{"title":"Cinema and Television","description":"","products":[{"product_id":"kitle-kulturu-sinemasi-ve-b-filmi","title":"Mass Culture Cinema and B-Movies","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eNur Onur, whom we know from her television programs and who took us on a detailed journey through the world of local Haute-Couture with her book \"Fashion is Contagious,\" illustrating it with examples, is now, as a cinema enthusiast and (former) student, publishing a pioneering book on a topic not widely researched in our country. \"B\" cinema; that is, low-budget, cheap cinema that does not use star actors – but paves the way for future stars – and is often serialized. Although B cinema, which supports big-budget A cinema – and, as a backbone of genre cinema which is increasingly gaining academic recognition and a place in popular culture – lost much of its former importance, power, and productivity with the advent of television, it holds a very interesting place in the history of world cinema, especially American cinema, and is considered a mirror of an industry. In this work, Nur Onur not only comparatively explains \"what\" B cinema is, but also outlines the anatomy of genre cinema, focuses on examples, and introduces us to its directors. This pioneering book in our cinema literature – along with the views of other writers – serves as a resource for researchers and provides first-hand material for genre cinema enthusiasts and fans of cult films.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39408974332099,"sku":"9786056249013","price":65.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786056249013.jpg?v=1616017513"},{"product_id":"anlatim-teknikleri-ve-dramaturji_350503-html","title":"Narrative Techniques and Dramaturgy","description":"\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eAuthored by screenwriter Bob Foss, it offers comprehensive, systematic information on fundamental narrative techniques and dramaturgy used in filmmaking. Foss addresses the subject by providing examples from the screenplays and production processes of famous films, outlining tips that will benefit everyone from directors to producers, screenwriters to cinematographers.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eIn this book, written based on his personal experiences regarding the methods to be followed when making films and television programs, Foss explains effective principles in material selection. Organizing his text under two headings, \"Narrative Technique\" and \"Dramaturgy\" in line with these principles, the author explains the methods that will enable the reader to achieve a productive, satisfying result in the film or television program they will make.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"display: inline !important; float: none; background-color: rgb(255, 255, 255); color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: inherit; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"border-bottom-color: currentColor; border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: currentColor; border-left-style: none; border-left-width: 0px; border-right-color: currentColor; border-right-style: none; border-right-width: 0px; border-top-color: currentColor; border-top-style: none; border-top-width: 0px; color: rgb(0, 0, 0); font-family: inherit; font-size: inherit; font-size-adjust: none; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; letter-spacing: normal; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; orphans: 2; padding-bottom: 0px; padding-left: 12px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003eThe book, which enriches all stages of film production methodology with practical information, serves as a guide where the reader can decide what to use, when to use it, and how to disregard certain elements according to their own experience and understanding.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003csub\u003e\u003c\/sub\u003e\u003csup\u003e\u003c\/sup\u003e\u003cstrike\u003e\u003c\/strike\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39408974397635,"sku":"9786056249020","price":125.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786056249020.jpg?v=1616017514"},{"product_id":"ilkel-toplumdan-melodramlar-evrenine_352176-html","title":"From Primitive Society to the Universe of Melodramas","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eThe answer to the question of how melodramas have been able to captivate audiences worldwide for about a century can be sought and found not so much in modern societies, but rather in the social, mental, cultural, and human characteristics peculiar to primitive ones. Although this power of influence is partially related to story, actors, dialogue, music, direction, etc., the real question that needs an answer is this: What force draws the audience to the silver screen or television screens? Undoubtedly, there are some reasons for this. I believe we can find the reasons for this by following a line from primitive society to melodramas.