{"title":"Art History","description":"","products":[{"product_id":"sanat-101","title":"Art 101","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArt 101 offers you a wealth of information in short chapters, allowing you to discover the world's greatest artists and masterpieces, from Leonardo da Vinci and El Greco to Pablo Picasso and Andy Warhol, without getting bogged down in tedious details and lengthy explanations. What you read will both inform and surprise you.\u003cbr\u003e\u003cbr\u003eThe thief who stole the Mona Lisa, valued at $750 million, from the Louvre Museum in Paris, got away with a 6-month prison sentence!\u003cbr\u003eThe first cartoon was made when people lived in caves!\u003cbr\u003eA Van Gogh oil painting sold for $80 million in 1990!\u003cbr\u003e\u003cbr\u003eThanks to Art 101, you will gain knowledge about everything from popular art movements to striking details of famous works, and you will enjoy visiting art exhibitions and museums even more.\u003cbr\u003e(From the Promotional Bulletin)\u003c\/p\u003e","brand":"Say Yayınları","offers":[{"title":"Default Title","offer_id":39408941662403,"sku":"9786050204322","price":360.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050204322.jpg?v=1616017075"},{"product_id":"sanatin-kisa-oykusu","title":"A Short History of Art","description":"\u003cp\u003eCarefully compiled information, exceptional visuals, useful artwork analyses, themes and techniques used in major branches of art. Pocket guides to important genres, movements, artworks, themes, and techniques… a brand new art introduction series from hep kitap that art lovers won't want to put down! The first books in the series are The Short Story of Art and The Short Story of Photography…\u003cbr\u003eImportant movements, artworks, themes, and techniques in art history. Why, how, and when did art change? Who pioneered it? Where and how were the artworks that shaped art produced, and which themes were dominant?\u003cbr\u003eIn her book \"The Short Story of Art,\" Susie Hodge explains important concepts in art history, examines their relationships, presents analyses of fifty significant artworks, and explores which themes and techniques were used. Thanks to the brief and useful information she provides, she hands you a lantern to navigate the complex-looking labyrinths of art history.\u003cbr\u003eThanks to this book, which also removes the barriers to artistic jargon, you will never want to leave the magical world of art!\u003c\/p\u003e","brand":"Hep Kitap","offers":[{"title":"Default Title","offer_id":39408951066819,"sku":"9786051922423","price":765.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786051922423.jpg?v=1616017212"},{"product_id":"dikbaslilar-bilimi-ve-dunyayi-degistiren-52-kadin_350426-html","title":"Headstrong: 52 Women Who Changed Science and the World","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eFrom Virginia Apgar to Barbara McClintock, from Chien-Shiung Wu to Sophie Kowalevski, to Hedy Lamarr… 52 life stories flowing from Rachel Swaby’s entertaining pen, 52 scientists who changed science and the world, 52 women who clung to science despite the injustices and discrimination they faced…\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eSwaby's rebels unravel the structure of DNA, rewrite the laws of nature or establish a brand new scientific discipline; while being mocked, ignored, and insulted. Whatever happens, these women from different eras and geographies never give up on believing in science, not in the opinions of others. These are rebellious women!\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408953098435,"sku":"9786052116241","price":45.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052116241.jpg?v=1616017236"},{"product_id":"sanat-tarihi_348786-html","title":"Art History","description":"\u003cp\u003eİKÜ Publishing House presents \"Art History,\" the fourth book in its \"A Very Short Introduction\" series, carefully selected from Oxford University Press's world-renowned \"Very Short Introductions\" series. The book, written by Dana Arnold, Professor of Art History at the University of East Anglia, England, was translated into Turkish by Tuncay Birkan, an expert translator in social sciences and art theory. Professor Dr. Filiz Yenişehirlioğlu, an art historian and faculty member in the Department of Archaeology and Art History at Koç University, also penned a special preface for the Turkish edition of this enlightening book on art and art history. The book hit the shelves in August.\u003cbr\u003e \u003c\/p\u003e\u003cp\u003eLooking at Art\u003c\/p\u003e\u003cp\u003eWhat does art tell us? What can we learn from a single work or a series of artworks? What clues can the artist, subject, material, time, or place offer us when we look at a work? How can looking at art, reflecting on artworks to extract meaning(s) from them, and recognizing the relationship a painting or sculpture establishes with us contribute to our lives? How can art affect our individual and social lives?\u003c\/p\u003e\u003cp\u003eIn \"Art History,\" historian Dana Arnold, known for her work on art and architectural history, cultural identities, and urbanization, pursues the questions above, making many topics related to art and art history more meaningful for readers and art lovers. Furthermore, she shows how a work we encounter in any museum, gallery, or even on the street can become more meaningful to us.\u003c\/p\u003e\u003cp\u003eA Comparative Study\u003c\/p\u003e\u003cp\u003eIn the book, the author addresses many topics concerning art, its production and presentation, interpreting and attributing meaning to artworks, valuing them, and art history. She questions the differences between ancient, Renaissance, classical, and contemporary art periods in terms of comprehending artworks; she examines the relationship between the work, the artist, the viewer, and even the space. In doing so, she discusses the works of many artists, from Monet, da Vinci, da Fabriano, Velázquez, Raphael, and Rodin, to Picasso, Chicago, Reynolds, Pollock, Warhol, and Man Ray; and many different styles and understandings, from the Venetian School to the Terracotta Army sculptures. The book also comparatively examines how the views of leading thinkers such as Baumgarten, Kant, Hegel, Marx, Freud, Gombrich, Foucault, and Derrida led to changes in understanding aesthetics and art, criticism, and the systematization of historiography.\u003c\/p\u003e\u003cp\u003eBoth Western and Eastern Art\u003c\/p\u003e\u003cp\u003eIn the book, Arnold presents a perspective of perception and evaluation that transcends geography by considering not only Western but also Eastern artistic production. Professor Dr. Filiz Yenişehirlioğlu, a professor in the Department of Archaeology and Art History at Koç University and director of VEKAM, also draws attention to this aspect of Arnold in her preface to the book: \"Dana Arnold's aim is to briefly introduce the methods of art historical research or how to approach the history of art to the general reader and university student through a transcultural reading, being aware not only of Western art but also of Eastern art.\"\u003c\/p\u003e\u003cp\u003eWith the author's provocative and critical questions, sincere and understandable narrative style, and clear and concrete examples, \"Art History\" will be a striking guide for readers that stands out from similar books in the field.\u003c\/p\u003e","brand":"İstanbul Kültür Üniversitesi","offers":[{"title":"Default Title","offer_id":39408967450819,"sku":"9786054763719","price":32.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786054763719.jpg?v=1616017422"},{"product_id":"antionch-on-the-orontes-asi-deki-antakya_349381-html","title":"Antioch on the Orontes","description":"\u003cp\u003e\u003cspan style='color: rgb(0, 0, 0); font-family: \"Open Sans\", sans-serif; font-size: 15px; text-align: center;'\u003eFrom the very first moment when their picks and shovels hit the ground in 1932, archaeologists started to expose the remains of an enchanted city hidden under the roads, squares, and gardens of modern Antioch. The olive trees that constitute one of the most important symbols of the city, as they are also depicted in the mosaics of the Roman villas, concealed underneath their roots some of the most impressive works of ancient pictorial art... Thus came to light one of the most magnificent cities of the Roman Empire. Antioch on the Orontes, Early Explorations in the City of Mosaics narrates the story of the first archaeological discoveries with texts and photographs, and also provides information about the ongoing archaeological excavations in Antioch today.\u003c\/span\u003e\u003cbr style='color: rgb(0, 0, 0); font-family: \"Open Sans\", sans-serif; font-size: 15px; text-align: center;'\u003e\u003cbr style='color: rgb(0, 0, 0); font-family: \"Open Sans\", sans-serif; font-size: 15px; text-align: center;'\u003e\u003cspan style='color: rgb(0, 0, 0); font-family: \"Open Sans\", sans-serif; font-size: 15px; text-align: center;'\u003eFrom the very first moment when their picks and shovels hit the ground in 1932, archaeologists started to expose the remains of an enchanted city hidden under the roads, squares, and gardens of modern Antioch. The olive trees that constitute one of the most important symbols of the city, as they are also depicted in the mosaics of the Roman villas, concealed underneath their roots some of the most impressive works of ancient pictorial art... Thus came to light one of the most magnificent cities of the Roman Empire. Antioch on the Orontes, Early Explorations in the City of Mosaics narrates the story of the first archaeological.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408970170563,"sku":"9786055250263","price":64.81,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055250263.jpg?v=1616017456"},{"product_id":"olusum-sureci-icinde-sanatin-tarihi","title":"The History of Art in the Process of Formation","description":"\u003ch1 class=\"\" product-name=\"\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cbr\u003eThose who wish to obtain detailed information on individual artists and their works will not find what they are looking for in this book, which tries as much as possible to avoid encyclopedic information. On the other hand, we hope that those who are not content with merely collecting information but wish to \"understand\" the work of art will find some clues along this path.\u003cbr\u003e\u003cbr\u003eToday, we are accustomed to seeing works of art in museums, which have become a heap of such objects. However, these were not made to be displayed in museums. If we want to enter the world of art, we must try to see works of art not as \"museum pieces,\" but as \"concrete\" entities with their own unique lives that intertwine with ours, and to understand them from this perspective.