{"title":"YEM Publishing Books","description":"\u003cdiv\u003e\n\n\u003cp data-start=\"601\" data-end=\"781\"\u003e\u003cstrong data-start=\"601\" data-end=\"663\"\u003eYEM Publishing, the center of architectural publishing since 1968\u003c\/strong\u003e, offers one of the strongest catalogs in the industry with over 300 books in the fields of architecture, design, culture, and art. You can buy YEM Publishing books \u003cstrong data-start=\"805\" data-end=\"834\"\u003ewith the assurance of YEM Bookstore\u003c\/strong\u003e, at the most affordable prices on the market and with \u003cstrong data-start=\"874\" data-end=\"892\"\u003esame-day shipping\u003c\/strong\u003e option.\u003c\/p\u003e\n\n\n\u003c\/div\u003e","products":[{"product_id":"mimarlik-dusunmek-duslemek","title":"Thinking Dreaming Architecture","description":"\u003cp\u003eYEM Yayın, which publishes books on architecture, engineering, design, culture, art, etc., has released the long-awaited new edition of its book titled \u003cstrong\u003e\u003cem\u003eTHINKING AND DREAMING ARCHITECTURE\u003c\/em\u003e\u003c\/strong\u003e.\u003cbr\u003e\u003cem\u003eThinking and Dreaming Architecture\u003c\/em\u003e is a book prepared as a cross-section of Sema Soygeniş's practical and academic experiences, primarily for young people who have just started or are considering starting architectural education, and for anyone who wants to understand \"what architecture is.\"\u003cbr\u003e\"Being able to think about architecture should be a starting point that aspiring architects aim to reach during and after their education. Architecture, which began with the act of sheltering, has developed in connection with the history of civilization, reached the present day, and continues with new expansions. In this process, trying to understand and discuss the building, the form, and the intellectual dimension that constitutes it, is a topic that should remain on the agenda of architects who realize the architectural act and everyone who experiences it,\" says Sema Soygeniş. With this aim, in her book, she examines concepts related to architecture and architectural space in the context of the main principles of architecture, using a detailed and understandable language.\u003cbr\u003eThe book, which begins by seeking an answer to the question \"What is architecture?\", discusses and interprets concepts that can shed light on this question, such as space, geometry, form and order, aesthetics, light, movement, function, material, structure, and context, by relating them to \"architecture\" through selected examples. The book includes numerous photographs from various geographies, as well as drawing stages in the process of architectural design from idea to reality, to some extent materialize conceptual explanations and to better perceive what is explained intellectually and visually.\u003cbr\u003eSema Soygeniş expresses the importance of the concept of \"thinking about architecture,\" which also forms the basis of her book, with these words: \"Across the world, the importance of life and urban culture, in particular, is being discussed in various dimensions. This is also true for Turkey. When we look at the limited contribution of architects and urban designers to the design of cities, it becomes clear that those who should care the most about cities are the city dwellers themselves. Therefore, it is important for everyone, architect or not, to acquire the ability to perceive, question, and interpret their living environment. This process can begin by thinking about what architecture is...\"\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHO IS PROF. DR. SEMA SOYGENİŞ?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSema Soygeniş completed her secondary and high school education at Robert College. She graduated from Istanbul Technical University, Faculty of Architecture (B. Arch., M. Arch, PhD) and the University at Buffalo, School of Architecture and Planning (M. Arch). Soygeniş pursued her architectural studies in the USA between 1986 and 1995, and established her own architectural studio in 1990. She continues her professional work as a faculty member (Prof.Dr.) at Bahçeşehir University, Faculty of Architecture and Design.\u003c\/p\u003e\n\u003cp\u003eHer projects, published as monographs under the titles \u003cem\u003eYapılar+Projeler 1982-1997, Yapılar+Projeler 2\u003c\/em\u003e, have been exhibited in various professional environments in different countries. Sema Soygeniş has numerous national and international publications, in addition to her books \u003cem\u003eMimarlık Düşünmek Düşlemek, İstanbul: An Urban Commentary \/ Bir Kent Yorumu\u003c\/em\u003e, and \u003cem\u003eBoşlukta Gezinirken.. Mimari Mek\u003c\/em\u003e\u003cem\u003eâ\u003c\/em\u003e\u003cem\u003enın Öyküsü\u003c\/em\u003e.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48420617027827,"sku":"9786058043404","price":280.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/Mimarlik_Dusunmek_Kapak_10_BASKI.jpg?v=1681211618"},{"product_id":"merdivenler-dusey-sirkulasyon-acilari","title":"Stairs 18th Edition","description":"\u003cp\u003eYEM Yayın, a publisher of books on architecture, engineering, design, culture, art, etc., has released the long-awaited new edition of its book \u003cstrong\u003e\u003cem\u003eVertical Circulation Devices STAIRS\u003c\/em\u003e\u003c\/strong\u003e.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eVertical Circulation Devices Stairs\u003c\/em\u003e, prepared by Prof. Abdullah Sarı, has remained one of the fundamental reference books for architectural and design education in Turkey for over 50 years.\u003cbr\u003e\u003cbr\u003eThis book, which examines \"stairs\" as one of the most important building components, provides the most essential information on the subject for everyone who designs and produces structures, especially students and instructors of architecture, interior architecture, and civil engineering. For this reason, the book minimizes application examples and mostly explains the main factors affecting the formation, dimensioning, and arrangement of stairs.\u003cbr\u003e\u003cbr\u003eDeciding how to design building components, what precautions to take against various factors, and how to achieve a rational solution by choosing the most suitable option among alternatives requires a scientific method. However, students, in particular, should not memorize the details of building components but rather acquire the ability to consult resources when necessary and grasp the basic knowledge in this field to the extent that they will not need to recall it during the design phase.\u003cbr\u003ePrepared to serve this purpose, the book presents stairs in a simple language, covering a spectrum from their definition to their types; from step and landing dimensions to their width and slope; from load-bearing parts, cladding, and railing constructions to their structural features such as stone, reinforced concrete, wood, and metal; and from railing, handrail, and infill constructions to their graphical representations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProf. ABDULLAH SARI\u003c\/strong\u003e\u003cbr\u003eAbdullah Sarı, born in Develi in 1921, graduated from Afyon High School in 1940 and ITU Faculty of Architecture in 1946. He was appointed as an assistant at the Department of Building Science in the same faculty, passed his proficiency exam in 1949, became an associate professor in 1958, a full professor in 1968, and retired in 1988. During his 42-year tenure, Abdullah Sarı served as a faculty member at institutions such as ITU Faculty of Architecture, Maçka Technical School, Maçka Faculty of Architecture, Işık School of Architecture and Engineering, Trabzon University Faculty of Architecture, and Ankara School of Architecture and Engineering. He also held administrative positions such as Branch Chief, Department Head, Head of Division, Director, and Dean at these institutions; and won honorable mentions, second, and first prizes in architectural project competitions he entered with his colleagues.\u003cbr\u003eIn addition to \u003cem\u003eVertical Circulation Devices Stairs\u003c\/em\u003e, Abdullah Sarı's works \u003cem\u003eExterior Walls in Residential Buildings\u003c\/em\u003e and \u003cem\u003eAluminum in Building Construction\u003c\/em\u003e have also been published.\u003cbr\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48427969380595,"sku":"9786058043411","price":315.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Merdivenler.jpg?v=1686646274"},{"product_id":"mimar-sinan-neden-bir-tasarim-dehasidir","title":"Why Is Mimar Sinan a Design Genius?","description":"\u003cp\u003eYEM Yayın has published the new edition of Prof. Dr. Reha Günay's book, in which he pursued the question \"Why is Sinan a design genius?\" and shared his findings with readers. \u003c\/p\u003e\n\u003cp\u003eIn his new work, Reha Günay, who previously examined Sinan and his structures in great detail in his published books, explains the qualities that distinguish Mimar Sinan from other architects in an easily understandable language for anyone interested in Turkish and Ottoman architecture and culture, especially those just beginning their education in architecture, interior architecture, design, art, engineering, history, etc. \u003c\/p\u003e\n\u003cp\u003eIn the book, Günay briefly and clearly explains, using a \"question-answer-example\" method, who Mimar Sinan was as a \"real person\" and what kind of life he led, having been almost transformed into a fairy tale hero not belonging to this world through various legends and many exaggerated stories; what he achieved under what conditions; how he achieved this success with what methods and tools; and how he stood out from his colleagues as a result. \u003c\/p\u003e\n\u003cp\u003eReha Günay defines his reason for feeling the need to convey Mimar Sinan from this perspective as follows:\u003c\/p\u003e\n\u003cp\u003e“Many of us cannot name Ottoman architects, but there is no one who has not heard of Sinan. Everyone knows him as a great architect; even if they don't know much about Sinan, they remember at least a few rumors; they can also say that he was the architect of the Süleymaniye Mosque in Istanbul and the Selimiye Mosque in Edirne. However, it is a bit difficult to fully answer questions like, 'But why is he a great architect? What did he do to become so famous? What is his difference from other architects? Why do we call Sinan a design genius?'