{"title":"Design Project Implementation","description":"\u003cp\u003eDesign, project, and application-focused architecture books, prepared with the assurance of YEM Kitabevi, the center of architectural publishing since 1968. Essential resources for materials, details, building types, and interior architecture applications all in one place. With same-day shipping and secure shopping.\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"dini-mimaride-gizli-tasarim-yontemleri","title":"Hidden Design Methods in Religious Architecture","description":"\u003cp\u003eThis book is the product of over twenty-five years of research. Its aim is to introduce and demystify the geometry and numerical symbolism observed in Ottoman, Christian, and Jewish religious architecture, and in the design of Masonic Lodges, their cornerstones, and monuments.\u003c\/p\u003e\n\u003cp\u003eWhen we began our studies on Ottoman mosques and tombs in the late seventies, documents and publications that could shed light on this subject were almost non-existent. While numerous books and articles had been published for approximately 150 years researching and introducing the hidden design methods of Christian religious architecture, no one had shown interest in this aspect of Ottoman architecture.\u003c\/p\u003e\u003cp\u003eThe work of the Russian scholar M.S. Bulatov, which explained the geometry in the designs of Central Asian Islamic architecture, came into our hands only near our retirement years, and the geometric solutions it contained seemed overly complex for that period (especially for the 9th century).\u003c\/p\u003e\u003cp\u003eNevertheless, we courageously continued our work and inevitably strayed down a series of erroneous paths. We introduced the work of those years in some of our articles. Very few of the criticisms reached a level that could point us in the right direction. However, we believe we have convincingly established this much:\u003c\/p\u003e\u003cp\u003eSinan and those before him must have incorporated certain numbers derived from Abjad numerals and the Basmala in their designs for religious architecture.\u003c\/p\u003e\u003cp\u003eAfter retirement, due to a hip operation, we immigrated to Canada and then decided to stay there. As time passed, we realized that we had taken a very productive and auspicious step for our research.\u003c\/p\u003e\u003cp\u003eSomehow, it occurred to us to apply to a Masonic Lodge because we had heard about their rich libraries. Permission was granted, and for weeks we immersed ourselves in books from the 19th and even 18th centuries in their libraries. Finally, one day, flashes of insight began to ignite in our minds. We were almost ready to shout \"Eureka!\" like Archimedes. We had solved the problem. We understood that \"The key to the secret is the Pythagorean triangle.\"\u003c\/p\u003e\u003cp\u003eThe importance given to architecture and the Pythagorean triangle in Masonry was astounding. Pythagoras's \"47th problem\" was constantly referenced. The use of this triangle as an emblem in some lodges, and the inclusion of the compass and square in the Masonic emblem, all began to appear as signs emphasizing the importance of this triangle.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Birsen Yayınevi","offers":[{"title":"Default Title","offer_id":39408932683971,"sku":"9789755114569","price":540.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/3990000030466.jpg?v=1616016951"},{"product_id":"karakoy-iskelesi-ve-yakin-cevresi","title":"Karaköy Pier and Its Vicinity","description":"\u003cp\u003eThis is a competition book that includes the exhibition, colloquium, and award ceremony of the \"Karaköy Pier and Its Immediate Surroundings National Student Architectural Idea Competition,\" which was organized to enable architecture students to participate in the city by generating ideas for the city, urban spaces, and the re-evaluation of these spaces in the face of changing needs, and which concluded on September 15, 2009.\u003c\/p\u003e","brand":"Mimarlar Odası Yayınları","offers":[{"title":"Default Title","offer_id":39408937926851,"sku":"9786050101270","price":80.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050101270.jpg?v=1616017023"},{"product_id":"mimarlikta-peyzaj-tasarimi_351522-html","title":"Landscape Design in Architecture","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eHow much landscape architecture knowledge is required for the education of architects and urban planners? It is observed that architecture, urban and regional planning curricula either include no or very few courses on landscape architecture and landscape design programs. This limits the competence of architects and urban planners in understanding the complex relationships between buildings and their sites, landscapes, and the environment.\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eCourses with a focus on landscape design are crucial for the education of architects and urban planners. To investigate natural and cultural texture, to examine design theories and structural and vegetative design principles at different scales, to approach the subject from different angles to create a landscape design project, to effectively analyze and synthesize existing natural, perceptual, social, and cultural data, and to ensure the inclusion of different professional disciplines to facilitate interdisciplinary work. It is necessary to establish the infrastructure to include courses on Landscape Architecture and Landscape Design programs in the Architecture, Urban and Regional Planning curricula during the education process.\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eThe book \"Landscape Design in Architecture\", prepared with the support and contributions of our esteemed lecturers, will provide architecture students with the ability to use landscape design principles, establish landscape-space organization and the relationship between landscape design and architectural design, examine factors affecting landscape design, and prepare a small-scale landscape project.\u003c\/span\u003e\u003c\/p\u003e","brand":"Nobel Akademik Yayıncılık","offers":[{"title":"Default Title","offer_id":39408945266883,"sku":"9786050331387","price":585.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050331387.jpg?v=1616017117"},{"product_id":"tasarim-egitiminde-yaraticilik-olgusu_350848-html","title":"The Phenomenon of Creativity in Design Education","description":"\u003cp\u003e \u003c\/p\u003e\u003cdiv class=\"kitap-detay-alt\" style=\"margin: 20px 0px 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; border-spacing: 20px; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e \u003c\/div\u003e\u003cp\u003e \u003c\/p\u003e\u003cdiv class=\"kitap-detay-tanitim\" style=\"margin: 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eDesign education, still one of the most debated topics today, is discussed in terms of its content, methods, relationships with other disciplines, and the back-and-forth between intuition, emotion, thought, function, form, theory, and practice. Fostering creativity, one of the main goals of design education, is attempted through various methods applied in education, and the importance of creativity in design education is constantly questioned. To this end, this book examines the concept of creativity, a faculty that emerges from the relational integrity of sensations, emotions, awareness, and intellectual and mental abilities. The relationship between creativity and design education has been analyzed by examining formal and intellectual methods. As a result of these analyses, different workshops have been structured to foster more creative methods and enable students to think more creatively. The multi-sensory awareness workshops, built on the impact of design education and the senses on creativity, question the dominance of sight in design education. This book, which discusses the impact of sensory polyphony on perception, sensation, awareness, and creativity, will offer new perspectives and experiential environments to all individuals interested in design.\u003c\/p\u003e\u003c\/div\u003e","brand":"Gece Akademi","offers":[{"title":"Default Title","offer_id":39408956702915,"sku":"9786052888223","price":40.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786052888223.jpg?v=1616017291"},{"product_id":"mimarlik-form-ve-geometri","title":"Architecture, Form and Geometry","description":"\u003cp data-start=\"0\" data-end=\"443\"\u003eIn this book, Prof. Dr. Esen Onat systematically presents and illustrates the fundamental techniques and approaches in the process of generating architectural forms by utilizing and processing three-dimensional geometric primitive forms.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"443\"\u003eThe mass form of a building is a multifaceted phenomenon that carries functional, spatial, spiritual, symbolic, and semantic predicates, determining the architectural product's relationship with its physical and social environment. For this reason, the decision regarding form is one of the most sensitive issues for architects.\u003cbr data-start=\"704\" data-end=\"707\"\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"443\"\u003eConsidering that all forms can be derived from basic geometric shapes, the main purpose of this study is to introduce the techniques of processing and using the primitive geometric forms that everyone knows, and to exemplify that these forms have been used with similar techniques despite changing needs, technologies and trends from past to present.\u003cbr data-start=\"1319\" data-end=\"1322\"\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"443\"\u003e\u003cbr data-start=\"216\" data-end=\"219\"\u003e\u003cem\u003eIn this book, Prof. Dr. Esen Onat systematically presents and illustrates the fundamental techniques and approaches for generating architectural forms by utilizing and transforming three-dimensional geometric primitives.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"445\" data-end=\"992\"\u003e\u003cem\u003eThe mass form of a building is a multifaceted phenomenon that carries functional, spatial, spiritual, symbolic, and semantic attributes, shaping its relationship with both the physical and social environment. For this reason, it is one of the most critical concerns for architects.