\u003cbr\u003e\u003cbr\u003eIn what environment does the artist find himself, what traditions have shaped this environment, what possibilities does he encounter? What is the artist's situation and his behavior in response to it? The artist's behavior is reflected in his works. What kind of behavior do these works reflect? Is the artist stuck in a frozen tradition, content with what he finds, developing what he finds, or using all the possibilities within him to change his environment and forge a new path?\u003cbr\u003e\u003cbr\u003eIn this book, keeping these and similar questions in mind, we have tried to view and present the history of art within a process of formation that connects yesterday to today and tomorrow, and to understand and evaluate what has happened as possibilities realized within this process of formation.\u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39408974758083,"sku":"9786056249051","price":230.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786056249051.jpg?v=1616017517"},{"product_id":"unlu-ressamlar-hayatlari-ve-eserleri","title":"Famous Painters: Their Lives and Works","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThe reader will not find a personal art critique within these pages, because centuries have already passed judgment on the people we have taken as our subject. What else can we do but admire the Mona Lisa when viewing it in the Louvre? The criticism of this famous work was made centuries ago by Giorgio Vasari, a contemporary of Leonardo, and this opinion has not been refuted to this day. We have based our book on this foundation. We had the opportunity to personally see a significant portion of the mentioned works in museums around the world. These impressions, combined with the writings of many art critics on the subject, gave birth to this book.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eEven the most reliable books have not been immune to chronological errors. In this regard, we placed particular emphasis on a comparative examination when rewriting the life stories of famous artists. Thus, we believe we have presented a document that conforms to historical facts in every respect.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39408976429251,"sku":"9786056334689","price":280.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/unlu-ressamlar-hayatlari-ve-eserleri-1.jpg?v=1741557029"},{"product_id":"sanat-tarihinin-temel-kavramlari","title":"Basic Concepts of Art History","description":"\u003ch1 class=\"\" product-name=\"\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003eWhat are the fundamental differences between Classical and Baroque art? Is there a patterned model that forms the basis of art's spiral development in different cultures at different times? What causes us to react completely differently to the same painter or the same painting?\u003cbr\u003e\u003cbr\u003eIn Principles of Art History, first published in Germany in the early 1920s and now a classic text, Heinrich Wölfflin offers a set of objective criteria to answer such questions. The author, who examines elements such as style, quality, and mode of representation through five contrasting concepts (Linear-Painterly, Plane-Recession, Closed Form-Open Form, Multiplicity-Unity\/Clarity, Clearness-Unclearness), also delves deeply into sculpture and architecture, analyzing the works of sixty-four artists. Approximately one hundred and fifty visuals produced by Botticelli, van Cleve, Dürer, Holbein, Brueghel, Bouts, Hals, Rembrandt, Velázquez, Titian, Vermeer, and many other important artists help the reader understand Wölfflin's methodology of art criticism.\u003cbr\u003e\u003cbr\u003ePrinciples of Art History, re-published by Hayalperest Yayınları with a new translation, enables those conducting methodological research on art, art criticism, and the evaluation of art to progress on solid foundations.\u003cbr\u003e(From the Promotional Bulletin)\u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39408977707203,"sku":"9786056613906","price":530.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786056613906.jpg?v=1616017554"},{"product_id":"louis-i-kahnda-beaux-arts-etkisi","title":"Beaux-Arts Influence in Louis I. 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The expectation for a Turkish book from our readers, while we were selling English books on drawing, was instrumental in bringing this book to Turkish. When we did our research, we found that Parkstone Publishing's book \"1000 Drawings of Genius\" was one of the best examples in the field of drawing art worldwide, and we translated it into Turkish. The book is the most comprehensive work on drawing in Turkish.\u003c\/p\u003e\u003cp\u003eThanks to exhibitions focusing on drawing in many major museums around the world, from the Metropolitan to the Uffizi, drawing has attracted more critical and academic interest than ever before.\u003c\/p\u003e\u003cp\u003eIn this book, the reader will find 1000 works by great Renaissance masters such as Leonardo da Vinci and Michelangelo, as well as modernist painters like René Magritte and Pablo Picasso, along with a comprehensive analysis of the history of drawing.\u003c\/p\u003e\u003cp\u003eThe book will meet the long-felt need for a resource for artists, art lovers, teachers, faculty members, and students of all levels; it will be one of the essential reference books they will always want to keep close at hand.\u003c\/p\u003e","brand":"Zedya Kitap","offers":[{"title":"Default Title","offer_id":39408981180611,"sku":"9786056911507","price":195.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786056911507.jpg?v=1616017604"},{"product_id":"21-kedide-sanat-tarihi_351875-html","title":"Art History in 21 Cats","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eDo you like cats? What about art history? If your answer is \"yes,\" then this book is for you... Nia Gould's beautiful illustrations introduce you to 21 different world-renowned art movements, from Ancient Egypt to Byzantine art, from the Renaissance to Magical Realism, from Symbolism to Cubism, all through the lens of 21 cats.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; Lorem ipsum dolor sit amet, consectetur adipisicing elit. Autem dicta dolor dolore ducimus eaque eligendi, est fuga id ipsam ipsum laboriosam laudantium maiores modi necessitatibus neque non nulla odio omnis perspiciatis placeat provident quas quia, quo ratione reiciendis repellendus sed sequi similique sint soluta suscipit tempora tempore totam vero voluptas voluptatem voluptatibus. Accusamus ad alias aliquid animi aperiam assumenda atque aut autem blanditiis commodi consectetur, consequatur corporis cumque debitis delectus dicta dignissimos distinctio doloribus earum eius eligendi enim esse est et eveniet ex expedita facere facilis fuga fugiat fugit harum hic id illum impedit in incidunt inventore ipsam iste itaque iusto libero magnam magni maiores maxime minima minus molestiae mollitia nam nemo nihil nobis non nostrum nulla numquam obcaecati odio officia officiis optio pariatur perferendis perspiciatis placeat porro possimus praesentium quae quam quasi quisquam quod ratione recusandae rem repellat rerum sapiente sequi similique sit soluta suscipit temporibus, tempora veniam veritatis vero vitae voluptates. Architecto aspernatur beatae blanditiis culpa cumque delectus deserunt dignissimos dolores ducimus earum eius error esse et eveniet ex exercitationem facilis fuga fugiat fugit harum, hic id illum impedit in incidunt inventore ipsam iste itaque iusto labore laborum laudantium libero magni maiores maxime minima minus molestiae mollitia nam nemo nihil nobis non nostrum nulla numquam obcaecati odio officia officiis optio pariatur perferendis perspiciatis placeat porro possimus praesentium quae quam quasi quisquam quod ratione recusandae rem repellat rerum sapiente sequi similique sit soluta suscipit temporibus, tempora veniam veritatis vero vitae voluptates. Accusamus ad alias aliquid animi aperiam assumenda atque aut autem blanditiis commodi consectetur, consequatur corporis cumque debitis delectus dicta dignissimos distinctio doloribus earum eius eligendi enim esse est et eveniet ex expedita facere facilis fuga fugiat fugit harum hic id illum impedit in incidunt inventore ipsam iste itaque iusto libero magnam magni maiores maxime minima minus molestiae mollitia nam nemo nihil nobis non nostrum nulla numquam obcaecati odio officia officiis optio pariatur perferendis perspiciatis placeat porro possimus praesentium quae quam quasi quisquam quod ratione recusandae rem repellat rerum sapiente sequi similique sit soluta suscipit temporibus, tempora veniam veritatis vero vitae voluptates. Architecto aspernatur beatae blanditiis culpa cumque delectus deserunt dignissimos dolores ducimus earum eius error esse et eveniet ex exercitationem facilis fuga fugiat fugit harum, hic id illum impedit in incidunt inventore ipsam iste itaque iusto labore laborum laudantium libero magni maiores maxime minima minus molestiae mollitia nam nemo nihil nobis non nostrum nulla numquam obcaecati odio officia officiis optio pariatur perferendis perspiciatis placeat porro possimus praesentium quae quam quasi quisquam quod ratione recusandae rem repellat rerum sapiente sequi similique sit soluta suscipit temporibus, tempora veniam veritatis vero vitae voluptates.\u0026lt;\/p\u0026gt;\"\u003e\u003c\/p\u003e","brand":"Vakıfbank Kültür Yayınları","offers":[{"title":"Default Title","offer_id":39408984424643,"sku":"9786057947499","price":32.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786057947499.jpg?v=1616017657"},{"product_id":"atolyede-soyledikleri-notlar-ve-dusunceler","title":"Notes and Thoughts from the Workshop","description":"\u003cp data-end=\"655\" data-start=\"205\"\u003eJean-Auguste-Dominique Ingres's book, \u003cem data-end=\"283\" data-start=\"238\"\u003eNotes and Thoughts from the Studio\u003c\/em\u003e, is a compilation of the advice he gave his students in his studio, notes he kept for himself on art, artists, music, and theater, and remarks he made to his close circle. The book reveals not only a painter's thoughts but also the fundamental principles of an artistic approach.\u003c\/p\u003e\n\n\u003cp data-end=\"1139\" data-start=\"657\"\u003eIngres emphatically stresses that artistic production must be based on a solid foundation. For him, drawing is a prerequisite for painting: “Draw extensively before you paint. If your building rests on a solid foundation, you will sleep soundly.” Drawing, painting, and especially imitating are indispensable ways for an artist to understand nature and form. “Draw, paint, and even more so, imitate, do it even if it's a still life. Every imitated part of nature is a work, and art is achieved through this imitation.”