\u003c\/p\u003e\n\u003cp\u003eThe Ottoman Beylik was founded in 1299 and expanded rapidly. This small beylic reached the Rumelian side in 1353; until the conquest of Istanbul, it transformed from a small beylic into an empire by dominating many places in Europe, from Albania to Romania, from Greece to Bulgaria. The empire that emerged within 150 years now also had a new worldview. The first külliye built by Fatih Sultan Mehmed in Istanbul is the architectural product of this new view; it is a composition centered around the mosque and developing along its axes. This emerging building type is a cultural center befitting Eastern Rome but also Ottoman with Islamic elements. Thus begins the period of \"Ottoman Classical Architecture.\" Ottoman art would be more influenced by Greco-Roman art in later periods. Until Sinan, the Old Fatih Mosque and Bayezid Mosque shaped Ottoman Classical Architecture as successful examples carrying these influences.\u003c\/p\u003e\n\u003cp\u003eSinan grew up in such an architectural environment, developed himself as a good observer and thinker, and transitioned from military service to architecture. With a conscious analysis and thought system, he elevated the existing architectural art to great heights with the innovations he created over 50 years and captivated his surroundings. The new principles he introduced to architecture were adopted after him; mosques like Cerrahpaşa, Sultan Ahmed, Yeni Cami, Yeni Fatih, and külliyes like Üsküdar Yeni Valide, Eyüp Sultan, Hekimoğlu Ali Paşa, virtually continued to keep Sinan alive for another 150 years. Therefore, today, we find it difficult to pinpoint Sinan's individual contributions to architecture. However, if we had lived in Sinan's era, we would have been more surprised by each innovation he brought to architecture and admired his works even more than we do today. In this book, we will try to highlight the aspects that made Sinan stand out from his colleagues by touching on these topics...”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWHO IS SINAN?\u003c\/p\u003e\n\u003cp\u003eWho is Mimar Sinan?\u003c\/p\u003e\n\u003cp\u003eIn What Kind of Environment Did He Live?\u003c\/p\u003e\n\u003cp\u003eHe Is in Harmony with All Segments of Society\u003c\/p\u003e\n\u003cp\u003eHe Served as Chief Architect for Exactly 50 Years\u003c\/p\u003e\n\u003cp\u003eHe Is the Architect Who Produced the Most Works\u003c\/p\u003e\n\u003cp\u003eHe Is a Good Urban Planner\u003c\/p\u003e\n\u003cp\u003eHe Planned the Largest Külliyes\u003c\/p\u003e\n\u003cp\u003eHe Is the Architect Who Created Istanbul\u003c\/p\u003e\n\u003cp\u003eHE IS A GENIUS BECAUSE...\u003c\/p\u003e\n\u003cp\u003eHe Is a Good Work Scheduler\u003c\/p\u003e\n\u003cp\u003eHe Is a Good Observer and Analyst\u003c\/p\u003e\n\u003cp\u003eHis Designs Are Analytical and Scientific\u003c\/p\u003e\n\u003cp\u003eHe Is Diligent, Determined, and Disciplined\u003c\/p\u003e\n\u003cp\u003eHe Knows Building Economics Well\u003c\/p\u003e\n\u003cp\u003eHe Provided Ornament-Free; Speed and Economy\u003c\/p\u003e\n\u003cp\u003eHe Knows Site Selection Well and Accurately Assesses Topography\u003c\/p\u003e\n\u003cp\u003eHe Defines Building Hierarchy Well\u003c\/p\u003e\n\u003cp\u003eHe Has Always Been on the Side of Safety\u003c\/p\u003e\n\u003cp\u003eHe Is a Good Water Engineer\u003c\/p\u003e\n\u003cp\u003eHe Brought Innovations to Traditional Architecture\u003c\/p\u003e\n\u003cp\u003eHe Added Uniqueness and Innovation to Every Structure\u003c\/p\u003e\n\u003cp\u003eHe Transformed Masonry Structures into Framed Construction Systems\u003c\/p\u003e\n\u003cp\u003eHe Reconciled Structure and Space; Developed the Centralized Plan\u003c\/p\u003e\n\u003cp\u003eSinan's Mosques Are Brighter\u003c\/p\u003e\n\u003cp\u003eHe Wrote a Symphony of Domes\u003c\/p\u003e\n\u003cp\u003eHe Found Civilized Solutions for Social Functions\u003c\/p\u003e\n\u003cp\u003eIN CONCLUSION...\u003c\/p\u003e\n\u003cp\u003eAfter So Many Structures, He Developed the Ambition to Surpass Hagia Sophia\u003c\/p\u003e\n\u003cp\u003eHe Is a Universal Architect, Not a Local One\u003c\/p\u003e\n\u003cp\u003eHe Is Aware of Having Done Important Work\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208407795,"sku":"9786058043428","price":175.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/Mimar_Sinan_Neden_Tasarim_Dehasidir_ONKAPAK_3BASKI.jpg?v=1637049907"},{"product_id":"kultur-mirasini-koruma-ilke-ve-teknikleri","title":"Principles and Techniques of Cultural Heritage Conservation - 5th Edition","description":"\u003cp\u003eYEM Yayın has published \u003cb\u003e\u003ci\u003eKültür Mirasını Koruma İlke ve Teknikleri\u003c\/i\u003e\u003c\/b\u003e (Principles and Techniques for the Conservation of Cultural Heritage), the new book by Prof. Dr. Zeynep Ahunbay, one of Turkey's and the world's leading figures in cultural heritage, conservation, and restoration. This book serves as a complementary work to her earlier publication, \u003ca href=\"https:\/\/www.yemkitabevi.com\/tarihi-cevre-koruma-ve-restorasyon\" target=\"_blank\"\u003e\u003cb\u003e\u003ci\u003eTarihi Çevre Koruma ve Restorasyon\u003c\/i\u003e\u003c\/b\u003e\u003c\/a\u003e (Historical Environment Conservation and Restoration), which is a fundamental reference for architecture schools in Turkey.\u003c\/p\u003e\n\n\u003cp\u003eIn her new book, \u003cb\u003e\u003ci\u003eKültür Mirasını Koruma İlke ve Teknikleri\u003c\/i\u003e\u003c\/b\u003e, Prof. Dr. Zeynep Ahunbay examines international principles and approaches developed to guide contemporary conservation practices, while also attempting to explain the scientific infrastructure that needs to be established. Zeynep Ahunbay summarizes her reasons for preparing the book, which shares information to help identify historical structures, diagnose their ailments, and make correct choices based on conservation principles, using selected national and international examples:\u003c\/p\u003e\n\n\u003cp\u003e\u003ci\u003e“A mobilization is underway for the protection of our country's rich cultural heritage. In addition to the responsible state institutions, municipalities and non-governmental organizations are providing resources for the conservation of cultural assets. The public's embrace of cultural heritage, their interest in conservation, and the voluntary, conscious efforts being made are positive developments. Our wish is that repairs undertaken with good intentions are supported by knowledge and carried out with care and patience by qualified teams, leading to successful results.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003ci\u003eRestoration is not a simple repair job carried out with stereotypical knowledge and ordinary craftsmanship. To achieve success, interdisciplinary teams with systematic knowledge and analytical observation skills must be employed. The planning of conservation actions, the management and monitoring of implementations require professional experience and expertise. Just as a physician who does not know anatomy is not authorized to perform surgery on people, a cultural heritage should not be entrusted to an architect or engineer who does not possess knowledge about the layers and components of a historical settlement, who is unfamiliar with traditional building materials, techniques, historical building types, structural systems, or who cannot \"read\" the historical structure before them.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003ci\u003eThe conservation of cultural heritage is a subject that requires knowledge and experience. It is important for young architects and engineers to prepare for the problems they will encounter in the field, and to acquire the ability to examine issues with scientific methods and evaluate them with a critical perspective. The habit of meticulously examining and evaluating options must be acquired. I wish success to the young people who are drawn to the field of cultural asset conservation, which must be approached and studied with knowledge, patience, care, and love.”\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cb\u003e\u003ci\u003eKültür Mirasını Koruma İlke ve Teknikleri\u003c\/i\u003e\u003c\/b\u003e consists of main sections such as “Institutions Carrying Out Conservation Practices in Turkey; Their Areas of Authority and Working Methods,” “International Principles Regarding Conservation Techniques,” “Fundamental Principles in Conservation Education,” “Conservation Techniques,” and “Conservation of Archaeological Sites.” Additionally, the “International Charters, Principles, Documents, Declarations, and Guidelines” and “Glossary” sections provided at the end of the book serve as a guide for those who wish to gain detailed information on cultural heritage conservation.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208145651,"sku":"9786058043435","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058043435.jpg?v=1616017673"},{"product_id":"temel-tasarim","title":"Fundamentals of Design","description":"\u003cp\u003eYEM Yayın has published a new book titled \u003cstrong\u003e\u003cem\u003eBasic Design\u003c\/em\u003e\u003c\/strong\u003e, which aims to serve as a fundamental and preparatory resource in the academic programs of higher education institutions offering fine arts, architecture, and design education.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe book \u003cstrong\u003e\u003cem\u003eBasic Design\u003c\/em\u003e\u003c\/strong\u003e evaluates the purpose, function, and current understanding of “Basic Design” education through a historical projection, from the Bauhaus, where it first appeared in the curriculum, to the present day.