May 1978 - Ali Pancarcı, M. Emin Öcal\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\" style=\"color: #454545; font-family: 'Source Sans Pro', sans-serif;\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp style=\"margin-right: 0px; margin-left: 0px;\"\u003e\u003cspan style=\"font-size: 10pt; font-family: 'Franklin Gothic Medium';\"\u003e\u003cspan style=\"font-size: 10pt;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp style=\"margin-right: 0px; margin-left: 0px;\"\u003e\u003cspan style=\"font-size: 14pt; font-family: 'Times New Roman,Bold';\"\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10pt; font-family: 'Times New Roman';\"\u003e................. 108\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"page\" title=\"Page 4\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Birsen Yayınevi","offers":[{"title":"Default Title","offer_id":39408932389059,"sku":"978975511100","price":765.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/3990000019021.jpg?v=1616016943"},{"product_id":"dini-mimaride-gizli-tasarim-yontemleri","title":"Hidden Design Methods in Religious Architecture","description":"\u003cp\u003eThis book is the product of over twenty-five years of research. Its aim is to introduce and demystify the geometry and numerical symbolism observed in Ottoman, Christian, and Jewish religious architecture, and in the design of Masonic Lodges, their cornerstones, and monuments.\u003c\/p\u003e\n\u003cp\u003eWhen we began our studies on Ottoman mosques and tombs in the late seventies, documents and publications that could shed light on this subject were almost non-existent. While numerous books and articles had been published for approximately 150 years researching and introducing the hidden design methods of Christian religious architecture, no one had shown interest in this aspect of Ottoman architecture.\u003c\/p\u003e\u003cp\u003eThe work of the Russian scholar M.S. Bulatov, which explained the geometry in the designs of Central Asian Islamic architecture, came into our hands only near our retirement years, and the geometric solutions it contained seemed overly complex for that period (especially for the 9th century).\u003c\/p\u003e\u003cp\u003eNevertheless, we courageously continued our work and inevitably strayed down a series of erroneous paths. We introduced the work of those years in some of our articles. Very few of the criticisms reached a level that could point us in the right direction. However, we believe we have convincingly established this much:\u003c\/p\u003e\u003cp\u003eSinan and those before him must have incorporated certain numbers derived from Abjad numerals and the Basmala in their designs for religious architecture.\u003c\/p\u003e\u003cp\u003eAfter retirement, due to a hip operation, we immigrated to Canada and then decided to stay there. As time passed, we realized that we had taken a very productive and auspicious step for our research.\u003c\/p\u003e\u003cp\u003eSomehow, it occurred to us to apply to a Masonic Lodge because we had heard about their rich libraries. Permission was granted, and for weeks we immersed ourselves in books from the 19th and even 18th centuries in their libraries. Finally, one day, flashes of insight began to ignite in our minds. We were almost ready to shout \"Eureka!\" like Archimedes. We had solved the problem. We understood that \"The key to the secret is the Pythagorean triangle.\"\u003c\/p\u003e\u003cp\u003eThe importance given to architecture and the Pythagorean triangle in Masonry was astounding. Pythagoras's \"47th problem\" was constantly referenced. The use of this triangle as an emblem in some lodges, and the inclusion of the compass and square in the Masonic emblem, all began to appear as signs emphasizing the importance of this triangle.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Birsen Yayınevi","offers":[{"title":"Default Title","offer_id":39408932683971,"sku":"9789755114569","price":540.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/3990000030466.jpg?v=1616016951"},{"product_id":"tarih-oncesi-ve-ilk-cag-mimarligi","title":"Prehistoric and Early Age Architecture","description":"\u003ch1 product-name=\"\"\u003e \u003c\/h1\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; font-size: 14px; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThis book, which presents the early periods of the art of architecture in an understandable way for everyone, will fill an important gap as it is a reference book that can be utilized by architects and aspiring architects, as well as by art historians, archaeologists, and guides when introducing archaeological sites.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; font-size: 14px; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eIn the evaluation section at the end of the book, certain topics such as ancient civilizations, architecture, art, and beliefs are discussed with an unconventional approach, moving far beyond previous assessments of antiquity. This book, written with the fluidity of a novel, contains information that can be considered particularly important for Turkish readers. Questions and issues related to ancient civilizations, architecture, and art are presented from a different perspective, and broad research areas are offered to scientists who wish to conduct research on the topics of this period. \"Prehistoric and Ancient Architecture\" is a work prepared with the idea that history is the future, and it is a must-read for every Turkish reader and researcher.\u003c\/p\u003e","brand":"İdeal Kültür Yayıncılık","offers":[{"title":"Default Title","offer_id":39408933372099,"sku":"3990000058243","price":120.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/3990000058243.jpg?v=1616016955"},{"product_id":"depreme-dayanikli-binalarin-tasarimina-giris_349072-html","title":"Introduction to the Design of Earthquake-Resistant Buildings","description":"\u003cp style=\"margin-right: 0px; margin-left: 0px; color: #454545;\" pro=\"\" sans=\"\" source=\"\"\u003eThe design of earthquake-resistant structures is one of the important areas of Civil Engineering. This book, \"Introduction to the Design of Earthquake-Resistant Buildings,\" was created by compiling the author's lecture notes. The book aims to explain and remind civil engineering students and practicing engineers of the fundamental concepts of designing earthquake-resistant systems, based on regulatory rules. Since computer programs are mostly used in the solution of structural systems today, some examples in the book have also been solved using the SAP2000 general-purpose structural analysis program, which is widely used in our country. The book, including all writing and drawing, was created by the author through an intensive work process. Considering this, it is hoped that readers will tolerate possible shortcomings. All criticism and opinions that readers convey to the author will be gladly received by the author and considered important contributions for future editions. In preparing the book, the author benefited from many sources. The author considers it a duty to thank those who prepared these valuable works. The author hopes that the book will be useful to Civil Engineering students and Civil Engineers working on the subject.\u003c\/p\u003e\n\u003cp style=\"margin-right: 0px; margin-left: 0px; color: #454545;\" pro=\"\" sans=\"\" source=\"\"\u003eKutlu Darılmaz, 2019\u003c\/p\u003e\n\u003cp style=\"margin-right: 0px; margin-left: 0px; color: #454545;\" pro=\"\" sans=\"\" source=\"\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin-right: 0px; margin-left: 0px; color: #454545;\" pro=\"\" sans=\"\" source=\"\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin-right: 0px; margin-left: 0px; color: #454545;\" pro=\"\" sans=\"\" source=\"\"\u003e \u003c\/p\u003e","brand":"Birsen Yayınevi","offers":[{"title":"Default Title","offer_id":39408933634243,"sku":"3999755116792","price":900.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/3999755116792.jpg?v=1616016958"},{"product_id":"steven-holl_349636-html","title":"Steven Holl","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\"While seventies architecture sought consciousness in 'historicism' or in 'history' to utilize the architectural types it created, Steven Holl, who was widely discussed back then, constructs his architectural language with intuition. Holl, who states 'Intuition is my source of inspiration,' uses this source not only in his drawings to understand and articulate complex spaces, difficult to perceive like Manhattan, but also in the architecture he produces. While intuition can become an effective method for examining the existing physical environment, when used for architectural production, it cannot escape the discomfort of being created by groping.\" - Ayşen Savaş- \u003c\/span\u003e\u003c\/p\u003e","brand":"Boyut Yayın Grubu","offers":[{"title":"Default Title","offer_id":39408933830851,"sku":"9771302487622","price":85.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9771302487622.jpg?v=1616016963"},{"product_id":"istanbul-architecture_347664-html","title":"İstanbul Mimarlık","description":"\u003cp\u003eThis is the latest in the popular Watermark Architectural Guides series, covering the architecture of this huge and ancient city from Byzantine ruins to modern high-rise. Istanbul is one of the world's most exciting and culturally diverse cities and, like most great cities, it has architecture to match. Covering more than two millennia its buildings range from the lofty and many-tiered aqueducts built by the Romans to Ottoman mosques, with their attendant bath houses, schools and hospitals. In Beyoglu, across from the Golden Horn, banks, arcades, embassies and apartment complexes reflect foreign influences. Here disparate architectural styles such as Belle Epoque, Venetian, Gothic and Art Deco all live on in surprisingly happy harmony. Elsewhere along the Bosphorus visitors can see the Baroque palaces of the Sultans and charming yali - quintessentially Turkish waterside mansions, but looming in the background are the skyscrapers, bridges and other elements of a tech-smart metropolis. This book records all Istanbul's architecture, both historic and modern, with area maps, text and images to provide a comprehensive guide to this exotic city.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePage Count: \u003c\/b\u003e266\u003cbr\u003e\u003cb\u003ePress Year: \u003c\/b\u003e2014\u003cbr\u003e\u003cb\u003eLanguage: \u003c\/b\u003eEnglish\u003cbr\u003e\u003cb\u003ePublisher: \u003c\/b\u003eHomer Kitabevi\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFirst Edition Year : \u003c\/strong\u003e2014\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePage Count : \u003c\/strong\u003e266\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLanguage : \u003c\/strong\u003eEnglish\u003c\/p\u003e","brand":"Homer Kitabevi","offers":[{"title":"Default Title","offer_id":39408935010499,"sku":"9780949284938","price":450.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9780949284938.jpg?v=1616016982"},{"product_id":"mimarlikta-estetik-dusunce_348813-html","title":"Aesthetic Thought in Architecture","description":"\u003cp\u003eThe World Congress of Aesthetics organized by the Sanart Association of Aesthetics and Visual Culture in 2007 brought together aestheticians, philosophers, artists, and architects from 42 countries. Many papers approaching architecture from an \"aesthetic\" perspective were presented at the congress. This book makes a significant contribution to the discipline of architecture by publishing a special selection of these papers in Turkish. Although the articles in the book do not cover all areas, they demonstrate how architecture can be approached from many different perspectives. The book, which includes sections titled \"Contemporary World Architecture and Aesthetics\", \"Architecture and Aesthetics in Turkey\", \"Aesthetic Thought Through Monographs\", \"Architectural History\", \"Architecture and the City\", and \"Interiors and Aesthetics\", also offers reading recommendations related to the topics covered.