\u003c\/p\u003e\n\n\u003cp data-end=\"1619\" data-start=\"1141\"\u003eThroughout the book, Ingres's aesthetic preferences and world of references are clearly felt. His admiration for Raphael and the classical tradition in painting, his devotion to ancient Greece, and the importance he attributed to figures like Gluck, Mozart, and Haydn in music reveal his holistic perspective, establishing connections between different disciplines of art. \u003cem data-end=\"1474\" data-start=\"1451\"\u003eNotes and Thoughts from the Studio\u003c\/em\u003e serves as a timeless resource for those who wish to understand the master-apprentice relationship, traditional art education, and the value of disciplined work.\u003c\/p\u003e\n","brand":"Janus","offers":[{"title":"Default Title","offer_id":48239762211059,"sku":"9786058398757","price":320.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/AtolyedeSoyledikleriONKAPAK.jpg?v=1769473087"},{"product_id":"kubist-ressamlar","title":"Cubist Painters","description":"\u003cp\u003eThis book is one of the first texts on Cubism. It was published in 1913.\u003c\/p\u003e\n\u003cp\u003eThis second edition, published years after its first edition in our language went out of print, is more than a document of art history; it is also a testament to a poet's courage. When Cubism emerged, almost all art critics and historians opposed this movement. Apollinaire, setting aside what was deemed truthful, sided with the Cubists who championed the aesthetic within them.\u003c\/p\u003e\n\u003cp\u003eAlthough Apollinaire gives center stage to Pablo Picasso in this work, he does not abandon the artists who left their mark on every era of painting and sculpture: Georges Braque, Jean Metzinger, Albert Gleizes, Juan Gris, Fernand Léger, Francis Picabia, Marcel Duchamp, Marie Laurencin, and the sculptor Duchamp-Villon together establish Cubism.\u003c\/p\u003e\n\u003cp\u003eGuillaume Apollinaire, the renowned poet of 20th-century poetry and French language, justly gained separate fame with his book, \"The Cubist Painters.\"\u003c\/p\u003e\n\u003cp\u003eThis small book contributed to the development of one of the most important movements influencing contemporary art.\u003c\/p\u003e","brand":"Janus","offers":[{"title":"Default Title","offer_id":39408993697987,"sku":"9786058495517","price":320.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Kubist_Ressamlar_ON_KAPAK.jpg?v=1770594420"},{"product_id":"19-yuzyilda-gotik-uslup-uzerine","title":"On Gothic Style in the 19th Century","description":"\u003cp\u003eEugène Emmanuel Viollet-le-Duc paved the way for modern architecture in the 19th century with his theoretical writings based on Rationalism.\u003cbr\u003e\n\u003cbr\u003e\nHis article \"On the Gothic Style in the 19th Century,\" which also gives its name to this compilation, is a famous debate he had with the Academy of Fine Arts. The section titled \"Architecture and Style\" is the entire \"Style\" entry from Viollet-le-Duc's most comprehensive work, \"Dictionnaire raisonné de l'architecture française du XIe au XVIe siècle.\" We have also compiled a selection of the architect's correspondence throughout his life, who frequently embarked on long journeys from a young age, under the title \"Letters.\" \"Can a church be built in our time in what is called the Gothic style, that is, can a church that had meaning in the Middle Ages, within the requirements and beliefs of that era, be copied?\"\u003cbr\u003e\n\u003cbr\u003e\n\"No matter how hard you try, this people will always believe that they are better married and better baptized in a Gothic church than in a Roman basilica.\"\u003cbr\u003e\n\u003cbr\u003e\n\"...the quality that is missing from most important works of art in our time is style. Style is replaced by fashion; so much so that often, even among artists, fashion is mistaken for style.\" \"You are a charming person as always, but you are a museum director, and therefore a born plunderer: you loot monuments, you tear bas-reliefs from their places; ultimately, you possess the qualities and flaws of your position, apart from the respect and friendship I have for you.\"\u003cbr\u003e\n(From the Promotional Bulletin)\u003c\/p\u003e\n","brand":"Janus","offers":[{"title":"Default Title","offer_id":48239686189299,"sku":"9786058495593","price":400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/19.YuzyildaGotikUzlupUzerine2.BaskiONKAPAK.jpg?v=1765891599"},{"product_id":"modern-resim-nasil-okunur","title":"How to Read Modern Painting","description":"\u003cbr\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eNo matter how popular they are, modern paintings are often difficult for those who do not have extensive, detailed knowledge of art. In this book, \"How to Read a Painting\" (2004), author Jon Thompson guides the reader through over two hundred paintings by a total of 140 artists, from Bonnard to Basquiat, from Warhol to Whistler. By examining other paintings by the artists and the influences that shaped them, he enables the discovery of the characteristic features of their work. Beginning with the transitional period of the 19th century and the Barbizon School, Thompson takes the reader on a journey of over a century, leading them to the avant-garde movements of the 1980s. Thompson provides examples of works produced in both contemporary and earlier periods, describing the life story, symbolic language, and methods of each artist in the book to help the reader decipher the codes indicated by the painting. Jon Thompson is a painter, writer; an independent curator and also an educator: He retired as a professor from Middlesex University for a period. The artist's works, whose last exhibition opened at the Anthony Reynolds Gallery in London, are included in many official and private collections. (From the Promotional Bulletin)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39408994484419,"sku":"9786058502543","price":820.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058502543.jpg?v=1616017786"},{"product_id":"bes-yasindaki-cocuk-bunu-neden-yapamaz","title":"Why Can't a Five-Year-Old Do This","description":"\u003ch1 class=\"product-name\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003eIn the past, an artist's reputation was directly linked to their ability to faithfully transfer the real world onto canvas or paper. A portrait was expected to perfectly resemble the model, and a landscape painting to include all the details of the landscape. However, with the advent of photography, many artists stopped creating \"realistic\" paintings and began to seek ways to express their emotional states regarding the subjects they addressed. A simple line now replaced the details meticulously crafted by earlier artists. From the outset of this sudden shift in artistic passions, critics mocked these expressionistic works, likening them to the untrained efforts of children and confusing apparent technical \"flaws\" with a lack of artistic competence and skill.\u003cbr\u003e\u003cbr\u003eIn this delightful and thought-provoking book, Susie Hodge examines 100 modern artworks, from Marcel Duchamp to Paul Klee, Salvador Dali to Picasso, that faced critical hostility, and explains how they were inspired by the artistic ideas of their time.\u003cbr\u003e\u003cbr\u003eA five-year-old child could create a \"spin painting\" like Damien Hirst's, but it would hold no significance for artists and historians as they would not understand the ideas behind the history of artistic creation efforts. In this work, Susie Hodge definitively and completely explains why modern art is not and will not be child's play.\u003cbr\u003e\u003cbr\u003eFeaturing visuals from Hans Arp's works to Warhol's, this book explains the works it discusses within their cultural context and offers a wonderful presentation of modern art. This will allow you to understand how modern art differs from the realistic works of previous centuries.\u003cbr\u003e(From the Promotional Bulletin)\u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39408995467459,"sku":"9786058607712","price":349.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058607712.jpg?v=1616017799"},{"product_id":"sanat-tarihinin-tarihi","title":"The History of Art History","description":"\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003eIn this book, written in a plain and concise language, the author traces the history of art criticism and theory from antiquity to the present day. Minor's aim is \"to attempt to define what art history is, where it originated, what ideas, institutions, and practices form its foundation, how it has taken its current shape, and what critical methods it employs.\"\u003cbr\u003eThe modern academy, as a place of art education, emerged in late sixteenth-century Italy as a professional forum for artists, while also hosting theoretical discourse on art. The academy's influence, as a cultural and ideological phenomenon, has been powerfully felt throughout history; this influence is perhaps felt more strongly today than ever before. Whether the academy is an independent art organization under papal patronage like the Accademia di San Luca in Rome, a royal academy overseen by Louis XIV's officers, or a modern university, by its very nature, it influences artists and art historians in one way or another by setting agendas. These and similar topics are discussed in detail in the first part of the book. In the second part, which addresses art theories from Plato to the nineteenth century, history meets aesthetics, and the answers given to the question \"What is art?\" throughout the ages are scrutinized. In the third part, which includes evaluations of twentieth-century critical theories, history takes a backseat. Semiotics, deconstruction, Marxism, psychoanalysis, feminist criticisms, and multiculturalism are some of the approaches discussed in this section.\u003cbr\u003eThe book aims to reach readers who are new to art history and who are not content with merely being curious about art, but are also curious about why we say the things we do about art. It aims to convince readers who believe there is only one way – a textbook way – to talk about art that their perspective is reductive and authoritarian; and to convince readers who think art is entirely personal and everyone's opinion is equally valid that this belief is invalid. It invites the reader to grasp what makes art history belong to the humanities.\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39409001136323,"sku":"9786059389631","price":80.