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39408975184067,"sku":"9786056249099","price":99.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786056249099.jpg?v=1616017523"},{"product_id":"kentte-sinema-sinemada-kent_350683-html","title":"City in Cinema Cinema in City","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThe modern city and cinema emerged in the same period, at the end of the 19th century, as an urban discovery and rapidly began to change urban experiences. This situation was not limited to \"capitals of modernity\" like Paris, Berlin, and Vienna. Cinema also shaped the experiences of cities like Bombay, Alexandria, Cairo, and Istanbul. Many important thinkers and artists, who first sought to recognize, then understand, and finally criticize the modern age, could not remain indifferent to cinema for this reason.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; PICTOGRAM right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eWalter Benjamin, who said, \"Cinema came and shattered this prison-like world with the dynamite of time fragments one-tenth of a second long; now we embark on adventurous journeys amidst the widespread ruins of this world,\" Siegfried Kracauer, who used film images in his sociological and philosophical works, Alfred Döblin, who wrote his novel Berlin Alexanderplatz with a \"cinematographic narrative\" inclination and immediately realized that cinema was as essential as bread in the daily lives of Berliners, Mayakovsky, who accompanied \"Bolshevik cinema\" with his poems and screenplays, and the poet Guillaume Apollinaire, who published a \"special magazine\" for the intoxicating lights and cinemas of Paris nights, among others, are well-known or readily recalled figures who believed it was necessary to establish a relationship between the city, which is both the mechanism and the \"hero\" of modernity, and cinema.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eJust as the literature of Proust, Beckett, Musil, and Kafka, the compositions of Schoenberg and Mahler, and the paintings of Picasso, Dali, and Grosz represented modern life, the films of Vertov, Eisenstein, R. Clair, F. Lang, O. Welles, Antonioni, Bergman, Bunuel, Yusuf Şahin, Lütfü Akad, Nuri Bilge Ceylan, and Zeki Demirkubuz also represented the anxieties of modern life. Furthermore, just as thinkers and artists who criticized modernity established a connection with cinema, many films by the aforementioned directors have served as references for sociological, psychological, and philosophical critiques of modernity.\u003c\/p\u003e","brand":"Pales Yayıncılık","offers":[{"title":"Default Title","offer_id":39408976527555,"sku":"9786056427367","price":65.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786056427367.jpg?v=1616017537"},{"product_id":"sinema-neyi-anlatir_352182-html","title":"What Does Cinema Tell Us","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e- Literature - Ümit Ünal - The Language of Cinema\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e- Human - Hakan Savaş - Cinema Narrates Humanity\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e- Director - Oğuzhan Ersümer - Cinema is Knowing Oneself\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e- Mentality - Oğuz Adanır - Narrative Film and Social Mentality\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e- Culture - Dilek Tunalı - Cinema Narrates Culture\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e- Political Economy - Zahit Atam - Is Censorship a New Thing in Turkey?\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e- Class - Hilmi Maktav - From Hero to Anti-Hero Metropolitan Man in Turkish Cinema\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e- Philosophy - Oktay Taftalı - Cinema as the Image of Movement, Not Moving Picture, and Expression\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e- Audience - Serpil Kırel - What Kind of Place is the Cinema Hall in Terms of Viewing and Experience?\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e- Audience - Serdar Kökçeoğlu - Cinema Narrates the Beauty of Watching Together\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e- Love - Pınar Tınaz Gürman - Cinema Narrates Love\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e- Dream - Yörükhan Ünal - Cinema Narrates Dreams\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e- Secrets - Tan Tolga Demirci - Postmodern Production of Symbol in \"Institute Benjamenta\" Film\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e- Dark Humor - Ayşen Oluk Ersümer - Dark Humor in Cinema\u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39408993337539,"sku":"9786058401891","price":340.