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408937533635,"sku":"9786050100280","price":262.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050100280.jpg?v=1616017016"},{"product_id":"dogumunun-100-yilinda-geleneksel-mimarinin-sairi_348768-html","title":"Nail V. Çakırhan, Poet of Traditional Architecture, on the 100th Anniversary of His Birth","description":"The Poet of Traditional Architecture on His 100th Birthday","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408937795779,"sku":"9786050100495","price":360.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050100495.jpg?v=1616017019"},{"product_id":"karakoy-iskelesi-ve-yakin-cevresi","title":"Karaköy Pier and Its Vicinity","description":"\u003cp\u003eThis is a competition book that includes the exhibition, colloquium, and award ceremony of the \"Karaköy Pier and Its Immediate Surroundings National Student Architectural Idea Competition,\" which was organized to enable architecture students to participate in the city by generating ideas for the city, urban spaces, and the re-evaluation of these spaces in the face of changing needs, and which concluded on September 15, 2009.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408937926851,"sku":"9786050101270","price":80.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050101270.jpg?v=1616017023"},{"product_id":"modern-ve-surgun-almanca-konusulan-ulkelerin","title":"Modern and Exile","description":"\u003cp\u003eBernd Nicolai's book Moderne und Exil, originally published in German in 1998, has been translated into Turkish by Yüksel Pöğün Zander and published by the Chamber of Architects Publications. When it was first published, the book was unique in that it was the only work on early Republican era Turkish architecture written using archival documents from Germany, Austria, and Switzerland. As Nicolai revealed through the documents he presented, much of the information that helped us understand many unknown projects and constructed buildings in Turkish architecture was hidden in Central European archives. The book was a first for Turkish architectural history, as well as filling a significant gap in German architectural history.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938025155,"sku":"9786050101300","price":360.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050101300.jpg?v=1616017025"},{"product_id":"haydarpasa_352106-html","title":"Haydarpaşa","description":"\u003cp\u003e\u003cspan style='color: rgb(51, 51, 51); font-family: \"PT Sans\", sans-serif; font-size: 16px;'\u003e\"The Pier, Station Building, Station Facilities, and Port Facilities that we know as Haydarpaşa have been in the same state for 100 years. When I think of my memories related to this place, the first thing that comes to mind is that nothing has changed. Ships dock at the port, loading and unloading their cargo; trains arrive at the station, dropping off and picking up passengers; and ferries docking at the pier drop off and pick up people arriving by train or traveling by train. This situation continued throughout my childhood, just as it had for years.\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938057923,"sku":"9786050101324","price":105.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050101324.jpg?v=1616017026"},{"product_id":"modernlik-ve-turkiyee28099de-modern-camiler_349273-html","title":"Modernity and Modern Mosques in Turkey","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThe author criticizes the mosques built today as imitations of Sinan and the failure to construct creative and original modern mosques. In doing so, the author defines modernity, traces it back to the Ottoman Empire, examines the social structure of society, and attempts to uncover the reasons for \"our inability to be modern.\" The book also meticulously examines numerous movements of renewal (modernization) from the Tanzimat Edict to the present day. Providing examples from the Renaissance and Mimar Sinan, the author attempts to draw a comparison between Europe and the Turkish world.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eFurthermore, the author evaluates Turkish Architecture from the 19th century to the present day, analyzing the social impacts of globalization and the EU process, and attempts to explain the current state of architecture. In the book, we also see the author assessing Divan Literature and Traditional Turkish Music.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThe author, providing examples of original and creative European architecture, divides mosque architecture into three main groups: \"Imitation Mosques, Stylized Mosques, and Original Mosques.\" For instance, the final section of the book features 18 modern mosques built between 1956 and the present day.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938320067,"sku":"9786050101539","price":24.38,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050101539.jpg?v=1616017029"},{"product_id":"eminonu-hanlar-bolgesi-anitsal-eserler-kilavuzu_349270-html","title":"Eminönü Han District Monumental Works Guide","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eWith his work, which serves as a highly significant architectural history catalog, Besim Çeçener presents a piece that will be a reference for many years to come, compiling the historical mosques, churches and synagogues, madrasas, fountains, s\u003c\/span\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eebils, primary schools, libraries, Turkish baths, and hans of the Eminönü hans region, complete with their sources, and accompanied by photographs, plans, and sketches. \u003c\/span\u003e\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938352835,"sku":"9786050101959","price":390.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050101959.jpg?v=1616017031"},{"product_id":"mehmet-konuralp_349213-html","title":"Mehmet Konuralp","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eMehmet Konuralp, born in Istanbul in April 1939, studied architecture at the Architectural Association School of Architecture (AA) in London between 1960 and 1965. After serving in the Navy, he began his professional career in 1968. Among his professional works, which he actively continues both in Turkey and abroad, the General Directorate of Highways 17th Regional Directorate Administrative Building, which he designed within the Highways Campus in Zincirlikuyu between 1973-1974, was registered as a \"cultural asset to be preserved\" due to the design innovation and technological level it brought to Turkish architecture. The complex he designed and realized for the Sabah Medya İkitelli Facilities received the \"Chamber of Architects National Architecture Award\" in the Building Category in 1994. In 2010, he was awarded the \"Mimar Sinan Grand Prize\" by the Chamber of Architects for his contributions to Turkish architecture. Konuralp's projects, as well as his professional and social articles and writings, are published in various books and magazines, including Neufert, both in Turkey and abroad. He continues his professional practices and academic activities in Istanbul. The book brings together, with comprehensive visual documentation, the presentations and evaluations from the panel organized within the scope of the Sinan Awarded Architects Program (2010-2012) held by the Chamber of Architects for Mehmet Konuralp, as well as the structures and projects Konuralp has designed to date, his writings, interviews, and articles written about his own architecture.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938385603,"sku":"9786050103069","price":52.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050103069.jpg?v=1616017032"},{"product_id":"modernist-bir-acilimda-oncu-seyfi-arkan","title":"Seyfi Arkan: A Pioneer in a Modernist Approach","description":"\u003cp\u003eIn the 2008-2010 period of the Chamber of Architects Commemoration Program, SEYFİ ARKAN, a pioneering figure in Turkish modern architecture, was deemed worthy of commemoration. Within the framework of the program themed \"A Pioneer in Modernist Expansion: SEYFİ ARKAN,\" between 2008 and 2010, a complete inventory of Arkan's original drawings found in all relevant institutional and private archives was created and transferred to digital media; his standing structures were identified and photographed; published books, theses, articles, and documents written by Arkan or about him were accessed; a symposium was organized that shed light on the architect's work as well as his era; and a retrospective exhibition featuring all of the architect's work was prepared and continues to be exhibited in many cities across Turkey.\u003c\/p\u003e\u003cp\u003eThe book \"A Pioneer in Modernist Expansion: SEYFİ ARKAN,\" edited by Ali Cengizkan, A. Derin İnan, and N. Müge Cengizkan and published in October 2012, includes a catalog compiled from archival documents and current photographs of all of the architect's published\/unpublished projects, buildings, and master plans, as well as symposium papers containing research and evaluations from individuals with expertise and work on Turkish modern architecture and Arkan, quality articles about Arkan published to date, reports prepared by Arkan, Arkan's lecture notes, examples from the diary kept during the construction of İller Bankası, and private and institutional correspondence.\u003c\/p\u003e\u003cp\u003eThe comprehensive research conducted on Seyfi Arkan's (1903-1966) life, works, professional practice, family, and professional circle aimed to learn about his background in concentric circles, starting from the schools he attended and taught at, the places he used as an office, and the houses he lived in. Planned to run for two years between 2008 and 2010, but extended until the book's publication in 2012, the studies involved interviews with many individuals; research in numerous archives and libraries in Ankara, Istanbul, and Berlin; and attempts to obtain as complete a list of his structures as possible and to create a mature catalog with on-site observations. The symposium held at MSGSÜ in January 2010 and the comprehensive exhibition opened on the same date were well-received as two important products of the Commemoration Program research project. The book is a product that is not limited to the aforementioned symposium papers and exhibition materials, but rather shares the lasting documents, determinations, texts, and products of this two-year study and research.\u003c\/p\u003e\u003cp\u003eEven if the scarcity of Seyfi Arkan's drawings and design documents in the sources accessed during this work, and the almost complete absence of his personal belongings, are perceived as a drawback, it is full of social lessons in terms of the profile of an architect who was so prominent and tried to be highly valued in Turkey, at least for a certain period. This book, which calls for a closer understanding and learning of Seyfi Arkan's designs, the story of how his buildings were acquired, the values in these buildings, but also the personality behind all these stories, is bound to provoke and encourage new architectural research and interpretations, given his unique pioneering role in the modernization of Turkish architecture in the 20th century.