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059389631.jpg?v=1616017877"},{"product_id":"ronesans-ve-simya","title":"Renaissance and Alchemy","description":"\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003eIt was no coincidence that science, stemming from human curiosity, began to develop rapidly in Europe in the fifteenth and sixteenth centuries. At the heart of this development lay alchemy, symbolized by the endeavor to transform metal into gold. Alchemists, supported by some monarchs and rulers experiencing great economic crises, unwittingly became the pioneers of scientific thought and initiated the Renaissance period on the continent, especially in Italy.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWritten by Prof. Dr. Nilüfer Öndin, \"Renaissance and Alchemy\" describes how the mysteries that stirred human curiosity were reflected in science and then art, and how they initiated a period of significant importance in the history of civilization and thought. The book, written in a meticulous and understandable language, touches upon many \"logical\" and \"illogical\" subjects that permeated the Renaissance in every aspect, from philosophy to magic, mathematics to chemistry. Prof. Dr. Öndin provides information about texts, individuals, and events that stood out in every field and left their mark on the Renaissance in scientific, artistic, and occult terms.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\"Renaissance and Alchemy\" offers a different and dynamic perspective for readers researching the Renaissance, where the seeds of today's power balances were sown. The text, supported by hundreds of visuals, not only enables the reader to visualize the works done in those centuries but also encourages a broader perspective when evaluating alchemy with the information it contains.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e(From the Promotional Bulletin)\u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39409002545347,"sku":"9786059452137","price":310.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059452137.jpg?v=1616017910"},{"product_id":"soyutlama-ve-ozdesleyim_352160-html","title":"Abstraction and Identification","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eAbstraction and Empathy, a cult text in the fields of art history, cultural history, and aesthetics, has been among the fundamental resources almost everywhere in the world since the day it was written. This work, written by art historian Wilhelm Worringer at the very beginning of the twentieth century, still maintains its importance for today's researchers.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eWilhelm Worringer examines the theories of \"abstraction\" and \"empathy\" he developed and transferred to art from psychology, based on various cultural backgrounds, from Greek art to Byzantine and Islamic art. In this respect, the text offers a completely different perspective at the time it was written, and at the same time forms the intellectual infrastructure of the movements that would emerge shortly thereafter and are now considered within the scope of \"modern art.\" Abstraction and Empathy continues to guide art historians researching modern art theory, as well as readers who are curious about how art can be interpreted in the context of abstraction and empathy.\u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39409002610883,"sku":"9786059452144","price":175.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059452144.jpg?v=1616017912"},{"product_id":"modern-sanat","title":"Modern Art","description":"\u003cp style=\"margin-right: 0px; margin-left: 0px; -webkit-font-smoothing: antialiased; font-family: Arial, sans-serif; line-height: 2rem; color: rgb(74, 74, 74);\"\u003e\"Modern Art\", a general term used to describe the artistic production during the late nineteenth and early twentieth centuries in Western art, encompasses a diverse range of styles, techniques, and interpretations. Impressionism, which stands out when modernism in art is discussed, not only symbolizes a rebellion against the academic art tradition but also a radical change in how artists perceived reality, the world, life, and art. This change marks the beginning of a process that fundamentally altered the course of Western art and brought a new interpretation to traditional aesthetic understanding. Particularly, the ideological, intellectual, and economic transformations that emerged globally at the beginning of the twentieth century, while shifting power balances, also led to developments in the world of culture and art that eliminated a single-centered perspective, the reflections of which continue to broaden the horizon of \"contemporary Western art\" day by day.\u003c\/p\u003e\u003cp style=\"margin-right: 0px; margin-left: 0px; -webkit-font-smoothing: antialiased; font-family: Arial, sans-serif; line-height: 2rem; color: rgb(74, 74, 74);\"\u003eModern Art, written by art historian and academic Nilüfer Öndin, examines the development process of modernism in art from every angle and establishes cause-and-effect relationships. Öndin offers readers a route they can follow on a historical art timeline, enabling them to navigate through the \"explosion of style and technique\" that occurred at the beginning of the twentieth century without getting lost, and thus evaluate the past period within a simple, holistic, understandable, and informative framework.\u003c\/p\u003e\u003cp style=\"margin-right: 0px; margin-left: 0px; -webkit-font-smoothing: antialiased; font-family: Arial, sans-serif; line-height: 2rem; color: rgb(74, 74, 74);\"\u003eModern Art also touches upon the changes in aesthetic judgment criteria, how the two world wars transformed \"reality,\" how new political regimes replacing the imperial order affected social life, individuals' intellectual worlds and memories, and the reflections of capitalism, which emerged as one of the effects of the industrial revolution, on production. It helps the reader develop a solid understanding of \"Modern Art\" with its sociological, historical, economic, and intellectual underpinnings.\u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39409006805187,"sku":"9786059452427","price":374.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059452427.jpg?v=1616017959"},{"product_id":"hollanda-resminde-grup-portreciligi_350479-html","title":"Group Portraiture in Dutch Painting","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eAlois Riegl, who played an important role along with Erwin Panofsky and Heinrich Wölfflin in making art history an academic discipline, made significant contributions to the structuralist critical method, making him a valuable and frequently referenced source today. The art terms he developed and the texts he wrote through his works at the beginning of the twentieth century continue to be a cornerstone for many subjects, from stylistic research in art to the structural analysis of conceptual art.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eRiegl, who passed away at the age of 47, focuses on group portraiture, which holds an important place in seventeenth-century Dutch painting, in his cult work titled \"Group Portraiture in Holland.\" Drawing on group portraits made by artists such as Rembrandt, Frans Hals, and Bartholomeus van der Helst, Riegl provides interpretations of the viewer's relationship with artworks, and based on the existence of the viewer-subject, he introduces the concepts of internal and external coherence. Riegl's insights, which brought a brand new perspective to art history, also shed light on the evaluation of contemporary art, which mostly centers the viewer. Riegl states that both the figures in the portrait and the viewer of the painting need each other for the composition to be complete, and he explains in detail how the tradition of group portraiture is divided into three main periods and how these distinctions formed and evolved.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eAs art historian Uşun Tükel states in her introductory essay, Riegl's \"Group Portraiture in Holland,\" with its approach that transcends the boundaries of the discipline, appeals to every reader who wishes to understand the language of art, especially in terms of portrait depiction, open work, and reception aesthetics.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39409006969027,"sku":"9786059452465","price":245.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059452465.jpg?v=1616017966"},{"product_id":"modern-sanatin-felsefesi_352151-html","title":"The Philosophy of Modern Art","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThe Philosophy of Modern Art offers the opportunity to read various articles and seminar notes written at different times by the English thinker, critic, and poet Herbert Read, who earned a special place for himself in the field of aesthetic theory in the first half of the twentieth century with his striking views on modern art movements. First published in 1952, the book continues to remain relevant with its content, allowing readers to trace the development of Read's aesthetic theory and to examine the dynamics of modern art, which is still intensely researched today.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThe book, where one can read Read's interpretations of the transformative power that modern art possesses, a power he always valued, includes separate sections on the works of important representatives of Modernism such as Paul Gauguin, Pablo Picasso, Paul Klee, Paul Nash, Henry Moore, Ben Nicholson, Naum Gabo, and Antoine Pevsner. Additionally, the book, which also contains correspondence between Herbert Read and the artists, provides an opportunity to view the movements that shaped the art understanding of an era through the eyes of both the theorist and the artist. The Philosophy of Modern Art leads the reader to reflect not only on art but also on the history of civilization and culture.\u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39409007755459,"sku":"9786059452571","price":165.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059452571.jpg?v=1616017983"},{"product_id":"gotik-resim-ve-heykel-sanati_352149-html","title":"Gothic Painting and Sculpture","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003eThe Middle Ages\u003c\/strong\u003e, a significant period in Western art history, still retains its spirit through surviving examples of paintings, sculptures, and architectural structures produced, particularly in continental Europe, from the twelfth to the mid-fifteenth century. The enduring examples of the reflections of \u003cstrong\u003eCatholic Christian faith\u003c\/strong\u003e, which gained power as a calming and controlling mechanism during the Crusades, numerous wars, and deadly epidemics, both in art and public spaces, continue to captivate viewers.