{"title":"On Display","description":"","products":[{"product_id":"tum-yonleriyle-mimari-fotograf_348928-html","title":"Architectural Photography in All Its Aspects","description":"\u003cp\u003eIn 1826, Joseph N. Niepce, who captured the first photographic image, was compelled to photograph the group of buildings visible from his home's balcony. This was because the first light-sensitive surface he created was a film too slow to detect moving objects. In the same period, other photographers who followed in his footsteps also preferred to photograph static objects like architecture due to the low sensitivity of early film. Although portrait photography became more widespread with the production of faster films in later years, architectural photography never took a back seat. The development of architectural education and the emergence of the architectural profession during the same period also facilitated the progress of architectural photography. Especially in America and England, the professional architectural photography profession developed and institutionalized, becoming a specialized field in its own right today.\u003c\/p\u003e\u003cp\u003eArchitectural photography, which holds an important place in both promotional and documentary photography, requires patient, planned, and disciplined work. In addition, the photographer undertaking architectural photography must possess sufficient technical equipment and the technical knowledge to use this equipment most appropriately. At the same time, when taking architectural photographs, the aesthetics and effects on the structure must be consciously identified and conveyed in the photograph. Therefore, architectural photography fundamentally begins with the exploration of the building's plastic elements and functions, and the examination of perspective effects. Moreover, the role of light in architectural photography should never be underestimated.\u003c\/p\u003e\u003cp\u003eThis book addresses where individuals intending to take architectural photographs should start, what auxiliary materials they should use, and how they should act in extraordinary situations.\u003c\/p\u003e\u003cp\u003eSince each topic in the book is arranged according to preparation for shooting, reading it from the first chapter will facilitate a better understanding of the book.\u003c\/p\u003e","brand":"Say Yayınları","offers":[{"title":"Default Title","offer_id":39408941727939,"sku":"9786050205022","price":675.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786050205022.jpg?v=1616017077"},{"product_id":"mimar-sinan-tarihsel-ve-muhayyel","title":"Mimar Sinan Historical and Imagined","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eThis book is not a monograph on Mimar Sinan. It does not offer a new summary of what is known about his life and works. It does not contain a list of his buildings. Nor does it explain why he was such an important genius and his contributions to world architecture. It does not praise Sinan and his works. It also does not include a section with an album of newly taken, highly successful photographs of Sinan's structures. Many such books already exist.\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eMimar Sinan: Historical and Imaginary is a work based on two interconnected research paths: First, it discusses approaches to writing the history of Sinan and the architecture of the Sinan era and proposes alternatives, then it attempts to understand how the image of Sinan, created and still being produced in popular culture, was constructed. In the first section, it tries to show how some new possibilities can be used to write different and realistic histories of Sinan, diverging from what has been written until now. Most importantly, it endeavors to present a cool-headed historical text about Sinan, rather than a sanctifying one. The second section of the book is about the popular perception of Sinan in contemporary Turkey: why is there a popular vein that avoids seeing Sinan in the context of the ordinary social, political, economic, and cultural realities of the 16th century?\u003c\/span\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cbr style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif;\"\u003eWe cannot write history without willfully forgetting the possibilities and phenomena, ideas, techniques, attitudes, organizational structures, political patterns, and concerns whose existence we are overly familiar with today but which did not exist in the past. It is deplorable that there is almost no other mistake we make as frequently in historiography, especially in architectural history. Here, an effort is made not to make the same mistake, that's all.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Metis Yayıncılık","offers":[{"title":"Default Title","offer_id":39408960798915,"sku":"9786053162155","price":684.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786053162155.jpg?v=1616017338"},{"product_id":"bizansin-yapi-ustalari","title":"Master Builders of Byzantium","description":"\u003cp\u003eRobert Ousterhout, who studies Byzantine architecture, primarily the churches built in the Constantinople area between the ninth and fifteenth centuries, identifies the most common problems in design and construction processes. Analyzing written evidence, archaeological records, and especially the surviving structures, he concludes that Byzantine architecture was much more creative and innovative than previously thought.\u003cbr\u003eOusterhout describes how the masters selected, produced, and used all materials, from bricks and mortar to roof tiles, from foundations to domes. He positions the richly decorated church interiors, covered with marble slabs, mosaics, and frescoes, along with their complex iconographic programs, within the framework of the master builder's perspective. Ousterhout also refers to masters in Russia, the Balkans, and Israel. Robert Ousterhout is a professor of Byzantine Art and Architecture in the Department of Art History at the University of Pennsylvania and director of the Center for Ancient Studies.\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39408971743427,"sku":"9786055250799","price":249.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/BIZANS1.png?v=1617871030"},{"product_id":"istanbul-un-yabanci-ve-levanten-mimarlari","title":"Foreign and Levantine Architects of Istanbul","description":"\u003cp data-mce-fragment=\"1\"\u003eCengiz Can’s study, which addresses an important aspect of late Ottoman architecture, has taken its place among Arketon books with its new edition. Can’s research, written as a thesis in 1993, was transformed into a book format after a meticulous editorial process and was first published in 2020. The new edition of the book, which quickly sold out, is reaching readers with a new cover.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe work, complemented by photographs taken by Aykut Köksal for this book, extends from Melling to the Fossati brothers, from Barborini to Montani, from Vallaury to D'Aronco, and to Mongeri. Can, who also examines architects about whom very little is known, reveals an era in all its dimensions.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn a section of his \"Introduction\" to the book, Aykut Köksal states: \"Cengiz Can's book reveals that foreign and Levantine architects, who were previously known through superficial information and about whose lives very little was known, played a decisive and determining role at the culminating point of the modernization process of Ottoman architecture. Can investigates the lives of these architects by consulting previously unexamined sources and refutes certain entrenched prejudices. For example, he identifies some architects known as 'foreigners' as 'Ottoman Levantine architects.' It is immediately noticeable that a significant portion of the architects discussed by Cengiz Can are Italian or of Italian-Levantine origin. Can also underlines this fact and examines its reasons.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe productions of foreign and Levantine architects show a sharp break with 18th-century Ottoman architecture. This break is particularly evident in the greater dominance of new building programs resulting from Ottoman modernization compared to traditional programs. Furthermore, it would not be wrong to say that 19th-century Ottoman modernization parallels 19th-century European architecture. The eclectic approaches of the 19th century also found their echoes in these architects working in Istanbul.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eForeign architects working in Istanbul, such as Fossati and D'Aronco, are creative and competent designers whose works would be respectfully received in any European city. D'Aronco's Art Nouveau structures, in particular, constitute the distinguished and \u003cem data-mce-fragment=\"1\"\u003eunique\u003c\/em\u003e examples of the 'early Modernist' line seen simultaneously in the Ottoman capital. In discussing these architects, Cengiz Can provides a broad framework for a shadowed aspect of Ottoman modernization.\"\u003c\/p\u003e","brand":"Arketon Yayınları","offers":[{"title":"Default Title","offer_id":48343478993139,"sku":"9786057293633","price":464.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/CengizCan-Kapak-22.jpg?v=1703501100"},{"product_id":"insaat-uygulamalarinda-yanlislar-dogrular","title":"Mistakes and Correct Practices in Construction Applications - 14th Edition","description":"\u003cp\u003eMistakes-Correct Practices in Construction Applications aims to convey to the reader how to perform correct practices by identifying application errors made at construction sites.\u003cbr\u003e\u003cbr\u003eFiruzan Baytop examines examples of incorrect practices he identified during his international construction site experience spanning over 50 years, complete with photographs and concise explanations. After presenting the mistakes made, the book describes how to perform correct practices, again with photographs, making it an indispensable guide for practitioners. Through the book, which he prepared by drawing on the application experiences of various institutions and individuals in diverse building production processes in Turkey and abroad, Firuzan Baytop addresses his young colleagues in particular, saying: \"Everyone can make mistakes. You will too. But the important thing is not to make those mistakes again (especially after seeing the pictures in this book). Accept your mistakes, try to do things correctly. Let's not forget that doing it right from the start is much cheaper than correcting it later.\" The brief explanations under the pictures in this book, regarding how to do things correctly, are detailed in the author's book titled \"Things Not Taught in Schools in Construction Applications\". Therefore, it is recommended to use both books together.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMistakes-Correct Practices in Construction Applications aims to convey to the reader how to perform correct practices by identifying application errors made at construction sites.\u003cbr\u003e\u003cbr\u003eFiruzan Baytop examines examples of incorrect practices he identified during his international construction site experience spanning over 50 years, complete with photographs and concise explanations. After presenting the mistakes made, the book describes how to perform correct practices, again with photographs, making it an indispensable guide for practitioners. Through the book, which he prepared by drawing on the application experiences of various institutions and individuals in diverse building production processes in Turkey and abroad, Firuzan Baytop addresses his young colleagues in particular, saying: “Everyone can make mistakes. You will too. But the important thing is not to make those mistakes again (especially after seeing the pictures in this book). Accept your mistakes, try to do things correctly. Let’s not forget that doing it right from the start is much cheaper than correcting it later.” The brief explanations under the pictures in this book, regarding how to do things correctly, are detailed in the author's book titled \"Things Not Taught in Schools in Construction Applications\". Therefore, it is recommended to use both books together.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Firuzan Baytop\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHe graduated from the Department of Architecture of GSA (today Mimar Sinan Fine Arts University) in 1948.\u003cbr\u003eTogether with three friends, he won honorable mentions and awards in many architectural competitions;\u003cbr\u003eThey won first place in the Elazığ Government Building competition.\u003cbr\u003eIn addition to many private constructions, he built the Istanbul Municipality Block apartment; Emlâk Bank Atatürk Boulevard Block apartment, Bursa bazaars, Ataköy beach, and Ataköy 2nd District.\u003cbr\u003eStarting in 1965, he managed the construction of numerous domestic and international facilities for the Alarko company. While working as a Construction Consultant and Member of the High Advisory Board at the same company, he voluntarily retired at the end of 2000. He currently works as a member of the Materials Committee at the Istanbul Branch of the Chamber of Architects, gives lectures at various universities, meetings and seminars, and publishes research and books on architecture, construction and site management.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207490291,"sku":"9786058177727","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/YANLISLAR_DOGRULAR_ONKAPAK.jpg?v=1690452304"},{"product_id":"mimarlik-tarihi-nedir","title":"What Is Architectural History?","description":"\u003cp\u003e\"What is architectural history?\" is a question asked of the modern academic field that began to gain widespread acceptance in the form of cultural history and art history from the late 19th century onwards. This question, along with Andrew Leach's nuanced style, introduces the conceptual problems encountered by those who write about architectural history and those who examine the work of architectural historians.\u003cbr\u003e\u003cbr\u003eThe book, which evaluates approaches to architectural historiography, reveals the fundamental problems that shape the way historical architectural knowledge is formed, collected, and disseminated. The rhetorical, analytical, and historicist traditions through which modern architectural history has gained knowledge about its own boundaries and interests are examined, addressing the conflicts faced by architectural historians in the 20th and 21st centuries. Additionally, the history of recent architectural historiography and the impact of architecture's \"theory period\" on architectural historians are explored.\u003cbr\u003e\u003cbr\u003eAndrew Leach is a faculty member at Griffith University in Australia.\u003cbr\u003e(From the Promotional Bulletin)\u003c\/p\u003e","brand":"Koç Üniversitesi Yayınları","offers":[{"title":"Default Title","offer_id":39409000743107,"sku":"9786059389556","price":198.