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"994\" data-end=\"1736\" data-is-last-node=\"\"\u003e\u003cem\u003eGiven that all forms can be derived from fundamental geometric shapes, this study primarily aims to introduce the basic techniques for processing and utilizing these universally recognized geometric forms. Additionally, it seeks to demonstrate that, despite evolving needs, technologies, and trends over time, these geometric primitives have consistently been applied using similar techniques throughout history.\u003c\/em\u003e\u003c\/p\u003e","brand":"Efil Yayınevi","offers":[{"title":"Default Title","offer_id":39408965189827,"sku":"9786054334339","price":360.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Screenshot_4.png?v=1739410425"},{"product_id":"mimarlik-uzerine-bir-bilimsel-arastirma-tasarim-yontem-uygulama","title":"A Scientific Study on Architecture: Design, Method, Application","description":"\u003cp class=\"\" product-name=\"\"\u003eThe extremely complex and dynamic thought structure of the architectural profession is fundamentally based on reason and mathematics. This scientific research book not only examines the architectural thought structure but also investigates the field of architecture from various perspectives. For this reason, architecture has been examined under three main sections. The first section theoretically deals with the standing of architecture up to the present and the main elements guiding the development of the architectural environment today. The second section addresses the act of architecture from a methodological perspective using the real environment and information layer models developed by the author. The third section deals with the practical aspect. This scientific research book briefly analyzes architecture on the basis of education, research, and practice.\u003c\/p\u003e","brand":"Efil Yayınevi","offers":[{"title":"Default Title","offer_id":39408965812419,"sku":"9786054579167","price":112.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786054579167.jpg?v=1616017409"},{"product_id":"hafif-celik-yapi","title":"Light Steel Structure","description":"\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eThe use of light steel construction systems is increasing in buildings with different functions, especially in the housing sector. This book serves as a general design guide for light steel framed buildings, providing commonly used applications and presenting successful light steel structures for use. The book describes the installation methods for foundation, floor, wall, roof, and other subsystem parameters in light steel buildings in small adjustments. The design data utilized technical specifications from Canada and Germany. Different systems for these regions will require specialized engineering design services.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Arı Sanat","offers":[{"title":"Default Title","offer_id":39408967647427,"sku":"9786055021122","price":750.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/hafif_celik_yapi_kapak.jpg?v=1709892369"},{"product_id":"buyuk-aciklikli-celik-yapilar","title":"Large Span Steel Structures","description":"\u003cp\u003e\u003cbr\u003eFrom the discovery of steel, an alloy of iron, structures have extensively utilized steel as a binding element for structural and decorative purposes. In the second half of the 19th century, cast iron could be refined after being liquefied, leading to significant production of cast steel. With the advent of electric furnaces in the early 20th century, cast steel production increased, resulting in considerable advancements in modern steel construction techniques. The discovery and use of steel in structures spurred the exploration of new construction methods and the development of new structural systems. The use of steel in buildings brought numerous positive outcomes. Heavy walls in structures were replaced by lightweight steel skeletons, making buildings lighter, which in turn allowed for taller structures and larger spans. Steel is a material that offers architects and engineers unique possibilities such as design power, efficiency, and sculptural expression. The purpose of this publication is to introduce large-span steel structure technologies to architects and architecture students and to provide information that we believe can assist them in drawing their projects. (From the Introduction)\u003cbr\u003e\u003c\/p\u003e","brand":"Arı Sanat","offers":[{"title":"Default Title","offer_id":48467803963635,"sku":"9786055021139","price":1000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786055021139.jpg?v=1616017428"},{"product_id":"adliye-binalari-tasarimi","title":"Courthouse Design","description":"\u003cp\u003eThis book was prepared with the aim of philosophically and analytically presenting the design logic of courthouses located at the intersection of law and architecture, supporting their distinctiveness in terms of design typology with examples and analyses, and ultimately determining the general criteria for courthouse design. Although the basic idea originated from my master's thesis, with the invaluable contributions of my master's and doctoral thesis advisor, Prof. Dr. Şengül Öymen Gür, it has evolved into a theoretical study both specifically on courthouse design and architecture in general.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn the second chapter of the text, where the relationship between law and architecture is explained with a brief introductory section, the semantic value of justice buildings is discussed, and Gür advocated for and proven the necessity of considering the concepts of meaning and typology together in courthouse buildings, thus creating the most original part of the book. In this chapter, precursors such as typification paradigms and typologies, and other precursors such as exemplary projects, formats, and tectonic details, rules, and principles are presented in detail. The chronological exemplification of historical typologies in the evolution of justice buildings in this chapter proves the thesis of the chapter and reveals the functional\/symbolic meaning of justice buildings.\u003c\/p\u003e\n\u003cp\u003e\u003ca name=\"\" _goback=\"\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eIn the third chapter, foreground and background typologies based on the positioning of courtrooms are discussed in detail, and the validity of this important typological paradigm is demonstrated by analyzing 44 justice buildings according to these criteria.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn the fourth chapter, the necessary spaces in courthouse buildings specifically for Turkey, the users of the building, and a functional scheme are created through an exemplary program. In light of this information, general design criteria for courthouse buildings are provided.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe fifth chapter, which is the conclusion, brings up an important discussion in the context of function, meaning, and creativity, and evaluates the information presented by this work within the context of current design methods and techniques.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn the appendix, the results of a courthouse design project topic, worked on with 3rd-year students at Beykent University in the 2015-16 Spring semester under the coordination of Prof. Dr. Şengül Öymen Gür, are shared with the reader.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Mimarlık Vakfı Yayınları","offers":[{"title":"Default Title","offer_id":39408977248451,"sku":"9786056582158","price":260.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786056582158.jpg?v=1616017548"},{"product_id":"susleme-ve-curum","title":"Embellishment and Delinquency","description":"Adolf Loos’s writings, collected in Ornament and Crime, are back on the shelves with a new edition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArketon Yayınları has released a new edition of Adolf Loos’s forty-eight essays, translated into Turkish by Erdem Ceylan, with his introduction and editorial notes, under the title Ornament and Crime. Published under the general editorship of Aykut Köksal, Ornament and Crime organizes the essays into eight main categories: Craft, Culture, Art, Fashion, Furniture, Material, Style, and Architecture. The essays compiled in Ornament and Crime were selected from Loos’s collections titled “Spoken into the Void” (1921) and “Despite” (1931).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn his foreword to the book, Erdem Ceylan writes: “As the reader engages with Loos’s texts, they witness the numerous identities of the 'author.' He is an architectural, art, and fashion critic, prophet, teacher, advertiser, essayist, storyteller, orator. Sometimes several of these at once, even within the same text. Loos’s written language is far from the cold objectivity of scientific discourse, the profundity of intellectualism, its detached stance, and its condescending perspective. The reason for this attitude is his opposition to the intellectualization of writing, just as he opposed it in architecture, and thus his desire to return language to culture. He writes, gets angry, complains, claims to be wronged, in a sincere and honest language that the average segment of society can understand, in the living, everyday spoken language of the people; yet, ultimately, he is always the authority on the subject. The 'correct' information, perspective, assessment, interpretation, and judgment reside with him. To legitimize his theses and justify his claims, he gathers evidence from the depths of history — evidence he believes will be familiar to his reader. He wants to be understood and avoids wordplay. Yet, it is also true that he is occasionally allusive and sarcastic. His aim is not to wander into the convoluted paths of literature, but to engage in dialogue with his reader — whoever that may be and at whatever cost — and, just as he did with his sensational projects in Vienna, to provoke his readers to ask questions and think through his writings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA citizen of the Austro-Hungarian Empire, an Austrian national, a Viennese, a visitor to the United States, a sympathizer of English culture, a short-term Secessionist, an enemy of the Secession and Wiener Werkstätte, an anti-ornamentalist, a civil servant, a regular at Viennese cafes, one of the Viennese modernists, an architect, furniture designer, writer, critic, pioneer, intellectual, man, son of a sculptor and stonemason, deaf until the age of twelve, always alone, a husband, a misogynist, a womanizer. Loos is all of these. And much more.”