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003eGothic Painting and Sculpture\u003c\/strong\u003e, written by academician \u003cstrong\u003eNilüfer Öndin\u003c\/strong\u003e, focuses on artistic production during the Gothic period, one of the crucial stages in the development of Western philosophy, art, and social structure. The book meticulously examines the philosophical tendencies that shaped the thoughts and imaginations of the painters, sculptors, and architects of the period, as well as the impact of these tendencies on their creations. Providing information on \u003cstrong\u003egeometry, alchemy, and the world of faith\u003c\/strong\u003e, which formed the core of the medieval mindset, Gothic Painting and Sculpture also scrutinizes the works of \u003cstrong\u003eCimabue, Giotto, Duccio, Simone Martini, the Lorenzetti Brothers\u003c\/strong\u003e, and many other artists who inspired the development of the \u003cstrong\u003eRenaissance\u003c\/strong\u003e, considered the first enlightenment period of the Western world.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003eGothic Painting and Sculpture\u003c\/strong\u003e offers satisfying information for readers who want to learn about the roots, development, and characteristics of Gothic art, which has influenced many fields, from cinema to music, from comics to literature, and even fashion, throughout the ages.\u003c\/p\u003e\u003ch3\u003e🏛️ For Whom?\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003eArt history students and researchers\u003c\/li\u003e\n\n\u003cli\u003eEnthusiasts of medieval and Gothic art\u003c\/li\u003e\n\n\u003cli\u003eArchitecture and fine arts students\u003c\/li\u003e\n\n\u003cli\u003eThose interested in pre-Renaissance European art\u003c\/li\u003e\n\n\u003cli\u003eThose who want to discover pioneering artists such as Giotto, Cimabue, and Duccio\u003c\/li\u003e\n\n\u003cli\u003eThose interested in medieval philosophy and belief systems\u003c\/li\u003e\n\n\u003cli\u003eThose who want to understand the impact of Gothic culture on modern art\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39409007788227,"sku":"9786059452588","price":408.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059452588.jpg?v=1616017985"},{"product_id":"kulturun-ozellestirilmesi_350002-html","title":"The Privatization of Culture","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eIn Privatizing Culture, Chin-tao Wu examines the escalating \"corporatization\" of art since the 1980s. Art, falling under the control of global corporations, is reduced to a tool used in these corporations' promotion, expansion, and power strategies. Chin-tao Wu investigates the social, legal, and organizational processes underlying this reduction. She provides examples and recounts case studies. She prompts us to consider the extent to which corporate culture can erode the autonomy, critical, and political power of art. Privatizing Culture is a contemporary contribution to the sociology of art and the tradition of cultural criticism. \"A wonderful book. Please buy it.\" -Louise Bourgeois-\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"İletişim Yayınevi","offers":[{"title":"Default Title","offer_id":39409021092035,"sku":"9789750503566","price":666.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789750503566.jpg?v=1616018159"},{"product_id":"sanat-muzeleri-1-muze-ve-modernlik","title":"Art Museums 1-Museum and Modernity-","description":"\u003ch1 class=\"\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003eToday, theories about museums are as vibrant as the museums themselves. They constitute a vital vein of critical thought. Museum and Critical Thinking offers a selection of texts that contemporary museology repeatedly refers to. These texts examine the representations of modern social and political life, modern culture, and urbanization movements in the museum. By surveying Western museums such as the Louvre, Musée d'Orsay, Centre Pompidou, Tate galleries, New York Museum of Modern Art, Metropolitan Museum, and many more, they shed light on various symbols unique to the museum culture and history behind the scenes, and they scrutinize concepts. In a sense, they discuss the policies that determine art management.\u003c\/p\u003e","brand":"İletişim Yayınevi","offers":[{"title":"Default Title","offer_id":39409021452483,"sku":"9789750504433","price":460.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/120402163552.jpg?v=1621023419"},{"product_id":"sanat-mezat","title":"Art Auction","description":"\u003ch1 class=\"\" product-name\u003eThe $12 Million Stuffed Shark: The Curious Economics of Contemporary Art and Auction Houses\u003c\/h1\u003e\u003cp\u003eWith globalization, the privatization of culture and the dominance of finance in the economy, art has also transformed into a significant financial instrument. The speculation that governs the financial world has increasingly taken over art as well. In this process, auctions have surpassed all other venues where art is valued.\u003cbr\u003eThey have established a hegemony over the operations of museums, fairs, biennales, and galleries, and even over art history and critical literature. This development, which escalated in the 1990s, was followed by the intense commodification of contemporary art. Art was pushed towards becoming a luxury, and the artist towards becoming an entrepreneur. While a minority among them, those who knew the ropes, amassed fortunes that no artist in history could have ever dreamed of, the majority lost out. Don Thompson explores \"the curious economics of contemporary art and auction houses\" in his book, The $12 Million Stuffed Shark.\u003cbr\u003eWhen the auctioneer brought down the hammer for Mark Rothko's painting \"White Center\" at $72.8 million, a long applause erupted from the hall. What was being celebrated? The buyer's wealth? The triumph of their ego? Their aesthetic taste? A new record price? When the auction hammer falls, the price is equated with value, and this enters art history. The price demonstrates how easily art history can now be rewritten with a checkbook.\u003c\/p\u003e","brand":"İletişim Yayınevi","offers":[{"title":"Default Title","offer_id":39409022894275,"sku":"9789750508592","price":153.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789750508592.jpg?v=1616018168"},{"product_id":"arkeoloji_349036-html","title":"Archaeology","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eArchaeology is not just a practical discipline. Especially since the 1960s, it has developed a rich literature with discussions that have created, nurtured, and developed archaeological theory. Archaeology: Key Concepts addresses important concepts in archaeological literature through entries prepared by international experts, and examines the effects of these concepts on archaeological thought and method. The entries in the book demonstrate how new theoretical discussions in social science disciplines and new research techniques in natural sciences have influenced the discipline of archaeology. Archaeology: Key Concepts conveys the origins and historical developments of the concepts that shape the discipline, while also offering a rich research opportunity for those interested in the subject, with suggestions for further reading and comprehensive bibliographies.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e\u003cbr\u003eArchaeology: Key Concepts is an important reference for students, academics, and everyone interested in archaeology…\u003c\/p\u003e","brand":"İletişim Yayınevi","offers":[{"title":"Default Title","offer_id":39409025089731,"sku":"9789750513602","price":140.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789750513602.jpg?v=1616018176"},{"product_id":"sanat-emegi-kultur-iscileri-ve-prekarite","title":"Art Labor - Cultural Workers and Precarity","description":"\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eWhen we say \"art labor,\" the most significant event that should be emphasized is the explosion and transformations in cultural development that began with its powerful privatization. \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eThe culture industry is constantly branching out, and the number of people working in this industry is growing every day. \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eThe expected proportion of the working population filling areas such as media, publishing, communication, PR, marketing\/branding, advertising, entertainment, sports, tourism, design, education, informatics, and telecommunications, when the entire service and finance sectors are added, has surpassed those in the developed comprehensive material production sector. \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eThe direct art-related networks of the culture sector, organized through museums, biennials, festivals, fairs, galleries, and auctions, are also becoming increasingly intricate and bloated. \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eAmong these, biennials, which emerge as the primary environments for the globalization of art, have been classified by precarity writers such as Paolo Virno and Pascal Gielen as the ideal model for post-Fordist, immaterial, precarious, and insecure labor regimes. \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eGielen even goes further, examining whether the entire \"art environment is an ideal model for economic exploitation.\" \u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eIn reality, aren't biennial artists, in a sense, considered workers in these highly autocratic environments organized under the patronage of global corporations?\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e(From the Promotional Bulletin)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"İletişim Yayınevi","offers":[{"title":"Default Title","offer_id":39409025450179,"sku":"9789750514531","price":414.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789750514531.jpg?v=1616018179"},{"product_id":"mumkun-olmayan-muze_351792-html","title":"The Impossible Museum","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThe Impossible Museum compilation compares both the different historical periods and different types of museology. It is interested in what museums display. It examines the regimes of knowledge and power they represent and equip. From Renaissance museums to contemporary museums, through different examples, it attempts to deconstruct the symbolic universe and language that museums construct. It investigates how this language has transformed over time.\u003c\/p\u003e\n\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eIt questions the communicative power of museums. Ultimately, it hopes to shed light on how this power affects us today, when opening a museum has reached a stage of madness.\u003c\/p\u003e","brand":"İletişim Yayınevi","offers":[{"title":"Default Title","offer_id":39409029316803,"sku":"9789750521508","price":315.