\u003cbr\u003eThe fundamental dynamic of science and art is formed by the interaction of human beings, the subject of these fields of activity, with objects. In this context, the book addresses the human potentials that are decisive in comprehending objects and in all existential endeavors, as well as the perception mechanisms and their functioning that form the basis of creative actions. Among all perceptual inputs, visual perception, which has the highest proportion, is examined in detail for its foundational role in the visual arts. \u003cbr\u003eThe book aims to present “Basic Design” education as an essential discipline that, by its very nature, opposes rules, prejudices, traditional and conventional educational approaches, and instead prepares for the future and requires continuous renewal. Basic concepts are discussed in a way that avoids rigid definitions or prescriptive guidelines, and examples are chosen solely for their explanatory value in illustrating the subject.\u003cbr\u003eProf. Dr. Ali Seylan, the author of the book, which aims to assist young people beginning their art and design education at the very start of the process, states the following in summary:\u003cbr\u003e“Art education is seen as a complex process determined by the unique aspects of art, and the subjective dimensions of art educators and students. This multifaceted environment in which it must develop turns art education into a problematic area. The 'Basic Design' course, which serves as an introduction\/starting point for art education, has the identity of a discipline that aims to provide students with theoretical and practical foundational gains for the future. An educational activity, regardless of the characteristics of the individual, group, or mass it targets, and their levels of readiness, is expected to fulfill the functions of progressively ensuring knowledge acquisition, skill acquisition and development, and the acquisition of attitudes, behaviors, and dispositions where the gains from previous stages form a special value and direction. Therefore, the aim is for students who undergo this process to be able to develop a systematic approach to art and artistic problems with these fundamental gains, and to see their connections with the gains of other courses.”\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eCONTENTS\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePART I\u003c\/strong\u003e - \u003cstrong\u003eBASIC DESIGN EDUCATION\u003c\/strong\u003e 16\u003cbr\u003eDefinition of Basic Design Course 22\u003cbr\u003eRationale and Aims of the Basic Design Course within the Framework of General Objectives of Art Education 24\u003cbr\u003eBASIC DESIGN EDUCATION PRACTICES DURING THE BAUHAUS PERIOD 32\u003cbr\u003eItten’s Basic Design Education Practices 32\u003cbr\u003eAlbers-Nagy and Basic Design Education Practices 36\u003cbr\u003eKlee-Kandinsky and Basic Design Education Practices 40\u003cbr\u003eRussian Industrial Art Schools: VKHUTEMAS, a Parallel Development and Interaction with Bauhaus 44\u003cbr\u003ePOST-BAUHAUS DEVELOPMENTS 46\u003cbr\u003eBlack Mountain College 46\u003cbr\u003eChicago (New Bauhaus) School 47\u003cbr\u003eGestalt School\/Ulm School of Design 48\u003cbr\u003eReflections of Bauhaus and the Art Education Movement on Our Education System 49\u003cbr\u003e\u003cstrong\u003ePART II - HUMAN'S INTERNAL DYNAMICS \/ NATURAL ENDOWMENTS AS THE SUBJECT OF DESIGN EFFORT\u003c\/strong\u003e 57\u003cbr\u003eDevelopment of Analytical Thinking Ability and Creativity 65\u003cbr\u003ePhenomenon of Consciousness: Impression-Sensation-Perception-Consciousness 67\u003cbr\u003eMental Processes and Cognition 74\u003cbr\u003eCognition-Affection and Thinking 78\u003cbr\u003eConvergent and Divergent Processes in Cognitive Skills 79\u003cbr\u003eConvergent and Divergent Thinking Abilities 79\u003cbr\u003eCreation in the Context of Perception-Imagination and Thinking 80\u003cbr\u003eLearning-Teaching Equation in the Development of Analytical Thinking Ability and Creativity 81\u003cbr\u003eEducator Profile for Creative Problem Solving 84\u003cbr\u003e\u003cstrong\u003ePART III\u003c\/strong\u003e - \u003cstrong\u003ePHYSIOLOGICAL AND PSYCHOLOGICAL FOUNDATIONS OF VISUAL PERCEPTION\u003c\/strong\u003e 92\u003cbr\u003ePHYSIOLOGY OF VISUAL PERCEPTION 92\u003cbr\u003eBINOCULAR SYSTEM AND DEPTH PERCEPTION 94\u003cbr\u003ePERCEPTUAL ORGANIZATION 100\u003cbr\u003eLIGHT-SHADOW RELATIONSHIP IN THE COMPREHENSION OF SPACE 111\u003cbr\u003eCOLOR SENSATION 112\u003cbr\u003eColor Theories 113\u003cbr\u003eColor Mixing Methods 117\u003cbr\u003eContrast Theory and Relativity in Color 121\u003cbr\u003eColor Perception as a Process of Meaning-Making 124\u003cbr\u003e\u003cstrong\u003ePART IV\u003c\/strong\u003e - \u003cstrong\u003eMETHODOLOGICAL AND THEORETICAL PROPOSALS FOR THE IMPLEMENTATION OF THE BASIC DESIGN COURSE\u003c\/strong\u003e 127\u003cbr\u003ePoint 127\u003cbr\u003eLine 137\u003cbr\u003eSurface 143\u003cbr\u003eForm 146\u003cbr\u003eColor 162\u003cbr\u003eCATEGORIES OF VISUAL EFFECT IN THE PERCEPTION PROCESS 176\u003cbr\u003eMovement\/Motion 176\u003cbr\u003eRhythm 179\u003cbr\u003eBalance 180\u003cbr\u003eHarmony\/Cohesion\/Accord 183\u003cbr\u003eBIBLIOGRAPHY 193\u003cbr\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370210504947,"sku":"9786058043442","price":490.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058043442.jpg?v=1616017675"},{"product_id":"anilarla-son-50-yilin-mimarlik-ve-planlama-pratigi","title":"Architecture and Planning Practice Over the Last 50 Years Through Memories","description":"\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: Arial;\"\u003eProf. Dr. Ahmet Alkan's new book, published by YEM Yayın, draws attention to the mistakes he encountered or witnessed during his almost 50-year professional life in various capacities such as a freelance architect-urban planner, manager, contractor, faculty member, mayoral advisor, member of parliament, mayoral candidate, and party founder.\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size: 11pt; font-family: \" open sans cambria\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003eProf. Dr. Ahmet Alkan, who defines dreaming as the most productive source that nourishes his identity as an architect, is a practitioner who sees producing architectural projects as the meaning of life, draws throughout his life, and builds whenever he has the opportunity; a teacher... However, in this work, Ahmet Alkan goes beyond a chronological presentation of his architectural projects or urban-scale planning efforts and draws attention to the mistakes he encountered or witnessed during his almost 50-year professional life, stating the following:\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 11pt; font-family: \" open sans cambria\u003e“Knowing, discussing, and preventing these is the first and foremost of the indispensables for the future of our country and our children, or it is our duty to them...\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003ci\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003eThe fact that a significant portion of the experiences that directly concern public administration and fall within the framework of moral and ethical values, but can only be discussed and resolved within the norms of an effective \"rule of law,\" involve living individuals, and the impossibility of documenting events, most of which occurred between two people, could have created significant legal problems. However, not telling these events, which reveal the significant consequences of whether \"public justice\" and freedom of enterprise exist in a country, would mean condoning the continuation of the same distorted and unfair system. So, what should I have done?\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003ci\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003eI was able to answer this question without excluding \"what I drew,\" which should also be at the core of the work, as follows: This work should contain \"lesson-like\" memories and events that I found important from my professional life. The scale of the project was not important. By doing this, I would have provided clues about what I drew and also kindly remembered my friends who contributed positively to this process and became part of it. Using real names in these sections was also a gesture of appreciation.\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003ci\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003eBy sharing the stories of the beginning, design, continuation, or termination of projects I considered important, I thought I could help my colleagues and students draw a roadmap for a career path in the profession. As the elders say, \"To try what has been tried is foolishness.\" Or, \"A Muslim is not bitten twice from the same snake hole...\" There was no problem in using real names in these sections, which prioritize experiences, both good and bad.\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003ci\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003eI also did not hesitate to record events that could be inferred from the event-place-time triangle, without naming individuals, in cases where documentation could be based on archive records. In fact, one of the primary purposes of this work should have been to record such events.\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003ci\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003eIn the few events that occurred between two people and which I firmly believed I had to narrate, I chose not to use real names and to make innocent (!) or necessary distortions, making it impossible to identify names from the event-place-time analysis, as much as possible. I accepted this as a responsibility incumbent upon me by my position, to write about certain examples that younger generations might encounter.