\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Arketon Yayınları","offers":[{"title":"Default Title","offer_id":48343480762611,"sku":"9786057293640","price":344.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Loos-Yenikapak-5.jpg?v=1713270163"},{"product_id":"cam-mimarligi","title":"Glass Architecture","description":"Glass Architecture, dedicated to Bruno Taut,\u003cbr data-mce-fragment=\"1\"\u003eis back on the shelves with a new edition...\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaul Scheerbart's Glass Architecture, dedicated to Bruno Taut and translated into Turkish by Hüseyin Tüzün, is back on the shelves with a new edition. Scheerbart's Glass Architecture, written in 1914, made a significant impact, and Bruno Taut, in the same year, dedicated his famous Glass House to Scheerbart. It is known that Walter Benjamin also frequently mentioned this book in his writings. Benjamin's text titled \"Experience and Poverty,\" also translated by Hüseyin Tüzün, is included as a preface in the book.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eConsisting of one hundred and eleven short texts, with each text identified by a Roman numeral and a title by the author, Glass Architecture—despite Scheerbart not being an architect—carries a visionary perspective. In his comprehensive text titled \"The Broken Glass Between Cult and Culture: Paul Scheerbart\" written for the book, Erdem Ceylan approaches both the author and his work with an original perspective.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWalter Benjamin, in his text about this book, says: \"Scheerbart places the greatest importance on housing people and—by analogy—their citizens in dwellings worthy of them, like the movable glass houses that Loos and Corbusier have meanwhile built. It is not in vain that nothing can cling to glass, that it is such a hard and smooth material. It is also cold and neutral. Glass objects have no 'aura.' Glass is indeed the enemy of mystery. It is also the enemy of property. The great writer André Gide once said: 'Every object I want to possess becomes opaque.' Or do people dream of glass structures like Scheerbart's because they are believers in a new poverty? But perhaps a comparison made here says more than theory. If one were to enter a bourgeois room of the 1880s, perhaps the strongest impression among all the 'comfort' it exudes is 'you don't belong here.' You don't belong here – because there isn't a single spot where the occupant hasn't left their trace, with their trinkets inside the windows, the small covers on the armchairs, the transparent material over the windows, the screen in front of the fireplace. Brecht's beautiful words are helpful here again, very much so: 'Wipe out the traces!' – the recurring line in the first poem of 'Reading Book for City Dwellers.' Here, in this bourgeois room, opposing behaviors have become habitual. On the other hand, the 'interior' compels the occupant to accept habits to their utmost limit; these are habits that suit the interior space they live in rather than the occupant themselves. Everyone who still remembers the absurd situation the residents fell into in their plush rooms when something broke in the house understands this. Even their manner of getting angry – they skillfully revived this sudden and violent enthusiasm that was slowly fading – was particularly the reaction of a person whose 'traces of their days on earth' had been erased. Scheerbart achieved this with his glass, and Bauhaus with its steel: they created spaces where it was difficult to leave traces. 'After what has been said,' Scheerbart explained twenty years ago, 'we can probably speak of a glass culture. The glass environment will completely transform humans.'\"\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Arketon Yayınları","offers":[{"title":"Default Title","offer_id":48343477846259,"sku":"9786259443102","price":256.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Scheerbart-Taut-Kapak-5.jpg?v=1713258724"},{"product_id":"temel-tasarim","title":"Fundamentals of Design","description":"\u003cp\u003eYEM Yayın has published a new book titled \u003cstrong\u003e\u003cem\u003eBasic Design\u003c\/em\u003e\u003c\/strong\u003e, which aims to serve as a fundamental and preparatory resource in the academic programs of higher education institutions offering fine arts, architecture, and design education.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe book \u003cstrong\u003e\u003cem\u003eBasic Design\u003c\/em\u003e\u003c\/strong\u003e evaluates the purpose, function, and current understanding of “Basic Design” education through a historical projection, from the Bauhaus, where it first appeared in the curriculum, to the present day.\u003cbr\u003eThe fundamental dynamic of science and art is formed by the interaction of human beings, the subject of these fields of activity, with objects. In this context, the book addresses the human potentials that are decisive in comprehending objects and in all existential endeavors, as well as the perception mechanisms and their functioning that form the basis of creative actions. Among all perceptual inputs, visual perception, which has the highest proportion, is examined in detail for its foundational role in the visual arts. \u003cbr\u003eThe book aims to present “Basic Design” education as an essential discipline that, by its very nature, opposes rules, prejudices, traditional and conventional educational approaches, and instead prepares for the future and requires continuous renewal. Basic concepts are discussed in a way that avoids rigid definitions or prescriptive guidelines, and examples are chosen solely for their explanatory value in illustrating the subject.\u003cbr\u003eProf. Dr. Ali Seylan, the author of the book, which aims to assist young people beginning their art and design education at the very start of the process, states the following in summary:\u003cbr\u003e“Art education is seen as a complex process determined by the unique aspects of art, and the subjective dimensions of art educators and students. This multifaceted environment in which it must develop turns art education into a problematic area. The 'Basic Design' course, which serves as an introduction\/starting point for art education, has the identity of a discipline that aims to provide students with theoretical and practical foundational gains for the future. An educational activity, regardless of the characteristics of the individual, group, or mass it targets, and their levels of readiness, is expected to fulfill the functions of progressively ensuring knowledge acquisition, skill acquisition and development, and the acquisition of attitudes, behaviors, and dispositions where the gains from previous stages form a special value and direction. Therefore, the aim is for students who undergo this process to be able to develop a systematic approach to art and artistic problems with these fundamental gains, and to see their connections with the gains of other courses.”\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eCONTENTS\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePART I\u003c\/strong\u003e - \u003cstrong\u003eBASIC DESIGN EDUCATION\u003c\/strong\u003e 16\u003cbr\u003eDefinition of Basic Design Course 22\u003cbr\u003eRationale and Aims of the Basic Design Course within the Framework of General Objectives of Art Education 24\u003cbr\u003eBASIC DESIGN EDUCATION PRACTICES DURING THE BAUHAUS PERIOD 32\u003cbr\u003eItten’s Basic Design Education Practices 32\u003cbr\u003eAlbers-Nagy and Basic Design Education Practices 36\u003cbr\u003eKlee-Kandinsky and Basic Design Education Practices 40\u003cbr\u003eRussian Industrial Art Schools: VKHUTEMAS, a Parallel Development and Interaction with Bauhaus 44\u003cbr\u003ePOST-BAUHAUS DEVELOPMENTS 46\u003cbr\u003eBlack Mountain College 46\u003cbr\u003eChicago (New Bauhaus) School 47\u003cbr\u003eGestalt School\/Ulm School of Design 48\u003cbr\u003eReflections of Bauhaus and the Art Education Movement on Our Education System 49\u003cbr\u003e\u003cstrong\u003ePART II - HUMAN'S INTERNAL DYNAMICS \/ NATURAL ENDOWMENTS AS THE SUBJECT OF DESIGN EFFORT\u003c\/strong\u003e 57\u003cbr\u003eDevelopment of Analytical Thinking Ability and Creativity 65\u003cbr\u003ePhenomenon of Consciousness: Impression-Sensation-Perception-Consciousness 67\u003cbr\u003eMental Processes and Cognition 74\u003cbr\u003eCognition-Affection and Thinking 78\u003cbr\u003eConvergent and Divergent Processes in Cognitive Skills 79\u003cbr\u003eConvergent and Divergent Thinking Abilities 79\u003cbr\u003eCreation in the Context of Perception-Imagination and Thinking 80\u003cbr\u003eLearning-Teaching Equation in the Development of Analytical Thinking Ability and Creativity 81\u003cbr\u003eEducator Profile for Creative Problem Solving 84\u003cbr\u003e\u003cstrong\u003ePART III\u003c\/strong\u003e - \u003cstrong\u003ePHYSIOLOGICAL AND PSYCHOLOGICAL FOUNDATIONS OF VISUAL PERCEPTION\u003c\/strong\u003e 92\u003cbr\u003ePHYSIOLOGY OF VISUAL PERCEPTION 92\u003cbr\u003eBINOCULAR SYSTEM AND DEPTH PERCEPTION 94\u003cbr\u003ePERCEPTUAL ORGANIZATION 100\u003cbr\u003eLIGHT-SHADOW RELATIONSHIP IN THE COMPREHENSION OF SPACE 111\u003cbr\u003eCOLOR SENSATION 112\u003cbr\u003eColor Theories 113\u003cbr\u003eColor Mixing Methods 117\u003cbr\u003eContrast Theory and Relativity in Color 121\u003cbr\u003eColor Perception as a Process of Meaning-Making 124\u003cbr\u003e\u003cstrong\u003ePART IV\u003c\/strong\u003e - \u003cstrong\u003eMETHODOLOGICAL AND THEORETICAL PROPOSALS FOR THE IMPLEMENTATION OF THE BASIC DESIGN COURSE\u003c\/strong\u003e 127\u003cbr\u003ePoint 127\u003cbr\u003eLine 137\u003cbr\u003eSurface 143\u003cbr\u003eForm 146\u003cbr\u003eColor 162\u003cbr\u003eCATEGORIES OF VISUAL EFFECT IN THE PERCEPTION PROCESS 176\u003cbr\u003eMovement\/Motion 176\u003cbr\u003eRhythm 179\u003cbr\u003eBalance 180\u003cbr\u003eHarmony\/Cohesion\/Accord 183\u003cbr\u003eBIBLIOGRAPHY 193\u003cbr\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370210504947,"sku":"9786058043442","price":490.