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059389556.jpg?v=1616017872"},{"product_id":"mimarligin-tum-oykusu_352189-html","title":"The Whole Story of Architecture","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"margin: 20px 0px 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; border-spacing: 20px; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\" class=\"kitap-detay-alt\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 0px; border: 0px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-weight: 400; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\" class=\"kitap-detay-tanitim\"\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eFrom ancient masterpieces to recent contemporary structures, architecture continues to shape the face of our world. This book, part of the All Story series published by Hayalperest Publishing, presents the stages that architecture has gone through throughout human history, supported by an encyclopedic examination and rich visuals.\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eWith its chronological narrative extending from the Neolithic period to today's \"sustainability\" approach, The Whole Story of Architecture takes the reader on a journey through every era and continent, touching upon hundreds of structures, their designers, and their contextual importance. The book contains exciting information about the Pyramids of Egypt and the tomb structures of the Ur Dynasty, the \"lost\" city of Machu Picchu, Chinese pagodas, Japanese temples, mosques that symbolize Islamic geography, and much more. In addition to classic Western styles such as Romanesque, Gothic, Renaissance, and Baroque, the book also discusses Colonial Architecture, Regency Style, Beaux-Arts, Art Deco, Modernism movements, and Utopian approaches, along with many other styles.\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eInformative texts prepared by experts in the field of architecture tell the history of each style and provide detailed information about the most important practitioners of these styles. In The Whole Story of Architecture, iconic structures, which are the best examples of their periods, are examined with comments and visuals that explain their inspirations, constructions, use of materials, and stylistic features. The book, which arouses curiosity about architecture, \"brings together\" the architects behind the world's most magnificent structures, from Imhotep and Leon Battista Alberti to Le Corbusier, Frank Lloyd Wright, and Alvar Aalto, who have influenced and inspired many generations with their visions and technical mastery.\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eAn indispensable reference book for anyone who wants to have a comprehensive knowledge of the art of architectural design, The Whole Story of Architecture provides the reader with all the necessary equipment to look at the spaces where they live, work, worship, and have fun with completely different eyes.\u003c\/p\u003e\n\n\u003cp style=\"margin: 10px 0px; padding: 0px 0px 0px 12px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: 18px; font-family: inherit; vertical-align: baseline;\"\u003eAnd it does so with the support of more than 1,000 visuals.\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Hayalperest Kitap","offers":[{"title":"Default Title","offer_id":39409007820995,"sku":"9786059452595","price":2400.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786059452595.jpg?v=1616017986"},{"product_id":"klasik-muzik-islikla-calinmaz","title":"Classical Music Cannot Be Whistled","description":"\u003cblockquote class=\"blockquote\" style=\"margin: 0cm 0cm 0.0001pt; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; vertical-align: baseline;\"\u003e \u003cspan arial=\"\" blinkmacsystemfont=\"\" cambria=\"\" font-size:=\"\" lang=\"EN-US\" neue=\"\" open=\"\" sans=\"\" sans-serif=\"\" system-ui=\"\" ui=\"\"\u003eCengiz Yetken's book, which conveys his \"learning and producing\" experience with Louis I. Kahn, one of the leading figures of 20th-century architecture, with an original approach,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan arial=\"\" blinkmacsystemfont=\"\" cambria=\"\" font-size:=\"\" lang=\"EN-US\" letter-spacing:=\"\" major-latin=\"\" neue=\"\" open=\"\" sans=\"\" sans-serif=\"\" system-ui=\"\" ui=\"\"\u003ewas published by YEM Yayın.\u003c\/span\u003e\n\u003c\/blockquote\u003e\u003cp\u003e\u003cb\u003e\u003cspan cambria=\"\" lang=\"EN-US\" major-latin=\"\" style=\"font-size: 11.0pt;\"\u003e“While working in the office, I had a habit of whistling Beethoven’s 5th Symphony. ‘Cengiz, please… You can’t whistle Beethoven!’ This was sudden and unexpected. Kahn continued: ‘You can’t whistle classical music, but you can hum it.’”\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e Cengiz Yetken is a figure who worked and produced with Louis Kahn, first as a student in Kahn's legendary graduate studio at the University of Pennsylvania School of Architecture, and then as a young colleague in his office at 1501 Walnut Street. This was a period when significant projects were underway in the relatively short but brilliant career of Kahn, a thinker, artist, and architectural guru, who was one of the important actors in 20th-century world architecture between the 1950s and 70s. As understood from the Yetken-Kahn dialogue carried in the book's title, this book is about the experiences of two architects who internalized architecture as a way of life, concerning the ordinary flow of life, the tonalities of music, the art of design, the experiences of a building beyond brick and mortar, its beginning, its formation, its life, its measurable and immeasurable values, and the essence of light and silence\u003cu\u003e.\u003c\/u\u003e\u003c\/p\u003e\u003cp\u003e The book, edited by Müge Cengizkan, translated by Özlem Erdoğdu Erkarslan, and designed by Utku Lomlu, is meeting readers through YEM Yayın. Cengiz Yetken describes the book as follows:\u003c\/p\u003e\u003cp\u003e \u003cem\u003e“Throughout my professional life, both in architectural practice and as a professor in design education, I often encountered questions about Louis Kahn, perhaps one of the most distinguished architects of the 20th century. Many friends encouraged me to write about Kahn. Initially, I considered writing a series of letters to my children, conveying my experiences with Lou and why his buildings were so special. However, I later realized that I should convey these to students in architecture schools and to my colleagues in practice. This would be the best way to communicate the design sensibility ingrained in his buildings and the ideas that gave rise to them. Gradually, I understood that what I wrote could not remain merely memories, but would shed light on the act of design. This also became a personal journey that allowed me to rediscover my own understanding of design. This book does not aim to explain Kahn’s architectural approach or his views. These memories are what I learned from my time with Kahn, from his class, his office, his buildings, and from being in the profession for all these years. I am trying to answer a difficult question: What did I learn from Kahn?”\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003cb\u003e\u003cspan cambria=\"\" lang=\"EN-US\" major-latin=\"\" style=\"font-size: 11.0pt;\"\u003eCONTENTS\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e FOREWORD\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cbr\u003e\u003cb\u003e\u003cspan cambria=\"\" lang=\"EN-US\" major-latin=\"\" style=\"font-size: 11.0pt;\" text-transform:uppercase=\"\"\u003eKAHN STUDIO AT PENN\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan cambria=\"\" lang=\"EN-US\" major-latin=\"\" style=\"font-size: 11.0pt;\" text-transform:uppercase=\"\"\u003e1.A FOREIGN STUDENT\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e PHILADELPHIA\u003c\/p\u003e\u003cp\u003e\u003cb\u003e2. “ART IS THE LANGUAGE OF GOD”\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e MEETING\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e UNDER THE TREE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e DESIRE \/ NEED\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e RICHARDS\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e STRUGGLE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e AROUND THE TABLE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e PAINTED LINES\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e SEEING THE PLACE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e LIFE STORIES\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e MAKING MODELS\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e POETICISM\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e STRADIVARIUS\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e BELIEF\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e AROUND THE TABLE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e PANEL\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e DON'T COPY KAHN\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e SYMPHONY\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e CORRIDOR\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e THE TRAVELED AND THE PASSED\u003c\/p\u003e\u003cp\u003e ASKING\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e SOUND\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e INTERSECTIONS\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e FINAL JURY\u003c\/p\u003e\u003cp\u003e \u003cb\u003e\u003cspan cambria=\"\" lang=\"EN-US\" major-latin=\"\" style=\"font-size: 11.0pt;\" text-transform:uppercase=\"\"\u003e3. “ARCHITECTURE HAS NO EXISTENCE”\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e PROJECT INTRODUCTION: FDR MEMORIAL\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e FOUNTAIN\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e AROUND THE TABLE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e MOZART IN GREECE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eWHO IS CENGIZ YETKEN?\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003eBorn in Ceyhan, Adana in 1940. He graduated from METU Faculty of Architecture with a bachelor's degree in 1963 and a master's degree in 1964. In 1965, he went to the University of Pennsylvania to pursue a master's degree in Louis Kahn's studio, graduating in 1966. He worked as a \"project manager\" at Louis Kahn's Office, where he started working during his studies, until 1968. In addition to his work at the office, he also served as a faculty member at the University of Pennsylvania, leading an architectural design studio between 1966 and 1968. In 1968, he returned to Turkey and taught architectural design at the METU Faculty of Architecture, his alma mater, until 1975. In 1975, he decided to return to the USA. He worked as a faculty member at Ball State University, School of Architecture and Planning until 1977, and at the University of Virginia until 1981. He decided to transition from academia to professional practice. Between 1981 and 1986, he worked as a senior architect at SOM Chicago. In 1984, he qualified to become a member of the American Institute of Architects (AIA). In 1986, he decided to open his own office, and until 1990, in his Oak Park office, he not only produced architectural designs but also designed industrial design objects and continued his film directing studies. Between 1987 and 1991, he taught as a visiting artist at the School of the Art Institute of Chicago. From 1990 to 2006, he had a long and productive career as a senior project architect at Perkins+Will Chicago. From 2006 to 2009, he served as an architectural design consultant for the same company. In addition to being a licensed architect in Illinois as an AIA member, he is also a member of the Chamber of Architects of Turkey and the Fulbright Education Commission. After his retirement in 2009, he continues his life by engaging in personal work at his homes in Chicago and Bodrum Demir Tatil Evleri.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207850739,"sku":"9786257008051","price":490.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786257008051.jpg?v=1616018036"},{"product_id":"bir-acilis-olarak-mekan","title":"A Venue as an Opening","description":"\u003cp data-mce-fragment=\"1\"\u003eSelim Velioğlu's expanded 4th edition of the book \u003cem data-mce-fragment=\"1\"\u003eBir Açılış Olarak Mekân \/ Enclosure as a Disclosure\u003c\/em\u003e has been published by YEM Yayın.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn his book, which has become one of the fundamental reference sources for architectural and design education in Turkey in recent years, Selim Velioğlu explains his understanding of architectural space design, which he developed based on the concept of \"disclosure.\" He illustrates this concept with thoughts, designs, and structures, illuminated by five core concepts that enable \"disclosure\" to materialize as a spatial reality: multiplicity, satellite elements, massing stratification, vitality from courtyards, and green-producing spatial configuration.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe main characteristic or distinction of the book is that it opens up a new field where theoretical studies and architectural design studies, which are perceived as two separate, polarized groups today, are integrated. The theoretical approach presented is exemplified by designs created entirely by the author and his colleagues. Another feature of the book is that it offers messages to non-architect or non-designer readers regarding the intertwining of spatial design with daily life. The book also draws attention with its rich content and engaging narrative.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe expanded book, with an increased number of pages and sample projects, features over 100 designs by Selim Velioğlu and his team, detailing residential, cultural, educational, sports, museum, hospitality, industrial, administrative, commercial, transportation, urban design, and landscape design projects of various scales.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSelim Velioğlu fundamentally summarizes his approach to architecture and, from there, his purpose in preparing the book as follows:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"..... The spatial environment should be like an open hand, not a clenched fist. It should be a friend to its user. It should be communicative, generous, inviting, lively, and interactive. Through its characteristics, it should evoke associations in the experiencer, taking them on meaningful journeys.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIn the design process, data related to the environment and content should be analyzed into meanings and spatial elements that reflect these meanings, primarily in scaled and comprehensible dimensions, within the framework of human physical, biological, psychological, and spiritual capacities and characteristics. The semantic richness of life should be reflected in the space, considering natural and cultural values, in a way that brings joy of life to people.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSpatial environment design can primarily be defined as designing movement, space, and use in an overlapping manner, in light of environmental and content data and human expectations. Within the framework of the approach I elaborated in detail through designs in the book, which I presented in my doctoral thesis and named the triple overlapping analysis method; movement includes all issues related to pedestrian and vehicle circulation, as well as orientation, perception, and access; space includes all proportional, dimensional, and physical characteristics related to spatial identity; and use includes issues of function selection, juxtaposition of functions, and their distribution across locations, levels, and floors.