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058401891.jpg?v=1616017771"},{"product_id":"yavuz-turgule28099dan-terrence-malicke28099e-sinema-yazilari_352185-html","title":"Cinema Writings from Yavuz Turgul to Terrence Malick","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eA journey from Yavuz Turgul to Terrence Malick… Even imagining such a journey pleased me, and when I first thought of it, it was just a dream. It's possible to say that both directors are interested in what is passing. Badlands, Days of Heaven, The New World, or Eşkıya, Muhsin Bey, Gölge Oyunu focus on the loss of innocence. Another similarity between Malick and Turgul lies in their methods of film production. Both made films starting from a painting. Malick attributes the emergence of Days of Heaven to a painting by Andrew Wyeth, while Turgul bases Av Mevsimi on a drawing by Yavuz Tanyeli. When the intuitive dimension in their cinemas is understood, this relationship will appear even more meaningful to us.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eIn this book, a compilation of my articles published in magazines such as Altyazı, Sekans, Toplumbilim, Sufi Araştırmaları, and Özne Felsefe, three articles are about creation myths, the body, and cyberpunk in cinema. The other ten articles largely discuss director's cinema through the roster of Yavuz Turgul, Onur Ünlü, John Woo, David Cronenberg, Martin Scorsese, Brian De Palma, Ethem Özgüven, Chris Marker, Bernardo Bertolucci, and Terrence Malick.\u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39408993992899,"sku":"9786058502512","price":110.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058502512.jpg?v=1616017783"},{"product_id":"dram-sanati-ve-sinema_352174-html","title":"Drama and Cinema","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eA seminal work that thoroughly explains, with supporting examples, the causes behind the emergence of narrative forms, their structures, developmental stages, and their relationship with social life.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; pobres-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThis study, which turned towards drama at the crossroads of epic and drama, elucidates the necessities of evolving from a creative and improvisational discourse to a mechanical and rule-bound structure. It first dissects the art of drama into its DNA, then, in keeping with the nature of drama, makes the stitch marks invisible. It's a solid book for those seeking answers to questions like \"What happened when cinema met drama?\" or \"Was it a good thing that they met?\" or for those who wish to add flavor to their existing answers.\u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39408994648259,"sku":"9786058502567","price":275.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058502567.jpg?v=1616017789"},{"product_id":"sinemanin-tum-oykusu","title":"All the History of Cinema","description":"\u003cp\u003e\u003cspan style=\"color: rgb(74, 74, 74); font-family: Arial, sans-serif;\"\u003eCinema changed the world. As soon as technology allowed, the art of filmmaking took a very different path from the art forms of previous centuries. The human desire to record the world around them, emotions, experiences, and stories of daily life became as natural as breathing. Cinema gained diversity in different times and places, and under the influence of social and cultural conditions. What was the driving force behind the first films? What are the sociological roles played by cinematic works? Why do certain films become 'classics'? What makes an actor, director, or writer a cinematic icon?\u003c\/span\u003e\u003cbr style=\"color: rgb(74, 74, 74); font-family: Arial, sans-serif;\"\u003e\u003cbr style=\"color: rgb(74, 74, 74); font-family: Arial, sans-serif;\"\u003e\u003cspan style=\"color: rgb(74, 74, 74); font-family: Arial, sans-serif;\"\u003eThe Whole Story of Cinema closely examines important historical periods, genres, and international cinematic works in the context of social and cultural developments. Arranged chronologically, the book traces the evolution of cinema from the early days of image projection events to today's high technology and multi-screens. In-depth texts supported by visuals explain all genres of cinema, from the first silent films to blockbuster films and the jarring CGI-supported works of the 21st century. Detailed timelines accompany the text and shed light on the history of cinema.