\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003ci\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003eI hope that these experiences, for which heavy prices have been paid, will make a small but positive contribution to my esteemed colleagues who come after me and to all people. This will be the greatest source of happiness that will give meaning to my life.”\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size: 11pt; font-family: \" open sans cambria\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size: 11pt; font-family: \" open sans cambria\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cb\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003eTABLE OF CONTENTS\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e009\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-family: \" open sans\u003eForeword\u003c\/span\u003e\u003c\/b\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e013\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-family: \" open sans\u003ePresentation\u003c\/span\u003e\u003c\/b\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin-top:4.3pt;margin-right:0cm;margin-bottom:0cm;margin-left:0cm;margin-bottom:.0001pt\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 11pt; font-family: \" open sans cambria\u003eA Young Man at the Beginning of the Road\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e021\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eFirst Project\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e022\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eMaster X; Our Lesson is Trust\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e024\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eAn Office in Osmanbey\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e026\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eA Real Architecture Office\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e029\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eReturn\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e032\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eA New Lane\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin-top:4.3pt;margin-right:0cm;margin-bottom:0cm;margin-left:0cm;margin-bottom:.0001pt\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 11pt; font-family: \" open sans cambria\u003eAcademic Life and...\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e038\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eLaw No. 775 and the Period of Cooperatives\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e042\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eImplementation Project in Four Hours (!)\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e044\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eBuilding One's Own House or Father's House\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e046\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eUncle's House Concurrent with Father's House\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e048\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eYear of Coup and Illnesses\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e051\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eI am also a Cooperative Member\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e055\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eNew Era\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e056\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eFirst Experience in Revolving Fund\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e058\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eReflections of Opening Up to the World\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e062\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eÜçler Planning-Construction is Established\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e066\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eMan at the Crossroads\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e068\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eContinuing Academic Life\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin-top:4.3pt;margin-right:0cm;margin-bottom:0cm;margin-left:0cm;margin-bottom:.0001pt\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 11pt; font-family: \" open sans cambria\u003ePeriod of Intensity and Fatigue\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e073\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eOBA Project\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e074\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eSS Hayat Housing Cooperative\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e079\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eKonya Treasury Building\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e085\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eBidding Process or What You Feared…\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e086\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eConstruction Phase\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e091\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eGreat Wheat Market\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e095\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eLandlocked Man's Sea Adventure\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e100\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eSerik \/ Holiday Villages\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin-top:4.3pt;margin-right:0cm;margin-bottom:0cm;margin-left:0cm;margin-bottom:.0001pt\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 11pt; font-family: \" open sans cambria\u003eProblems in the Exercise of Authority are Growing\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e105\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eExercise of Authority Deviates from its Purpose\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e106\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eFirst Example from Konya\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e110\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eRing Road Adventure\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e118\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eAnkara Experience\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e119\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eYaşamkent\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e125\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eDarling of the New Capital Class\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e127\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eYaşamkent Land\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e129\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eBeytepe Project\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e134\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eKonya-Safir Construction Period\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e135\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eYeşilköy and Çamlıca Housing Cooperatives\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e138\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eEnd of a Success Story\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin-top:4.3pt;margin-right:0cm;margin-bottom:0cm;margin-left:0cm;margin-bottom:.0001pt\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 11pt; font-family: \" open sans cambria\u003eUniversity Campuses\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e143\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eArchitecture in the Footsteps of Crisis or…\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e144\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eBurdur Mehmet Akif Ersoy University\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e144\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eHoneymoon\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e146\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eDream Campus Overlooking the Lake\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e152\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e Every Dean Has A Faculty!\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e156\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e Burdur Second Act: MAKÜ Mosque\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e162\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eArdahan University\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e162\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e Site Selection\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e166\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e Planning Process\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e170\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e The Architect Rector Is Here Again\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e173\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eGümüşhane University\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e174\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e Faculties on the Goat Path!