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIn our work, alongside the triple overlapping analysis method, there are five fundamental concepts — spatial solutions — that we have created and repeatedly used to shape our designs, with the aim of integrating with natural and cultural values and making the space closer to people and \"disclosing\" it, in line with human goals and possibilities. These concepts have been used as a whole or independently in our designs of different scales, such as single buildings, building groups, and urban designs, within the scope of possibilities. These are the concepts we call multiplicity, satellite elements, massing stratification, vitality from courtyards, and green-producing spatial configuration.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThis book presents a design approach rooted in the common principles and priorities found in the designs we have realized. I believe that this approach and the ideas expressed in the book serve as a guide to achieving livable spatial environments.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 4th edition of the book, which also includes the YEM Bookstore Kadıköy Store project opened in 2023, has been revised to 21x21 cm for easier portability and readability.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370206179571,"sku":"9786257008105","price":910.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/BIRACILISOLARAKMEKANKAPAK_4BASKI.jpg?v=1696325454"},{"product_id":"gorme-bicimleri","title":"Ways of Seeing","description":"\u003cp\u003e\u003cbr\u003eSeeing comes before speech. 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Although this book treats people's bodies as a way of understanding the past, it is more than a historical catalog of physical sensations in urban space. Western civilization has always struggled to respect the dignity of the body and the diversity of human bodies: I tried to understand and explain how these difficulties concerning the body have been expressed in architecture, city design, and planning practice.\"\u003cbr\u003e\u003cbr\u003eWe present this beautiful book, translated by Tuncay Birkan, with the thought that everyone interested in the relationships between social life and the architectural structure of cities, and between social history and the organization of the lived space, will enjoy reading it.\u003cbr\u003e\u003c\/p\u003e","brand":"Metis Yayıncılık","offers":[{"title":"Default Title","offer_id":39409049043139,"sku":"9789753423748","price":513.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789753423748.jpg?v=1616018374"},{"product_id":"okul-tasarimi-ve-estetigi-i̇nsan-erisim-ve-beceri-odakli-mekanlar","title":"School Design and Aesthetics: People, Access, and Skills-Oriented Spaces","description":"\u003cp data-mce-fragment=\"1\"\u003e“Human, Access, and Skill-Oriented Spaces”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSchool buildings are the first social\/public spaces a child encounters. We spend our most critical years of childhood and early youth at school. Yet, unfortunately, schools have been structures whose design and aesthetics have been given very little thought. We can clearly see this reality when we look at the design and aesthetics of thousands of school and educational buildings in Turkey. On the other hand, the changes and transformations in every aspect of life are multi-directionally affecting and forcing the transformation of educational environments; new requirements necessitate educational environments to have new functions.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis book has been prepared to compile knowledge and experience regarding the design and aesthetics of educational buildings in Turkey and around the world. 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What can be learned from craftsmanship and tradition? Why should innovation embrace simplicity and ordinariness? What are the virtues of slowness and weight? Does frugality have a place in the face of mass production and consumption? How can a more inclusive modernity be conceived? 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The main purpose of the book you are reading is to reveal the underlying mechanism of the authoritarian state form embodied in TOKİ.” Beyond Crazy Projects, which presents a holistic economic-political analysis of housing production in Turkey, focuses particularly on the major transformation that has occurred since 2003. It shows the role played by the Housing Development Administration (TOKİ) in the complete reconstruction of the state under the Justice and Development Party government.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTOKİ’s first period, from 1980 to 2000, was when mass housing production aiming to “modernize” housing production was institutionalized. In the second period after 2003, marketization became intertwined with the extreme strengthening of the central executive. Havva Ezgi Doğru also discusses the struggle among capital factions within this neoliberal policy, which “binds” the working classes by indebting them. This is an essential study not only for understanding the economic-politics of the housing issue but also for understanding the overall economic-politics of the state regime in Turkey.\u003c\/span\u003e","brand":"İletişim Yayınevi","offers":[{"title":"Default Title","offer_id":39990209052867,"sku":"9789750531071","price":97.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0001924239001-1.jpg?v=1623663160"},{"product_id":"modulor-ve-le-corbusiernin-kulubesi","title":"Modulor and Le Corbusier's Cabin","description":"\u003cp data-mce-fragment=\"1\"\u003eIn his new book published by YEM Yayın, Prof. Dr. Genco Berkin discusses the “Modulor” system, which Le Corbusier, also known as the “Father of Modern Architecture,” gifted to world architecture, and “Le Cabanon,” the cabin he designed for himself using this method.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGenco Berkin states that he wrote this easy-to-read, understandable, portable mini-book for every architect and interior designer to carry with them as a design principle, just like a compass, pencil, or ruler they never part with:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“At the heart of today's popular trends in living space selection, such as 'Tiny House' and 'Small House,' lies the desire to shed our excesses and find ourselves in nature. Le Corbusier realized and experienced this almost 100 years ago in the design of the cabin he built for himself, called Le Cabanon. Le Cabanon is, in fact, the embodiment of Modulor, the scaling system he developed. The emergence, development, and introduction of Modulor to architecture can be likened to the experiences of a traveler who never deviates from their destination on a long and arduous journey.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlthough Le Corbusier is considered the 'Father of Modern Architecture,' the roots of the structural system he established extend back to the Hellenistic period and the Renaissance. Le Corbusier, who greatly admired the standardization of the Hellenistic period, created the scaling sequence in 'Modulor,' which he invented, through the Fibonacci sequence. Thanks to this system, which emerged from the measurements of the human body and grew by addition, the 'human-furniture-space' trio could be expressed numerically for the first time. Christopher Alexander, who laid the foundations of parametric design, a breakthrough in architecture today, followed the path opened by Modulor. In its simplest terms, Modulor is a guide for designers to create artificial environments (preventing the loss of concern for proportion).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIf Le Corbusier had never lived, our homes, workplaces, and schools today would be built at more than twice the cost; the majority of the public would be deprived of quality housing, and some students might not even receive an education. Moreover, since there would be no standard understanding of design and production in any of these structures, sustainable production of construction materials would not be possible, and there would be difficulties in accessing these products.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis book traces how Le Corbusier achieved his great dreams that blossomed in his small world and his aspirations to make the world a more livable place. Readers who are architects or interior designers will see that the solution in design lies in creating norms and standards; they will ponder more deeply the necessity of considering furniture and space as a whole.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCONTENTS\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIntroduction\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLe Corbusier and Architecture\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJourney to the East\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlexander Klein and Le Corbusier Interaction\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Birth and Establishment of Modulor\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Birth of the Cabin (Le Cabanon)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEileen Gray and Le Corbusier Interaction\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Dimensions of Le Cabanon\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Furniture of Le Cabanon\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Reflections of Le Cabanon on Contemporary Architecture\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConclusion\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSedef Sav designed the cover and illustrations for \u003cem data-mce-fragment=\"1\"\u003eModulor and Le Corbusier's Cabin\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48439370285299,"sku":"9786257008372","price":105.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/Modulor_LeCabanon_ONKAPAK.jpg?v=1624278488"},{"product_id":"i̇c-mimarlikta-teknik-resim","title":"Technical Drawing in Interior Architecture","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis book contains technical drawing information that interior designers can use during their education and professional work. In addition to basic drawing rules for all interested parties, be they faculty members or students, this comprehensive work also includes basic geometry knowledge and perspective drawing methods that can be useful during drawing.\u003c\/span\u003e\u003c\/p\u003e","brand":"Remzi Kitabevi","offers":[{"title":"Default Title","offer_id":40280340136131,"sku":"9789751418319","price":877.5,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ic-mimarlikta-teknik-resim-issuu_01_01.jpg?v=1739373155"},{"product_id":"tasarim-felsefesi","title":"Design Philosophy","description":"\u003cdiv class=\"kitap-detay-tanitim\" data-mce-fragment=\"1\"\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eDesign is not merely an engineering task; it is the creation of new design models in science, philosophy, technology, and art by the thinking person. As a philosophy of design, aesthetics is closely related to the sciences, not only epistemologically but also ontologically.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eScience is also a system of creation and design; every theory in science is a design model created upon existence, and the change of theories is essentially the change of design models. Accordingly, aesthetics, as a science of creation and design, lies at the foundation of all sciences.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eThe Philosophy of Design constitutes the final link in a long chain of books within İsmail Tunalı's forty-year oeuvre. Tunalı, who 'since his first books, has sought alternative existences to nature and, on that path, has contemplated the design-based existence of art,' develops 'a philosophical understanding of the ontological world of art' with the present work.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\u003cdiv class=\"kitap-detay-alt\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"Fol Kitap","offers":[{"title":"Default Title","offer_id":40399734309059,"sku":"9786254442056","price":528.75,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0001904405001-1.jpg?v=1629105538"},{"product_id":"i-stanbul-un-100-mimari","title":"100 Architects of Istanbul","description":"\u003cspan data-mce-fragment=\"1\"\u003eIstanbul, the capital of empires that hosted different cultures and civilizations, has always been a center of attraction with its architecture, which developed in parallel with its political, economic, and social vitality in every period of history. While Byzantine architecture permanently marked the city, the Ottomans did not hesitate to produce magnificent structures that became synonymous with Istanbul. The glorious works of classical Ottoman architecture were followed by striking buildings brought to life by foreign, Levantine, Greek, and Armenian architects.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIstanbul's 100 Architects is a city book prepared based on the lives of 100 architects who created significant structures in Istanbul, starting from the Byzantine era. Therefore, it aims to give the reader an idea not only about the master architects who created different architectural structures that we see in every moment of daily life but also about the structures they brought to life.\u003c\/span\u003e","brand":"İBB Yayınları","offers":[{"title":"Default Title","offer_id":40457878274243,"sku":"9786055592646","price":50.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/51rmIwVadXL.jpg?v=1629284293"},{"product_id":"cati-bahceleri","title":"Roof Gardens","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe main reason why rooftop gardens are not sufficiently common is that we actually know very little about them. In our country, where a large part of the population has started living in urban areas, rooftops are ideal spaces for creating gardens. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eRooftop gardens offer an important vision and awareness for professionals in construction-related fields such as architects and engineers, as well as landscape architects, horticulturalists, biologists, and urban planners, policymakers, local or central government officials, and enthusiasts. We all know very well that urban agriculture is in high demand due to the lack of green spaces. However, the ever-increasing land prices unfortunately lead to a narrowing of green areas. This is exactly where rooftop gardens present a great opportunity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eWhat makes this book unique is that it was written specifically for Turkey. Our country has its own unique climate and variable growing conditions. Dr. Ekşi has conducted numerous green roof studies in Turkey. Therefore, this book is an invaluable resource. Although the information is specific to Turkey, it can also be adapted to other regions of the world with similar climates. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eMany questions regarding rooftop gardens can be confusing. Can the existing waterproofing membrane be used? Which plant species are successful? What kind of growing medium is used and what depth should it be? How much maintenance does it require? \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eEnvironmental conditions for plants growing on roof surfaces are generally harsher: high air temperatures, drying winds, extreme temperature fluctuations in the root zone, and low moisture content resulting from shallow growing media. This situation brings certain reservations regarding the transfer of landscape areas from ground level to the roof. It is at this point that Rooftop Gardens will provide a great service. This work is a compilation of research and technical information providing guidelines for the design and implementation of green roof systems. Dr. Ekşi covers comprehensive topics related to green roofs, such as their history, definitions, types, suitable plant species for green roofs, their growing media, and the benefits they can provide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMert Ekşi\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eAssoc. Prof. Dr. Mert Ekşi completed his undergraduate education in 2003 in the Department of Landscape Architecture at Istanbul University, Faculty of Forestry, and his master's and doctoral education in the Landscape Architecture Program at Istanbul University, Institute of Science.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eHe has been working in the Department of Landscape Architecture at Istanbul University - Cerrahpaşa Faculty of Forestry since 2006. He participated as a postdoctoral visiting researcher for one year within the scope of the Green Roof Research Program at the Department of Horticulture, Michigan State University, USA. He is currently the yürütücüsü (director\/coordinator) of the İÜC Green Roof Research Project, which he founded in 2010. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eHe has focused his academic studies on experimental green roof research such as surface runoff management, plant and growing medium selection, and sustainable landscape practices. In addition, he conducts studies and teaches courses on landscape structures, the use of terminology in landscape architecture, and conceptual research.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yeni İnsan Yayınevi","offers":[{"title":"Default Title","offer_id":40475903951043,"sku":"9786057764997","price":318.75,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/CatiBahceleri.kapak.jpg?v=1629462284"},{"product_id":"istanbul-acik-sehir","title":"Open City Istanbul","description":"\u003cp data-mce-fragment=\"1\"\u003eUrban theory typically links modernity to the city, to the historical emergence of specific forms of subjectivity, and to the rise of significant developments in culture, art, and architecture. This is often seen as a result of technological, economic, and social transformations in the major metropolises of Europe and America during the nineteenth and early twentieth centuries. In contrast, non-Western cities in the modern era are often viewed through the lens of Westernization and development. How should we understand urban modernity in these “other” cities?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIstanbul Open City aims to highlight cultural creativity by examining how Istanbulites define themselves while discussing, imagining, building, and consuming their city. Focusing on print media, photographs, films, architectural heritage exhibitions, and theme parks, the book explores the connections between these popular depictions through shared practices of representation. Türeli says this about her book, which offers a different perspective on urban modernity:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“This book is about defining and discussing the future of the city through the evocation of its past: Both past dreams and images, and future imaginings, are essentially interpretations of the present, produced in response to today's concerns, and can be used to understand the present. Starting from this premise, this study aims to examine the question of 'which past(s) of Istanbul are circulated and interpreted, and how?' through the visual representations of the city.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIstanbul Open City will appeal to urban researchers and historians, cultural researchers, art historians and anthropologists, as well as planners, architects, and artists.\u003c\/p\u003e","brand":"Metis Yayıncılık","offers":[{"title":"Default Title","offer_id":40639158681795,"sku":"9786053162346","price":351.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/517MVT_xdcL.jpg?v=1631276445"},{"product_id":"mimari-eskiz","title":"Architectural Sketch","description":"\u003cp data-mce-fragment=\"1\"\u003eSketching, as one of the methods of expressing design thinking, holds a significant place in the design process as the foundation and starting point of architectural education. What is expected from a designer in an architectural sketch is the ability to freely express their thoughts with their unique lines, incorporating certain technical aspects and qualities in an architectural sense.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIndividuals undergoing design education often fail to grasp the importance and technique of sketching, which is requested alongside technical drawings, and seek answers to the question 'How to do architectural sketching?' to resolve this. However, the limited availability of sketching resources in architectural literature hinders development and learning of the technique in this area.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis book aims to explain the systematic approach to architectural sketching to individuals in architectural education, while also developing the skill of transferring design thoughts into architectural sketches with unique lines. To this end, it aims for the designer to develop freehand-brain coordination by consistently applying the techniques learned step-by-step, starting with basic sketching techniques.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith enhanced sketching skills, it is expected that thoughts, ideas, and details in the mind will be concretized and transferred to paper through lines in every environment and at every stage of design. This expectation has been attempted to be expressed through basic sketch examples.\u003c\/p\u003e","brand":"Çizgi Kitabevi Yayınları","offers":[{"title":"Default Title","offer_id":40669486809283,"sku":"9786051961071","price":288.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/mimari-eskiz-9786051961071-800x800.jpg?v=1631608735"},{"product_id":"meydan-ve-modernlesme","title":"Square and Modernization","description":"\u003cp data-mce-fragment=\"1\"\u003eSquares are public open spaces that best reflect the history, culture, and identity of cities. The location, physical appearance, and functions of squares vary according to the cultural environments. The squares of Western cities are urban spaces defined by works that reflect the architectural and artistic understanding of their period.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn traditional Turkish cities, open areas such as marketplaces, bazaar fronts, fountainheads, and mosque and madrasah courtyards served as squares. In areas outside the city, referred to as \"squares,\" events such as horse racing, sports shows, military drills, and holiday festivities were held. During the Westernization period, squares began to be planned as public open spaces in the centers of Turkish cities, modeled after European capitals.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn this book, Şükrü Karatepe examines the understanding of squares in different cultures and the spatial transformation of city squares in Turkey through the example of Kayseri. The extensive visual documentation of the topics discussed makes this pioneering book even more engaging.\u003c\/p\u003e","brand":"İdealKent Yayınları","offers":[{"title":"Default Title","offer_id":40669598351555,"sku":"9786057041920","price":98.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0001925432001-1.jpg?v=1631609712"},{"product_id":"turk-tas-kopruleri","title":"Turkish Stone Bridges","description":"\u003cp data-mce-fragment=\"1\"\u003eContinuous advancements in science lead to new possibilities. An old work gives way to a new one. Consequently, historical stone bridges have also taken a backseat compared to reinforced concrete and steel bridges, and some have been abandoned to ruin due to neglect. Nevertheless, there are still stone bridges that are in use today. The purpose of this work is to create a history of these historical bridges and to keep their value and memories alive. The subject of bridges has been addressed generally in this work. However, the studies have focused more on Turkish bridges.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOver the centuries, no comprehensive and in-depth study has been conducted on our \"Stone Bridges\" among the architectural works that represent the milestones of Turkish civilization, spanning from Central Asia, starting with Samarkand, through the Ghaznavids, Great Seljuks, Artuqids, Anatolian Seljuks, and Ottomans, extending towards Anatolia, Thrace, and the Balkans, along the Danube, and to the Adriatic coast. In this respect, I believe that this subject will fill a significant void.\u003c\/p\u003e","brand":"Türk Tarih Kurumu Yayınları","offers":[{"title":"Default Title","offer_id":40669775790275,"sku":"9799751615021","price":30.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/KB9799751615021.jpg?v=1631611855"},{"product_id":"ahsap-malzemeli-konut-teknolojisi","title":"Wooden House Technology","description":"\u003cp data-mce-fragment=\"1\"\u003eWood, a material whose use as a structural element dates back to the very first times when the need for shelter arose, maintains its importance today due to reasons such as being a renewable resource, the low amount of energy used in the production of wooden structural elements and structures, and the near-zero amount of carbon dioxide emitted during the production process compared to other building materials. In line with technological developments, efforts are underway to increase the possibilities of using wood.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn this context, this study, which examines the production methods of wood, the characteristics of its load-bearing systems, and current examples where these technologies are used, aimed to re-emphasize the use of wood in housing production.\u003c\/p\u003e","brand":"Yalın Yayıncılık","offers":[{"title":"Default Title","offer_id":40669817340099,"sku":"9786054539673","price":40.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/71Vpfup51rL.jpg?v=1631612155"},{"product_id":"bir-mimarliga-dogru","title":"Towards an Architecture","description":"\u003cspan data-mce-fragment=\"1\"\u003eA masterpiece that sheds light on modern architecture from Le Corbusier, the 20th-century master of architecture who tirelessly worked to reach the reality behind the architecture he passionately devoted his life to, turning his life into an enthusiastic adventure: \"Towards a New Architecture\". In this work, which is a manifesto, Le Corbusier asks architects to reject the styles he describes as lies and to stop copying old models that have been emptied of their vital essence. With great enthusiasm, he calls on them to return to the living sources of architecture – whose fundamental principles are often forgotten or ignored – to simple, essential geometric forms. Considering that the modern architectural movement has turned into a giant grinder that devours the human living environment as we enter the 21st century, a journey through time with the principles advocated by Le Corbusier will refresh our memory in terms of seeing where we came from and where we are now, and will allow us to better analyze his works. \"Architecture, apart from construction problems, beyond them, is an artistic truth, an emotional phenomenon... Architecture is the pure creation of the spirit...\" Cover photos: Le Corbusier and Pierre Jeanneret, 1923, Ozenfant's house. Parthenon, 447-434 BC L.C. and P. J Artist's studio.\u003c\/span\u003e","brand":"Yapı Kredi Yayınları","offers":[{"title":"Default Title","offer_id":41027778412739,"sku":"9789753635509","price":342.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0000000058045-1.jpg?v=1635241247"},{"product_id":"siir-mimarlik","title":"Poetry - Architecture | The Violation of a Building","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEspecially since the Renaissance, there have been those who rejected the association of architecture with buildings and construction, conceiving of it instead as art, as poetry, or even as philosophy. These dissenting views opposed the reduction of architecture to mere function and utility. According to them, architecture consists of rituals, statues brought to life by sacred spirits, labyrinths housing cosmic creatures, semiotic temples, utopias of a golden age... It is an endless realm of imagination and desire. Therefore, architecture can only be architecture by violating the building. The origin of architecture lies in the non-building. Bahar Avanoğlu first conducts a comprehensive archaeology of this tradition, which understands architecture as poetry and criticism, and then presents four texts on the concept of the Unbuilt, its contemporary expression.\u003c\/span\u003e\u003c\/p\u003e","brand":"İletişim Yayınevi","offers":[{"title":"Default Title","offer_id":41070060732611,"sku":"9789750531927","price":360.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/51MUmAMb4aL.jpg?v=1636101683"},{"product_id":"artistik-perspektif","title":"Artistic Perspective","description":"\u003cp data-mce-fragment=\"1\"\u003eFehmi Kızıl's new book, \"Artistic Perspective,\" has been published by YEM Yayın. In addition to being a textbook for architecture, interior architecture, and landscape architecture education, it also serves as a fundamental reference for professional activities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eProf. Dr. Fehmi Kızıl, with over 40 years of experience in technical drawing, perspective, and shadow drawing, especially keeping beginners in mind, addresses the subject in a comprehensive, detailed, yet easily understandable manner.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKızıl describes his new book, \"Artistic Perspective - Artistic Perspective with the Measuring Point Method and Obtaining Real Dimensions from Photographs,\" and the importance of the measuring point method as follows:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“This book covers the visualization of three-dimensional shapes in thought on a two-dimensional plane, as seen by a single eye – with central projection – expressing the third dimension linearly, and obtaining the real dimensions of elements and the true value of the angle of direction from a photograph, which is a central projection on a plane.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePerspective plays an important role in clarifying and maturing mental thoughts, in communication between architects, interior architects, landscape architects, industrial product designers, relevant technical specialists, and artists, and in the production of designs. Technical professionals and artists utilize perspective sketches during the study phase of their work and when explaining their designs to individuals without technical training. Furthermore, a high success rate in visualizing mental thoughts, in other words, success in perspective, fosters and accelerates creative thinking. Artistic perspective, with its artistic expressive capabilities, is more convincing and is therefore generally used in presentation drawings.