\u003c\/span\u003e\u003cbr style=\"color: rgb(74, 74, 74); font-family: Arial, sans-serif;\"\u003e\u003cbr style=\"color: rgb(74, 74, 74); font-family: Arial, sans-serif;\"\u003e\u003cspan style=\"color: rgb(74, 74, 74); font-family: Arial, sans-serif;\"\u003eIn this study, important works exemplifying the defining characteristics of each genre or time period have been analyzed in detail. This book explains many things, from camera and lighting to acting techniques, from animations to the social and cultural impact of films, and makes it easier for you to interpret the meanings of the most famous films.\u003c\/span\u003e\u003cbr style=\"color: rgb(74, 74, 74); font-family: Arial, sans-serif;\"\u003e\u003cbr style=\"color: rgb(74, 74, 74); font-family: Arial, sans-serif;\"\u003e\u003cspan style=\"color: rgb(74, 74, 74); font-family: Arial, sans-serif;\"\u003eSince the first photograph was taken, people have felt the urge to record their creative impulses. Today, the activities of filming our lives and bringing our imagination to life continue to tell us how we live and who we are. If you love cinema and want to learn more about it, look no further than The Whole Story of Cinema.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39408995565763,"sku":"9786058607750","price":1599.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058607750.jpg?v=1616017803"},{"product_id":"politik-kamera_352179-html","title":"Political Camera","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eWhen the words \"politics\" and \"cinema\" are placed side by side, the countries that first come to mind are usually Germany, the Soviet Union, and the United States, and the images are Hitler, Stalin, and Hollywood. The topic is frequently approached through communism, Soviet cinema, and Hollywood cinema as its counter-example. Offering an alternative to this habit, \"Politik Kamera: Critical Perspectives on the Question of Communism in Cinema\" expands its scope to avoid the intellectual impasses of evaluating communism in cinema solely from a Soviet-centric perspective. It includes the experiences of France, Italy, China, Cuba, Brazil, Georgia, Yugoslavia, Hungary, East Germany, Poland, Spain, and even the United States.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThe book, edited by Kristian Feigelson, an academic and expert on East German and Soviet cinema, and with a foreword to the Turkish edition written by academic and director Mehmet Öztürk, contains critical texts penned by various country experts. These articles explain the socialist experience of the twentieth century, specifically the Stalin era and Stalinist cinema, in conjunction with political history, offering intriguing, new, and detailed information to the reader.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThe first part of the two-part book examines the Soviet experience in all its aspects, while the second part features the thoughts of different nations and countries about Stalin. This allows the reader to feel both the power and fragility of cinema, cultural life, and art, which continue to assert themselves sometimes through humor, sometimes seriousness, sometimes history, and even symbols, in a world governed by political ambitions and sanctions.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThis book allows readers interested in political cinema, curious about the ideas that shaped films associated with communism, and researching the opinions and attitudes of filmmakers, especially directors of the era, about the processes involved in film production, to also experience the pleasure of a cinematheque while reading the articles.\u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39409002119363,"sku":"9786059452083","price":160.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059452083.jpg?v=1616017901"},{"product_id":"gulmenin-sinemasi_352187-html","title":"The Cinema of Laughter","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eOğuz Makal's The Cinema of Laughter with Its Directors and Films, prepared with research conducted by the film historian and writer on the history of world and Turkish cinema, offers comprehensive content for anyone interested in the history of laughter and making people laugh on the silver screen. Makal, who examines the culture of \"comedy\" in all its aspects, from ancient cultures to the twenty-first century, also investigates the origins of Turkish comedy and its relationship with the world.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThe Cinema of Laughter with Its Directors and Films, written with different types of humor in mind, features actors and directors who have left their mark on the minds of almost every film enthusiast worldwide. From Marx Linder to Buster Keaton, to Laurel and Hardy who marked the childhood of a generation, to the great comedian Louis de Funès; from Charlie Chaplin, a master of \"political and social\" comedy, to Mae West, the queen of sarcastic and erotic comedy; from Jerry Lewis, known for his mime comedy, to the master of situational comedy, Peter Sellers, and Woody Allen, many names and their films are included in the book.