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789750521508.jpg?v=1616018186"},{"product_id":"kultur-ve-toplum-1780-1950-raymond-williams","title":"Culture and Society 1780-1950","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eIn this book, published in 1958 and considered a foundational work of cultural studies, Raymond Williams suggests that the concept of \"culture\" in its modern sense first came into use during the Industrial Revolution.\u003c\/p\u003e\n\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eHe traces the transformations the concept has undergone since then in England, the cradle of the Industrial Revolution. He examines the works of over forty thinkers and literary figures, from Coleridge to John Stuart Mill, Matthew Arnold to William Morris, John Ruskin, and Oscar Wilde, and investigates the evolution of the \"idea of culture.\"\u003c\/p\u003e\n\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eAmid processes such as mechanization, division of labor, and alienation brought about by the Industrial Revolution, ideas about art's relationship with society also changed. Art and artists were assigned the role of leading social change. In response to the burgeoning \"literary market\" and attempts to subject artists to market criteria during this period, the principle of \"art for art's sake\" and aestheticism emerged. Efforts to integrate art and culture with broader segments of society revived. Culture and Society reveals the economic and social structure behind all these changes.\u003c\/p\u003e","brand":"İletişim Yayınevi","offers":[{"title":"Default Title","offer_id":39409030430915,"sku":"9789750522376","price":384.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/kultur-ve-toplum.jpg?v=1740092405"},{"product_id":"avangard-kurami_348851-html","title":"Avant-Garde Theory","description":"\u003cp\u003eThe aim of the avant-garde is to bring art and life together. It hopes to transform society through art. It represents the most unconventional experience in the establishment of a critical culture in the 20th century.\u003cbr\u003eBürger, in light of avant-garde movements such as Dada and Surrealism that escalated between the two world wars, and the theoretical polemics they provoked, draws a social and historical portrait of the avant-garde. He analyzes the ongoing ambiguity in the avant-garde's relationship with modernism. Theory of the Avant-Garde is considered a threshold in studies on 20th-century culture, art, and literature. The debates it aroused still continue and enrich the record of the avant-garde.\u003cbr\u003eThe events of 1968 are perhaps the end, or perhaps the rebirth, of the avant-garde. Either way, the avant-garde is in the life of art. The hope and threat it evokes continue to have an impact.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eIn this new edition of Theory of the Avant-Garde, Peter Bürger has added texts titled \"The Contradictory Legacy of the Avant-Garde\" (2014), in which he reinterprets the theses in his book, and \"The Road to Theory of the Avant-Garde\" (2015), in which he describes the process of writing the book.\u003c\/p\u003e","brand":"İletişim Yayınevi","offers":[{"title":"Default Title","offer_id":39409030463683,"sku":"9789750522444","price":106.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789750522444.jpg?v=1616018193"},{"product_id":"klasik-sanat","title":"Classical Art","description":"\u003ch1 class=\"\" product-name=\"\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003eThe impressive works of art, considered the jewels of the ancient world, are undoubtedly the building blocks of human development. Sculptures, temples, museums, monumental paintings, tragedies, mythology... In this small but impressive study, the authors, who attempt to analyze a universal human heritage, do not shy away from the cult products of popular culture while discussing the limitless, unbridled, and dazzling legacies of human creativity. This general framework, extending from the splendor of the ancient Roman and Greek worlds to Ben-Hur and Asterix, offers a comprehensive art history examination, from the aesthetic skeleton of classics to the defining criteria that make a work a classic cult.\u003cbr\u003e(From the Promotion Bulletin)\u003c\/p\u003e","brand":"Dost Kitabevi Yayınları","offers":[{"title":"Default Title","offer_id":39409039900867,"sku":"9789752983199","price":36.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789752983199.jpg?v=1616018273"},{"product_id":"yunan-sanati","title":"Greek Art","description":"\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eWhen should the beginning of Greek art be dated? And is it possible to determine a date for its end? Answering these questions is not easy, even if the historical period covered by this research can be delimited according to various turning points. For this reason, the present study essentially proposes a chronological line of development. It analyzes Greek art within a certain temporal consistency, starting with the pre-Hellenic period, followed by protogreek, geometric, and archaic styles, and then classicist trends. In doing so, it examines different creative realms, from painting to sculpture, architecture to ceramics and mosaics, within their distinct integrities. An analysis that describes a magnificent golden age in humanity's artistic activity.\u003c\/span\u003e\u003cbr\u003e","brand":"Dost Kitabevi Yayınları","offers":[{"title":"Default Title","offer_id":39409040359619,"sku":"9789752984905","price":38.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789752984905.jpg?v=1616018275"},{"product_id":"goz-ve-tin","title":"Eye and Spirit","description":"\u003cp\u003eEye and Mind is the last text Merleau-Ponty wrote during his two or three months in the Provençal countryside, in Tholonet, and which he managed to finish during his lifetime. Tholonet is a beautiful place, much loved by Cézanne and the subject of many of his paintings, giving one the feeling it was made for people to settle down and live in. The author penned this text while enjoying his days there, but also, in front of the Tholonet landscape forever bearing the traces of Cézanne's eyes, by re-examining painting and \"seeing\" anew. In Eye and Mind, one of the most beautiful and challenging texts of our century, the philosopher sets out to search for the initial, the primordial words: for example, words capable of naming the \"seeing\" of the body, what constitutes the miracle of the human body, the inexplicable vitality of the human body... and of course, at the same time, words that can express the fragility of this miracle...\u003c\/p\u003e","brand":"Metis Yayıncılık","offers":[{"title":"Default Title","offer_id":39409047863491,"sku":"9789753421287","price":171.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789753421287.jpg?v=1616018358"},{"product_id":"yaratma-cesareti","title":"The Courage to Create","description":"\u003cp\u003e\u003cbr\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eTHE COURAGE TO CREATE is one of the most fundamental works of Rollo May, a leading figure in American psychology and existential psychotherapy. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eMay, due to his close relationship with psychology, psychotherapy, philosophy, and art, examines the subject of intellectuality from an interesting perspective. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eLike all existentialists, he places great importance on the phenomenon of anxiety, emphasizing that creativity will occur at a level that will exist by being immersed in the anxiety of change. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eMay, who celebrates all the negativity of transitional psychology in the name of the change of creativity, argues for the existence of human reliance on unconscious sources in a world where \"the new\" is gushing everywhere. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eFor this, he makes significant contributions to the creation of a new form of courage in the individual. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eThis book contains daily information that a new vision of life will be provided under the collapse of an individual's use of their own resources and contemporary moral endurance.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Metis Yayıncılık","offers":[{"title":"Default Title","offer_id":39409048092867,"sku":"9789753421904","price":252.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789753421904.jpg?v=1616018363"},{"product_id":"imgenin-pornografisi","title":"The Pornography of the Image","description":"\u003ch1 class=\"product-name\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003eUnder what conditions do images become pornographic, and when do they become exhibitionistic? Is there such a thing as an exhibitionist tradition? Or is an image free from exhibitionism possible? How have images been produced, if at all, in different times and places?\u003cbr\u003eThe Pornography of the Image develops around these questions, which Zeynep Sayın initially posed to herself as an existential problem. She follows the path of images from eras when they were not yet \"art\"—from Roman death masks and Byzantine icons to written images in Anatolia—all the way to the early 20th century and up to the present day, constantly pursuing these questions.\u003c\/p\u003e","brand":"Metis Yayıncılık","offers":[{"title":"Default Title","offer_id":39409049600195,"sku":"9789753423854","price":423.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789753423854.jpg?v=1616018379"},{"product_id":"kultur-fragmanlari_349538-html","title":"Culture Fragments","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eTurkish society has been undergoing rapid change for the past twenty, twenty-five years. This rapid change gives rise to a cultural landscape that, at first glance, might be perceived as peculiar, incongruous, and complex. This book aims to draw a more legible cultural map of contemporary Turkey by taking a closer look at various aspects of everyday life. The authors, recognizing that to utilize the liberating potential of postcolonial theory one must avoid solely focusing on the hegemonic West, reject the cardboard cutouts presented to them as models for their society and undertake a challenging cultural analysis. The book concentrates on fundamental trends and shifts in social identities, examining changing forms of social stratification, how this change is reflected in housing and consumption patterns, relationships between different classes, and perspectives on education. Culture is treated as both a field of production and political struggle, analyzed through the unique symbols of language, folklore, film, humor, and Islamist political mobilization. In addition to Turkish identities, the identities of Turkish immigrants in Europe are also included in the examination... \"Culture Fragments\" is a book that proves how illuminating a close-up examination of various aspects of life, from the marketing of the headscarf as a fashion item to the media's interest in transgender lifestyles, from \"maganda\" humor to apartment doormanship in big cities, and how people live and experience them, can be in understanding the dynamics of a changing society...