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis book teaches a different method from the generally applied two-stage drawing method for obtaining perspective using the central (conical) projection method on a plane – where the picture plane and the viewing point are placed in a plan and lateral projection drawn to the same scale, and the perspective is transferred by finding the intersection of the sight lines passing through the characteristic points of the element whose perspective is desired with the picture plane. The designer first directly places some elements of the desired perspective in a single stage – on a two-dimensional picture plane – as desired in the perspective, and then determines the other elements relative to these, based on their true angle of direction and length. This method is the measuring point method.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe measuring point method allows reaching the desired result with fewer operations without encountering an unsuitable outcome when obtaining perspective, and enables the designer to draw the perspective in the desired composition. The measuring point method also allows finding the true length of all elements and the true value of the angle of direction, and placing elements in a photograph, if the true dimension of an element in a photograph is known based on that element.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe measuring point method is the method resorted to by experts in their restitution project studies for the revitalization of a lost cultural heritage structure, to obtain the true dimensions of structural components and elements and the true values of the angles between their directions from archived photographs of the structure.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis book provides methods that will particularly help designers solve problems frequently encountered in their fields. These methods are made easy to understand through perspective illustrations.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe figures in the book are supported by explanatory texts and indications of drawing directions to ensure better comprehension in addition to the descriptive text. In some figures, the solution to the problem is also provided in drawing stages for better understanding.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe book extensively covers the subject of reflections on mirror and calm water surfaces, which are commonly encountered, and the subject of shadow, which enhances perception by providing a sense of depth.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eI believe that this book will assist architecture, interior architecture, landscape architecture, industrial product design students, and artists in solving perspective problems and obtaining real dimensions from photographs.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSince \"Artistic Perspective\" is a complementary work to \"Technical Drawing in Architecture,\" one of the fundamental reference sources for architecture and interior architecture education in Turkey, using these two books together will be more beneficial for the reader.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48417377616115,"sku":"9786257008433","price":560.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/ARTISTIK_PERSPEKTIF_KAPAK.jpg?v=1636489711"},{"product_id":"istanbul-un-kaybolan-ahsap-konutlari","title":"Istanbul's Vanishing Wooden Houses","description":"\u003cp data-mce-fragment=\"1\"\u003eA new edition of Prof. Dr. Reha Günay's book, \"The Lost Wooden Houses of Istanbul,\" which documents the wooden architectural fabric of Istanbul that has been a characteristic feature of the city for centuries but has now vanished, has been released.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe new version of the book, without compromising its content, quality, or page count, was prepared in a smaller size than the first editions to make it easily portable for readers and affordably priced, and it was printed on lightweight paper.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe book, prepared by YEM Yayın, consists of two main sections: The first part starts with the history of wooden house construction and explains the concept of \"Turkish house\" in terms of its architecture and construction technique. It then presents distinguished examples of this tradition that have survived to the present day, accompanied by plans, drawings, engravings, and photographs. The second part attempts to trace the residential fabric of Istanbul district by district with over 200 black-and-white photographs selected from nearly 4000 photographs taken by Reha Günay at different times from 1960 to the present. Günay's lens takes us on a historical journey from Zeyrek to Süleymaniye, from Cibali to Beşiktaş, from Üsküdar to Anadoluhisarı, from Kadıköy to Göztepe.\u003c\/p\u003e\n\u003col start=\"15\" data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eand the 16th century to the present, where the most extraordinary examples of the Turkish house tradition came to life, Istanbul seems to have lost the wooden residential fabric it preserved until recently, and the parallel culture of living that developed with it. This book, which immortalizes examples of this tradition with unique photographs, stands out as an important documentation work that will convey this typology and the residential fabric it created to future generations. \u003cbr data-mce-fragment=\"1\"\u003e The Lost Wooden Houses of Istanbul aims to be a documentation work that goes beyond merely describing a building typology or construction technique, providing insights into the home life and social relations of an era, and also \"showing how time has changed and where society, economy, technology, and urbanization have gone.\" \u003cbr data-mce-fragment=\"1\"\u003e Prof. Dr. Reha Günay describes the book and the photographs included in it as follows:\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"After graduating from ITU in 1960, as an architect, I tried to document my surroundings with only my own resources until now. The street I lived on, the roads I took to school, the neighborhoods, were all made up of wooden houses. Wooden houses that were gradually disappearing, being demolished and replaced by apartment buildings, always interested me, also with the education we received at the faculty. Whenever I had the opportunity, I would walk around the streets, look for houses with architectural features, and try to photograph them. Since I was looking for quality houses, dilapidated or altered houses that were rented out floor by floor, mansions, always remained outside the scope. Now, looking back, I think, 'I wish I had taken street photographs.' The street perspectives created by wooden houses; even if the houses were individually unexceptional or deteriorated, they were very beautiful. In architectural terms, they had an organic structure.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhat I present in \"The Lost Wooden Houses of Istanbul\" is a part of my small collection! This so-called small collection includes almost three to four thousand frames from Istanbul. While preparing and selecting the photographs, I tried to show the houses together with their surroundings. Sometimes with an unbuilt, tree-lined adjacent plot, sometimes with telephone and electricity poles and wires, stovepipes extending from windows and the sooty canned goods attached underneath, with their connecting wires, with crows and pigeons that had made their homes in a rotten piece of the wooden house cladding, with tiny sparrow nests with grass hanging out, and later with television antennas placed on the roofs... All of these are documents that will go down in history as part of the house life of that time. From time to time, you will also see pictures of demolished, ruined houses. Ruined houses are among my favorites because they provide us with important information about construction methods. Furthermore, scattered houses remaining in a deteriorating, or rather, urbanizing environment, not only give us information about the old fabric of that neighborhood but are also documents that show how time has changed and where society, economy, technology, and urbanization have gone. You can either learn from it, or you can say, 'Change is fundamental, it couldn't have been otherwise,' and move on...\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCONTENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eINTRODUCTION\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWooden Houses in My Memories\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIstanbul Houses Through the Eyes of Sedad Hakkı Eldem\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTURKISH HOUSE TRADITION\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhat is a Turkish House?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLifestyle\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRooms\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTurkish House Plan Types\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUSE OF WOOD IN TURKISH HOUSES\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDevelopment of Wooden Houses Throughout History\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhere is the Origin of the Turkish Wooden House?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eISTANBUL HOUSES\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHistorical Development of Istanbul Houses\u003c\/p\u003e\n\u003col start=\"15\" data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eand 16th Century Houses\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eCentury Classical Ottoman Houses (First Period)\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eCentury Ottoman Baroque Period Houses (Second Period)\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eCentury Empire Houses – Napoleonic Period Classicism – (Third Period)\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eCentury Vizier and Statesmen's Mansions in Istanbul\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEXAMPLES OF WOODEN HOUSES FROM THE ANATOLIAN SIDE\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEXAMPLES OF WOODEN HOUSES FROM THE RUMELIAN SIDE\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207686899,"sku":"9786257008419","price":175.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/ISTANBUL_KAYBOLAN_AHSAP_KONUTLAR_ON_Kapak.jpg?v=1637049316"},{"product_id":"mimarligin-kisa-oykusu","title":"A Brief History of Architecture","description":"\u003cp data-mce-fragment=\"1\"\u003eA review of 50 significant buildings in the history of architecture, from pyramids to cathedrals, temples to skyscrapers, and subway stations. Who built these structures, and what materials and techniques were used in their construction?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHow did architecture evolve, who contributed to its innovations, and in which geographies and under the influence of which cultures did these innovations take place? With a design that allows you to easily follow the history of architecture from Ancient Egypt to the present day, The Short Story of Architecture offers a unique introduction to the fascinating and magnificent world of architecture.\u003c\/p\u003e","brand":"Hep Kitap","offers":[{"title":"Default Title","offer_id":42067756122355,"sku":"9786051924434","price":1125.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ekran-alintisi4.jpg?v=1742201253"},{"product_id":"permakultur-uygulamalari","title":"Permaculture Practices","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNature is perfect in all its designs. Man is not its master, but merely a part of it. If it is respected, observed, and collaborated with, it will reciprocate with pleasing results, flowers, delicious fruits, and vegetables in every type of terrain.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the middle of Europe, in Austria, Sepp Holzer established an enviable farm. His unique permaculture practices inspire and provide tips for all of us.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLandscaping, terraces, water management, microclimate applications, poultry, food forest, permaculture system, mushroom cultivation, liquid fertilizer production, urban gardens, making medicine for humans from plants, farm animals, and holistic pasture management... Every page will make you smile, and you'll be excited to jot down these practices in your notebook. You can replicate some of the practices exactly in your garden. Like combating snails or the herbal formulas he provides for strengthening plants... You can also internalize the logic of some practices and create similar structures based on your observations in your own garden.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe strongest aspect of permaculture practices is that they can be applied all over the world, and of course, in our beautiful country, without becoming rote.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe book in your hand is a unique source of inspiration and knowledge for creating flowery, fruity, fragrant gardens or farms.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yeni İnsan Yayınevi","offers":[{"title":"Default Title","offer_id":42068156907763,"sku":"9789752498884","price":288.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0001948908001-1.jpg?v=1637141562"},{"product_id":"balyanlar-osmanli-mimarligi-ve-balyan-arsivi","title":"THE BALYANS Ottoman Architecture and the Balyan Archive","description":"\u003cp\u003eThe 352-page book, printed in a limited edition of 500 copies on special paper and featuring a hard cover, is presented to readers with double, triple, and quadruple fold-out pages to allow for detailed viewing of important large-format images. It contains 158 rare photographs, including portrait photographs of the Balyan family, documents from international archives, seals, and invaluable plans, sections, and facade views.