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eIn the book, where nearly 200 comedy films are examined individually, Makal does not forget Bican Efendi, Naşit, and Dümbüllü, the first comedy heroes of Turkish cinema history. He also examines new-era films and characters made by the generation following masters like Feridun Karakaya, Sadri Alışık, Öztürk Serengil, Vahi Öz, Suphi Kaner, Necdet Tosun, and Kemal Sunal, who brought to life beloved characters like Cilalı İbo, Turist Ömer, and Şaban. Thus, Oğuz Makal provides a comprehensive resource for readers who want to research the history of laughter and comedy cinema on the silver screen, allowing them to access the information they need.\u003c\/p\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39409002447043,"sku":"9786059452113","price":390.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059452113.jpg?v=1616017907"},{"product_id":"brecht-estetigi-ve-sinema_352173-html","title":"Brechtian Aesthetics and Cinema","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003eBertolt Brecht\u003c\/strong\u003e became the most important figure in 20th-century German theater with the theatrical theory he developed. Brecht's theory, which made an innovative step by bringing a different approach to theater than the traditional tragedy established since Aristotle with his development of the concept of \u003cstrong\u003eepic, or dialectical, theater\u003c\/strong\u003e, also influenced cinema.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003eBrechtian Aesthetics and Cinema\u003c\/strong\u003e examines cinema from the perspective of Brecht's aesthetic theory. This small book, which elucidates the Brechtian influence and aesthetics in cinema, systematizes the principles of Brechtian aesthetics with a simple narrative while also touching upon the differences between Brecht's theater and Aristotle's traditional tragedy.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThe book, which examines the works of first-generation Soviet filmmakers like \u003cstrong\u003eVertov and Eisenstein\u003c\/strong\u003e; Italian directors such as \u003cstrong\u003ePontecorvo, Ferreri, Pasolini, Fellini, Francesco Rosi\u003c\/strong\u003e; and famous directors like \u003cstrong\u003eBergman, Slatan Dudow, Resnais, Theo Angelopoulos, Jean-Luc Godard\u003c\/strong\u003e within the framework of Brechtian aesthetics, ensures that the theory is firmly established in the reader's mind. \u003cstrong\u003eBrechtian Aesthetics and Cinema\u003c\/strong\u003e serves as a suitable resource for every reader and cinephile who wants to form a different perspective. As Hayalperest Yayınevi, we present to you \u003cstrong\u003eMutlu Parkan\u003c\/strong\u003e's detailed study, which has become a classic, in an expanded version.\u003c\/p\u003e\u003ch3\u003e🎬 For Whom?\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003eCinema and theater students\u003c\/li\u003e\n\n\u003cli\u003eFilm critics and cinema researchers\u003c\/li\u003e\n\n\u003cli\u003eEnthusiasts of Brechtian theater and epic theater\u003c\/li\u003e\n\n\u003cli\u003eThose interested in film aesthetics and theory\u003c\/li\u003e\n\n\u003cli\u003eThose who want to understand the works of directors like Godard, Pasolini, Eisenstein more deeply\u003c\/li\u003e\n\n\u003cli\u003eReaders of philosophy of art and aesthetic theory\u003c\/li\u003e\n\n\u003cli\u003eThose interested in alternative cinema and art cinema\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39409007034563,"sku":"9786059452489","price":188.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059452489.jpg?v=1616017969"},{"product_id":"sinemayi-degistiren-100-fikir","title":"100 Ideas That Changed Cinema","description":"\u003cp data-mce-fragment=\"1\"\u003eThis inspiring book tells the story of the most influential ideas that have shaped Cinema since its inception. 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The production process is explained in an easy-to-understand way with simple language and supporting visual materials.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFoundations of Filmmaking provides valuable insight into how filmmakers work. The book begins with clear and concise definitions of the different roles in a production team and goes on to illustrate, with examples, how different departments collaborate to make a film. It is both an inspiring and practical guide for new filmmakers who want to get to know the field.