\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cs\u003e\u003c\/s\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Metis Yayıncılık","offers":[{"title":"Default Title","offer_id":39409049665731,"sku":"9789753424424","price":315.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789753424424.jpg?v=1616018382"},{"product_id":"sanatin-sonu","title":"The End of Art","description":"\u003cp\u003eThe postmodern understanding of art has, for some time now, led to a heated debate and confusion about what is art and what is not. Today, art and works of art are mentioned in the same breath as words like market, fashion, millions of dollars, marketing, and brand. In the hazy atmosphere accompanying these, there is something sensed but never quite named. The renowned art critic Donald Kuspit's book is precisely about this ineffable thing. The truth behind the discomfort felt by the viewer in an exhibition hall filled with utterly vulgar, unmemorable, shallow postmodern works: These are not works of art, and therefore they cannot evoke the feelings that true art does.\u003cbr\u003eKuspit, using Alan Kaprow's term \"postart\" to describe such works, argues that postmodern art actually means the end of art because aesthetics has lost its prestige. He explains how the type of artist who believed in spiritual values has been replaced by the postartist, who is inextricably linked to market demands. Meticulously evaluating the works and theoretical ideas of Marcel Duchamp and Barnett Newman, he points out that this loss of value in art cannot be separated from the entropic character of modern art, describing the current situation as anti-aesthetic postmodern art.\u003cbr\u003eThe book, which contains sharp observations on the path art has taken throughout the twentieth century, not only reveals the current impasses of the visual arts but also points to the possibilities inherent in this deadlock.\u003c\/p\u003e","brand":"Metis Yayıncılık","offers":[{"title":"Default Title","offer_id":39409049764035,"sku":"9789753425414","price":201.6,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789753425414.jpg?v=1616018387"},{"product_id":"bellek-ve-akdeniz-tarihoncesi-ve-antikcag","title":"Memory and the Mediterranean: Prehistory and Antiquity","description":"\u003cp\u003e\u003cbr\u003eFernand Braudel, a historian also well-known in our country, is one of the leading figures of the Annales school, which has an interdisciplinary and comparative approach to history.\u003cbr\u003e\u003cbr\u003eIn this work, which could not be published during his lifetime but reached readers thirteen years after his death, the narrative begins in prehistory, even with the formation of the Mediterranean seabed and the mountains surrounding it. The work continues with the story of humanity's separation from other species and its becoming human, and the great forces that led to the birth of agriculture, writing, sea voyages, trade, and empires are explained in a brilliant style, and the effects created by the region's geography and climate over millennia are revealed in detail. The author, who passionately narrates the foundations, interrelationships, and eventual disappearance of the Phoenicians, Etruscans, Greeks, Romans, Mesopotamia, and Egypt, brings the beginning of human history in the Mediterranean back to life with this extremely vivid and comprehensive work, incorporating the latest archaeological findings from the period in which he conducted his studies.\u003c\/p\u003e","brand":"Metis Yayıncılık","offers":[{"title":"Default Title","offer_id":39409050714307,"sku":"9789753426343","price":540.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789753426343.jpg?v=1616018400"},{"product_id":"modernlik-fragmanlari_349542-html","title":"Fragments of Modernity","description":"\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eGeorg Simmel, Siegfried Kracauer, Walter Benjamin... These three important thinkers of the twentieth century approached a specific main theme with similar methods: the experience of modernity in everyday life. All three prefer to start from the fragments, scraps, remnants, in short, the \"fragments\" of modernity. With a philosophical approach and penetrating analyses, they examine what modernity transforms in our lives and how. They focus on the fragmentation of traditional perceptions of time, space, and causality, and the imprint of money and commodity on our lives. Sociologist David Frisby meticulously examines the works of these thinkers, whose value was relatively late to be understood, presenting a rich panorama of their ideas. The book is not only a good introduction to the world of these three thinkers but also a special study where we can find valuable insights to understand \"the world we live in.\"\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Metis Yayıncılık","offers":[{"title":"Default Title","offer_id":39409051861187,"sku":"9789753428392","price":135.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789753428392.jpg?v=1616018421"},{"product_id":"yeni-sanat-tarihi-elestirel-bir-giris-jonathan-harris","title":"New Art History: A Critical Introduction","description":"\u003cp\u003eArt history is one of the fields that has undergone intense transformation from the 1960s to the present. As it began to draw more from different fields such as sociology, psychology, and philosophy, art history increasingly moved away from form and style-based approaches, gaining an interdisciplinary quality and renewing itself, enriched with new critical tools and approaches capable of interpreting recent art.\u003cbr\u003e\u003cbr\u003eJonathan Harris's The New Art History, prepared as a critical introduction to the field, opens a theoretical door to the fundamental changes in art history and practices from the 1960s to the present. Harris questions the established values and traditional approaches in the field of art history, examining the connection of this field to social transformations from the 1960s to the present, drawing on key texts by critics who did not exclude the 'social' in their readings of art, ranging from T.J. Clark to Griselda Pollock. Within this framework, The New Art History approaches art practice and history from different perspectives such as the effects of capitalist modernity, forms of visual representation within the context of the nation-state, subjects, identities, the reflections of visual ideologies within the framework of feminism, and politics of sexuality and the body.\u003c\/p\u003e","brand":"Sel Yayıncılık","offers":[{"title":"Default Title","offer_id":39409081548995,"sku":"9789755706016","price":352.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789755706016.jpg?v=1616018907"},{"product_id":"kimlikli-bedenler","title":"Identified Bodies","description":"\u003cp\u003eThe articles collected in \"Identified Bodies\" examine the cultural patterns of the body around identity through works of different types produced in different periods. In addition to texts that question the ideological function of art and its history in the construction of identity, the book also explores how contemporary artists interested in identity politics subvert stereotypical representations carried from past works to the present.\u003cbr\u003e\u003cbr\u003eThe artistic and cultural ground of nudity in Ottoman painting to the Republican era, the body and its representations in the context of Turkey's modernization process, sculpture as a \"matter of honor,\" the pioneering positions of women in contemporary art, feminism and performance, the performative body in art within the context of identity politics, and the transformation of the body into an artistic metaphor in the context of the \"gift\" concept are among the topics discussed in Identified Bodies - Art, Identity, Gender.\u003c\/p\u003e","brand":"Sel Yayıncılık","offers":[{"title":"Default Title","offer_id":39409082007747,"sku":"9789755706597","price":300.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789755706597.jpg?v=1616018920"},{"product_id":"kaldirim-taslarinin-altinda-kumsal-var","title":"Under the Cobblestones, the Beach!","description":"\u003cp class='\"product-name\"'\u003eIt's time to deviate from the main roads and wander through backstreets while searching for the codes of rebellion. Situationism, a topic not yet widely discussed in our country, is one of the important sources of nourishment for the increasingly intense urban struggle and the quest to create cracks in bourgeois culture and order worldwide.\u003cbr\u003e\u003cbr\u003eThis book explains that Situationism is not a rare work confined to time and space, archived away, but a perfect creative theory and action guide. Besides Guy Debord, the projects, dreams, and actions of figures like Constant, Asger Jorn, Michele Bernstein, Alex Trocchi, and Jacqueline De Jong shed light on today and here from fifty years ago. This book records not high theory, but theory learned through trial and error, and a history of action full of experiments and failures. It's better to aim the spear at windmills than to lose the spear altogether.\u003cbr\u003e(From the Promotional Bulletin)\u003c\/p\u003e","brand":"Sel Yayıncılık","offers":[{"title":"Default Title","offer_id":39409082106051,"sku":"9789755706856","price":60.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789755706856.jpg?v=1616018923"},{"product_id":"modernizmin-seruveni-bir-temel-metinler-seckisi-1840-1990","title":"The Adventure of Modernism - A Selection of 'Fundamental Texts' 1840-1990","description":"\u003cp\u003eWithin the 150 years between Rimbaud's slogan \"one must be absolutely modern\" and Meschonnic's observation \"modernism is a disease that needs to be cured,\" global culture, from West to East, North to South, lived under the dominance of the modernist perspective.\u003c\/p\u003e\u003cp\u003eIn \"The Adventure of Modernism,\" which Enis Batur designed as a fundamental reference selection and an educational tool, he compiled key texts that shed light on the different theoretical fronts of the subject. This is not merely a collection limited to art and literature: it is a sourcebook that, across a wide spectrum from philosophy to architecture, showcases the values, excesses, and utopias of an era.