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058043442.jpg?v=1616017675"},{"product_id":"projeler-yapilar-4-kultur-yapilari","title":"Projects Structures 4: Cultural Buildings","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12.0pt;\" letter-spacing:-=\"\" roman=\"\" new=\"\" times=\"\"\u003eThe fourth book in the \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt;\" color:windowtext=\"\" roman=\"\" new=\"\" times=\"\"\u003eProjects\/Structures\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt;\" letter-spacing:-=\"\" roman=\"\" new=\"\" times=\"\"\u003e series, Cultural Structures, consists of cultural, artistic, event space, and convention center structures and projects by important architects from Turkey and around the world. The book introduces 29 cultural structures realized in 17 different locations around the world, including Turkey, by 27 architects\/architectural groups in the last few years.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe projects published in the book undoubtedly do not claim to be the best works of their authors. Cultural Structures brings together cultural structures such as convention, performance, research, and youth centers; art galleries, concert, opera, theatre, and performance halls, all of which play a major role in the social, artistic, and cultural development of societies.\u003cbr\u003e\u003c\/p\u003e\n\u003cp align=\"left\" class=\"metinbeyaz\"\u003e \u003c\/p\u003e\n\u003cp\u003eThe projects, which consist of successful examples in terms of building typology, use of modern and traditional building materials, modern construction techniques, adaptation to topography, architectural and urban fabric, repurposing, etc., are presented with specially taken color photographs, site and floor plans, sections, elevations, and axonometric drawings, as well as descriptive texts explaining the projects.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12.0pt;\" letter-spacing:-=\"\" roman=\"\" new=\"\" times=\"\"\u003eThe book Cultural Structures\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt;\" color:windowtext=\"\" roman=\"\" new=\"\" times=\"\"\u003e is not only a reference book for architects, interior designers, urban planners, urban designers, landscape architects, and civil engineers, but also a valuable resource for all architecture, interior design, and design students to examine these special projects selected from Turkey and around the world and utilize them in their own design work.\u003c\/span\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209685747,"sku":"9786058081116","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058081116.jpg?v=1616017688"},{"product_id":"projeler-yapilar-3-egitim-yapilari","title":"Projects Structures 3: Educational Buildings","description":"\u003cp\u003eThe third book in the Projects\/Buildings series, Educational Buildings, features school (kindergarten, primary, secondary, university), library, special education, and research center projects by important architects from Turkey and around the world. The book showcases 30 culturally-oriented building projects carried out in the last few years by 28 architects\/architectural groups in 22 different locations worldwide, including Turkey.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe projects published in the book do not, of course, claim to be the best works of their authors. Educational Buildings brings together educational building designs where children and young people can feel free, live with joy, and benefit from the latest technology and educational opportunities.\u003c\/p\u003e\n\u003cp\u003eThe projects, which are successful examples in terms of building typology, use of modern and traditional building materials, modern construction techniques, adaptation to topography, architectural and urban fabric, repurposing, etc., are presented with specially taken color photographs, site and floor plans, sections, elevations, and axonometric drawings, as well as descriptive texts explaining the projects.\u003c\/p\u003e\n\u003cp\u003eThe Educational Buildings book is a reference book for architects, interior designers, urban planners, urban designers, landscape architects, and civil engineers, as well as a valuable resource for all architecture, interior architecture, and design students to examine these special projects selected from Turkey and around the world and utilize them in their own design work.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209652979,"sku":"9786058081147","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058081147.jpg?v=1616017693"},{"product_id":"projeler-yapilar-5-muzeler","title":"Projects Structures 5: Museums","description":"YEM Publishing, which publishes books on architecture, engineering, design, culture, art, etc., has released its book \u003cstrong\u003e\u003cem\u003eProjects\/Buildings 5: Museums\u003c\/em\u003e\u003c\/strong\u003e.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMuseums\u003c\/em\u003e\u003c\/strong\u003e, the fifth book in YEM Publishing’s “Projects\/Buildings” series, is a compilation of museum buildings by important architects from Turkey and around the world. The book presents the designs of 28 museums realized in 22 different locations in Turkey and around the world by 25 architects\/architectural groups in the last few years.\u003cbr\u003e \u003cbr\u003eThe projects published in this book are certainly not claimed to be the best works of their authors. However, this selection that makes up the book \u003cstrong\u003e\u003cem\u003eMuseums\u003c\/em\u003e\u003c\/strong\u003e presents distinguished examples of these institutions, which aim to illuminate both the present and the future by exhibiting scientific, cultural, and artistic productions created in ancient times and today, as well as underground and above-ground riches, in a broad perspective ranging from archaeology to classical and contemporary art, from beekeeping to oceanography, from automotive to aviation, from maritime to energy.\u003cbr\u003e \u003cbr\u003eThe buildings, which are successful examples in terms of building typology, use of modern and traditional building materials, modern construction techniques, adaptation to topography, etc., are presented with interior designs, specially taken color photographs, site and floor plans, sections, elevations, and axonometric drawings, as well as explanatory texts describing the project.\u003cbr\u003e \u003cbr\u003eThe book \u003cstrong\u003e\u003cem\u003eMuseums\u003c\/em\u003e\u003c\/strong\u003e is a reference book for architects, engineers, urban planners, urban designers, interior designers, and landscape designers, and also provides a valuable resource for architecture and design students to benefit from in their own design studies by examining selected projects from Turkey and around the world.\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.yemkitabevi.com\/projeler-yapilar-dizisi\"\u003e\u003cspan style=\"color:#FF8C00;\"\u003e\u003cstrong\u003eYou can access all the books in the Projects Buildings Series by clicking here.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209718515,"sku":"9786058081154","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058081154.jpg?v=1616017695"},{"product_id":"projeler-yapilar-2-ofisler","title":"Projects Structures 2: Offices","description":"\u003cp\u003eYEM Yayın's highly popular book series, \"Projects Buildings,\" has re-released its out-of-print books in a portable size and at more affordable prices, with no compromise on content.\u003c\/p\u003e\n\u003cp\u003eNew books to be added to the series will also be published in the same format, aiming to make quality books accessible to readers at a more reasonable price.\u003c\/p\u003e\n\u003cp\u003eThe second book in the \"Projects Buildings\" series, \"Offices,\" is a compilation of selected office and administrative building projects by prominent architects from Turkey and around the world. The book presents designs for 32 administrative buildings and offices, completed over the past 4 years by 26 architects\/architectural groups in 11 cities across Turkey and the world.\u003c\/p\u003e\n\u003cp\u003eUndoubtedly, the projects published here with the permission of their creators do not claim to be their best works. However, this selection brings together successful examples in terms of building typology, the use of modern and traditional building materials, modern construction techniques, adaptation to topography, and so on. The office buildings and interior designs in the book are presented with specially taken color photographs, site and floor plans, sections, elevations, and axonometric drawings, as well as descriptive texts explaining the project.\u003c\/p\u003e\n\u003cp\u003e\"Offices\" serves as a reference book for architects, engineers, urban planners, interior designers, and landscape architects, while also providing a valuable resource for architecture and design students to examine selected projects from Turkey and around the world and utilize them in their own design work.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209620211,"sku":"9786058081178","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058081178.jpg?v=1616017698"},{"product_id":"projeler-yapilar-8-oteller","title":"Projects Structures 8: Hotels","description":"\u003cp\u003e\u003cspan style=\"color:#000000;\"\u003eYEM Yayın's highly popular \"Projects Buildings\" book series, whose editions were sold out, has been re-published with no compromise on content, in easily portable sizes, and at more economical prices.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:#000000;\"\u003eNew books to be added to the series will also be published in the same format, aiming to provide readers with access to quality books at a more affordable price.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:#000000;\"\u003eThe eighth book in the “Projects\/Buildings” series, \"Hotels,\" features selected hotel and accommodation projects by prominent architects from Turkey and around the world. The book introduces projects for 26 tourism structures realized in 16 different locations worldwide, including Turkey, by 26 architects\/architectural groups in the last few years.