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eContents;\u003cbr data-mce-fragment=\"1\"\u003eCrew\u003cbr data-mce-fragment=\"1\"\u003eScreenwriting\u003cbr data-mce-fragment=\"1\"\u003eProduction\u003cbr data-mce-fragment=\"1\"\u003eDirecting\u003cbr data-mce-fragment=\"1\"\u003eProduction Design\u003cbr data-mce-fragment=\"1\"\u003eCinematography\u003cbr data-mce-fragment=\"1\"\u003eSound\u003cbr data-mce-fragment=\"1\"\u003ePost-Production\u003cbr data-mce-fragment=\"1\"\u003eCreating Meaning\u003cbr data-mce-fragment=\"1\"\u003eAppendices\u003c\/p\u003e","brand":"Literatür Yayıncılık","offers":[{"title":"Default Title","offer_id":43385728565491,"sku":"9789750405907","price":371.25,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0000000374675-1.jpg?v=1666182666"},{"product_id":"yaratici-reklamciligin-temelleri","title":"Fundamentals of Creative Advertising","description":"\u003cp data-mce-fragment=\"1\"\u003eThe book \"Fundamentals of Creative Advertising\" offers an introduction to the core concepts of creative advertising. The book will guide you step-by-step through the creative process and explain how some of the world's most important advertising campaigns were created.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFundamentals of Creative Advertising will examine how a modern \"full-service advertising agency\" operates. Today, creative agencies leverage the advantages provided by \"rich media\" (graphics, audio, video, and animation technologies) to create outstanding, award-winning digital advertising campaigns in terms of creativity.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis book presents and explains over 90 contemporary advertising campaigns with their visuals. In this way, the terminology and theories explained are examined together with visuality, which is one of the most important features of contemporary advertising. The book's coverage of art direction, creating campaign visuals, and typography ensures completeness and enhances the book's strength in this regard.\u003cbr data-mce-fragment=\"1\"\u003eFundamentals of Creative Advertising is an important guide that both students and professionals will greatly enjoy reading and benefit from.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatured Topics;\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAgency Structure\u003cbr data-mce-fragment=\"1\"\u003eMedia Options\u003cbr data-mce-fragment=\"1\"\u003eCampaign Planning and Strategy Development\u003cbr data-mce-fragment=\"1\"\u003eCreative Concept\u003cbr data-mce-fragment=\"1\"\u003eThe Future of Advertising\u003c\/p\u003e","brand":"Literatür Yayıncılık","offers":[{"title":"Default Title","offer_id":43385887490291,"sku":"9789750406591","price":206.25,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0000000592501-1.jpg?v=1666188902"},{"product_id":"tuzdan-kaide-bir-ilk-filmin-yapimi","title":"Base of Salt - The Making of a First Film","description":"\u003cp class=\"selectionShareable\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe film \u003cem\u003eThe Pillar of Salt\u003c\/em\u003e, which had its world premiere at the Berlin Film Festival in 2018, tells the story of a pregnant woman searching for her twin sister. 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This text, where Rancière's exceptional power of observation and interpretation meets a literary expression, invites the reader to look at many details in Béla Tarr's films and the director's filmography with fresh eyes.\u003cbr\u003e \u003cbr\u003e\"The time after is not the monotonous and aggressive time of those who no longer believe in anything. It is the time of pure, material events, with which faith contends—as long as life keeps it alive.\"\u003cbr\u003e\"The time after is neither the time of recovered reason nor of impending catastrophe. This is the time after all stories, a time directly concerned with the sensory surface where stories open shortcuts between a foreseen end and an actualized end. It is not a time when beautiful sentences are constructed or beautiful shots are taken to compensate for the emptiness of all expectations. It is a time concerned with the waiting itself.\"\u003c\/p\u003e","brand":"Lemis Yayın","offers":[{"title":"Default Title","offer_id":46817241596147,"sku":"9786058672963","price":160.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/BelaTarr_ErtesiZaman_onkapak.jpg?v=1744497663"},{"product_id":"sinemada-mimarlik","title":"Architecture in Cinema","description":"\u003cp\u003e“Architecture in Cinema,” prepared for publication by Hikmet Temel Akarsu, Nevnihal Erdoğan, and Türkiz Özbursalı, has been re-released by YEM Yayın with updated content, cover design, and dimensions.