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eFOREWORD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eLooking at the Balyan Architectural Archive \/ \u003cem\u003eArsen Yarman\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eWith Respect to the Balyan Family and Imperial Architects \/ \u003cem\u003eHAYCAR - Association of Architects and Engineers Reviving and Researching Cultural Heritage\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eRemembering the Balyans \/ \u003cem\u003eKevork Özkaragöz\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eGETTING STARTED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 1\u003c\/strong\u003e \/ \u003cstrong\u003eBALYAN ARCHITECTURAL ARCHIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eBeyond Function: Balyan Architecture with Myths and Prejudices\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eBalyan Archive: The Stack of Memory, The Adventure of Classification \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eArchitect Balyans\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 2\u003c\/strong\u003e \u003cspan\u003e\u003c\/span\u003e\/ \u003cstrong\u003eBALYAN FAMILY: PERSONAL HISTORIES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Balyan Family and Its Origins\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eKrikor Bal(i)yan (1764-1831) and the Birth of the Family Workshop\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSenekerim Balyan (1768-1833)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Last Amira Architect Garabed Balyan (1800-1866) \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eEducation of Garabed Balyan's Children\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eYoung Genius Nigoğos Balyan (1826-1858) \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eArchitect, Engineer and Versatile Tanzimat Elite Sarkis Balyan (1831-1899)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDeath of the Great Grandfather, Changing Fortunes and the Last Period of the Balyan Workshop\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan as an Engineer-Mechanic and Inventor\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eArt Patron, Intellectual Architect Hagop Balyan (1837-1875)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eMaster of Drawing, Building Artist Simon Balyan (1846-1894)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Last Architect of the Balyan Workshop, Levon Balyan (1855-1925)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 3\u003c\/strong\u003e \/\u003cstrong\u003e BALYAN ARCHITECTURE AND ITS REPRESENTATIONS\u003c\/strong\u003e \u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eImperial Palaces and the Organization of Large Construction Sites: The Silence of the Construction Sites\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003ePhotography in the Representation of Sarkis Balyan Architecture as a Claim to Progress and Visual Negotiation\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003ePortrait of the Architect\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 4\u003c\/strong\u003e \/ \u003cstrong\u003eBALYAN ARCHITECTURE IN THE TANZIMAT PERIOD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eTranscending Time and Geography: The Plural Sources of Balyan Eclecticism\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eNeo-Gothic Elements in Tanzimat Architecture Under the Leadership of the Balyan Workshop\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eHistory as an Encyclopedic Source\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eAn Egalitarian Demand: Influences in Çırağan and Beylerbeyi Palaces\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eNew Methodologies in the Search for a National Style and the Ottoman Renaissance \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cbr\u003e\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eFrom Imperial Architect to Master Builder of the Imperial Palace: The Position of the Architect in the Architectural Organization of the Tanzimat Period\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 5\u003c\/strong\u003e \/ \u003cstrong\u003eBALYAN ARCHIVE CATALOGUE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eOTTOMAN PALACE AND RESIDENTIAL ARCHITECTURE IN THE TANZIMAT PERIOD \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDynastic Palaces on the Bosphorus Shores\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSultan Mahmud II's Çırağan Palace\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Absolute Model of Tanzimat Palaces: Dolmabahçe \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDesign Model Where the Old Palace Was Included in the New Complex: Beylerbeyi\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eNigoğos Balyan's Facade Proposal for the New Çırağan Palace and \u003cem\u003eHorror Vacui\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis and Hagop Balyan's Oriental, Polychrome Facade Proposals for the New Çırağan Palace\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eNew Çırağan Palace\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eMonumental Coastline from Çırağan to Fer'iye Palaces\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Yıldız Palace Grand Mabeyn Pavilion Expansion Project\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Balyans and Imperial Festivities in the Tanzimat Period\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eA Project by Antoine Bourgeois in the Balyan Archive\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eIn Pursuit of the Ideal Plan: Pavilion and Kiosk Designs \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eKabataş Esma Sultan Mansion \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eMiddle-Class Housing Designs as an Exception in Balyan Architecture\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eDECORATION FOR THE EMPIRE \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e19th Century Ottoman Palace Decoration\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003ePerspective Drawings of \"Serkis Bey\" Found in the Nubar Library, Paris\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eParis-Origin Furniture, Chandelier, and Furnishing Designs in the Balyan Archive\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eA Conceptual Reappropriation: Reuse of Mother-of-Pearl Doors from Çırağan Palace in the Yıldız Chalet Kiosk Banquet Hall\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eNEW SPACES OF OTTOMAN DIPLOMACY \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Arrangement for the Assembly of Deputies\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Plan Proposals for Bâb-ı Âli After the 1878 Fire\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eRELIGIOUS BUILDINGS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eTanzimat Period Mosques and the Balyans' Contribution\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Four-Minaret Selatin Mosque Design: Aziziye Mosque\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSecond Group of Mosque Drawings in the Balyan Archive\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eChurch Designs Between the Capital and the East\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eNEW SPACES OF PUBLIC LIFE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Exhibition Plan for Mecmua-i Esliha-i Atika in Hagia Irene\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eEducational Buildings\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Plan 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The Ottomans created great works that, I believe, hold a special place in the history of world architecture. These works have survived to this day and have influenced prominent art historians and architects worldwide. I am a historian of this field. I have been working in this area for over 60 years. As a scholar of this subject, I felt the need to explain architecture in a more intertwined manner with Ottoman history and culture, with a bit more detail, and with a different understanding than what has been done so far.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eI prepared 'Ottoman Architecture' by bringing together ideas, studies, research, and comparisons that I compiled over many years and wrote about in other works. In essence, I can say that I summarized in a single work a task that is encyclopedic in nature and could be done by many people. I say 'summarized' because it is not possible to fit all of Ottoman architecture into 720 pages. However, such works are not read encyclopedically. In my opinion, books prepared with an internally coherent approach are more illuminating because they possess internal consistency. I strived and succeeded in achieving this in a field where I have spent 60 years. For that, I am happy.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Architectural history\" can be just the story of large, rich, and beautiful buildings. It can also be the story of personal and social desires related to a structure, but this parameter has often not been given enough weight. Yet, structures do not materialize until these desires turn into a building program. Behind these desires and programs lie social functions, social values, personal tastes, manners, knowledge, and techniques. For example, the fact that the staircase, one of the most magnificent elements of architectural history, was not used as an important design element in Ottoman architecture before the 19th century, or that designs like a Scala Reggia or the staircase hall of Würzburg Palace never developed in Turkey, is an architectural history problem worth pondering. Similarly, seeking answers to questions about dimensions, symmetry, and ornamentation; examining the content of the desires and aspirations behind the wills that created houses, palaces, and mosques; is more important than arranging structures like a showcase for cultural display. The fact that Sinan did not cease his research until he reached Selimiye; and that Nuruosmaniye, built 20 years after the Hekimoğlu Ali Paşa Mosque, could be designed and implemented with such a bold interpretation at that time, are as important as the structures themselves. Because it is these interpretations and tastes that make them original and appealing. Understanding and explaining how much of these are tradition, how much are ideas, how much are patron's orders and tastes, and how much are expressions of the artist's will, are the efforts that make architectural history worth writing and reading. If written with sufficient developed intuition, this effort can better explain the true nature of historical production. I believe that architectural history can only have meaning if written in this way, otherwise it cannot go beyond a display of goods. \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eReaders of this work may object to structures they previously knew as mosques being referred to here as zawiyas or imarets. This long-debated issue needed to be resolved with clear documentary evidence. 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Therefore, however much I may reject their judgments, I dedicate my book to the memory of the researchers who sincerely toiled in this field...”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209325299,"sku":"9786257008488","price":2100.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/OSMANLI_MIMARISI_ONKAPAK_3BASKI_YEM.jpg?v=1639736051"},{"product_id":"galata-ve-pera","title":"Galata and Pera in the Second Half of the 19th Century","description":"\u003cspan data-mce-fragment=\"1\"\u003eProf. Dr. Nur Akın's study titled \"Galata and Pera in the Second Half of the 19th Century\" has been renewed in terms of form and content, and its third edition has been published. Nur Akın researched the region's position in social life by accessing primary sources, examining French-published newspapers of the period, and conducting research at relevant historical institutions. The transformation process of Galata and Pera, the most important region symbolizing Istanbul within the historical urban fabric, during the 19th century is documented with drawings, photographs, and documents. The region's trade and entertainment life; residences, hotels, and arcades; and art centers and casinos are examined within the context of social life.\u003c\/span\u003e","brand":"Literatür Yayıncılık","offers":[{"title":"Default Title","offer_id":42197936963827,"sku":"9789758431816","price":412.5,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/0000480_19-yuzyilin-ikinci-yarisinda-galata-ve-pera-3-basim_600.jpg?v=1772198951"},{"product_id":"modulor-modulor-2-2-cilt","title":"Modulor – Modulor 2 (2 volumes)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCharles-Édouard Jeanneret (1887-1965), known as “Le Corbusier” and one of the most prominent architects of the 20th century, authored the books titled “Modulor” and “Modulor 2” to explain, introduce, and demonstrate the various applications of the “Modulor,” which he designed to bring a norm to architecture. These books have been published by Arketon, with a translation by Aziz Ufuk Kılıç and meticulous facsimile reproduction, under the editorship of Aykut Köksal and Bahar Demirhan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Modulor” and “Modulor 2,” published in two volumes in 1950 and 1955 and considered cult books in architectural literature, have been re-produced, preserving their original typographic layouts and emphasizing their “object book” characteristics. With its new edition and new box, the Modulor set will hold a special place in libraries as a collectible object that reflects Le Corbusier's sensitivity in book design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Modulor” is a system of measurement and proportion based on the human body, the golden ratio, and the Fibonacci sequence in mathematics. With this system, Le Corbusier aimed to bring a norm to design that would control a broad context, ranging from all objects surrounding human life to typography, and for this purpose, he created a ruler. The master architect emphasizes that \"it is stated that everything has become unregulated in our time,\" implying that contemporary production should have defined rules in all areas, and poses the question: \"Do we know that our civilization has not yet achieved the stage that music has achieved in visual matters, in terms of lengths?\" Le Corbusier adds the question, \"Can the measurements used to produce objects remain local?\" and, in response, proposes his universal measurement system, Modulor. Having consulted with many people to question the system and included different interpretations in his books, Le Corbusier quotes Albert Einstein as saying, \"This is a range of proportions that makes evil difficult and good easy.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe iconic symbol of Modulor is the image of a human with an arm raised. Le Corbusier uses this image as his signature and transforms the Modulor human into a raw concrete relief in structures like the Unité d'habitation in Marseille, which he designed with Modulor measurements. Architecture theorist Siegfried Giedion compares Leonardo da Vinci's Vitruvian Man with the Modulor Man, stating that Leonardo's static man corresponds to static architecture, while Modulor's dynamic man indicates dynamic architecture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Modulor system is an important clue not only in the context of Le Corbusier's architecture but also for understanding modernism's quest for control norms. The two-volume Modulor books, beyond being a resource that conveys this system, constitute one of the iconic cult objects of modernism.\u003c\/span\u003e\u003c\/p\u003e","brand":"Arketon Yayınları","offers":[{"title":"Default Title","offer_id":48343480402163,"sku":"9786057455451","price":1200.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/Modulor-Kapak-001.jpg?v=1641239264"},{"product_id":"insa-etme-kulturu-insaat-kuruluslarinda-ve-santiyelerde-insan-davranislari","title":"Culture of Construction – Human Behavior in Construction Organizations and on Sites","description":"\u003cp data-mce-fragment=\"1\"\u003eYEM Yayın has published a new book titled \"The Culture of Building - Human Behavior in Construction Companies and on Construction Sites,\" authored by Vedat Özkan.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\"The Culture of Building\" complements YEM Yayın's \"Construction Practices Series\" books prepared by Firuzan Baytop and Turhan Uyaroğlu. It supports the process described in the other books in the series, which focus on construction and building, with a \"human-centered\" narrative.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eVedat Özkan summarizes his purpose in preparing \"The Culture of Building,\" which is a first in its field, and the content of the book as follows:\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\"I wanted to try to understand what behaviors construction sites, which are unlike any other line of business, exhibit, how and why, and to share what I learned during this process. This is because construction companies and construction sites will be the destination or workplace for many students, especially those in civil engineering, architecture, interior design, landscape architecture, etc., after graduation. For this reason, this book serves as a reference for them to more easily understand the effects and results that emerge in the context of 'human-culture-perception.' This is because many topics here contain 'unique situations that can only be seen on construction sites.' The book, which also includes 'behavioral' data that will enable institutions, organizations, and masses to better understand the construction processes of buildings, also contains experienced information that will allow managers working in construction companies and on construction sites to re-evaluate the methods and approaches they apply to human emotions and thoughts. Moreover, it is also an important reference for those working on sociology and crowd behavior...