\u003c\/p\u003e\u003cp\u003eWith this book, light is shed for the first time on the fact that Seyfi Arkan was indeed the most effective architect in Turkey's modernist expansion, how he directly transformed his era within practice, and his growing importance when viewed from today. We observe together how Seyfettin Nasih, whose education coincided with the early Republican period, who was known as \"Atatürk's architect\" for designing buildings for Atatürk for a time, who tried to adapt to the political conjuncture during World War II and the One-Party rule, and between 1950-60, and who competed and clashed with the famous architect Sedad Hakkı in both architectural and urban planning professional practice and education, transformed into Seyfettin Erkan and Seyfi Arkan.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938483907,"sku":"9786050103991","price":640.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050103991.jpg?v=1616017034"},{"product_id":"isigin-pesinde-bir-mimar-erkut-sahinbas_349272-html","title":"An Architect in Pursuit of Light: Erkut Şahinbaş","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIt is known that the 'center of influence' for architecture education, practice, and organization originating in Istanbul shifted to Ankara in the 1960s, and the first generation educated at METU played a significant role in this transformation, initiating a new era. Among the most important names in this first generation who stood out with their practitioner identity and also carried their educator identity in the early years of their career is Erkut Şahinbaş... After returning to Turkey, the architect, who transferred the architectural discernment and experience gained in Scandinavian countries to his work and the architectural education he provided at METU, continued his production entirely within architectural practice after the first decade.\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThe discernment acquired in Scandinavian countries, where architecture is considered one of the most respected professions and architectural culture is strong, provided the architect, who internalized Turkey's architectural environment and traditions, with the impetus to push boundaries and transform them into opportunities. Instead of directly transferring the West, he used it as a resource. The linguistic diversity and flexibility of his architecture, the modern, multi-layered, rich language of his structures, correspond, in Abdi Güzer's assessment, to \"an underlying understanding within modernism that can preserve the language-independent values of architecture, rather than resorting to the universally accepted, anonymous, reduced patterns of modern language specific to Turkey.\"\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eHis understanding of how vital light is in architecture in the Nordic countries creates the 'aura' of the interior space, which is surrounded\/transformed\/enriched by the conscious use of light in his buildings. Light, sometimes completely washing over the interior, sometimes subtly seeping into it, sometimes playing within the space, sometimes remaining fixed, makes time visible within the space. Erkut Şahinbaş's architecture is remembered more for the 'aura' of the space it creates than for its images. About the Book The largest award given within the scope of the National Architecture Exhibition and Awards organized by the Chamber of Architects in memory of Mimar Sinan is the \"Mimar Sinan Grand Prize,\" awarded to an architect or collaborating architects for their lifetime achievements and services to architecture. In 2008, the Chamber of Architects began organizing the Sinan Awarded Architects Program to compile and present the works of valuable architects who received the Sinan Award to the architectural community. The program includes a panel evaluating the architect's activity and productions, an exhibition of their works, and the publication of a book covering all of it. The Sinan Awarded Architects Program for the 2012-2014 period was organized for Erkut Şahinbaş, the recipient of the Mimar Sinan Grand Prize. The Selection Committee brought Şahinbaş to the forefront with these words: \"Mr. Erkut Şahinbaş has been awarded the Mimar Sinan Grand Prize for his multi-dimensional contributions to the architectural environment through his architectural practices, his educator identity, and his contributions to non-governmental organizations, for successfully representing Turkish architecture in international settings and in projects realized in different geographies, for serving as an example to subsequent generations with his humble personality and meticulous understanding of quality, and for sharing his practices and thoughts with the architectural community through exhibitions and publications.\" In addition to the panel we held in Ankara on April 12, 2013, as the Chamber of Architects, the exhibition titled \"Adventure with Light: The Architecture of Erkut Şahinbaş\" met its audience between April 12 and April 30, 2013; the exhibition continues to open in various cities in Turkey within a determined program. The book includes the evaluations and inter-discussions made by Esin Boyacıoğlu, Ali Cengizkan, Jale Nejdet Erzen, Abdi Güzer, İlhan Kural, and Ziya Tanalı on Şahinbaş and his architecture during the panel. Additionally, there is an article by Kemal Aran, who describes Şahinbaş's Doğramacızade Ali Paşa Mosque as an \"iconoclastic\" application and examines it from the perspective of mimesis theory. The buildings and projects brought together in the exhibition, where light is a constitutive element, form one of the interfaces of the book. Erkut Şahinbaş, one of the first architects to bring his lifetime productions together in a book as a visionary architect, published his book in 1998. The other interface of the book is an update of Şahinbaş's buildings and projects from 1998 to 2014.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938582211,"sku":"9786050106855","price":304.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050106855.jpg?v=1616017035"},{"product_id":"zeki-sayar-ve-arkitekt","title":"Zeki Sayar and Architect","description":"\u003cp\u003eZeki Sayar (1905-2001) is one of the most recognized architects among the legendary 1928 graduating class of the Academy, and thus among the architects of the early Republican period, after Sedad Hakkı Eldem, and one of the rare architects who managed to remain active in the architectural environment for a remarkably long time. This recognition cannot be considered independent of his close relationship with the architectural magazine Mimar \/ Arkitekt, which holds a very important place in Turkish architectural history and constitutes the most original documentation of our Republican era architectural publishing.\u003c\/p\u003e\u003cp\u003eFor these reasons, the Chamber of Architects Commemoration Program for the 2010-2012 period, beyond focusing solely on an architectural profile, also encompassed Arkitekt magazine, which can be considered Sayar's masterpiece. The book \"Zeki Sayar and Arkitekt\" aims to make sense of and position the production field of a considerably long period spanning 50 years, starting from the early Republican era. It presents its compilation by tracing the publication journey of Arkitekt and the magazine's sphere of influence, in parallel with Sayar's architectural production, his identity as a publisher-thinker-critic, and his active role in the architectural environment.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938647747,"sku":"9786050107777","price":720.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050107777.jpg?v=1616017037"},{"product_id":"dogan-hasol-cumartesi-bulusmalari","title":"Doğan Hasol \/ Saturday Gatherings","description":"\u003cp\u003eThe \"Architects Share Their Experiences\" themed Saturday Meetings, organized by the Istanbul Metropolitan Branch of the Chamber of Architects since 2009, are now presented in a new publication. The new book in the series is a compilation of the meeting featuring \u003cstrong\u003eDoğan Hasol\u003c\/strong\u003e as a guest... The Istanbul Metropolitan Branch of the Chamber of Architects, with its \"Architects Share Their Experiences\" themed Saturday Meetings, which began in January 2009, contributes to the mutual thinking-questioning process of architects, and aims to make this richness permanent by transforming these meetings, which enrich the architectural environment, into publications.\u003c\/p\u003e\n\u003cp\u003eThe Saturday Meetings, which allowed architects from different generations to share their experiences and professional knowledge, attracted not only young architects but also participants of all ages, and this series of conferences provided a productive platform for sharing and questioning, going beyond a one-sided transfer of experience and actively engaging the audience.\u003c\/p\u003e\n\u003cp\u003eThe effort to publish the conference series can also be considered as documentation work for Turkish architecture. The newest product of this effort is the publication compiled from the meeting held with the participation of Doğan Hasol in 2016.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAbout Doğan Hasol:\u003cbr\u003eDoğan Hasol was born in 1937. He graduated from Galatasaray High School in 1956 and from Istanbul Technical University, Faculty of Architecture in 1961. In 1961, he joined the group that published the Architecture and Art Magazine. In addition to his assistantship at Istanbul Technical University, he served as the Editor-in-Chief of Mimarlık, the magazine of the Chamber of Architects; he held various positions on the Executive Boards of the Chamber of Architects. In 1968, together with a group of friends, he founded the Building-Industry Center (Yapı-Endüstri Merkezi), which is an information center in the construction field. He was elected President of the International Union of Building Centres (UICB) twice (1989-1992, 1992-1995), and later became an Honorary Member.\u003c\/p\u003e\n\u003cp\u003eUntil April 2013, when he was at the head of the Building-Industry Center, in line with the institution's function as an information center, he pioneered the publication of professional catalogs, especially the Building Catalog, architectural and art books, in addition to YAPI Magazine, the organization of courses, conferences, seminars, and the establishment of the Virtual Architecture Museum. For his publishing activities, he was awarded the Press-Publication Award by the Turkish Association of Independent Architects for the 1994\/95 period. Also, in line with the information center concept, he initiated and developed the YAPI fairs as Turkey's first specialized exhibition.\u003c\/p\u003e\n\u003cp\u003eHe won awards and honorable mentions in some architectural project competitions and served as a jury member in national and international competitions. Together with his wife, Architect Hayzuran Hasol, he won the Chamber of Architects' 1990 National Architecture Award in the building category. He continues his freelance architectural work within the Has Mimarlık group, which he established with his wife and daughter, both architects.