\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e175\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e The Expected End\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e177\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eKonya University\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin-top:4.3pt;margin-right:0cm;margin-bottom:0cm;margin-left:0cm;margin-bottom:.0001pt\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 11pt; font-family: \" open sans cambria\u003eFinal Period\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e185\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eDilovası Small Industrial Site\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e185\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e Old Friend…\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e187\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e …New Project\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e193\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e The Table Is Changing\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e199\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eYEBAM-YEBAV\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e200\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e Two Buddy Architects\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e206\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e The City's Dreams \/ My Dreams\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e208\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003eMevlana and Shams \u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e208\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e 13th Century Konya as a Plateau and Tourism City\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e209\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e Mevlana Again\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e210\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e A Strange Contract\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e211\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e Core Staff\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e212\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e Site Selection\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e214\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e Agreed Principles\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e215\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cspan style=\"font-family: \" open sans\u003e Planning Studies\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin-top:4.3pt;margin-right:0cm;margin-bottom:0cm;margin-left:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e221\u003c\/span\u003e\u003cspan class=\"gmail-apple-tab-span\" style=\"font-family: \" open sans\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-family: \" open sans\u003eConclusion\u003c\/span\u003e\u003c\/b\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 11pt; font-family: \" open sans cambria\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 11pt; font-family: \" open sans cambria\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cb\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003eAHMET ALKAN\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003eBorn in Ahırlı, Konya in 1954. Master architect and urban planner. Scientist and politician. At the same time, a practitioner who considers architectural project production as the meaning of life, drawing in every period and constructing whenever he finds an opportunity. In his academic career, which began in 1978, he published numerous papers and articles, participated in seminars and conferences, and organized national and international symposiums. He also prepared the journal (ICONARP) for publication and led the establishment of the Selçuk University Faculty of Architecture, where he served as founding dean (2012-2018), and making it institutionally identifiable was among the important goals of his life. Ahmet Alkan, who sees dreaming as the most fertile source nurturing his architectural identity, has also engaged in poetry and literature.\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003cu\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003eOther books by the author:\u003c\/span\u003e\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\u003cp style=\"margin:0cm;margin-bottom:.0001pt\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 11pt; font-family: \" open sans cambria\u003ePrinciples of Historical Environment Planning\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size:11.0pt;font-family:\" cambria\u003e\u003cspan style=\"font-family: \" open sans\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370205720819,"sku":"9786058043459","price":84.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058043459.jpg?v=1616017676"},{"product_id":"osmanli-payitahti-edirne","title":"Edirne, the Capital of the Ottoman Empire","description":"\u003cbr\u003eIn \u003cem\u003eEdirne, the Ottoman Capital\u003c\/em\u003e, the architectural, cultural, and social characteristics of Edirne are revealed through works from all past periods of the city, with the vast majority being Ottoman. The aim is also to present this ancient city as a whole, approaching it with a historical perspective looking back at the past.\u003cbr\u003eThe fact that the end of the Ottoman Empire, especially at the beginning of the 20th century, and almost all of its political, social, and tangible consequences occurred in Edirne itself, indicates the significant role the city plays for our country, history, and culture.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIn the book, the city is examined at three main settlement and building scales: \"Edirne City Center\", \"Old Outer Regions\", and old neighborhoods, streets, and residences in \"New Inner-City Regions\". Since there are numerous monumental works and examples of civil architecture with historical and architectural value in these settlement areas, only the very important, well-known, non-ruined, and restored ones could be included. The majority of these works consist of important külliyes, mosques, madrasahs, caravanserai, bridges, synagogues, churches, official buildings, Turkish baths, fountains, tombs, historical avenues, streets, and houses and mansions.\u003cbr\u003eIn \u003cem\u003eEdirne, the Ottoman Capital\u003c\/em\u003e, the short histories of the city's neighborhoods, the construction dates of architectural works, their architectural characteristics, the physical and functional changes they have undergone, their socio-cultural backgrounds, aesthetic values, and their architectural design and planning accumulations are presented in a holistic manner.\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209390835,"sku":"9786058043466","price":154.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058043466.jpg?v=1616017678"},{"product_id":"gecmisten-gelecege-yasam-dunyalari-ve-mekanlar","title":"Life Worlds and Spaces: From Past to Future","description":"YEM Yayın has published Dr. Nurderen Özbek’s book titled \u003cstrong\u003e\u003cem\u003eLife Worlds and Spaces from Past to Future – The Kastamonu Experience\u003c\/em\u003e\u003c\/strong\u003e, in which she approaches architecture as “a phenomenon that reflects the traces, values, social and cultural memory of human existence; and encompasses humans with their past, memories, and future.”\u003cbr\u003eNureren Özbek, whose work meticulously uncovers the impact of daily life traces on the formation of settlement textures with their streets, gardens, and houses, aims to outline a sustainability that preserves the traces of the past without hindering contemporary life, rather than merely protecting the texture as a physical shell. She describes the process as follows:\u003cbr\u003e“On this journey I embarked upon to discover Kastamonu, my hometown, from a different perspective, the feelings evoked by the disappearances in the traditional texture led me to the realization that these feelings could not merely be attributed to the loss of the physical structure of “street-garden-house”; in fact, the lives within them shaped the texture and elevated it beyond the ordinary, directing me towards human existence, memory, and culture. The living environments shaped by the unique consciousness structures and values of different societies, communities, and individuals revealed the different layers, diversity, and harmony within this diversity that constitute the texture; valuable conversations during oral history studies revived the city’s fading memory and showcased the changes in the urban texture. While experiencing the city through its dimension of life, perceiving the settlement texture through distant and near observations allowed me to identify characteristic elements specific to the place.”\u003cbr\u003e \u003cbr\u003eThe opinions of the doyens of Turkish architectural education, who have closely followed and observed the study from its inception, regarding the book are as follows:\u003cbr\u003e \u003cbr\u003e“…..Intervening in a place also means intervening in people, established lives, memories, and certain accumulations. This shows that the discourse of today's architecture can no longer be limited to the object of architecture. It is essential to conceptualize and analyze architecture as inherent to people and lives, as much as to the place. We urgently need the construction of such knowledge. It is clear that knowledge of a kind of open-endedness and spontaneity not present in the existing knowledge of architecture, rather than existing forever and stopping time, but including the dimensions of existence-sustainability-perhaps extinction, and change with life, can contribute to the existing knowledge of architecture.\u003cbr\u003eIn this sense, Nurderen Özbek has pursued a very valuable research, but this is also a very challenging path. It is more a quest for how to approach the values we possess, rather than searching for a recipe of what to do. It is an important study in terms of opening the door to new quests that are not hasty and rent-driven, but patient, careful, extended over time, and aware of how different lives build space.”\u003cbr\u003e\u003cstrong\u003e-Prof. Dr. Belkıs Uluoğlu\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e“In the work, where the subject is visualized using numerous drawings and photographs, examples from different historical cities of the world are provided, and at the same time, settlement examples from Anatolia spanning from antiquity to the present day are emphasized. Subsequently, in the study that turns its face to Kastamonu, this city, whose history dates back thousands of years, is comprehensively revived with accompanying drawings and pictures. The author also incorporates literature into her style when she deems it necessary, thus creating a work that communicates with other scientific disciplines; while examining the quietly disappearing wooden buildings and other historical structures of cities, she also draws upon human sciences such as sociology, psychology, and philosophy. After describing living spaces, she seeks solutions for this depletion and destruction in cities, and questions what needs to be done.”