\"\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eSome of the topics examined and conveyed in the book are listed as follows:\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eHow is the act of waiting perceived on construction sites?\u003c\/p\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eHow should the dominance of meaning be on construction sites?\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eIn what direction do human resources reflect on a construction site?\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eWhat results do imaginary experience and imaginary personality lead to?\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eHow should the politics, law, and bureaucracy of construction companies be?\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eCan aggressive structures emerge?\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eHow does the capital value attached to foreign languages affect the conditions on construction sites?\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eWhy are there no monopolized construction companies worldwide?\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eWhat was meant by \"there is no escape from mental tension on construction sites\"?\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eWhere do the future and dimensions of construction extend?\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\"Currently, the majority of blue-collar and white-collar workers on construction sites are men. We are living in an era where every child born today is expected to be a university graduate when the time comes. While the replacement of manual laborers, whom we categorize as 'workers' on construction sites, by university graduates points to a near future, how it will take shape is unknown. However, symptoms such as educational disappointments, excessive gaming, obesity, and over-reliance on drugs are sabotaging men today. As is known, construction sites are extremely dynamic and stressful work environments. 'In stressful situations, many of us re-organize our understanding of what is happening to protect our self-perception.' It has been observed that the sabotage of the dominant male population employed on construction sites by technology and the re-organization of understandings are rapidly reducing the number of qualified male workers to be employed on construction sites. For these reasons, technological tools and equipment will be able to maintain the number of people to be employed on construction sites at a certain balance. The most important breaking point of this balance will be the perspective of construction sites using technological tools and equipment towards the human element.\"\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48398908129523,"sku":"9786257008495","price":280.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/YEM_INSA_ETME_KULTURU_ON_KAPAK.jpg?v=1641988838"},{"product_id":"mimarlik-ve-karmasiklik","title":"Architecture and Complexity","description":"\u003cp data-mce-fragment=\"1\"\u003eIn an age when Rationalism, inherited from the 17th century, is being debated, criticized, and deemed overly simplistic, various disciplines have introduced a new way of thinking.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHow does architecture address the complexity of reality?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe critique of Rationalism in architecture developed in the first part of this book allows us to move beyond all simplistic views regarding the city and architecture. Today, architecture cannot be conceived without the city, nor can the city be conceived without its inhabitants.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the second part, the works of Louis Kahn, Luis Barragán, Henri Gaudin, Vittorio Gregotti, John Hejduk, Peter Eisenman, Bernard Tchumi, Christian de Portzamparc, and Renzo Piano exemplify how the idea of complexity is shaped in architecture. For those who still consider architecture a fruitful enigma.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArchitect ALAIN FAREL is a lecturer at the École d’Architecture de Paris-Val-de-Seine.\u003c\/p\u003e","brand":"Janus","offers":[{"title":"Default Title","offer_id":42324555956467,"sku":"9786257035149","price":760.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/MimarlikveKarmasiklikONKAPAK.jpg?v=1776859052"},{"product_id":"bogazicinin-tarih-atlasi","title":"Historical Atlas of the Bosphorus","description":"\u003cp data-mce-fragment=\"1\"\u003eOnly one city has ever had the privilege of connecting two continents and bearing the weight of three empires on its shoulders. Istanbul and the Bosphorus, from antiquity to the present day, have been the darling of all surrounding political structures and a stopping point for many civilizations. It was here that the Persians built the \"First Bosphorus Bridge\" by linking boats 2500 years ago, it was here that the Latins took over from Byzantium, it was here that Fatih's magnificent conquest took place, and it was here that people were astonished by the sudden Cossack raid on the shores of Tarabya on a July morning in 1624...\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArt historian Dr. Sedat Bornovalı, himself a \"child of the Bosphorus,\" describes the historical and cultural heritage lined along both shores of the Bosphorus, which has no other example in the world, with an exquisite delicacy and rich visuals. He starts his route from the Yemiş Pier in front of the Ahi Çelebi Mosque, where Evliya Çelebi, in his famous dream, said, \"Travel, O Messenger of Allah\"; he narrates the historical buildings, waterfront mansions, magnificent mosques, contemporary architectural endeavors, and even apartment buildings with stories on both sides, extending all the way to Kavaklar; he takes us on a blue historical journey that echoes from Bebek, Galata, Kanlıca, Beykoz, the skies of Kandilli, and the roads of Aşiyan, ending at the Maiden's Tower.\u003c\/p\u003e","brand":"Timaş Yayınları","offers":[{"title":"Default Title","offer_id":42341290442995,"sku":"9786050828733","price":299.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0001771295001-1.jpg?v=1642676153"},{"product_id":"gunesin-yeniden-kesfi","title":"Rediscovering the Sun","description":"\u003cp data-mce-fragment=\"1\"\u003eBefore the Industrial Revolution, we lived in harmony with our environment and nature. When we started building cities and factories, we fell into the delusion that we had all the power and could do whatever we wanted. Now, we are trapped in an environment of our own making, yet we are not content living in it. The way out of this is, once again, to return to nature.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn this book, we turn our eyes to nature and rediscover the Sun, our primary energy source. This discovery unfolds in three sections, edited by A. Selin Mutdoğan. The first section, called THE ESSENCE, describes the importance of solar energy from a historical perspective and explains solar-oriented passive systems that can be used in our buildings. The second section, APPLICATIONS, includes examples from ancient times and different geographies, as well as modern applications. Finally, in DIFFERENT PERSPECTIVES, the relationship of the Sun with different disciplines is examined, moving away from design. With this approach, we reach a source of information that shows us the journey the Sun has taken from the past to the future and what else will happen in the future.\u003c\/p\u003e","brand":"Yeni İnsan Yayınevi","offers":[{"title":"Default Title","offer_id":42392705532147,"sku":"9786257537148","price":152.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0001958556001-1.jpg?v=1643802374"},{"product_id":"sehircilik-1","title":"Urbanism","description":"\u003cp data-mce-fragment=\"1\"\u003eLe Corbusier's work titled \u003cem data-mce-fragment=\"1\"\u003eUrbanisme\u003c\/em\u003e, dated 1925, which holds an important place in his urban vision and can be described as the manifesto of the modernist city, has been published by Arketon Yayınları with Pelin Kotas's translation. \u003cem data-mce-fragment=\"1\"\u003eŞehircilik\u003c\/em\u003e (Urbanism) is the second Le Corbusier book from Arketon Yayınları, established to publish architecture and urban books under the general editorship of Aykut Köksal. Like the first book, \u003cem data-mce-fragment=\"1\"\u003eModulor\u003c\/em\u003e, \u003cem data-mce-fragment=\"1\"\u003eŞehircilik\u003c\/em\u003e has been printed with its original format and typography, carefully preserving its iconic value.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn his preface to the book, Aykut Köksal states: \"Le Corbusier's \u003cem data-mce-fragment=\"1\"\u003eŞehircilik\u003c\/em\u003e is the first comprehensive work that played a decisive role in the 20th-century urban vision. \u003cem data-mce-fragment=\"1\"\u003eŞehircilik\u003c\/em\u003e is the right source to see how the famous architect read the industrial city and what paradigm this reading legitimized. However, the meaning of the text is not limited to this; it has another dimension that will particularly interest today's reader: \u003cem data-mce-fragment=\"1\"\u003eŞehircilik\u003c\/em\u003e is also one of the important texts in the history of 'utopia' and stands at the meeting point of two types of utopia: 'literary utopias' and 'architectural utopias'. Literary utopias place the spatial model proposal at the forefront of their texts, while architectural utopias, with an inevitable necessity, integrate their designs with a social model proposal. Le Corbusier's text exists precisely in this common area, sometimes even approaching literary utopias more closely.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOne of the points that will attract the attention of Turkish readers of \u003cem data-mce-fragment=\"1\"\u003eŞehircilik\u003c\/em\u003e will be the numerous references to Istanbul. Just as all utopian writers find their own models in distant and mysterious geographies, Le Corbusier also wants to find many features of the city he is looking for in Istanbul, which was the farthest place he had visited until the date he wrote \u003cem data-mce-fragment=\"1\"\u003eŞehircilik\u003c\/em\u003e, and which had not yet lost its mystery at the beginning of the 20th century.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLe Corbusier's \u003cem data-mce-fragment=\"1\"\u003eŞehircilik\u003c\/em\u003e is a text open to different interpretations. The publication of this text, whose meaning is not limited to the architectural context, in Turkish will enable new readings to emerge, carried by a new language.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cu data-mce-fragment=\"1\"\u003e \u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Arketon Yayınları","offers":[{"title":"Default Title","offer_id":48343480959219,"sku":"9786057455482","price":712.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/LeCorbusier-Kapak-2.jpg?v=1648195668"},{"product_id":"bir-sehir-kurmak-ankara-1923-1933","title":"Building a City: Ankara 1923 - 1933","description":"\u003cp data-mce-fragment=\"1\"\u003eThis book was prepared in a complementary manner, in conjunction with the research exhibition titled \"Building a City: Ankara 1923-1933,\" organized by Koç University VEKAM under the curation of Ali Cengizkan and N. Müge Cengizkan, as part of the 50th anniversary of the Vehbi Koç Foundation. The research closely examines the construction, modernization, and the establishment history of Yenisehir (New City) during the first decade of Ankara's founding as the capital. It is also a history of examining the culture of housing \"five minutes to modern\" in a period that created a little-known and rapidly transforming environment.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Exhibition and Book expand on themes such as the modernization of settlements in the old and new city areas of Ankara during that period, the formation of urban and park culture, the modernization of public services, the creation of a culture of remembrance, the identity formation of national culture, and the modernization of the city's social life. The study, which creates a new field of knowledge by modeling the state of housing and public buildings in Yenisehir in 1933, considered the first expansion of modern Ankara, examines how a \"new\" \"city\" was built in a war-weary country in the first quarter of the 20th century, along with the will and facts revealed until the 10th anniversary of the Republic.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe study sought answers to questions such as \"What is the 'new housing' required by the 'new society,' and how was it obtained? What are the characteristics of the housing culture created by 'new people' as residents of the city while transitioning from a subject culture to citizen rights? How did politicians, landowners, planners, architects, contractors, and intellectuals determine housing culture through their own housing needs? Is it natural for the planned environment to dissolve within social dynamics and for gaps to emerge in historical writing as the 'new society' appears on the horizon?\" A new field of historiography, along with the spatial relationship of human history, has been presented.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe research on this period of Ankara's history, about which we have the least knowledge, has been laid out by re-examining hitherto overlooked documents, including existing historical writing materials, original plan sheets, land registry documents, and an increasing collection of assets from the 2000s, as well as information accumulated in evolving archives, based on postcards, photocard, and albums. The method itself has also created a new quantitative evaluation and micro-history study substratum, enabling the re-examination of new urban structures and spaces as a holistic product.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhat emerges is an Ankara we have never known before: new, boldly showcasing its search for novelty, generous, unreserved, unpretentious, and unapologetic. There is much to learn from Ankara of 1923-1933 in terms of urban genetics, architectural archetypes, stylistic experience, and local administrative practices.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Exhibition and Book use first-hand, original, and newly produced visuals instead of familiar Ankara visuals from the period. As a matter of principle, methods that generate nostalgia, especially old vs. new comparisons, are deliberately not used in the Exhibition and Book; instead, empathy tools are established to understand the period. It is known that nostalgia creates alienation, and alienation leads to romantic escape and irresponsibility.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs a research project, the Exhibition and Book aim to contribute to the city's modern history and to trigger the idea of establishing an \"Ankara City Museum.