\u003c\/p\u003e\n\u003cp\u003eHe was awarded an Honorary Doctorate by Istanbul Technical University in 1998, by Yıldız Technical University in 1999, and by Istanbul Kültür University in 2012; the Professional Contribution Achievement Award by the Chamber of Architects in 2000 and by the Istanbul Association of Independent Architects in 2014; the Honorary Award in architecture by Beykent University in 2007; and the Honorary Award within the scope of SotCA Awards by Hürriyet Newspaper in 2015.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938746051,"sku":"9786050110166","price":60.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050110166.jpg?v=1616017038"},{"product_id":"haluk-baysal-melih-birsel-rasyonalizmi_349212-html","title":"Haluk Baysal - Melih Birsel Rationalism","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eHaluk Baysal and Melih Birsel are prominent figures of the 1950s and 60s modernism in Turkish architecture and the founders of Baysal-Birsel Architecture Office, one of the country's first architectural partnerships as a newly organized professional practice. They were actively engaged in architectural practice during a period when the traditionalist architectural approach, which had gained momentum within the framework of the Second National Architecture movement in the 1940s, was waning. In the 1950s and 60s, within the socio-economic and political context of the time, they were pioneering figures of an approach that turned towards international contemporary architecture and regenerated rationalist perspectives. They are two important names who not only participated in this transformation in architecture but also triggered it, succeeding without promoting themselves as figures through various means such as architectural media, schools, or organizations. In their 26-year professional partnership from 1952 to 1978, they produced high-quality works, if not quantitative, including approximately 20 buildings, 5 urban planning projects, and 21 competition projects entered either together or with different teams. Their most significant work in architectural literature is the Lawyers' Site (Hukukçular Sitesi) in Mecidiyeköy, Istanbul, where they introduced a unique and experimental approach to high-rise residential design. Other quality works such as the Vakko Factory, Hami Çon Villa, Jak Kamhi Apartment, Birkan Apartments, Pegasus House, and the Moda Mass Housing and Tourism Facilities project, which are important from various perspectives in the context of their time, are relatively less known.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eDuring the 2012-2014 period of the Chamber of Architects Commemoration Programs, Haluk Baysal and Melih Birsel were brought to the forefront, and a comprehensive update was made. This book, a product of the program, also aims to bring Baysal and Birsel to the recognition they deserve by updating the Haluk Baysal - Melih Birsel monograph published in 2007 within the Chamber of Architects Publications' monograph series, which examines the lives, personalities, and works of important architects who contributed to the development of modern Turkish architecture within the context of their place and role in the architectural environment.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408938778819,"sku":"9786050110272","price":200.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050110272.jpg?v=1616017040"},{"product_id":"ernst-a-egli-turkiyeye-katkilar","title":"Ernst A. Egli's Contributions to Turkey","description":"\u003cp\u003eWhen Ernst A. Egli was invited to Turkey in 1926 to reorganize the architecture education program and design educational-instructional, i.e., school buildings, according to contemporary principles and methods, he found himself in the midst of the three fundamental development policies of the nascent Republic of Turkey. As the compulsory policies of the war years gave way to new orientations reinforced by the ideas of creating a strong national population and, relatedly, establishing a modern nation-state, it became imperative to implement reforms in health, law, and education, respectively. Education reform constituted the third link in these almost simultaneous priority steps, to enable the construction of a sustainable, healthy, modern society with high productive capacity. Unlike the German-speaking architects who came to Turkey as 'exiles' fleeing Europe's tense political climate, Egli was invited from Vienna by Clemens Holzmeister's suggestion.\u003c\/p\u003e\u003cp\u003eHe was appointed as the chief architect responsible for the design of schools where modern individuals of the Republic would be educated, within the Ministry of National Education, and undertook the tasks of \"organizing and improving their programs, giving lectures, and teaching\" at the Academy of Fine Arts. Egli's innovations at the Academy, such as student admission through an entrance exam, extending the duration of education to five years, and curriculum changes, shaped architectural education in Turkey. The National Architectural Seminar, aiming to document and publicize the civil architectural heritage, was initiated at the Academy in the early 1930s under Egli's leadership, with the assistance of his assistant Sedad Hakkı Eldem, and a unique body of knowledge was accumulated.\u003c\/p\u003e\u003cp\u003eDuring his 14 years in Turkey, Egli designed significant buildings of Republican-era modern architecture, including the İsmet Pasha Girls' Institute, the Music Teachers' School, the Atatürk Forest Farm (AOÇ) Urban Design, Brewery, Civil Servant and Worker Housing, and Bathhouse, Ragıp Devres Villa, Fuat Bulca House, Etimesgut Model Village, Higher Agricultural Institute, School of Political Science, Istanbul University Biology Institute, Turkish Aeronautical Association Administrative Building and Flight School, and the Iraqi and Swiss Embassies. He also signed urban development plans for cities and towns, including districts of Niğde, Edirne, Balıkesir, Samsun, and Denizli.\u003cbr\u003eAfter Atatürk's death in 1938, he lost his protector and left Turkey in 1940 due to the changing political climate. In 1953, he returned to Turkey on a United Nations assignment, giving lectures at the Faculty of Political Sciences at Ankara University and the Institute of Public Administration for Turkey and the Middle East established within the faculty. In 1955, Egli returned to Switzerland, which he considered his homeland, and passed away in Zurich in 1974.\u003c\/p\u003e\u003cp\u003eThis book, which examines Egli's contributions to Turkey in the context of local interpretations and the accountability of programs and practices in education, includes articles by İlhan Tekeli, Oya Atalay Franck, Bernd Nicolai, Sıdıka Çetin, Berna Güç, F. Cânâ Bilsel, Neslinur Hızlı, Nezih R. Aysel, Jan Hoffmann, and Ali Cengizkan. The entire work, compiled by N. Müge Cengizkan and Selda Bancı, which addresses Egli's buildings, projects, and urban development plans in Turkey, was authored by Leyla Alpagut, T. Elvan Altan, Oya Atalay Franck, Afife Batur, Gaye Birol Özerk, Esin Boyacıoğlu, Ali Cengizkan, Işıl Çokuğraş, C. İrem Gençer, Pelin Gürol Öngören, Bilge İmamoğlu, Kıvanç Kılınç, F. Nurşen Kul, and Haluk Zelef.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939172035,"sku":"9786050110487","price":720.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050110487.jpg?v=1616017043"},{"product_id":"yere-ait-ersen-gursel-mimarligi_350933-html","title":"Belonging to the Place: The Architecture of Ersen Gürsel","description":"\u003cp\u003e \u003c\/p\u003e\u003cdiv class=\"kitap-detay-alt\" style=\"margin: 20px 0px 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; border-spacing: 20px; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e \u003c\/div\u003e\u003cp\u003e \u003c\/p\u003e\u003cdiv class=\"kitap-detay-tanitim\" style=\"margin: 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eErsen Gürsel's career, which began when he won the Side and Surroundings Tourism Planning International Competition in 1969, has always focused on understanding and seeking the spirit of the \"place.\" His design model is a unique conceptual model based on thinking about structures not as singular monuments but as integrated with the urban, historical, and natural environment. This path was shaped by starting his design work in Side and encountering the two-thousand-year history of the Mediterranean, which in a sense has become a timeless accumulation. In later years of his profession, he would experience the process of enriching the intellectual infrastructure of this conceptual model. In this context, Gürsel's designs always revolve around the concepts of \"time and timelessness\" and \"history and space\" around the place and time; he re-searches them, re-tests them, creates images, deconstructs them, re-creates them, and generates symbols. He questions time, seeks timelessness, connects times, and perhaps, withdraws. This model of seeing and thinking, which began in his early works, exemplifies the difficult line of reviving past settlement patterns in his memory and designing spontaneity without falling into affectation. What is truly important is the existence of a structure that, almost as if it doesn't want to declare itself designed, appears spontaneous. His subsequent designs are works that elevated Gürsel's architectural concept to a higher level of consciousness. His habit of pursuing environmental data transforms into a collaboration, an increasingly passionate attention, turning the clock tower in the square, the old and ruined chapel, the five cypresses of the cemetery, the centuries-old monumental pine tree, or the ancient lighthouse into immortal images, while creating a chess game between \"what exists\" and \"what is new,\" and evokes the dreams and meticulousness of a designer who never forgets, \"like olives, dreamy pomegranate trees, small rural gods.\"\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003e- Afife Batur\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939270339,"sku":"9786050110975","price":487.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050110975.jpg?v=1616017044"},{"product_id":"mimarlar-odasi-tarihinden-portreler-afife-batur","title":"Portraits from the History of the Chamber of Architects: Afife Batur","description":"\u003cp\u003e\u003cem style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; box-sizing: border-box; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: italic; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; orphans: 2; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eFor my part, I am one of those who prefer the Chamber's political role to be on a professional platform. That is to say, not directly with politics, but in the practice or theory of the profession, or in the problems encountered, I believe that its political aspect should not be overlooked, its political ground should be reviewed, it should be examined, and perhaps an attempt should be made to explain it, and thus the connections and channels of architecture with the social and economic base should be kept constantly open. Because I think that architecture has an aspect that is not detached from society and should be considered as a product of society. I also see this when I read the history of architecture.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939401411,"sku":"9786050112863","price":112.