\u003c\/span\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:#000000;\"\u003eA hotel, initially born out of the necessity for temporary accommodation and fulfilling only basic needs, is a type of building that today requires different design and construction solutions due to changing business and lifestyle patterns and varying accommodation purposes. Naturally, the approach regarding purpose, function, design, etc., cannot be the same between a hotel to be built in a ski resort and a hotel to be added to an international airport structure. The book \"Hotels\" brings together distinguished examples that offer solutions to the diverse accommodation needs of contemporary people who travel much more for business, holidays, culture, recreation, etc., compared to previous periods. The book covers projects from boutique hotels to holiday villages, from apart-hotels to convention and business hotels, offering a broad perspective on building typology, the use of modern and traditional building materials, modern construction techniques, adaptation to topography, and architectural and urban fabric, among other topics.\u003c\/span\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:#000000;\"\u003eThe book brings together examples from important architects and architectural firms from Turkey and around the world, such as Zaha Hadid, Norman Foster, Frank Gehry, Arata Isozaki, Has Mimarlık, Erdoğan Elmas, Tuncay Çavdar, Emre Arolat, and Gökhan Avcıoğlu: from a boutique \"wine hotel\" located among vineyards in Elciego to a \"cave hotel\" carved into the fairy chimneys in Göreme and adapted to the topography; from a \"hospital hotel\" in Gebze for the accommodation of patients' relatives to a \"luxury resort\" in Belek where every luxury is considered for guests; from a \"boutique hotel\" created by converting a tiny apartment in Beyoğlu to a \"multi-purpose hotel\" in Abu Dhabi, realized with the aim of \"displaying technological and cultural power,\" featuring both a Formula 1 track and a marina.\u003c\/span\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\u003ca href=\"https:\/\/www.yemkitabevi.com\/projeler-yapilar-dizisi\"\u003e\u003cspan style=\"color:#000000;\"\u003eThe book, which presents projects with specially taken color photographs, plans, sections, elevations, and axonometric drawings, as well as explanatory texts describing the project, serves as a reference book for architects, engineers, urban planners, urban designers, and interior designers, while also providing a valuable resource for architecture and design students who can examine the projects and benefit from them in their own design work.\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209784051,"sku":"9786058081192","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058081192.jpg?v=1616017701"},{"product_id":"yemeksepeti-ofis-kitabi","title":"Yemeksepeti.Office","description":"\u003cp\u003eIn 2017, Yemeksepeti, in collaboration with Erginoğlu \u0026amp; Çalışlar Architecture, brought its new office, Yemeksepeti Park, to life. This inspiring office, a result of the collaboration between the two companies, has been published by \u003cstrong\u003eYEM Yayın\u003c\/strong\u003e as a book titled \u003cstrong\u003e\u003cem\u003eYemeksepeti.Office: The Architectural Anatomy of a Vision\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003eYemeksepeti.Office: The Architectural Anatomy of a Vision\u003c\/em\u003e\u003c\/strong\u003e stands out as a book that, in terms of content, not only showcases the results of a successful collaboration but also visualizes the impact of workplace efficiency on success as a case study. The book, designed to inspire individuals from all fields—from employers to entrepreneurs, designers to architects, managers to students—is on shelves as an adventure in design and construction, presenting the interwoven successes of two companies that have achieved success in different fields but met at the same point, and narrating the story of transformation created through collaboration.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThis book, which presents Yemeksepeti's transformation story over the years leading up to its latest office, \u003cstrong\u003eYemeksepeti Park\u003c\/strong\u003e, aims to offer readers an illuminating and completely transparent design process while also serving as an example for other companies. The most appealing feature of the design-focused collaboration book, enriched with visual materials from Yemeksepeti's last two offices, is that employees who directly contributed to the projects from both institutions have shared their observations and experiences regarding the process.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eFor Yemeksepeti, one of Turkey's representatives of new-generation employee-centric offices, this book proves the value it places on its employees. The institution's success stems from increasing employee productivity with an innovative office that allows employees to escape the stress of their daily work environment. \u003cstrong\u003eYemeksepeti CEO Nevzat Aydın\u003c\/strong\u003e, stating that in modern societies, employees spend a significant part of their day, even more time than they spend at home, in the office: \"\u003cem\u003eTo have a happy work life, it is not enough to love your job and profession; the environment you work in also matters. It is a fact today that the work environment is among the most influential factors affecting employee productivity. Our book, \u003cstrong\u003eYemeksepeti.Office: The Architectural Anatomy of a Vision\u003c\/strong\u003e, which tells the transformation story of our innovative workspace Yemeksepeti Park, differentiates itself from other architectural books with its entertaining and sincere language. Our book, which is an inspiration for individuals from all fields, shows how productive results can emerge by combining the experiences of two companies.\u003c\/em\u003e\"\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKerem Erginoğlu\u003c\/strong\u003e, the architect of Yemeksepeti Park, stating that every institution has a character like a human being: \"\u003cem\u003eFor Yemeksepeti Park, we started with a schematic design, in line with our general working principle. Then we structured the building management, and after that, we worked on functionality and aesthetics. The aim was to capture the spirit of Yemeksepeti. The more intense our contact with the client, the more possible this becomes. Working together and evaluating the budget together, being transparent at every stage, and being friends with the client spontaneously brings more creativity.\u003c\/em\u003e\"\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370210898163,"sku":"9786058119178","price":665.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058119178.jpg?v=1616017712"},{"product_id":"az-yeterlidir-mimarlik-ve-asketizm-uzerine","title":"Less Is Enough: On Architecture and Asceticism","description":"\u003cp\u003eAccording to Aureli, asceticism is not merely a state of contemplation or renunciation of the world, as commonly understood; it is, first and foremost, a method of radically questioning social and political conditions in pursuit of an alternative way of life. 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Can the practice of asceticism be a form of resisting the subjective power of capitalism, rather than an instrument of oppression?\u003cbr\u003e\u003cbr\u003ePier Vittorio Aureli: Aureli, who has various publications including the books \"Project of Autonomy: Politics and Architecture Within and Against Capitalism\" (2000) and \"Possibility of an Absolute Architecture\" (2011), is a faculty member at the Architectural Association (AA) and a visiting faculty member at Yale University. He is one of the two founders of DOGMA, an office that explores the relationship between architecture and the city.\u003cbr\u003e\u003cbr\u003e\"Today, many artists, architects, and designers feel an urge to initiate social change through their proposals; however, they rarely review their own existence, which forms the main source of their production. Many working in the fields of architecture, art, and design live in precarious conditions, work for free, and lack social security. Their lives are increasingly marked by anxiety, suffering, frustration, and at times, depression. Despite the socially concerned agenda that curators, architects, and artists enthusiastically champion in their initiatives, we know that the creative industry is highly competitive and shows no mercy to those who refuse to adapt. [...] Ironically, many of these people already lead an ascetic life; but unwillingly, they live this life [...] lacking the ability to give it an autonomous structure. In this case, the slogan \"less is more\" would at best resonate as a sarcastic commentary on our increasingly precarious situation; because we know that less is merely less, and there is nothing romantic about it.\"\u003cbr\u003e\u003cbr\u003e\"Today, many artists, architects, and designers feel an urge to initiate social change through their proposals; however, they rarely review their own existence, which forms the main source of their production. Many working in the fields of architecture, art, and design live in precarious conditions, work for free, and lack social security. Their lives are increasingly marked by anxiety, suffering, frustration, and at times, depression. Despite the socially concerned agenda that curators, architects, and artists enthusiastically champion in their initiatives, we know that the creative industry is highly competitive and shows no mercy to those who refuse to adapt. [...] Ironically, many of these people already lead an ascetic life; but unwillingly, they live this life [...] lacking the ability to give it an autonomous structure. In this case, the slogan \"less is more\" would at best resonate as a sarcastic commentary on our increasingly precarious situation; because we know that less is merely less, and there is nothing romantic about it.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Lemis Yayın","offers":[{"title":"Default Title","offer_id":39408997105859,"sku":"9786058672949","price":144.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/AzYeterlidir_onkapak.jpg?v=1744489183"},{"product_id":"projeler-yapilar-1-konutlar","title":"Projects Structures 1: Residences","description":"\u003cp class=\"MsoNormal\"\u003eYEM Publications' highly popular book series \"Projects Structures\" has re-released its out-of-print books in a more portable size and at more affordable prices, without compromising their content. New books to be added to the series will also be published in the same format, aiming to make quality books accessible to readers at a more reasonable price.