\"\u003c\/p\u003e","brand":"VEKAM","offers":[{"title":"Default Title","offer_id":42605714702579,"sku":"9786059388214","price":200.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/41755kijh9L.jpg?v=1648545149"},{"product_id":"bilgi-merkezlerinde-mekan","title":"Space in Information Centers","description":"\u003cp data-mce-fragment=\"1\"\u003eFrom its earliest examples to the present day, the building has been one of the fundamental elements that brought information centers into existence and defined their identity. At the same time, the meaning, content, and implications of the building, which are directly related to basic human needs such as shelter and protection, are directly affected by the changing dynamics of life. Today, the transformation shaped largely by information and information technologies has elevated the building to a point of value, considered for its architectural features and spatial capabilities. At this juncture, the architecture and spatial characteristics of information centers, along with many elements they encompass—from ergonomics to comfort, aesthetics to security—are among the most important criteria for an institution's service adequacy, value, social prestige, and overall perception.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is the first step in making an information center visible. However much we may wish to forget, as nature constantly reminds us, a healthy building that considers all aspects of safety and comfort is one of the preconditions for a healthy life. Architectural and spatial arrangements, on the other hand, are the multidimensional details of the effort to make this building more suitable for people. Approaching the concepts of building, architecture, and space within the context of information centers with this awareness would, at its simplest, be to value human life. Undoubtedly, there can be nothing more important and prioritized in the world, nor should there be.\u003c\/p\u003e","brand":"Hiperlink Yayınları","offers":[{"title":"Default Title","offer_id":42630234407155,"sku":"9786257280112","price":185.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0001900160001-1.jpg?v=1649158322"},{"product_id":"eskiz-defterimden-osmanli-mimarisi","title":"Ottoman Architecture from My Sketchbook","description":"\u003cspan data-mce-fragment=\"1\"\u003eOne of the elements that allows an architectural product to endure as a work of art is, undoubtedly, its ability to be visualized and deemed worthy of depiction as long as it stands. It is the re-articulation of immortal beauties embodied in timeless lines. Serap Ekizler Sönmez, who for years has dedicated her effort and time to delving into the ocean of geometry and imprinting the designs she has woven onto its generous canvas into people's minds, presents us in this work with a selection through her pen, captivated by Ottoman architecture from its beginning to its end. As she expresses the beauties she perceives through her sketches, she allows us to view the elegant lines of Ottoman architecture through her own heartfelt lens. Just as one raises a child with correct and beautiful words, she explains architecture with exemplary examples. From its entirety to its details, she re-instills a love for the beauties of Ottoman architecture in her own unique way for enthusiasts and the curious alike.\u003c\/span\u003e","brand":"Ketebe Yayınları","offers":[{"title":"Default Title","offer_id":42630258163955,"sku":"9786257303286","price":240.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0001917013001-1.jpg?v=1649159124"},{"product_id":"sehir-mekan-meydan","title":"City Space Square","description":"\u003cspan data-mce-fragment=\"1\"\u003eIt is not possible to understand and perceive the spaces of the city, which is the most complex and comprehensive structure reflecting the civilizations' own ways of life and levels of civilization, without social and cultural backgrounds. Thanks to studies that can be called an effort to understand \"the nature of space,\" the entire set of relationships between space and human, space and society, space and space, and space and the spirit of the city will have been grasped. Moreover, the relationship between space and society and human means the relationship between space and space through these two. The relationship of human and society with space, on the other hand, expresses their relationship with themselves through space. In this respect, \"urbanism is a social activity.\" \"The organic and symbolic structure of the city, which is both an object and a subject, cannot be understood with a ruler and a compass. As a science, urbanism cannot understand 'the poetry and metaphysics of the city,' nor does it want to.\" What is needed to understand this metaphysics is the philosophy of space rather than technology, and the determination of objectives rather than technical equipment, to create a construction program for space. Furthermore, if an urban space that has existed for a long time does not change formally despite rapidly changing architectural styles, it would be a more appropriate approach to talk about social and cultural structure rather than architecture. In such cases, the space or structure should be evaluated according to the time period in which it was created, rather than its current functions.\u003c\/span\u003e","brand":"Kaknüs Yayınları","offers":[{"title":"Default Title","offer_id":42633894166771,"sku":"9789752564244","price":198.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0000000605629-1.jpg?v=1649231946"},{"product_id":"idrak-ve-insa","title":"Perception and Construction","description":"\u003cp data-mce-fragment=\"1\"\u003e\"Idrak ve İnşa\" (Perception and Construction) is a work that primarily focuses on the thoughts and works of Turgut Cansever, a great master of our architecture. Düzenli, who attentively listens to the architect's words and observes his constructions, presents a \"Turgut Cansever Book\" to the reader, featuring visuals for forty-seven of Cansever's projects, along with project description tables and comparative analysis tables that examine the works from different perspectives.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDüzenli defines Ahmet Davutoğlu’s conceptualizations of belonging and civilizational self-perception as the overarching theoretical framework for his research, which stems from the social sciences. He also positions the concept of architectural autonomy as one of the central elements of his work.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn this work, Düzenli also addresses modern issues in Turkish architecture such as belonging, identity, and originality, drawing from the interaction and tension between architecture as a scientific research discipline and architecture as a field of practice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“We build according to our level of perception.”\u003c\/p\u003e","brand":"Klasik Yayınları","offers":[{"title":"Default Title","offer_id":42633923363059,"sku":"9789758740758","price":270.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0000000309678-1.jpg?v=1649232801"},{"product_id":"mimarlar-ve-apartmanlari","title":"Architects and Apartments","description":"\u003cspan data-mce-fragment=\"1\"\u003eIn his book \u003cspan data-mce-fragment=\"1\"\u003eÇok Eski Adıyladır\u003c\/span\u003e, Ece Ayhan speaks of “entering the sea civilian” in his poem \u003cspan data-mce-fragment=\"1\"\u003eSivil\u003c\/span\u003e, equating the word civilian with naked. A similar situation arises in Ayhan's book \u003cspan data-mce-fragment=\"1\"\u003eŞiirin Bir Altın Çağı\u003c\/span\u003e: \"A police officer, who thought he could intimidate us into not entering the sea civilian, once took our clothes and carried them all the way to the Dolmabahçe Clock Tower.\" In this text, Ayhan emphasizes not only the 'nakedness' but also the defenselessness of the word civilian.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBased on Ece Ayhan's texts and the placement of the word civilian within them, one can also speak of the nakedness and defenselessness of residential architecture within architectural history. Despite modernization establishing itself through housing and the most iconic buildings of modern architecture being residential structures, residential architecture – with a few exceptions – remains outside\/is kept outside the power of history. The dominant narrative is mostly articulated through public buildings and spaces. However, in certain 'states of emergency', the ruling power, which decides who the exception is, incorporates the civilian residence into the dominant narrative; it ‘dresses’ it, in a sense, putting an end to its nakedness and defenselessness.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLike residential architecture, the architects of residential buildings are often naked and defenseless. To ensure the repetition of the same discourse, the dominant narrative often brings up the same architects. The rest remain hidden, despite their complete visibility, until someone emerges to speak of them, to ‘give them their clothes back’ in a sense.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis book aims to make visible the ‘civilian’ residential buildings constructed in Ankara between 1930 and 1980 that have not found a place in mainstream architectural historiography. In addition to detailed architectural analyses of these buildings, most of which are currently facing the threat of demolition, the housing policies of the period, the architects who designed the buildings, the user profiles of the buildings, and the living\/housing cultures offered by the buildings are also the focus of this study.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe articles in this book were written as a result of research and data obtained within the scope of the Tübitak Project titled \"Civil Architectural Cultural Heritage in Ankara Between 1930-1980: Research, Documentation and Development of Conservation Criteria\", in which Nuray Bayraktar served as the project manager, Bülent Batuman, Umut Şumnu and Tezcan Karakuş Candan as researchers, and Ece Akay, Elif Selena Ayhan Koçyiğit, Yeşim Uysal and Emine Çiğdem Asrav as scholarship recipients.\u003c\/span\u003e","brand":"Kitap Yayınevi","offers":[{"title":"Default Title","offer_id":42676679377139,"sku":"9786051051857","price":225.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/mimarlarveapartmanlari-kapak-1539768896.jpg?v=1741556137"},{"product_id":"tangul-akakinci-resme-adanmis-bir-omur-a-life-dedicated-to-painting","title":"Tangül Akakıncı: A Life Dedicated to Painting","description":"\u003cp data-mce-fragment=\"1\"\u003eYEM Yayın has published a new book titled \u003cem data-mce-fragment=\"1\"\u003eTangül Akakıncı: Resme Adanmış Bir Ömür \/ A Life Dedicated to Painting\u003c\/em\u003e, prepared with the aim of introducing the painter Tangül Akakıncı, her approach to art and painting, and her works to art-loving readers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cem data-mce-fragment=\"1\"\u003e“I always had a concern for form; of course, there was also a concern for color, but I especially wanted to create forms I was not used to seeing...”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Tangül Akakıncı is a painter who, despite starting her artistic life in the 1960s in Bedri Rahmi Eyüboğlu's workshop within the State Academy of Fine Arts, continued her art studies for over 50 years with Süleyman Velioğlu. Akakıncı, who was among the founders of the Akatünvel Art Group and passed away in 2021, expressed her understanding of art in depth in an interview with Pelin Özer years ago:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“My father was a saddler, one of the old masters. In my childhood, I often went to his shop in Eminönü, Küçükpazar, and saw various objects related to the horse world: Circassian saddles, Spanish saddles, whips, harnesses, saddlebags, stirrups... A fascinating, intriguing horse world for a child... I would examine the cutting tools my father used. Imagine a half-moon; a handled tool called a chisel, my father would cut leather with it. A very archaic form, unknown to me, never seen before. An interesting iron tool was also used to beat and thin the leather. Interestingly, what was important to me was always the tools themselves, not the process done with them. Until then, I hadn't seen other tools like these around me, nor did I see them later; such things were not part of my education. I had recorded all of them; I realized this later when forms similar to those forms appeared in my paintings... The journey began this way. The unknown always attracted my attention...\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e... I mostly observed and absorbed monumental rocks. I work in multiple layers to render the stone texture anyway; always by scraping. My father would cut, beat, and fray the leather with his cutting tool. From the beginning, I scraped the paints I worked on layer by layer with a razor blade. Unlike my father, I do the same process with paint. I work in layers, I scrape. After scraping, a new understanding of form emerges, including the composition; the painting changes from its figure to its tone. Then I scrape again, I work again. I never used any tool other than a razor blade. The master used a spatula. We always work on paper. The master would mix white glue with whiting, bring it to a certain consistency, and think about how to place the form he created in his mind on the paper with a spatula, spreading that thick paste. He would start placing colors on it; after placing the colors, if it didn't look right, he would start scraping. I don't use a spatula; I apply the paint with a brush. But when I start scraping, shovelfuls of paint come off; we are perhaps the painters who use the most paint in the world. We work in layers. How many compositions, how many layers can emerge from these, one on top of the other. We start scraping; if it didn't work, if we didn't like it, we would ruin it. Work is done, it finishes or it doesn't. There was never a measure of how long a painting takes. There were paintings we worked on for three years. After the master's death, I tried my best to protect myself. Why did I try to protect myself? From \"just good enough,\" from slacking off, and from being trendy...”\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTANGÜL AKAKINCI: A LIFE DEDICATED TO PAINTING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“... There was always a form of sensitivity that I had. Of course, there was also color sensitivity, but I especially wanted to create forms with which I was unfamiliar...”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Tangül Akakıncı is a painter who began her artistic career in the 1960s at the State Academy of Fine Arts, in the atelier of Bedri Rahmi Eyüboğlu, but she continued to work with Süleyman Velioğlu for more than 50 years. In an interview with Pelin Özer, carried out years ago, Tangül Akakıncı, one of the founders of Akatünvel Art Group who passed away in 2021, expresses her understanding of art in detail in depth.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370210210035,"sku":"9786257008501","price":490.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/TANGUL_AKAKINCI_KAPAK.jpg?v=1650286564"}],"url":"https:\/\/yemkitabevi.com\/en-us\/collections\/vitrindekiler\/yazar_aysen-eren.oembed","provider":"YEM Kitabevi","version":"1.0","type":"link"}