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050112863.jpg?v=1616017047"},{"product_id":"mimarlar-odasi-tarihinden-portreler-nur-akin","title":"Portraits from the History of the Chamber of Architects: Nur Akın","description":"\u003cp\u003eTo understand how Anatolian cities should be preserved, I researched many publications on successful small-town preservation examples in the West. I read important articles and books. Indeed, there was a lot of scientifically valuable material to read on the subject in foreign languages. I was also considering the issue of social structure, which is of great importance in historical environment preservation, and I'm reading about that as well. This is because historical environment preservation efforts developed by ignoring the social structure—as in the example of Safranbolu—need to integrate with their users. If the local people don't accept it, nothing will happen. For this reason, I also worked quite a bit on social structure preservation, which was a new topic for me. During these studies, I took a course with our dear professor, Prof. Dr. Mübeccel Kıray, who teaches at ITU. I had long conversations with her. She tirelessly answered my questions, and with her guidance, I learned a lot about the subject. She truly made a great contribution to my work in Kula. To understand user preferences, for the first time in my life, I conducted social surveys primarily using questions formulated by Mübeccel Hanım. In my subsequent educational journey, I extensively used what I learned in my classes and project work with students.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939466947,"sku":"9786050113136","price":112.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050113136.jpg?v=1616017049"},{"product_id":"mimarlar-odasi-tarihinden-portreler-celen-guven-birkan","title":"Portraits from the Chamber of Architects' History: Çelen-Güven Birkan","description":"\u003cp style=\"background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(54, 54, 53); display: block; font-family: Arial,sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; margin-bottom: 15px; margin-left: 0px; margin-right: 0px; margin-top: 0px; orphans: 2; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: top; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cem style=\"background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: top;\"\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(252, 252, 252); color: rgb(54, 54, 53); font-family: Arial,sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(54, 54, 53); display: block; font-family: Arial,sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; margin-bottom: 15px; margin-left: 0px; margin-right: 0px; margin-top: 0px; orphans: 2; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: top; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003cem style=\"background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto; border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: top;\"\u003eEvery life is a set of experiments, a doctrine, illuminating and nourishing the future. The life story of the Birkan family is a story of embracing the values acquired through architectural education - scientific work, ethical conduct in the professional environment, integration with our people who provided us with education, sensitivity to the environment we live in and interact with, collaboration, solidarity, and sharing. They lived this intensity with dedication, patience, and humility. They left a mark and set an example with their thoughts, actions, writings, and diligence. (Yavuz Önen)\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939565251,"sku":"9786050113266","price":104.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050113266.jpg?v=1616017050"},{"product_id":"2018-ulusal-mimarlik-odulleri_352074-html","title":"2018 National Architecture Awards","description":"\u003cp\u003e\u003cspan style=\"color: rgb(97, 94, 97); font-family: \" open sans helveticaneue neue helvetica-neue helvetica arial sans-serif font-size:\u003eThe catalog of projects that participated in the 2018 \/ 16th edition of the National Architecture Exhibition and Awards program, held biennially since 1988, met readers during this year's award ceremony on September 18, 2020. Published bilingually in Turkish and English, the 2018 catalog features all projects that participated in the exhibition. The catalog allows for a detailed examination of the 5 structures, 2 projects, and 2 idea projects that received awards from a total of 123 works, including 54 buildings, 61 projects, and 8 idea projects. It also provides a detailed look at the past period through the evaluation articles of the Jury members. The catalog continues the practice, initiated last year, of grouping works under building types and visualizing more information about projects with infographics. The display aims to reveal the potential of the award program to speak about Turkish architecture, by enabling the reading of information such as the distribution of buildings and projects by cities, and which projects of which function are concentrated in which cities, and much more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939630787,"sku":"9786050113792","price":360.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050113792.jpg?v=1616017052"},{"product_id":"prof-dr-zeynep-ahunbay-a-armagan_352143-html","title":"A Gift for Prof. Dr. Zeynep Ahunbay","description":"\u003cdiv class=\"content-area\" style=\"color: rgb(33, 37, 41); font-family: Roboto;\"\u003e\u003ch6 style=\"margin-bottom: 20px; font-size: 18px; line-height: 28px;\"\u003eThe book titled \"A Gift to Prof. Dr. Zeynep Ahunbay: Writings on the Research, Documentation, and Protection of Monuments and Sites\" was recently published by the Istanbul Metropolitan Branch of the Chamber of Architects. The graphic design and application were undertaken by Ebru Laçin Kilci on behalf of the Architectural Foundation's Economic Enterprise. The book was prepared for publication by Zeynep Ahunbay's three former doctoral students: Deniz Mazlum, Umut Almaç, and Esra Kudde.\u003cbr\u003eThe book compiles 35 original articles prepared by Zeynep Ahunbay's master's and\/or doctoral students and close colleagues. Part I, titled \"Architectural History Research,\" contains 10 articles. One of these articles is the last piece written by our esteemed professor, Prof. Afife Batur, whom we lost on December 16, 2018. Part II of the book consists of 15 articles presenting documentation studies and conservation proposals at the single-building scale. Part III, titled \"Urban, Rural, and Natural Environment Protection,\" also presents 10 articles.\u003cbr\u003eThe authors of the articles in the book, listed in alphabetical order by surname, are: Hande Akarca, Nur Akın, H. Demet Aksu, Umut Almaç, E. Görün Arun, Afife Batur, İrem Bezek Temel, Ela Bozkurt, Ömer Dabanlı, İclal Dinçer, Esra Ekşi Balcı, H. Ceren Emir, Hülya Erdoğan, Zeynep Eres, Mine Esmer, Şeyda Güngör, Fatma Meral Halifeoğlu, Ruba Kasmo, Turgay Kerem Koramaz, Pelin Kotas, Esra Kudde, Nazlı İpek Mavuşoğlu, Deniz Mazlum, Gülşen Mercimek Altınsoy, Elif Özlem Oral Aydın, Semra Ögel, Filiz Özer, Suphi Saatçi, N. Turgut Saner, Nadide Seçkin, Nurcan Sefer, Nisa Semiz, Esin Şebin Aşık, Gülsün Tanyeli, Nurbanu Tosun Soyel, Saliha Tupal Yeke, Tina Wik, Senem Yiğit, and Nuran Zeren Gülersoy.\u003cbr\u003eThis commemorative book, the product of over three years of work, is dedicated to Prof. Dr. Zeynep Ahunbay, one of our country's iconic figures in the field of cultural heritage conservation and restoration. It is hoped that this book will be a valuable resource for those working in this field. Our wish is for it to draw attention to the issues of conservation and restoration, which are increasingly becoming a priority and require careful consideration in our country's agenda, and to serve as an inspiration for similar studies.\u003c\/h6\u003e\u003c\/div\u003e\u003cdiv class=\"below-post-banner\" style=\"margin-bottom: 20px; color: rgb(33, 37, 41); font-family: Roboto;\"\u003e\u003cdiv id=\"div-gpt-ad-1550235550997-0\" data-google-query-id=\"COelmdi6ze4CFbXuuwgd76IPGg\" style=\"height: 90px; width: 728px;\"\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408939925699,"sku":"9786050113891","price":520.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050113891.jpg?v=1616017053"},{"product_id":"mimarligin-abcsi","title":"The ABCs of Architecture","description":"\u003ch1 class=\"\" product-name=\"\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003eThe ABC of Architecture discusses architecture not as a grand narrative of \"Architecture,\" but through singularities. The aim of this book is not to position architecture at a \"high\" point, far from our daily lives and daily uses, but to remind us that it exists precisely within our daily lives, through our daily practices.\u003cbr\u003e\u003cbr\u003eIn other words, this book is not an introductory book for readers who have no idea about architecture. On the contrary, it operates from the view that every reader actually has an idea about architecture. Just as the Italian philosopher Antonio Gramsci said that every individual is an intellectual (because they have a mind), we are all users and consumers of architecture, and therefore also its (re)producers and critics.\u003cbr\u003e\u003cem\u003eBülent Batuman\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eThe ABC of Architecture, which speaks of architecture not as a profession but as a lived environment and a social right, brings original interpretations to current architectural debates in Turkey, starting from the definition of the architect and architecture, and including chapters on architecture and design, nature, city, image, and politics.\u003cbr\u003e\u003cbr\u003eOTHER BOOKS IN THE ABC SERIES\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe ABC of Psychiatry - Cengiz Güleç\u003c\/li\u003e\n\n\u003cli\u003eThe ABC of Philosophy - Önay Sözer\u003c\/li\u003e\n\n\u003cli\u003eThe ABC of Theater - Aziz Çalışlar\u003c\/li\u003e\n\n\u003cli\u003eThe ABC of Semiotics - Mehmet Rifat\u003c\/li\u003e\n\n\u003cli\u003eThe ABC of Aesthetics - Hülya Yetişken\u003c\/li\u003e\n\n\u003cli\u003eThe ABC of Postmodernism - Ali Akay\u003c\/li\u003e\n\n\u003cli\u003eThe ABC of Turkish - Fuat Bozkurt\u003c\/li\u003e\n\n\u003cli\u003eThe ABC of Feminism - Necla Arat\u003c\/li\u003e\n\n\u003cli\u003eThe ABC of Translation - Şehnaz Tahir Gürçağlar\u003c\/li\u003e\n\n\u003cli\u003eThe ABC of Cinema - Rıza Kıraç\u003c\/li\u003e\n\n\u003cli\u003eThe ABC of Architecture - Bülent Batuman - New\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Say Yayınları","offers":[{"title":"Default Title","offer_id":39408940417219,"sku":"9786050201284","price":225.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050201284.jpg?v=1616017061"},{"product_id":"sanat-101","title":"Art 101","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArt 101 offers you a wealth of information in short chapters, allowing you to discover the world's greatest artists and masterpieces, from Leonardo da Vinci and El Greco to Pablo Picasso and Andy Warhol, without getting bogged down in tedious details and lengthy explanations. What you read will both inform and surprise you.\u003cbr\u003e\u003cbr\u003eThe thief who stole the Mona Lisa, valued at $750 million, from the Louvre Museum in Paris, got away with a 6-month prison sentence!\u003cbr\u003eThe first cartoon was made when people lived in caves!\u003cbr\u003eA Van Gogh oil painting sold for $80 million in 1990!\u003cbr\u003e\u003cbr\u003eThanks to Art 101, you will gain knowledge about everything from popular art movements to striking details of famous works, and you will enjoy visiting art exhibitions and museums even more.