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe first book in the Projects\/Structures series, \"Residences,\" is a compilation of distinguished residential projects by important architects from Turkey and around the world.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe book presents a total of 34 structures, from mass housing to single-family homes, apartment flats to holiday homes, realized by 30 architects\/architecture groups in 20 cities in Turkey and around the world in the last few years. These are presented under the sections \"Sites Comprised of Houses,\" \"Single-Family Homes,\" and \"Mass Housing and Apartments.\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSome of the projects and their designers featured in the book are:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBakraz Houses, Faruk Malhan; ExplodedHouse, Gökhan Avcıoğlu; Gülsema-Lutz House, Cengiz Bektaş; Villa Guna, Meinhard von Gerkan; Villa S; Coop Himmelb(l)au; Mountain Houses, BIG Aps; Tekfen Yalıkavak Houses, TRafo Architecture; Pool House, Ushida Findlay Architects; Mutlu House, EPA Architecture; SM House, Mimarlar Tasarım; Yalın Kaya House, Coşkun Karadeniz; Antrium Residences, Mutlu Çilingiroğlu; Carabanchel Residences, Foreign Office Architects.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe projects published here certainly do not claim to be their best works. However, \"Residences\" brings together successful examples in terms of building typology, the use of modern and traditional building materials, modern construction techniques, adaptation to topography, and so on.\u003c\/p\u003e\n\u003cp\u003eThe residential projects in the book are presented with interior designs, specially taken color photographs, site plans, floor plans, sections, elevations, and axonometric drawings, as well as descriptive texts explaining the projects.\u003c\/p\u003e\n\u003cp\u003eResidences serves as a reference book for architects, interior designers, engineers, urban planners, urban designers, and landscape architects, while also providing a valuable resource for architecture, interior architecture, and design students to study selected projects from Turkey and around the world and utilize them in their own design work.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209587443,"sku":"9786257008006","price":630.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/PROJELER_YAPILAR_KONUTLAR_ONKAPAK.jpg?v=1731545145"},{"product_id":"projeler-yapilar-9-restoran-ve-kafeler","title":"Projects and Buildings 9: Restaurants and Cafes","description":"\u003cp\u003e\u003cspan style=\"letter-spacing: -0.05pt;\"\u003eThe ninth book in the Projects\/Buildings series, Restaurants and Cafes, consists of selected restaurant, cafe, and bar projects by leading architects and interior designers from Turkey and around the world. The book introduces 30 restaurant, cafe, bar, nightclub, etc. projects realized in the last few years by 23 architects, interior designers (architectural groups) in 15 different locations around the world, including Turkey.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"letter-spacing: -0.05pt;\"\u003eToday, eating and drinking establishments, which are among the most intensely social interaction spaces based on social use, are among the most important structures that complement urban life. When designing these spaces, which are used more and more frequently in contemporary urban life, it is necessary to consider the cultural and psycho-social demands of users beyond their physical needs. Naturally, one cannot expect the same design, purpose, and method for a cafe offering quick snacks at certain times of the day, a restaurant where world-famous chefs prepare special menus, or a nightclub hosting late-night stage performances. The projects published in the book do not, of course, claim to be the best works of their authors. Restaurants and Cafes presents a collection of unique eating and drinking establishments, each offering solutions to the diverse demands of today's urban dwellers, who spend more time \"out\" than in previous periods.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"letter-spacing: -0.05pt;\"\u003eThese projects, consisting of successful examples in terms of building typology, use of modern and traditional building materials, modern construction techniques, adaptation to topography, architectural and urban fabric, repurposing, etc., and especially their interior designs, are presented with specially taken color photographs, site and floor plans, sections, elevations, and axonometric drawings, as well as explanatory texts describing the projects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"letter-spacing: -0.05pt;\"\u003eThe book \"Restaurants and Cafes\" is a reference book for architects, interior designers, urban planners, urban designers, and civil engineers, as well as a valuable resource for architecture, interior architecture, and design students to examine these special projects selected from Turkey and around the world and utilize them in their own design work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209816819,"sku":"9786257008013","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786257008013.jpg?v=1616018031"},{"product_id":"ideal-kent-arayisinda-mimari-utopyalar","title":"Architectural Utopias in Search of the Ideal City","description":"\u003cp data-mce-fragment=\"1\"\u003eYEM Yayın has published the 2nd edition of Prof. Dr. Ece Ceylan Baba's book, Architectural Utopias in Search of the Ideal City, which reveals humanity's endeavor to create an ideal living space from antiquity to the present day.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEverything begins with a strong desire to establish an ideal structure in place of the existing order... Initially a fictional construct, utopia is the expression of this desire. Since an abstract design can only come to life in a concrete space, it is invariably dependent on a place\/space. For this reason, the utopian designs a space vastly different from the one they currently inhabit. The resulting utopian space often corresponds to a city. It is within the framework of planning this city that utopia, a form of life and social engineering, is designed; it is progressive, egalitarian, promises hope, claims to be a perfect design, and proposes a rational order, yet it also possesses an authoritarian and totalitarian demeanor, an absolutist understanding.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUtopias aim to construct an ideal universe where all conflicts in society are ended with the help of modern technology; to create an environment where peace, prosperity, and virtue will be eternal and universal. But do all these \"well-intentioned and sublime\" designs truly lead to absolutely ideal living spaces?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn seeking the answer to this question, Ece Ceylan Baba shares striking examples of the idea of designing an ideal city, spanning from antiquity to the Renaissance, from the Enlightenment to Modernism, and from Postmodernism to the present day. Starting with Atlantis, the world's oldest and most famous known utopian city\/country; she examines numerous extraordinary proposals such as Moore's Utopia, the creative destruction realized in Paris by Haussmann, Howard's garden cities, Corbusier's Contemporary and Radiant City projects, and Archigram's plug-and-play city designs. In Utopias in Search of the Ideal City, she presents data and approaches regarding this ongoing search for the ideal city for the reader's consideration.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEce Ceylan Baba, in her book which begins by pointing out that \"utopia evades a clear definition,\" takes the reader on an architectural journey through imagined utopian living spaces, delving into the depths of history. Baba reveals that attempts to create the ideal city, which began with utopia, have continued over time with quests such as ecotopia, heterotopia, and hyper-buildings, and she expresses how these ongoing efforts tend to turn into dystopias in the end:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“… Today, cities are excessively cosmopolitan and heterogeneous, composed of different classes, social strata, beliefs, and ethnic origins, unlike any other time in history. Especially in the postmodern era, where identity politics have risen more than ever, designing a city with a purely modernist attitude, with the functionally apparent design of a single abstract mind on paper, now appears to produce nothing more than a dystopia that alienates all city dwellers. Cities are now like the 'invisible hand' in economics, entirely a fluid organism that evolves and is in constant formation with the contributions of the municipality and central government, within the framework of the common habits, economic capabilities, expectations from life and the city, and political views of all actors living in the city. The cities of Modernism, designed in a single stroke and intended to resist time eternally, as complete, finished, and moreover, bossy towards their inhabitants, have transformed into fluid cities with an expanding, evolving, transforming structure in constant formation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe needs of contemporary cities have surpassed an abstract universal mind, and as they are influenced by many micro-identities, ideologies, changing forms of goods and service production, and differentiating communication and transportation methods, they have evolved into a structure that both transforms and re-influences society. There has been a retreat from a single mind designing a city from scratch to designing micro-areas, buildings, and formations that are micro-parts of the city. The indexing of cities to the common sense and changing common needs of urban dwellers is now replacing utopias that seek absolute order with floating existences that can manage chaos. In persistent utopias, history shows us that the outcome is always the same: Dystopia!”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWHO IS PROF. DR. ECE CEYLAN BABA?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShe completed her undergraduate education at Mimar Sinan Fine Arts University, Department of Architecture, her master's degree at Yeditepe University, Department of Architecture, and her doctoral program at Mimar Sinan Fine Arts University, Department of Architectural Design Problems, earning her doctorate degree. Ece Ceylan Baba became an associate professor in 2016 and a professor in 2021, and she is a faculty member at Yeditepe University, Faculty of Architecture, Department of Architecture. She has served as the Head of the Department of Architecture at the same university since May 2017 and as the Dean of the Faculty of Architecture since July 2021.