\u003c\/p\u003e","brand":"Sel Yayıncılık","offers":[{"title":"Default Title","offer_id":39409082400963,"sku":"9789755707624","price":1200.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/110001339241021.jpg?v=1769038103"},{"product_id":"aydinlanmanin-muzigi-klasik-donem-ve-ustalari","title":"The Music of the Enlightenment: The Classical Period and Its Masters","description":"\u003cp data-mce-fragment=\"1\"\u003eKıvılcım Yıldız wrote \"The Music of the Enlightenment\"...\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"The Music of the Enlightenment - The Classical Period and Its Masters,\" published by Topos Pocket Books, which began its publishing life with a music series, is authored by Kıvılcım Yıldız. Yıldız's work is the second book of Topos Pocket Books, under the general editorship of Aykut Köksal.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe book, following chapters titled \"The Classical Period and the Enlightenment\" and \"Classical Style in Music,\" includes a chapter titled \"Viennese Classics,\" which focuses on Haydn, Mozart, and Beethoven. Erdem Çöloğlu, who wrote an afterword for the book, states: \"The Classical style in music coincides with a period when the rational thought represented by the Enlightenment gained strength, and historicity, which would gain its identity in the middle of the next century, emerged, reflecting these values. On one hand, it devalues the counterpoint technique at the core of the previous style and the polyphonic textures it created as an engineering effort contrary to the prevailing principle of simplicity of the period. On the other hand, in an environment of relationships that 19th-century theorists would define as dialectical, it places functional tonality, the increasingly dominant phenomenon of the period, at the center of instrumental music. Of course, it develops new techniques for these purposes. Simplification on the harmonic plane occurs with homophonic textures, where melody and accompaniment are derived from the same sound material, replacing polyphonic textures. In this way, a new hierarchy emerges, guided by functional tonality and 'functional' form. This hierarchy allows for the design of much wider tonal regions than what we observe in the Baroque style. The possibility of modulation to distant tonalities brought by the new tuning system allows for longer work durations and enables the establishment of contrast and similarity relationships between large plans in the structure. Thus, as a result of the interaction between this hierarchy and the dialectical relationship, the sonata form, which is the common formal source of leading genres such as symphony, concerto, and sonata of the period, is born and develops.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKıvılcım Yıldız describes this process in detail and avoids referring to technical musical terms like sonata form, theme, and tonality as abstract\/cold terms. Instead, she addresses them as an organic part of music history, placing them within a historical and social framework and emphasizing the historical continuity we mentioned above. Furthermore, she demonstrates that changes in supply and demand dynamics lie at the root of musical design and technical choices.\"\u003c\/p\u003e","brand":"Topos Yayınları","offers":[{"title":"Default Title","offer_id":48343468376307,"sku":"9786056986611","price":210.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0001888709001-1.jpg?v=1617968097"},{"product_id":"barok-donusum-muzigin-modernlesme-seruveni","title":"Baroque Transformation: The Modernization Journey of Music","description":"\u003cspan data-mce-fragment=\"1\"\u003eTopos Pocket Books began its publishing life with the \"Music Series,\" and Aykut Köksal's work, \"Baroque Transformation,\" became the first book in the series to hit the shelves. Köksal, who reads the Baroque era as a story of \"modernization,\" first gives a general overview of Western music from its beginnings to the pre-Baroque period under the title \"A General Look at Western Music from its Beginning to the Pre-Baroque\" before delving into the Baroque era. He then examines Baroque music through periods, countries, and schools, and analyzes the production of individual composers. Another feature of the book is that the periods are discussed not only with text but also with visuals. The book's design was carried out by Ersun Pekin. Pekin transforms the text from a dry music history into an enjoyable read. Mehmet Nemutlu, in his Afterword to Baroque Transformation, evaluates the book as follows: \"Aykut Köksal's Baroque Transformation, The Journey of Music's Modernization, is not just a conventional music history text written for specialists. It is also a guiding text that traces the 'Baroque journey' as a whole, with its innovations, significant breakthroughs, roles, changing intellectual background, and the cross-connections between them. It is concise, highlighting the productions, attitudes, and relationships that made the most meaningful contributions to the era. It sheds light on the social, individual, and cultural relationships behind a production of such intensity that it would amaze us even today. Looking at the structure of the book, it is seen that a cross-reading has been made in the context of countries and local cultures. The components that form the identity of Baroque music are discussed with the degree and weight of each's contribution. When it comes to the 17th century, a significant change is observed in the book's systematics: developments previously explained under topic headings and thematic subheadings are summarized under the names of certain composers from this point on. Towards the end of the book, a panoramic view of the entire Baroque period is reached through Corelli, Vivaldi, Rameau, Telemann, Handel, and Bach. This also indicates how Baroque modernization brought individual musical writing to the center.\"\u003c\/span\u003e","brand":"Topos Yayınları","offers":[{"title":"Default Title","offer_id":48343468441843,"sku":"9786056986604","price":210.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0001861270001-1.jpg?v=1617968372"},{"product_id":"sanatci-muzeleri","title":"Artist Museums","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtists have never had a good relationship with museums. Some even attempted to demolish them. Because, in their opinion, museums deprived art of life. Yet, their cause was to merge art with life. Unable to contend with museums, artists like Schwitters, Lissitzky, Duchamp, and Haacke established their own alternative museums. And, in Haacke's words, they began to expose \"how museums manage consciousness.\" They opened up for debate the understandings of history and power that nourished modern museums. Thanks to them, museums began to be examined, above all, as environments where modernity was displayed. Contemporary critical museology was born and became the focus of many disciplines that questioned modernity. Artist Museums compiles the works of those whose art is museums. Art historians and critics James Putnam, Benjamin Buchloh, and Walter Grasskamp discover the politics within these works in their essays.\u003c\/span\u003e\u003c\/p\u003e","brand":"İletişim Yayınevi","offers":[{"title":"Default Title","offer_id":39779292872899,"sku":"9789750503450","price":232.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/sanatci-muzeleri.jpg?v=1621022002"},{"product_id":"15-yuzyilda-sanat-ve-deneyim","title":"Art and Experience in the 15th Century","description":"\u003cp data-mce-fragment=\"1\"\u003eMichael Baxandall's groundbreaking book, first published in 1972, is not only a meticulous examination of 15th-century Italian painting but also demonstrates ways to read the social history of a period by starting from paintings created in that period. Through the early Renaissance works he examines, he reveals the relationship between the style of the period and daily life. For example, he compares measurement knowledge with the perception of perspective, and dance figures with aesthetic figuration.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBaxandall connects the reception of art, as much as its production, to social and economic life. He argues that \"taste,\" like \"style,\" the fundamental category of modern art history, derives from daily life. He shows that it originates from the daily visual skills and abilities being stripped of their functions and transformed into a game in the experience of art.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBy discovering the social foundations of \"style,\" Baxandall succeeded in detaching this concept from the transcendent metaphysics of formalist histories. Thus, he became a pioneer in the establishment of social art history. A 15th-century painting is a sediment where social relations accumulate. On one side, there is the painter who made the painting or at least oversaw its making, and on the other side, there is someone else who commissioned the painter to make it, provided the necessary financial resources for it, and intended to use it in some way after its completion. Both parties operate within commercial, religious, perceptual, that is, broadly social institutions and traditions.\u003c\/p\u003e","brand":"İletişim Yayınevi","offers":[{"title":"Default Title","offer_id":39779348185283,"sku":"9789750517020","price":54.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/15-yuzyilda-sanat-ve-deneyim.jpg?v=1621023194"},{"product_id":"sanat-muzeleri-2","title":"Art Museums 2","description":"\u003cdiv class=\"kitap-detay-tanitim\" data-mce-fragment=\"1\"\u003eToday, theories about museums are as vibrant as the museums themselves. They form a powerful vein of critical thought. \"Museum and Critical Thought\" presents a selection of texts to which contemporary museology repeatedly refers. These texts examine the representations of modern social and political life, modern culture, and urbanization movements within museums. By surveying Western museums such as the Louvre, the Musée d'Orsay, the Centre Pompidou, the Tate galleries, the Museum of Modern Art in New York, the Metropolitan Museum, and many others, they illuminate various symbols unique to the museum culture and history behind the scenes, and scrutinize their concepts. In a sense, they discuss the policies that define art management.\u003c\/div\u003e\n\u003cdiv class=\"kitap-detay-alt\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"İletişim Yayınevi","offers":[{"title":"Default Title","offer_id":39779528376515,"sku":"9789750504440","price":463.5,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/1190SANATMUZEkck.jpg?v=1621024876"}],"url":"https:\/\/yemkitabevi.com\/en-us\/collections\/sanat-tarihi\/yazar_hans-maes.oembed","provider":"YEM Kitabevi","version":"1.0","type":"link"}