\u003cbr\u003e(From the Promotional Bulletin)\u003c\/p\u003e","brand":"Say Yayınları","offers":[{"title":"Default Title","offer_id":39408941662403,"sku":"9786050204322","price":360.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050204322.jpg?v=1616017075"},{"product_id":"tum-yonleriyle-mimari-fotograf_348928-html","title":"Architectural Photography in All Its Aspects","description":"\u003cp\u003eIn 1826, Joseph N. Niepce, who captured the first photographic image, was compelled to photograph the group of buildings visible from his home's balcony. This was because the first light-sensitive surface he created was a film too slow to detect moving objects. In the same period, other photographers who followed in his footsteps also preferred to photograph static objects like architecture due to the low sensitivity of early film. Although portrait photography became more widespread with the production of faster films in later years, architectural photography never took a back seat. The development of architectural education and the emergence of the architectural profession during the same period also facilitated the progress of architectural photography. Especially in America and England, the professional architectural photography profession developed and institutionalized, becoming a specialized field in its own right today.\u003c\/p\u003e\u003cp\u003eArchitectural photography, which holds an important place in both promotional and documentary photography, requires patient, planned, and disciplined work. In addition, the photographer undertaking architectural photography must possess sufficient technical equipment and the technical knowledge to use this equipment most appropriately. At the same time, when taking architectural photographs, the aesthetics and effects on the structure must be consciously identified and conveyed in the photograph. Therefore, architectural photography fundamentally begins with the exploration of the building's plastic elements and functions, and the examination of perspective effects. Moreover, the role of light in architectural photography should never be underestimated.\u003c\/p\u003e\u003cp\u003eThis book addresses where individuals intending to take architectural photographs should start, what auxiliary materials they should use, and how they should act in extraordinary situations.\u003c\/p\u003e\u003cp\u003eSince each topic in the book is arranged according to preparation for shooting, reading it from the first chapter will facilitate a better understanding of the book.\u003c\/p\u003e","brand":"Say Yayınları","offers":[{"title":"Default Title","offer_id":39408941727939,"sku":"9786050205022","price":675.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050205022.jpg?v=1616017077"},{"product_id":"mimarlik-101","title":"Architecture 101","description":"\u003cp\u003eIn a nutshell: STYLE, form, and structure. Textbooks often turn information about architecture into boring discourses that even those interested in the subject find sleepy. Architecture 101 puts an end to all these tedious narratives and invites you to discover the world's most magnificent buildings. You'll enjoy exploring the astonishing world of architecture with this book, as it only features the most important events, building styles, and architects.\u003cbr\u003e\u003cbr\u003eYou will also find fascinating elements such as:\u003cbr\u003e- Buildings constructed in popular building styles like Georgian and Greek Revival\u003cbr\u003e- A discussion of architectural styles from 5,000 years ago\u003cbr\u003e- Unique profiles of the most inspiring figures in architecture\u003cbr\u003e\u003cbr\u003eArchitecture 101 covers many topics, from Norman Foster and Frank Lloyd Wright to Beauvais Cathedral and the Empire State Building, in a concise and clear narrative.\u003c\/p\u003e","brand":"Say Yayınları","offers":[{"title":"Default Title","offer_id":39408941924547,"sku":"9786050205510","price":360.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050205510.jpg?v=1616017085"},{"product_id":"mimarlikta-peyzaj-tasarimi_351522-html","title":"Landscape Design in Architecture","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eHow much landscape architecture knowledge is required for the education of architects and urban planners? It is observed that architecture, urban and regional planning curricula either include no or very few courses on landscape architecture and landscape design programs. This limits the competence of architects and urban planners in understanding the complex relationships between buildings and their sites, landscapes, and the environment.\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eCourses with a focus on landscape design are crucial for the education of architects and urban planners. To investigate natural and cultural texture, to examine design theories and structural and vegetative design principles at different scales, to approach the subject from different angles to create a landscape design project, to effectively analyze and synthesize existing natural, perceptual, social, and cultural data, and to ensure the inclusion of different professional disciplines to facilitate interdisciplinary work. It is necessary to establish the infrastructure to include courses on Landscape Architecture and Landscape Design programs in the Architecture, Urban and Regional Planning curricula during the education process.\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eThe book \"Landscape Design in Architecture\", prepared with the support and contributions of our esteemed lecturers, will provide architecture students with the ability to use landscape design principles, establish landscape-space organization and the relationship between landscape design and architectural design, examine factors affecting landscape design, and prepare a small-scale landscape project.\u003c\/span\u003e\u003c\/p\u003e","brand":"Nobel Akademik Yayıncılık","offers":[{"title":"Default Title","offer_id":39408945266883,"sku":"9786050331387","price":585.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050331387.jpg?v=1616017117"},{"product_id":"offmodern-mimarlik-svetlana-boym","title":"Off-Modern Architecture","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eIn \u003cem\u003eOff-Modern Architecture\u003c\/em\u003e, where Svetlana Boym discusses the intellectual history of modernity in an alternative way, she considers the Monument to the Third International, one of the icons of the Russian avant-garde, namely the mythical Tatlin Tower, as a cornerstone. She follows the architectural and philosophical metamorphosis of the tower, a manifesto for an architectural revolution. Boym calls this path, which delves into the backstreets of the critical modernity project, the architecture of adventure (Simmel); the winding move of the knight in chess (Shklovsky); \"passionate thinking\" distinct from \"professional thinking\" (Arendt); the architecture of freedom that opens up space for inconclusiveness and experimentation, paper architecture, models, and installations, \"off-modern\":\u003c\/p\u003e\u003cp style=\"margin-top: 10px; poverty: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e\"Not postmodern, but off-modern, off-modern, I call this path: [...] I am tired of the post-, neo-, avant-garde, and meta- suffixes of the seductive post-critique that desperately tries to be 'in' and stay relevant. There is another option: not to be 'out' in the sense of being out of fashion or excluded, but to be 'off' in the sense of being beside, slightly away: as in off-stage, off-key, off-beat, and sometimes even off-color. This will be more helpful to me as I explore alternative approaches to form and function, different understandings of the relationships between art technique and technology, politics and aesthetic practice in the public sphere, ruinophilia and freedom.\"\u003c\/p\u003e","brand":"Lemis Yayın","offers":[{"title":"Default Title","offer_id":39408945627331,"sku":"9786050667028","price":168.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Off_Modern_Mimarlik_on_kapak.jpg?v=1744487799"},{"product_id":"tasarim-demokrasisi-ve-istanbul","title":"Democracy of Design and Istanbul","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: #ffffff; color: #000000; font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eInteractive Design Process... A situation where mutual experiences nurture, and professional accumulation and daily life, in other words, the designer and the city dweller, work together, hand in hand. A democratic and humane approach, perhaps what should be... But what happens when today's conditions are added to this situation? If the global order, and the uncatchable pace of life in metropolises, put the designer, the city dweller, and an investor into the same dilemma, how should we coexist? We don't know how long our new world, where intertwining increases every day, and the borders between cities and countries become more blurred, will last as a single \"place\". But we constantly ask some questions and question what is happening.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cspan style=\"text-decoration: line-through;\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWho is Prof.Dr. ECE CEYLAN BABA?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShe completed her undergraduate education at Mimar Sinan Fine Arts University, Department of Architecture, her master's degree at Yeditepe University, Department of Architecture, and her doctoral program at Mimar Sinan Fine Arts University, Architectural Design Problems Program.\u003c\/p\u003e\n\u003cp\u003eEce Ceylan Baba, who became an associate professor in 2016 and a professor in 2021, served as the Head of the Department of Architecture at Yeditepe University Faculty of Architecture between May 2017 and 2021. Since June 2021, Ece Ceylan Baba has been serving as the Dean of Yeditepe University Faculty of Architecture.\u003c\/p\u003e\n\u003cp\u003eBaba works in the academic field on architectural utopias and dystopias, high-rise development, globalization, user participation, environmental and urban psychology, housing typologies, and the concept of loft; she continues her studies, research, and publications in these areas.\u003c\/p\u003e\n\u003cp\u003eIn addition to her academic work, Ece Ceylan Baba continues her professional career as the founding partner of Baba Mimarlık and is a Board Member of the non-governmental organizations İMSAD and TUCSA.\u003c\/p\u003e\n\u003cp\u003eThe author's books are:\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003eArchitectural Utopias in Search of an Ideal City\u003c\/li\u003e\n\n\u003cli\u003eLoft: Loft Architecture in the Transition from Modernism to Postmodernism and its Reflections in Istanbul\u003c\/li\u003e\n\n\u003cli\u003eDesign Democracy and Istanbul\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Sosyal Yayınları","offers":[{"title":"Default Title","offer_id":39408946544835,"sku":"9786051274997","price":225.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786051274997.jpg?v=1616017141"},{"product_id":"topografya_349902-html","title":"Topography","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIn our country, maps are produced at different scales for various purposes. These maps are used by various professionals in all kinds of projection and application projects based on the earth. For technical personnel outside the mapping sector to be able to carry out the technical principles and application projects related to the production of these maps themselves, they need to know and apply simple measurement techniques related to the subject.