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAcademically, she works on architectural utopias and dystopias, high-rise development, globalization, user participation, environmental and urban psychology, housing typologies, and the concept of loft; she continues her studies, research, and publications in these areas.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe author has three books: \u003cem data-mce-fragment=\"1\"\u003eArchitectural Utopias in Search of the Ideal City\u003c\/em\u003e, \u003cem data-mce-fragment=\"1\"\u003eDesign Democracy and Istanbul\u003c\/em\u003e, and \u003cem data-mce-fragment=\"1\"\u003eLoft: Loft Architecture in the Transition from Modernism to Postmodernism and its Reflections in Istanbul\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn addition to her academic work, Ece Ceylan Baba continues her professional career as a founding partner of Baba Mimarlık and is a Board Member of the NGOs İMSAD and TUCSA. \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207391987,"sku":"9786257008020","price":315.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/Ideal_Kent_Arayisi_Mimari_Utopya_2BASKI_KAPAK.jpg?v=1668013365"},{"product_id":"ic-mimarlikta-malzeme-ve-detay","title":"Materials and Detail in Interior Design - 13th Edition","description":"\u003cp\u003eIn \u003cem data-mce-fragment=\"1\"\u003eMaterial and Detail in Interior Architecture\u003c\/em\u003e, prepared by Genco Berkin primarily for interior architecture and architecture students, as well as designers and practitioners new to the profession, 40 different design elements for interior space design, the processing of raw materials, issues designers should consider in material selection, and the most suitable detail analysis applicable on-site are brought together and presented with original drawings.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eThe book, together with \u003cem data-mce-fragment=\"1\"\u003eMaterial and Detail in Architecture\u003c\/em\u003e, also written by Genco Berkin, forms the \"Material and Detail Series.\"\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn \u003cem data-mce-fragment=\"1\"\u003eMaterial and Detail in Interior Architecture\u003c\/em\u003e, all data (for example, the necessary knowledge for designing furniture: ergonomics, materials, construction, textiles, surface treatments, color information) is presented in a plain and easily understandable manner through carefully prepared drawings, with the aim of providing young designers, in particular, with a complete set of skills to support the design process, focusing on details and materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eDetail is the reconciliation between spirit and mind. Detail evokes a sense of order in people. This feeling arises from the hierarchy and communication between materials. Detail, to take shape, sometimes draws inspiration from construction requirements and sometimes from material properties. Above all, detail enhances the performance of the element used; it extends its durability. For designers, detail is the blending of aesthetic concerns with function. For example, a table detail in a dining room cannot be considered separately from the sideboard that appears as an extension of the fireplace and wall. Every piece of furniture and interior architectural element must speak the same language, supporting each other's roles to convey a message.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn addition to detail, the designer must also design the spatial organization. Because detail and space are design processes that reveal the purpose of use and proceed in coordination. Every space needs an ancillary space. This is a pantry and a terraced barbecue for the kitchen, and a dressing room and en-suite bathroom for the bedroom. Louis I. Kahn, one of the last representatives of modern architecture, described this idea as \"servant space\" and \"served space.\"\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn the service it provides, the designer presents spatial and furniture products for use under comfort criteria to the client. The main interior architectural comfort criteria are air quality, natural light adequacy, thermal balance, and ergonomics. To meet all these criteria, the designer must choose the longest-lasting and least harmful material. Many chemicals are used to protect materials. However, there are also products that make materials long-lasting through natural methods. But natural products are not as effective as chemicals. The interior architect's task will be to establish this balance correctly.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn this book, many points are specified regarding what elements the designer should pay attention to during the material selection process. For example, the decisions made about the material to be used when designing a door and the detail requirements are explained carefully. Furthermore, the necessity of designing the elements used in interior architecture in harmony with each other is also stated. The junctions of baseboards and door frames are among the most important detail solutions in space designs.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eThe book covers all the design parameters necessary for designers. For example, the necessary equipment for designing furniture includes knowledge of ergonomics, materials, construction, textiles, surface treatments, and color. In addition to all these, the history of furniture has also been incorporated into the topics. The content of the book has been prepared to provide those involved in interior design with a complete set of skills to support the design process, focusing on details and materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eDesigners such as Charles Rennie Mackintosh, Frank Lloyd Wright, Le Corbusier, Vedat Tek, and Carlo Scarpa, who elevated their designs not only in the art of architecture but also in interior architecture, crowned material with detail; thus integrating furniture and architectural elements with space. Detail shows the importance we give to the norms of life. The names listed above succeeded because they transformed detail into a motif. In doing so, they also avoided unnecessary ornamentation. Thanks to this book, designers will be able to consider material production methods and detail application together; they will be able to treat every element that constitutes the space as if it were a part of the space itself...”\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48461991051507,"sku":"9786257008068","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ICMIMARLIKTA_MALZEME_DETAY_ONKAPAK.jpg?v=1697545329"},{"product_id":"projeler-yapilar-7-ulasim-yapilari","title":"Projects Structures 7: Transportation Structures","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12pt;\"\u003eTransportation Structures\u003c\/span\u003e\u003cspan style=\"font-size: 12pt;\"\u003e, the seventh book in the Projects\/Structures series, features structures and projects designed for air, road, and sea transportation by prominent architects from Turkey and around the world.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp align=\"left\" class=\"metinbeyaz\"\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003eThe book introduces 26 transportation structure designs carried out by 17 architects\/architectural groups in 24 different locations worldwide, including Turkey, over the past few years, presented under three chapters: Airports, Bus Terminals, and Train, Metro, and Cable Car Stations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e The projects published in the book undoubtedly do not claim to be the best works of their authors. Transportation Structures offers selected examples of transportation structures that incorporate features such as speed, multi-purpose use, and comfort, which are required by today's people who travel much more than in previous periods due to the economic, political, and economic opportunities that emerged after globalization.\u003c\/p\u003e\n\u003cp align=\"left\" class=\"metinbeyaz\"\u003e \u003c\/p\u003e\n\u003cp\u003e Projects consisting of successful examples in terms of building typology, the use of modern and traditional building materials, modern construction techniques, adaptation to topography, architectural and urban fabric, repurposing, etc., are presented with specially taken color photographs, site and floor plans, sections, elevations, and axonometric drawings, as well as descriptive texts explaining the projects.\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"font-size: 12.0pt;\"\u003eThe book \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003eTransportation Structures\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003e is not only a reference book for architects, interior designers, urban planners, urban designers, landscape architects, and civil engineers, but also a valuable resource for all architecture, interior architecture, and design students to examine these special projects selected from Turkey and around the world and utilize them in their own design work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"left\" class=\"metinbeyaz\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48191270486259,"sku":"9786257008228","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786257008228.jpg?v=1616018059"},{"product_id":"mimari-tasarim","title":"Fundamentals of Architecture - Architectural Design","description":"\u003cp\u003eThe architectural design process is unique to each architect. Thanks to the variety and richness of approaches to the subject, different architects produce different designs. None of the projects participating in architectural competitions are identical. So what is the source of inspiration for architects? Why isn't there a single \"correct\" solution to an architectural design problem? If you meet an architect or examine their designs, you will notice that they have a unique method and approach. In this book, the design process is explained by bringing together the experiences of practicing and educating architects.