\u003cbr\u003e\u003cstrong\u003e-Prof. Dr. Sakine Eruz\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e“Works of art are tangible reflections of the culture a society has created throughout its past life. Architecture, on the other hand, is defined as the field where cultural accumulation is most concretely embodied and manifested within artistic activities. A painting or a sculpture can reach a limited number of people. However, architectural products can reach all segments and individuals of society; they can be perceived and experienced by everyone.\u003cbr\u003eArchitecture is not merely about producing singular structures. Buildings with different functions come together through voids such as streets, gardens, and squares to form settlements – cities. Therefore, the city is where everything human, \"culture,\" can be perceived most widely in all its dimensions. Multi-layeredness and diversity are found in almost every city. This diversity must absolutely be preserved and sustained. \u003cbr\u003eIn this context, in her book \"Life Worlds and Spaces from Past to Future,\" Dr. Nurderen Özbek states that the concept of \"conservation\" does not only mean protecting physical structures, spaces, and productions, but also protecting life data. In her book, where she addresses the concepts of \"structure-life coexistence, documentation of the life dimension, and the protection of urban memory in all its dimensions,\" Özbek successfully demonstrates that architectural-cultural heritage is not only composed of tangible structures, that there are intangible values behind what is visible, using Kastamonu, perhaps one of the most suitable cities for such research, as a laboratory.”\u003cbr\u003e\u003cstrong\u003eProf. Dr. Kutgün Eyüpgiller\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eCONTENTS\u003c\/strong\u003e\u003cbr\u003e06 Foreword\u003cbr\u003e08 Presentation\u003cbr\u003e10 Author’s Foreword\u003cbr\u003e\u003cstrong\u003e12\u003c\/strong\u003e \u003cstrong\u003eIntroduction\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e18\u003c\/strong\u003e \u003cstrong\u003eHome and Life Values in Sustainability\u003c\/strong\u003e\u003cbr\u003e20 Traces of Life in Settlement Design\u003cbr\u003e22 Human Existence\u003cbr\u003e23 Memory\u003cbr\u003e25 Culture\u003cbr\u003e27 Anatolian Housing Settlements in the Context of Life\u003cbr\u003e27 Cultural Stratification and the Phenomenon of Settlement\u003cbr\u003e32 The Impact of Vital Transformation on Housing Settlements and New Settlement Quests\u003cbr\u003e\u003cstrong\u003e40\u003c\/strong\u003e \u003cstrong\u003eStudies Conducted to Ensure the Sustainability of Urban Housing Settlements\u003c\/strong\u003e\u003cbr\u003e41 Conceptual\/Theoretical Approaches\u003cbr\u003e41 Conservation Approaches\u003cbr\u003e42 Sustainability Approaches\u003cbr\u003e44 Methods Applied in the Context of Sustainability \/ Conservation of Traditional Housing Settlements\u003cbr\u003e47 Legal Regulations Regarding the Preservation of Values Pertaining to Human Existence that Constitute Civil Architecture and Civil Life\u003cbr\u003e47 International Organizations and Statutes\u003cbr\u003e49 Laws, Organizations, and Studies Applied in Turkey\u003cbr\u003e50 Examples of Cities That Can Sustain Life Values with Their Original Texture\u003cbr\u003e50 Bath, England\u003cbr\u003e54 Asmara, Eritrea\u003cbr\u003e60 Bologna, Italy\u003cbr\u003e\u003cstrong\u003e68\u003c\/strong\u003e \u003cstrong\u003eA Method Based on the Concept of “Life World” and Housing Settlements\u003c\/strong\u003e\u003cbr\u003e74 Street\u003cbr\u003e76 Garden\u003cbr\u003e78 House\u003cbr\u003e80 Evaluation of the Method Through the Kastamonu Example\u003cbr\u003e\u003cstrong\u003e82\u003c\/strong\u003e \u003cstrong\u003eKastamonu\u003c\/strong\u003e\u003cbr\u003e92 Factors Affecting the Design of the City’s Housing Settlements\u003cbr\u003e94 Kastamonu from a Time Perspective\u003cbr\u003e102 Social Structure\u003cbr\u003e110 Administrative Decisions\u003cbr\u003e115 Conservation Efforts in the City\u003cbr\u003e120 Analysis of Kastamonu’s Traditional Housing Settlements Through Four Streets\u003cbr\u003e125 Saray Cami Street-Yıldırım Street-İzbe Street Line\u003cbr\u003e145 Kırkçeşme Avenue\u003cbr\u003e160 Baba Street\u003cbr\u003e177 Kuleli Street\u003cbr\u003e188 Findings\u003cbr\u003e193 Kastamonu Sustainability Analysis Results and Recommendations\u003cbr\u003e\u003cstrong\u003e200\u003c\/strong\u003e \u003cstrong\u003eConclusion\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e206 References\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e213 Appendices\u003c\/strong\u003e\u003cbr\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370206966003,"sku":"9786058043473","price":245.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058043473.jpg?v=1616017680"},{"product_id":"nazim-hikmet-in-mimarliga-bakisi","title":"Nâzım Hikmet’s Perspective on Architecture","description":"\u003cp\u003e\u003ci\u003eNâzım Hikmet's Perspective on Architecture\u003c\/i\u003e, penned by Cengiz Bektaş, is a very special study that reveals Nâzım Hikmet's views on architecture... In the book, which will particularly interest people in both culture and literature, as well as architecture and design, Cengiz Bektaş attempts to look at Nâzım, who defined architecture as \"the most advanced of the existing fine arts,\" from the perspective of an architect and a poet.\u003cbr\u003e\u003cbr\u003eCengiz Bektaş, aiming to reveal Nâzım Hikmet's thoughts on architecture by examining his expressions in different publications, under completely different conditions, geographies, and periods, summarizes his findings as follows:\u003cbr\u003e\u003cbr\u003e\"It is natural that there is no fundamental contradiction in Nâzım Hikmet's writings on both literature and architecture. It is possible for people in both fields to draw lessons from this. But as a result of my work, with inner peace, it can be said that Nâzım Hikmet was a consistent artist in every aspect... And that he looked at architecture, as he did at all other branches of art, with integrity, sincerity, and in terms of its usefulness to humanity...\u003cbr\u003e\u003cbr\u003eLike all true artists, Nâzım Hikmet always believed in the future. He always fought for enlightenment. Without ever compromising his humanity or his joy for life... He directed individual love towards society... What he said and what he did were one and the same. His art and his life completely coincided. Like Yunus, like Pir Sultan, he fought for what he believed in throughout his life, both inside and outside...\"\u003cbr\u003e\u003cbr\u003eNâzım Hikmet, who was born on January 15, 1902, and passed away 53 years ago on a June 3rd, addresses architects and \"builders\" as follows:\u003cbr\u003e\u003cbr\u003e\"...To your hands, your eyes,\u003cbr\u003eTo your paper, your compasses, greetings\u003cbr\u003eGreetings to stonemasons, carpenters, fitters\u003cbr\u003eTo those who forge iron, who pour concrete,\u003cbr\u003eTo those who cut wood, to glassmakers,\u003cbr\u003eAnd to all those who have contributed,\u003cbr\u003eEven a speck of effort to this work, greetings...\"\u003cbr\u003e-Nâzım Hikmet-\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHO IS CENGİZ BEKTAŞ?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCengiz Bektaş, born in Denizli in 1934 and whom we lost in 2020, completed his secondary education at Istanbul Boys' High School and his higher education at the DGSA Decoration, Architecture Departments, and the Faculty of Architecture at Munich Technical University. He completed his higher education in 1959. In 1960, he attended German urban planning courses. He worked as a freelance architect in Germany, where he received awards in two competitions. When he was invited as a lecturer to METU, he returned to Turkey. In the academic year 1962-63, he directed the METU Construction Works Department, Architecture Workshop for one year. In 1963, he established his own architecture workshop with Oral Vural in Ankara. Between 1963 and 1969, for only six years, he participated in architectural-urban planning competitions. He won over 25 awards. He realized structures considered among the examples of Republican era architectural history. He received the National Architecture Award twice. With the Social-Cultural Center building of Akdeniz University (Antalya), he won the International Aga Khan Award in 2001. The building of the Turkish Language Association was considered one of the twenty buildings symbolizing the Republican era by architects. In 2014, the International Mimar Sinan Award was given to Cengiz Bektaş for the first time. He also received; the 1970 TRT Short Film Award, the 1989 Macedonian Chamber of Architects Award, the 1996 Abdi İpekçi Peace Special Award, the 1998 Association of Freelance Architects Education Award, the 2002 Award for Contribution to Balkan Culture, the 2004 Romania-Azerbaijan Friendship Association's Honorary Award for Special Contribution to Romania-Turkey-Azerbaijan Cultural and Literary Relations, the 2006 Environmental Award from Ovacık (Bergama) Villagers, and the 2009 Enlightenment Honorary Award from the New Generation Village Institutes Association. Cengiz Bektaş entered literary life with his column articles in a Denizli diary in 1950. In 1954, he won first prize in a poetry competition at the DGS Academy, where Bedri Rahmi was on the selection committee. In 1960, Fazıl Hüsnü Dağlarca published Bektaş's poems for the first time in Turkey in Türkçe Dergisi. His poems have been translated into 16 languages. He has 95 works covering architecture and culture, in addition to his poetry books. He attended numerous meetings at home and abroad and presented papers. He wrote entries for encyclopedias. AWARDS IN LITERATURE: 1968 