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThis work has been prepared as a reference for technical personnel working in sectors outside the mapping sector, such as construction, architecture, urban and regional planning, geology, mining, environment, and agriculture, regarding their problems with topography. In addition,\u003cbr\u003ethe fundamental topics related to topographic measurements in the mapping-cadastre sector have also been included in this work.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Nobel Akademik Yayıncılık","offers":[{"title":"Default Title","offer_id":39408946741443,"sku":"9786051330112","price":57.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786051330112.jpg?v=1616017142"},{"product_id":"resimden-mekana-kandinsky","title":"From Picture to Place : Kandinsky","description":"\u003ch1 product-name=\"\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003eThis book introduces a proven method for form creation and interior design solutions in design studios, based on Kandinsky's work through the art of painting, at the intersection of Art and Architecture.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe book basically consists of two parts. In the first part; Design and Creativity, Design Studios in Architectural Education, Painting and Architecture, Abstract Art and Kandinsky, the Concept of Abstraction and its Relationship with Architecture are examined. In the second part, a proposed method applied in the Interior Architecture I. year design studio is introduced and the resulting products are shared with the reader.\u003c\/p\u003e","brand":"Nobel Akademik Yayıncılık","offers":[{"title":"Default Title","offer_id":39408946839747,"sku":"9786051336343","price":252.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786051336343.jpg?v=1616017146"},{"product_id":"tasi-yenen-adam_350739-html","title":"The Man Who Conquered Stone - A Novel of Mimar Koca Sinan","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: \" open sans sans-serif font-size: text-align: center\u003eIn Turgut Güler's brilliant pen, this time another great name from the magnificent cast of the Ottoman-Turkish centuries, our Golden Age, appears with a dazzling shimmer within history: Chief Architect Koca Sinan! Turgut Güler, who previously, guided by Yahya Kemal, took us through the peaks of our national history among the \"tugs whose horizon encompassed the world\" of Yavuz Sultan Selim, this time, together with Yahya Kemal, and guided by the manuscripts dedicated to Sinan by Sâ'î Mustafa Çelebi and Rif'at Osman Bey, lifts the \"dusty curtains of time,\" letting our hearts soar to the \"magnificent mornings\" when we conquered stone under the command of \"Ser-Mîmârân-ı Hâssa Koca Sinan,\" that \"architect of the temple of victory.\" Thus, he demonstrates his endeavor, following the principle that \"it is also a skill to appreciate the value of an artist.\" \"I, Sinan, the carpenter from Ağırnas, realized that the best preparation for entering the Hereafter is to be a good gardener in the garden of the World. (...) I lived quite long, and this era ground my aching tooth and my spinning head well in its own millstone, making me a weak old man. (...) I did my work well and solidly. I wish for them to stand until the Day of Judgment. I have one request from my friends and brothers who love me and appreciate my works. Please do not forget this poor man and pray to Almighty God for an easy reckoning.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Ötüken Neşriyat","offers":[{"title":"Default Title","offer_id":39408947003587,"sku":"9786051556987","price":75.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786051556987.jpg?v=1616017150"},{"product_id":"mimarlik-uzerine-vitruvius","title":"Vitruvius On Architecture","description":"\u003cp\u003eVitruvius's De Architectura (On Architecture) is a ten-book compendium that provides extensive and comprehensive information primarily on the theory and practice of architecture during the Roman period. Due to its universal approach to the principles and education of architecture, it is the only surviving book from antiquity that forms part of the classical Western architectural history known today. As architecture at that time also encompassed engineering, it can be considered the only extant work in the history of engineering. Furthermore, given that the work's topics consist of Greek and Roman temples, public buildings, baths, houses, and even the exterior and interior designs of all these buildings, their wall plasters, reliefs, multi-colored paints, and floors with various patterns, this work is the only comprehensive source from which both classical Western archaeology and art history can draw information regarding this period. In fact, classical archaeology, in particular, owes the source of the scientific language, style, and terminology it uses today to this work. For this reason, On Architecture is the only bedside book that those involved in these sciences throughout the Middle Ages, Renaissance, and up to the present day have consulted and will consult when they wish to learn the history of their fields of study.\u003c\/p\u003e","brand":"Alfa Yayınları","offers":[{"title":"Default Title","offer_id":39408948379843,"sku":"9786051714431","price":675.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/81DZfMe5b4L._SL1500.jpg?v=1771843514"},{"product_id":"bogazici-sayfiyeleri_351220-html","title":"Bosphorus Summer Residences","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e“Will I be able to see the book \"Boğaziçi Sayfiyeleri\" in person and deliver a copy to the Mekhitarist Monastery on St. Lazarro Island in Venice (where the book was first published)?\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eIf I succeed in doing so, a new life story will begin for İnciciyan's book, which you (hopefully) hold in your hands.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eI am nothing but a link in this adventure. The book itself is a love story. A love for the Bosphorus.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThis must be the magic that brought together all the people involved in this little adventure I recounted.\"\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eFerit Edgü\u003c\/p\u003e","brand":"Alfa Yayınları","offers":[{"title":"Default Title","offer_id":39408949493955,"sku":"9786051716909","price":35.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/41ie7smTNqL.jpg?v=1639473887"},{"product_id":"konut-sorunu_351791-html","title":"Housing Problem","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eWhy do the houses where workers live collapse at the slightest tremor? Despite the fact that epidemics caused by the poor living in unhealthy conditions also affect capital owners, why can these conditions not be rectified? Why can flood disasters in large cities not be prevented? Is it a revolutionary demand for everyone to own the house they live in?\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eIn this work, Friedrich Engels discusses how social problems stemming from the capitalist mode of production should be approached, by examining the reasons why attempts to solve the housing problem concerning workers by petty-bourgeois socialism, represented by Proudhon, and philanthropic bourgeois were doomed to fail.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eAlthough Proudhon's influence on the European labor movement had significantly diminished by the time the work was written, Engels, foreseeing that the approach of seeking solutions to social problems within the system would gain strength again, complements Karl Marx's critique of Proudhon in his book The Poverty of Philosophy with The Housing Question.\u003cbr\u003e\"It is enough for me to be able to prove that the production of our modern society is capable of providing all members of society with sufficient food, and that there are enough houses to temporarily provide comfortable and healthy housing for the working masses. To speculate on how a future society will arrange the distribution of food and housing directly leads to utopia.\"\u003c\/p\u003e","brand":"Yordam Kitap","offers":[{"title":"Default Title","offer_id":39408950771907,"sku":"9786051723709","price":28.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786051723709.jpg?v=1616017202"},{"product_id":"istanbule28099un-camileri_349361-html","title":"Mosques of Istanbul","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIn this work, the author examines the mosques of Istanbul, which present their beauties in a strange disorder and confusion, while also including the narratives of Evliya Çelebi, the great 17th-century Turkish traveler. In doing so, you witness the existence of a different story for each of Istanbul's mosques, building a bridge from the past to the present; Hidayet Mosque is aware that it exists to guide the sinful sailors of Bahçekapı's Melek Girmez street to the right path. Just as Kara Davut Paşa Mosque cannot erase the stain of the assassination of Young Osman from the treacherous Davut Paşa, Zal Mahmut Paşa Mosque has not forgotten the pain of Prince Mustafa's drowning. Kılıç Ali Paşa Mosque is a mosque befitting a Kapudan Pasha, built by filling in the sea. Piyale Paşa and Sinan Paşa mosques, whose wealth came from seven jars full of gold, are very proud to be Kapudan Pasha mosques. Köprülü Mosque is remembered for its library with over five thousand volumes of manuscripts and old printed works, and Mahmut Paşa Mosque for its bazaar consisting of two hundred and sixty-five shops. Teşvikiye Mosque is where the funerals of the famous and wealthy take place today, and Şakirin Mosque is the last modern mosque whose interior decorations were touched by a woman's hand.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Gece Kitaplığı","offers":[{"title":"Default Title","offer_id":39408950804675,"sku":"9786051804286","price":67.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786051804286.jpg?v=1616017204"},{"product_id":"turk-mimari-susleme-sanatinda-ikonografik-figurler_349323-html","title":"Iconographic Figures in Turkish Architectural Ornamentation Art","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIn hunter societies where the Animal Style is prevalent, magic and talismans hold significant importance. In primitive communities, people regarded all objects in nature and the sky as living beings, creating an imaginary world composed of supernatural creatures. Thus, a hidden, imaginary world consisting of supernatural creatures was spoken of, distinct from the visible and known material world. These figures, described as fantastic creatures by researchers, have been applied to various materials such as wood, glass, and fabric, predominantly stone, across a wide geographical area and over a considerable period.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eExamples featuring mythological animal figures, reflecting the characteristics of nomadic society before Islam, continued after the adoption of Islam. Turks attributed meanings such as good fortune and luck to animal motifs. Examples applying animal figures are relatively few compared to plant-based, especially geometric, motifs. The subject of this book is to examine existing examples in situ, determine their current state, and serves as an original study providing a significant resource for researchers working in this field.