\u003c\/p\u003e\n\n\u003cp\u003e“Architecture in Cinema” was prepared with the belief that an increased artistic and cultural emphasis in the sources that nourish architecture and design will play a significant role in developing society's aesthetic perceptions, and that designers following this path will be able to utilize their imagination in a much more striking way.\u003cbr\u003e\nWith this approach, magnificent works from world and Turkish cinema by directors such as Christopher Nolan, Yavuz Turgul, Peter Jackson, Nuri Bilge Ceylan, and Lars von Trier, including \"My Architect,\" \"Playtime,\" \"Winter Sleep,\" \"The Grand Budapest Hotel,\" \"Muhsin Bey,\" \"Cloud Atlas,\" \"The Matrix,\" and \"The Lord of the Rings,\" were analyzed by expert writers. While examining these works, the aim was to contribute to our cultural, critical, aesthetic, and artistic accumulation by presenting approaches to sociological perceptions and ecological problems, thereby stimulating the imagination of architecture, leading one to utopian or dystopian thoughts, and elevating aesthetic and artistic appreciation.\u003c\/p\u003e\n\n\u003cp\u003eIt is recommended that this book be read in conjunction with “Architecture in Literature,” “Architecture in Contemporary Literature,” and “Architecture in Philosophy,” which comprise YEM Yayın’s “Architecture and Nourishment Areas” series, as they will be complementary and enrich the reader’s imaginative universe.\u003c\/p\u003e\n\n\u003cp\u003eHikmet Temel Akarsu, Nevnihal Erdoğan, and Türkiz Özbursalı summarize their reasons for preparing the book in the Foreword as follows:\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.65pt; background: white;\"\u003e“...In preparing these books, we were driven by concerns such as contributing to architectural culture and education, developing and, if possible, changing the perception and understanding of architecture; creating a new climate in architecture to rescue our cities and living spaces from monotonous ‘architectural’ practices that are becoming increasingly unbearable, and to open the doors to brand new designs. We hoped for the enrichment of the spiritual, emotional, and cultural worlds of architects and aspiring architects, and for these to be reflected in their works...”\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370210144499,"sku":"9786259710242","price":490.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/SINEMADAMIMARLIK_YENIKAPAK.jpg?v=1750068807"},{"product_id":"mimarlik-ve-beslenme-alanlari-seti-4-kitap","title":"Architecture and Nutrition Fields Set (5 Books)","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eIt is recommended to read the books \"\u003cb\u003eArchitecture in Literature, Architecture in Cinema, Architecture in Contemporary Literature, Architecture in Philosophy, Architecture in Opera and Ballet\u003c\/b\u003e\" which form YEM Yayın's \"Architecture and Nutrition Fields\" series, as they are complementary and will enrich the reader's imaginative world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-ansi-language: #1000; mso-fareast-language: EN-US;\"\u003eHikmet\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-fareast-language: EN-US;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-ansi-language: #1000; mso-fareast-language: EN-US;\"\u003eTemel Akarsu\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-fareast-language: EN-US;\"\u003e, \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-ansi-language: #1000; mso-fareast-language: EN-US;\"\u003eNevnihal Erdoğan\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-fareast-language: EN-US;\"\u003e, Türkiz Özbursalı\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-ansi-language: #1000; mso-fareast-language: EN-US;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-fareast-language: EN-US;\"\u003eand Leyla Gafarova summarize their reasons for preparing these books for publication as follows:\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\" style=\"background: white; margin: 0cm 0cm 8.65pt 0cm;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e“...\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-ansi-language: TR;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eAs writers dedicated to the art of architecture, we believe that we need to achieve a brand new environmental, urban, and architectural perception not only in our country but all over the world, and that we can only do this by drawing inspiration, ideas, and syntheses from the infinite realm of thought in literature\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-ansi-language: TR;\"\u003e, cinema, philosophy\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e, and art. Therefore, we attach great importance to the discussions and efforts in this field.