\u003c\/p\u003e\n\u003cp\u003eTable of Contents;\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003eDesign Studio\u003c\/li\u003e\n\n\u003cli\u003eThe Birth of the Design Studio\u003c\/li\u003e\n\n\u003cli\u003eBauhaus: Basic Design Education\u003c\/li\u003e\n\n\u003cli\u003eArchitectural Education\u003c\/li\u003e\n\n\u003cli\u003eArchitectural Association: Student Pavilions\u003c\/li\u003e\n\n\u003cli\u003eStudio Projects\u003c\/li\u003e\n\n\u003cli\u003eZaha Hadid: MAXXI Museum of XXI Century Arts\u003c\/li\u003e\n\n\u003cli\u003eDesign Process\u003c\/li\u003e\n\n\u003cli\u003eProblem Solving\u003c\/li\u003e\n\n\u003cli\u003eNL Architects: Prisma Houses\u003c\/li\u003e\n\n\u003cli\u003eConcept Development\u003c\/li\u003e\n\n\u003cli\u003eKlein Dytham Architecture: Billboard Building\u003c\/li\u003e\n\n\u003cli\u003eFinding a Process\u003c\/li\u003e\n\n\u003cli\u003eShop Architects PC: 290 Mulberry\u003c\/li\u003e\n\n\u003cli\u003eProject Development Process\u003c\/li\u003e\n\n\u003cli\u003eClient, Users, and Program of Requirements\u003c\/li\u003e\n\n\u003cli\u003eSite, context, and place\u003c\/li\u003e\n\n\u003cli\u003eInitial ideas\u003c\/li\u003e\n\n\u003cli\u003eProject development and detailing\u003c\/li\u003e\n\n\u003cli\u003eImplementation and use\u003cbr\u003e \u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Literatür Yayıncılık","offers":[{"title":"Default Title","offer_id":39409016045763,"sku":"9789750405976","price":701.25,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/0004951_mimari-tasarim-3-basim.jpg?v=1742049805"},{"product_id":"tasarim-ve-suc_348924-html","title":"Design and Crime","description":"In Design and Crime, Hal Foster discusses the place of architecture and design, and art and criticism, within contemporary culture. In the first section, he examines how the market and culture are increasingly merging. He focuses on how design culture, which infiltrates every moment of daily life, links identities to brands. In his essays on two popular contemporary architects, Frank Gehry and Rem Koolhaas, he analyzes the connections between architecture, show business, and the global city. In the second section, he explores the historical link between modern art and the modern museum, touching upon the judgments of some proponents of modernity such as Baudelaire and Valéry. He traces the course of art history and criticism under the dominance of visual communication culture. He raises questions about the fate of modernism and postmodernism.","brand":"İletişim Yayınevi","offers":[{"title":"Default Title","offer_id":39409020829891,"sku":"9789750502897","price":151.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789750502897.jpg?v=1616018157"},{"product_id":"merkezi-bir-kent-parcasi-kentsel-tasarim-projesi","title":"Central Urban Block Urban Design Project","description":"\u003ch1 class=\"\" product-name=\"\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003eKadri Atabaş is one of Ankara's significant architectural figures. The AŞOT project, which can be seen as one of the major and important projects realized from Ankara's transformation into a capital city until today, can be read as a continuation of Ankara's tradition of large-scale projects. This project, carried out by the working group led by Atabaş, can be described as a pioneering work due to being the first urban design project in Turkey to be published as a book.\u003c\/p\u003e","brand":"Boyut Yayın Grubu","offers":[{"title":"Default Title","offer_id":39409037115587,"sku":"9789752300040","price":315.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789752300040.jpg?v=1616018220"},{"product_id":"mimari-maketler","title":"Architectural Models","description":"\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan arial=\"\" style=\"\" font-family:\u003e\u003cspan style=\"\" font-size:\u003eIt has been considered that some curious readers, especially students, if they come across model photos they like very much from other books, magazines, etc., can enlarge or reduce colored photocopies of them as they wish and paste them into the empty spaces in their own books, thereby increasing their value in terms of examples.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"\" font-size:\u003eIn this book, you will also find a third type of model photos. These are not uncolored and simple but meticulously and carefully made student models. Nor are they professionally made models that we can call perfect. But we can place them somewhere in between. First, they were made with very simple hand tools. The highest possible quality of material was used. They were made in a corner of a small room where people working on design, drawing, and calculations were also present, meaning among other working people, without disturbing them, in an environment very different from the conditions of the single and double-person model-making office described as an example in the book. Still, they can be considered successful.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"\" font-size:\u003eThese models are some of those made by me over 33 years.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"\" font-size:\u003eAlmost all of them were always made from the same soft balsa wood. They also present a difference with their material and construction style. In addition, they have a very important feature:\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"\" font-size:\u003eIn most of them, the base, but only the base, is colored, unlike other models. This is presented as an innovation, even a very important innovation. The reasons for this are explained several times in the text in a way that draws attention.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"\" font-size:\u003eIn almost all model pictures included in the book, only the model making technique and material were considered, and very brief information was given about them. Furthermore, topics such as function, construction, etc., which are among the main parts of architecture, were not touched upon at all.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Birsen Yayınevi","offers":[{"title":"Default Title","offer_id":39409058087107,"sku":"9789755113524","price":550.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789755113524.jpg?v=1616018531"},{"product_id":"tasarim-studyolari-icin-kavramsal-dizin-ve-mimarlik-terimleri-sozlugu-on-kapaktasarim-studyolari-icin-kavramsa_348920-html","title":"A Conceptual Index and Architectural Glossary for Design Studios","description":"\u003cp\u003eThis study compiles all the professional terms needed by students studying in Faculties of Architecture and architects working in various architectural design studios, in both English and Turkish. 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Prof. Dr. Yusuf Civelek, aims to help architecture, interior architecture, and landscape architecture students overcome the problems they experience with scale and dimensioning during design. The book serves as a fundamental reference source with its structure that enables readers to gain knowledge about modules and scaling, learn architectural history, and become acquainted with important architects.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe first section, titled CIVILIZATIONS, examines the stages of organization and standardization in the architectural profession of the Egyptian, Far Eastern, Greek-Roman, Byzantine, and Ottoman civilizations.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe second section, titled MOVEMENTS, reveals the connection of modules to movements such as Renaissance, Baroque, Art Nouveau, Art Deco, Modernism, Brutalism, Minimalism, and Postmodernism.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe last section, titled CONTEMPORARY ARCHITECTURE, deals with growth and multiplication matrices shaped by economic and aesthetic concerns in contemporary designs. 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Design principles come to the aid of architects at this point: Concepts such as hierarchy, rhythm, balance, emphasis, and proportion form the building blocks of design.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe dynamic of architecture creating a system should be taught to architecture students in every lesson. The design process can change direction from inside-out or outside-in. As this book will show, architects do not only design through plans. Designing with sections on a sloping terrain can sometimes yield more accurate results. In fact, the design of the entire building can derive from a piece of furniture. Sometimes, natural light can shape the building. Stairs, courtyards, or halls can take on the task of organizing the entire structure. While physical and geographical interactions make architecture efficient and effective, ergonomic solutions increase user satisfaction and comfort.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArchitects also draw inspiration from branches of fine arts such as sculpture, music, painting, and dance. The acts of composing, choreographing, and writing symphonies parallel the ideas of achieving absolute beauty and creating order that architecture also possesses. No architectural work is designed randomly. Just as painters focus on one color or composers get stuck on one maqam, architects can be obsessively attached to one material. Whatever the case, geometric arrangements and concerns for proportion should not be lost. The series of rules and principles inherent in architectural teaching should be preserved and passed on to new generations to ensure its beauty and grandeur. An architect or interior designer should, like composing a symphony, conceptualize materials and building components in a modular system and observe the harmony of the instruments that make up the structure…”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207719667,"sku":"9786257008341","price":98.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/YEM_KAREDEN_PLANA_ON_KAPAK.jpg?v=1624270153"},{"product_id":"tasarim-felsefesi","title":"Design Philosophy","description":"\u003cdiv class=\"kitap-detay-tanitim\" data-mce-fragment=\"1\"\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eDesign is not merely an engineering task; it is the creation of new design models in science, philosophy, technology, and art by the thinking person. 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