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Gece Kitaplığı","offers":[{"title":"Default Title","offer_id":39408950870211,"sku":"9786051807553","price":503.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786051807553.jpg?v=1616017205"},{"product_id":"antik-caglardan-gunumuze-mimarligin-oykusu","title":"The Story of Architecture from Antiquity to the Present Day","description":"\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003e\"Four walls\" and \"a roof over one's head\" separate a person from their surrounding environment, providing protection. They make cities, towns, and villages habitable. The memory of a geography is often determined by whether its architecture is preserved or not.\u003c\/p\u003e\n\u003cp\u003ePerhaps architecture expresses social context more than any other human creation. This is because construction is almost always a social act that takes place in the social sphere. As such, the history of this important art sheds light not only on the history of architecture and architects but also on the history of societies.\u003cbr\u003e\u003cbr\u003eIn his book, The Story of Architecture, Jan Gympel invites the reader into the depths of this art with his vast knowledge. All that's left for us is to enjoy the splendor of this important art within its pages!\u003c\/p\u003e\n\u003cp\u003e176 pages, translated into Turkish by Derya Nüket Özer.\u003c\/p\u003e","brand":"Hep Kitap","offers":[{"title":"Default Title","offer_id":39408951099587,"sku":"9786051922782","price":448.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786051922782.jpg?v=1616017213"},{"product_id":"harputta-dini-mimari","title":"Religious Architecture in Harput","description":"\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\u003cp\u003eHarput, which forms the origin of the city of Elazığ and has been an important settlement in every period of history, has extremely important historical remains and artifacts. Harput hosted the Çubuk Beylik, Artuqids, Seljuks, Dulkadirids, and Aq Qoyunlu throughout its history, and after finally joining the Ottoman Empire, it became one of the empire's favorite cities, becoming the center of science and wisdom in the region.\u003cbr\u003e\u003cbr\u003eIn this study, among the historical heritage such as castles, mosques, tombs, churches, baths, and other historical remains that still exist in Harput, which is now a neighborhood connected to Elazığ province, and are disappearing day by day, the mosques, masjids, and tombs that have survived with their existing inscriptions, and the inscriptions found in these structures, have been examined. While examining these structures, a comparison was made between their initial and final states, highlighting their striking features, and examining the inscriptions belonging to the structures in terms of their condition, calligraphic styles, and location within the structure.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e(From the Promotional Bulletin)\u003c\/p\u003e","brand":"Çizgi Kitabevi Yayınları","offers":[{"title":"Default Title","offer_id":39408951394499,"sku":"9786051960166","price":135.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786051960166.jpg?v=1616017215"},{"product_id":"barselona_348756-html","title":"Barcelona","description":"The writings collected in this book recount what I have learned from Barcelona, a city I have visited on average twice a year since 2006. All chapters touch upon Barcelona's physical and cultural presence and, at every opportunity, upon Gaudí. Architecture is always central. \u003cbr\u003e\u003cbr\u003eThe Spanish author of the first modern novel, Miguel de Cervantes, in 1605, has one of his characters in Don Quixote say:\u003cbr\u003e\u003cbr\u003e“Barcelona, a famous, rich, and well-founded city, is an alarm and fear for Spain's distant and near enemies, a source of luxury and joy for its inhabitants, a refuge for foreigners, offering more than anyone could desire to all who are civilized and discerning. It is also a school of elegance, a resting place for travelers, a protector of the poor, a home for heroes, and a happy meeting place for those seeking friendship.”\u003cbr\u003e\u003cbr\u003eMany of these things can still be found in Barcelona four centuries later. Barcelona is a very important Mediterranean city in the fields of art, culture, and architecture. It is the only city awarded a RIBA medal and the largest port in the Mediterranean.","brand":"Ceres Yayınları","offers":[{"title":"Default Title","offer_id":39408951591107,"sku":"9786052048870","price":131.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052048870.jpg?v=1616017218"},{"product_id":"simple-introduction-to-architecture_351993-html","title":"Mimarisine Basit Bir Giriş","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eThe addressees of Simple Introduction to Architecture are both early-years students from architectural faculties and people who have not previously been close to the work of architects but want to learn more about at least some aspects of this interesting profession.\u003c\/span\u003e\u003c\/p\u003e","brand":"Altınbaş Vakfı","offers":[{"title":"Default Title","offer_id":39408951787715,"sku":"9786052065006","price":100.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052065006.jpg?v=1616017221"},{"product_id":"ruya-sehirler-dunyayi-sekillendiren-7-tasarim-fikri","title":"Dream Cities","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eFrom the 19th century to today, many design ideas, sometimes utopian, sometimes bizarre, but generally controversial, have been gradually adopted and implemented in cities all over the world, from Dubai to Tokyo, London to Los Angeles. Graham analyzes cityscapes, aiming to show where our urban forms come from, how we shape them, and how they shape us, by drawing on the life stories of the visionaries behind these design ideas and their rivals.\u003c\/p\u003e\n\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eWhile Wade Graham narrates cities in the light of plans, designs, and architectural movements, he also reveals that all of these are in fact an expression of ideas about how we should live, how we should work, how we should shop, and what we should believe. From Bertram Goodhue's baroque fantastic villages to Le Corbusier's Radiant City; he enables us to see luxurious green suburbs, city center skyscrapers, high-rises standing alone in the middle of empty lots, shopping malls promising brand new experiences, eco-sites, squares, narrow streets, and highways with a completely different perspective.\u003c\/p\u003e\n\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eDream Cities, offering a lively, original, and general-reader-friendly cultural history, is a guidebook for understanding the urbanized world.\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408954081475,"sku":"9786052116890","price":162.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Ruya-Sehirler.jpg?v=1741558073"},{"product_id":"islam-mimarisinde-anlam-ve-sembol","title":"Meaning and Symbol in Islamic Architecture","description":"\u003cdiv col-half=\"\"\u003e\n\n\u003ch1 product-name=\"\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\n\n\u003c\/div\u003e\n\u003cdiv col-half=\"\"\u003e\n\n\u003cp\u003eThis study is an inquiry into the meaning and symbolic dimension of Islamic architecture. As with any research, certain findings have been presented at the end of this inquiry. However, it is not possible to insist on their absolute accuracy. Here, to the best of our ability, an attempt has been made to capture the content of the final stage of an ancient accumulated knowledge that took shape with its Islamic layer. In doing so, while providing details from pre-Islamic examples, we primarily strived to present the meaning and symbolic dimension by considering the scientific and cultural factors that constitute the Islamic segment.\u003c\/p\u003e\n\n\u003cp\u003eWith this research, we have attempted to reveal the philosophical, psychological, religious, and scientific data pertaining to architecture, one of the most significant components of Islamic art. We embarked on the path of creating a repertoire of meaning by combining the unseen aspects behind Islamic architecture, or Islamic art in general, with the visible ones. In its general appearance, Islamic architecture has not refrained from incorporating the accumulated knowledge of ancient cultures and has expanded its repertoire by adding its own accumulated knowledge to these. In this case, Islamic architecture has presented its structure by drawing from ancient culture, while its ornamentation or aesthetics remained within the sphere of Islam.\u003c\/p\u003e\n\n\u003cp\u003e(From the Promotional Bulletin)\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Palet Yayınları","offers":[{"title":"Default Title","offer_id":39408954572995,"sku":"9786052338094","price":540.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052338094.jpg?v=1616017261"},{"product_id":"mimar-sinan-national-geographic-kids_348999-html","title":"Mimar Sinan - National Geographic Kids","description":"\u003cp\u003eAre you ready to meet the world's first \"star architect\"?\u003cbr\u003eIf so, get ready to discover Mimar Sinan through dozens of illustrations and photographs!\u003c\/p\u003e\u003cp\u003eMimar Sinan is a great architect recognized worldwide for his extraordinary genius. He lived in the Ottoman Empire in the 16th century, served as chief architect to three sultans for 50 of his approximately 100 years of life, and trained dozens of great architects. He was an exemplary person with his trustworthy character and work discipline.\u003c\/p\u003e\u003cp\u003eMany of the works he designed and built 500 years ago are still standing today! His architectural style continues to inspire architects and engineers.\u003c\/p\u003e\u003cp\u003eWith this book, you will learn about Mimar Sinan's:\u003cbr\u003e\u003cbr\u003e• Family and childhood,\u003cbr\u003e• Selection as a devşirme and his arrival in Istanbul,\u003cbr\u003e• Years in the military and campaigns with Suleiman the Magnificent,\u003cbr\u003e• Appointment as chief architect and his apprenticeship, journeyman, and master periods,\u003cbr\u003e• The great architects he trained,\u003cbr\u003e• How he is known worldwide and how his name lives on,\u003cbr\u003e• Why he is referred to as the world's first \"star architect.\"\u003c\/p\u003e","brand":"Beta Kids","offers":[{"title":"Default Title","offer_id":39408955359427,"sku":"9786052423318","price":58.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052423318.jpg?v=1616017274"},{"product_id":"ae28099dan-ze28099ye-kentsel-donusum_351978-html","title":"Urban Regeneration from A to Z","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eIf we want the cities we live in to be more livable, green, environmentally friendly, and planned for ourselves and our children, we must support the basic logic of urban transformation laws. However, if urban transformation laws are applied with an approach focused solely on profit, it would be a great injustice to nature and our human essence.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Beta Yayınevi","offers":[{"title":"Default Title","offer_id":39408955850947,"sku":"9786052424810","price":129.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052424810.jpg?v=1616017279"}],"url":"https:\/\/yemkitabevi.com\/en-us\/collections\/mimarlik\/yazar_i%cc%87rfan-kaygalak.oembed","provider":"YEM Kitabevi","version":"1.0","type":"link"}