\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-ansi-language: TR;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eOur wish is that everyone whose heart beats for architecture criticizes us fiercely, and that much stronger syntheses and products emerge from these discussions; and that the period of architectural decline we are experiencing comes to an end as soon as possible...”\u003c\/span\u003e\u003c\/p\u003e","brand":"YEM Kitabevi","offers":[{"title":"Default Title","offer_id":47083353702643,"sku":"89786259710259","price":2372.5,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/MIMARLIKVEBESLENMEALANLARISETI_5Kitap.jpg?v=1759843757"},{"product_id":"ve-sinema","title":"And Cinema","description":"\u003cp\u003eVe Sinema (And Cinema) aims to contribute to the periodic examination of Turkish Cinema through texts analyzing Turkish films made after 1990, selected by authors from different disciplines, who adhere to their respective areas of expertise.\u003c\/p\u003e\u003cp\u003eThe book brings together eleven articles, accompanied by an introduction by Bülent Diken, that examine the relationship of our cinema with painting, theater, music, literature, architecture, photography, philosophy, psychoanalysis, sociology, history, and contemporary arts. These analyses are predominantly based on recent examples such as \"Waiting for Heaven,\" \"Kosmos,\" \"Vizontele Tuuba,\" \"Underground,\" \"Yusuf Trilogy,\" \"Mud,\" \"Distant,\" \"Jealousy,\" \"Istanbul Under My Wings,\" and \"The Game,\" thereby offering a fertile ground for discussion in the field.\u003c\/p\u003e","brand":"Doruk Yayınları","offers":[{"title":"Default Title","offer_id":48400634937587,"sku":"9789755535975","price":480.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ve-sinema.jpg?v=1768826074"},{"product_id":"saniyede-24-kare-olum","title":"24 Frames Per Second of Death","description":"\u003cp\u003eMulvey, well-known to cinephiles and theorists for her in-depth work, confronts us with disturbing questions and comments in \"Death 24x a Second\": What has photography and cinema changed in our relationship with death? What is the impact of cinema on our perception of time? Starting with such provocative questions, Mulvey delves into films by blending psychoanalysis and cinema, examining directors and types of viewers. \"Death 24x a Second\" offers a challenging, thought-provoking, and productive reading experience from beginning to end. \"Stillness gives way to movement; movement combines with the recording of narrative time, only to be fragmented again with the return to stasis and indexical recording, but only for this. Not only do the uncanny properties of the photographic index persist; there is also a sharper sense here: Time is elusive, and in cinema, 'time that imitates life' returns increasingly obviously 'bearing the touches of death.'\"\u003c\/p\u003e","brand":"Doruk Yayınları","offers":[{"title":"Default Title","offer_id":48400872636659,"sku":"9789755535555","price":427.5,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/saniyede-24-kare-olum-duraganlik-hareketli-goruntu.jpg?v=1768834056"},{"product_id":"estetik-siddet-dijital-bedenin-varlik-sorunsali","title":"Aesthetic Violence: The Existential Problem of the Digital Body","description":"\u003cp\u003eThis book re-examines the relationship between aesthetics and violence in the digital age through the concept of the body. The text addresses the visual and simulational forms of violence in the context of social media, cinema, and digital games, analyzing the effects of the body's interaction with cyberspace on the perception of violence. The author argues that violence is reproduced not only through physical acts but also through digital symbols and simulations. Within this framework, a theoretical discussion is conducted on how collective and individual experiences are shaped and how violence circulates between virtual and real worlds. The work offers a new perspective to contemporary thought by linking Freud's concept of oedipal simulation and Critical Theory's analysis of power with the aesthetic dimensions of the digitalization process.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFor Whom?\u003c\/strong\u003e\u003cbr\u003eThis work is suitable for academics, cinema and media studies students, and readers interested in contemporary philosophy and cultural theory who wish to understand the relationship between violence and aesthetics in the context of digital culture.\u003c\/p\u003e","brand":"Doruk Yayınları","offers":[{"title":"Default Title","offer_id":48402589942003,"sku":"9789755538617","price":330.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/estetik-siddet-kapak.jpg?v=1768862414"}],"url":"https:\/\/yemkitabevi.com\/en-us\/collections\/sinema-ve-televizyon\/yazar_kolektif.oembed","provider":"YEM Kitabevi","version":"1.0","type":"link"}