Turkish Language Association Research-Study Branch Award, 1970 TRT Single Poem Award, 1992 Den-Bir Award for Contribution to Culture and Art, 1992 Ketsav Honorary Award, 2002 I. Necati Cumalı Meeting Guest of Honor Award, 2003 Troy Poetry Award, 2004 Didim Peace Festival Honorary Award, 2005 International Ovidius (Romania) Poetry Award, 2005 Azerbaijan Writers' Union Honorary Membership, 2007 Ceyhun Atuf Kansu Poetry Award, 2010 Denizli Culture Contribution Award, 2010 Language Association Honorary Award, 2012 Dionysos Poetry Award. He served as the 2nd President of International PEN Turkey Section for a period, President of the Turkey-Greece Friendship Association for 6 years, and President of the Turkish Writers' Union for 6 years. He is an Honorary Board Member of TYS. Bektaş served as a Member of the Central Executive Board of the TMMOB Chamber of Architects for two years. He was a visiting lecturer in America, Germany, and Macedonia. He taught \"Folk Building Art\" at Eskişehir Anadolu University for one year, at Trakya University for 1.5 years, \"Art Philosophy-Art Sociology\" at Marmara University, and \"Aesthetics\" at Mimar Sinan University Faculty of Fine Arts for 10 years. Between 1999 and 2019, he taught \"The Impact of Culture on Planning\" and \"Volumes of Our Culture\" to graduate students in the Urban Planning Department at Mimar Sinan Fine Arts University. POETRY BOOKS: Person (1964) Mediterranean (1970, 1981, 1984) Purple (1974, 1986, 1999) There Were Four People and Me (1975, 1981, 1984) Heart of the Earth (1978) Earth Mad Sky Mad (1980) Zeytinli Fırın Street (1981) Autumn Hey (1983) There Were Four People and Me + My Masters (1984) Sapling (1987) All at Once (all poems, 1992) Inside of Outsides (1994) Poems by Cengiz Bektaş (USA, 1997) Water Memory (1998) Purple (all poems, 1998) Love is the Sweat of My Brow (2003) Structure of the Heart (Romania, 2005) This is the Alley Where I Didn't Wait for You (Azerbaijan, 2005) Yesterday Today (2006) Bearing and Giving Birth (2008) Lifeblood (2013) TRANSLATIONS: Sappho (with Azra Erhat, 1978, 1983) The Enchanted Cat [Fairy Tales from the Brothers Grimm] (1981) CHILDREN'S BOOKS: Big Rıza (1981, 2003, 2011) My Grandmothers' House (1989, 2005) Master and Apprentice (1989) Do It with Love (1990, 2002, 2011) How Çağıl Became Blue (1995, 2005) Bird and Bird\/Children's Poems (2011) ESSAY-STUDY BOOKS: Criticism in Architecture (1967, 1995, 2001) A Bedri Rahmi Embroidered Essay (1975, 1984, 2014) My Son Reads Building (1980, 1995, 2002) Outside the Walls is Yours Too (1982, 1987, 1991, 1995, 2002) Home or Property (1983, 1995, 2002) Whose are These Streets Squares Cities (1987, 1996, 2002) Cultural Pollution (1995, 1996, 2003) City (1995, 1996, 2003) Don't Buy a House, Buy a Neighbor (1995) Kuzguncuk, the Other Name for Tolerance (1996, 2003) Let Them Say Look Look (1998) Being or Not Being an Urbanite (1999, 2004) Table of Peace (2001) Culture of Living (2003) Know Thyself (2007) Let's Share Love (2007) Living Your City (2007) We Are the Future (2007) Everything Begins with Loving a Person (2011) Aegina, Poros, Hydra, Lesbos, Chios (2011) Love is the Beginning of All Work (2011) Denizli (2011) Istanbul (2011) Our Cultural Homeland (2011) When Love is Woven into Structure (2011) Being an Anatolian (2011) Village Without Dogs (2011) If They Don't Understand, You Can't Explain (2011) Patience and Sour Grapes (2011) City-Culture-Democracy (2011) Whose Melody is This? (2012) Summer Schools (2013) Environmentally Friendly Architecture (2013) Nâzım Hikmet's Perspective on Architecture (2013) Rhodes (2013) Rhodes (English, 2013) Mimar Sinan Writings (2013) Livable City (2013) What is an Architect, What Does an Architect Do? (2013) COMPILATION: Great Sinan (1968) STUDY BOOKS: An Example from Folk Building Art: Bodrum (1979, 1983, 1996, 2013) Antalya Houses (1980, 2005, 2013) Babadağ Houses (1987, 2005, 2013) Şirinköy Houses (1987, 2005, 2013) Akşehir Houses (1987, 2013) Conservation Repair (1992, 2001) Kuşadası Houses (1992, 2005, 2013) Architectural Marble (1993, 2005) Turkish House (1996, 2008, 2013, 2014) Seljuk Caravanserais (1999) Folk Building Art (2001) Birdhouses (2003, 2004) Saim Bugay (2005) Karacasu Houses (2008, 2013) Kayaköy\/Tersane (2008, 2013) Şirince\/Tirilye (2008, 2013) Aphrodisias (2008) Ayvalık (2009, 2013) Manisa Houses (2009, 2013) City for Everyone (2009) Saturday Meetings (TMMOB Chamber of Architects, 2010) Güre (2013) Interview with Füreya Koral (2013) Azra Erhat Letters-1 (2013) Aphrodisias (English, 2013, 2014) Being a Native (2014) Azra Erhat Letters-2 (2015) America Floors War (2015) Dust Wood Glass (2015) Volumes of Our Culture (2015) Being a Native (2015) Those Who Plunder Our Coasts (2015)\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209161459,"sku":"9786058043480","price":84.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058043480.jpg?v=1616017681"},{"product_id":"ansiklopedik-mimarlik-sozlugu","title":"Encyclopedic Dictionary of Architecture - 24th Edition","description":"\u003cp\u003eFirst published in 1975, Doğan Hasol's \u003cstrong\u003eEncyclopedic Dictionary of Architecture\u003c\/strong\u003e, a pioneering work in the establishment of a consistent architectural language in Turkey, has been made even more comprehensive with the addition of numerous entries and the expansion of many existing ones. As in previous editions, in this revised edition, the dictionary has been reorganized, incorporating new concepts, terms, and words that have emerged due to the evolving scale of architecture both globally and in Turkey. New explanatory drawings and photographs have been added to facilitate the understanding of the terms.\u003c\/p\u003e\n\n\u003cp\u003eThe Encyclopedic Dictionary of Architecture has a comprehensive and rich content, making it easily accessible not only to architects but also to those interested in architecture, art, and design, as well as professionals in related fields. For years, the dictionary has been one of the first books architecture students acquire upon entering university. The dictionary, consisting of approximately 10,000 entries, includes nearly 500 drawings and photographs to support the explanations.\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370205786355,"sku":"9786058043497","price":525.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ANSIKLOPEDIK_MIMARLIK_SOZLUK_KAPAK_23_BASKI.jpg?v=1760962965"},{"product_id":"mimarlik-denince","title":"Thinking Architecture - 4th Edition","description":"\u003cp\u003eIn \u003cem\u003eMimarlık Denince...\u003c\/em\u003e (Speaking of Architecture...), Doğan Hasol describes \"what architecture is\" in light of his nearly 60 years of experience in various fields of architecture, along with the various connections that need to be considered; he even uses contradictory examples to show \"what it is not.\"\u003cbr\u003eDoğan Hasol explains architecture in its various aspects, for aspiring architects and those interested in the subject, using simple language and structure, and reveals architecture's relationships with philosophy, art, history, technology, materials, politics, environment, city, and other disciplines. In the book, Doğan Hasol primarily answers the questions \"What is architecture? For whom is it made?\" and summarizes as follows:\u003cbr\u003e\"Architecture is one of the oldest professions in the world. However, it cannot be said that it is understood by society as it deserves. People constantly live in architectural environments: home, school, street, neighborhood, parks, cities, etc. All of these are architectural spaces, but people are often not even aware that they live in architectural spaces.\u003cbr\u003eAccording to common belief, architecture is thought to consist only of the exterior appearance of buildings; however, it encompasses a whole of spaces, from urban space to the interior of a single room.\u003cbr\u003eArchitecture is an abstract synthesis. Its components have been accepted since the 1st century BC as, in their simplest definition, 'functionality, durability,' and 'aesthetics.' For good architecture, none of these components should be at an inadequate level. For example, just like in a multiplication, if one of the components is equal to zero, the result is also zero. This is why architectural evaluation and architectural criticism are difficult; it is a matter of serious knowledge and investigation.\u003cbr\u003eIt is meaningless to comment on a building or structure with adjectives such as 'beautiful' or 'ugly,' as is often the case. Such subjective approaches may give an idea of the commentator's architectural knowledge and cultural level, but they have no value as architectural criticism of the structure.\u003cbr\u003eArchitecture develops in time and space. Architectural accumulation reveals the most concrete reflections of past periods, civilizations, and history. For example, different periods of a historical city can be read from the architectural examples that reflect them.\u003cbr\u003eThat narrative also includes the environmental and geographical features and topography of the city. Indeed, the famous architect Frank Gehry says, 'Architecture should speak of its time and place,' and adds, 'But the goal should be eternity.' Thus, architecture is the narrative of a constantly changing world; it is the multi-dimensional solidified reflection of social, political, scientific, technological, and artistic developments, and conceptual conflicts.\u003cbr\u003eTo understand what is happening in architecture, one cannot be content with looking only at the architectural products of that era; one must also look at the thought system, science, technology, industry, and art together. In fact, a true work of architecture provides information about the period in which it was made.\"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208571635,"sku":"9786058081109","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Mimarlik_Denince_ON_KAPAK.jpg?v=1697536922"},{"product_id":"projeler-yapilar-4-kultur-yapilari","title":"Projects Structures 4: Cultural Buildings","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12.0pt;\" letter-spacing:-=\"\" roman=\"\" new=\"\" times=\"\"\u003eThe fourth book in the \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt;\" color:windowtext=\"\" roman=\"\" new=\"\" times=\"\"\u003eProjects\/Structures\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt;\" letter-spacing:-=\"\" roman=\"\" new=\"\" times=\"\"\u003e series, Cultural Structures, consists of cultural, artistic, event space, and convention center structures and projects by important architects from Turkey and around the world. The book introduces 29 cultural structures realized in 17 different locations around the world, including Turkey, by 27 architects\/architectural groups in the last few years.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe projects published in the book undoubtedly do not claim to be the best works of their authors. Cultural Structures brings together cultural structures such as convention, performance, research, and youth centers; art galleries, concert, opera, theatre, and performance halls, all of which play a major role in the social, artistic, and cultural development of societies.\u003cbr\u003e\u003c\/p\u003e\n\u003cp align=\"left\" class=\"metinbeyaz\"\u003e \u003c\/p\u003e\n\u003cp\u003eThe projects, which consist of successful examples in terms of building typology, use of modern and traditional building materials, modern construction techniques, adaptation to topography, architectural and urban fabric, repurposing, etc., are presented with specially taken color photographs, site and floor plans, sections, elevations, and axonometric drawings, as well as descriptive texts explaining the projects.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 12.0pt;\" letter-spacing:-=\"\" roman=\"\" new=\"\" times=\"\"\u003eThe book Cultural Structures\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt;\" color:windowtext=\"\" roman=\"\" new=\"\" times=\"\"\u003e is not only a reference book for architects, interior designers, urban planners, urban designers, landscape architects, and civil engineers, but also a valuable resource for all architecture, interior design, and design students to examine these special projects selected from Turkey and around the world and utilize them in their own design work.\u003c\/span\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209685747,"sku":"9786058081116","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058081116.jpg?v=1616017688"},{"product_id":"projeler-yapilar-6-peyzaj-tasarimi","title":"Projects Structures 6: Landscape Design","description":"\u003cp class=\"MsoNormal\"\u003eThe sixth book in the Projects\/Structures series, Landscape Design, is a compilation of designs by prominent landscape architects from Turkey and around the world. The book presents 38 landscape designs created by 28 landscape architects\/groups in 25 different locations in Turkey and globally over the past few years.\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\"\u003eThe projects published in the book do not, of course, claim to be the best works of their authors. The Landscape Design book offers examples of landscape designs that add value to the architectural and urban fabric from functional, artistic, ecological, and other perspectives, using natural, cultural, and structural components.\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\"\u003eThe book features a wide range of landscape designs and applications at various scales, from the Değirmenaltı Square Arrangement in Alaçatı to the landscape designs of the Anadolu Comfort Hotel in Gebze, from the Banyoles Historic Center Improvement Project in Spain to the design of a mountain house garden in Lebanon, and from a sculpture garden in New Orleans to the repurposing of a disused railway viaduct in New York as a park for local residents.\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\"\u003eThe landscape designs, consisting of successful examples in areas such as building typology, use of modern and traditional building materials, modern construction techniques, harmony with topography, architectural and urban fabric, and repurposing, are presented with specially taken color photographs, site and floor plans, sections, elevations, and axonometric drawings, as well as explanatory texts describing the projects.\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\"\u003eThe Landscape Design book serves as a reference for landscape architects, architects, interior designers, urban planners, urban designers, and civil engineers. It also provides a valuable resource for all architecture, interior architecture, and landscape architecture students to study these special projects selected from Turkey and around the world and utilize them in their own design work.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003c\/ul\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209751283,"sku":"9786058081123","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058081123.jpg?v=1616017690"},{"product_id":"mimarlik-plastik-sanatlar-yaratici-surec","title":"Architecture, Plastic Arts, Creative Process","description":"YEM Yayın, a publisher of books on architecture, engineering, design, culture, art, etc., has released its new book, \u003cstrong\u003e\u003cem\u003eArchitecture, Plastic Arts, Creative Process\u003c\/em\u003e\u003c\/strong\u003e.\u003cbr\u003e \u003cbr\u003eIn his latest book, Nafi Çil shares his experiences gleaned from his architectural and artistic life, which has been enriched by its interwoven relationship with architecture and plastic arts and can be defined as “a creative process in itself.” This creative production process, which unfolds concurrently with Nafi Çil’s life story as an architect and painter, is presented in the book not only through Nafi Çil’s own accounts but also supported by the comments and opinions of highly prominent artists, academics, and writers regarding Çil’s paintings, structures, and art.\u003cbr\u003e \u003cbr\u003eIn the book, Nafi Çil presents the concept of “creative process” from a very broad perspective, as if concerned with “not overlooking anything,” and answers numerous questions such as, “Who is an artist? What is artistic activity? What is aesthetic value? Is every work of art a creation? What is the place of aesthetic rules in architectural creations? What do we mean by architecture? Which structure do we consider an architectural work?”\u003cbr\u003e \u003cbr\u003eSome prominent highlights from the thoughts and opinions presented by Nafi Çil in \u003cstrong\u003e\u003cem\u003eArchitecture, Plastic Arts, Creative Process\u003c\/em\u003e\u003c\/strong\u003e, which also features selected examples of his works and architectural structures, are as follows:\u003cbr\u003e \u003cbr\u003e\u003cem\u003e“A person with the courage to create is human by choice. And we know that all human actions are governed by values. Creative human actions also strive to achieve a purpose, a meaning, a goal. A person’s commitment or lack thereof to their work is a tangible phenomenon…”\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003e“For me, architecture is the adventure of human existence progressing and developing in every dimension. Because architecture is a battlefield for the human being in the process of evolution, after being nurtured within the aesthetic realm of existence in the field of plastic arts, to achieve genuine ‘being’… ”\u003c\/em\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208932083,"sku":"9786058081130","price":350.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058081130.jpg?v=1616017691"},{"product_id":"projeler-yapilar-3-egitim-yapilari","title":"Projects Structures 3: Educational Buildings","description":"\u003cp\u003eThe third book in the Projects\/Buildings series, Educational Buildings, features school (kindergarten, primary, secondary, university), library, special education, and research center projects by important architects from Turkey and around the world. The book showcases 30 culturally-oriented building projects carried out in the last few years by 28 architects\/architectural groups in 22 different locations worldwide, including Turkey.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe projects published in the book do not, of course, claim to be the best works of their authors. Educational Buildings brings together educational building designs where children and young people can feel free, live with joy, and benefit from the latest technology and educational opportunities.\u003c\/p\u003e\n\u003cp\u003eThe projects, which are successful examples in terms of building typology, use of modern and traditional building materials, modern construction techniques, adaptation to topography, architectural and urban fabric, repurposing, etc., are presented with specially taken color photographs, site and floor plans, sections, elevations, and axonometric drawings, as well as descriptive texts explaining the projects.\u003c\/p\u003e\n\u003cp\u003eThe Educational Buildings book is a reference book for architects, interior designers, urban planners, urban designers, landscape architects, and civil engineers, as well as a valuable resource for all architecture, interior architecture, and design students to examine these special projects selected from Turkey and around the world and utilize them in their own design work.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209652979,"sku":"9786058081147","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058081147.jpg?v=1616017693"},{"product_id":"projeler-yapilar-5-muzeler","title":"Projects Structures 5: Museums","description":"YEM Publishing, which publishes books on architecture, engineering, design, culture, art, etc., has released its book \u003cstrong\u003e\u003cem\u003eProjects\/Buildings 5: Museums\u003c\/em\u003e\u003c\/strong\u003e.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMuseums\u003c\/em\u003e\u003c\/strong\u003e, the fifth book in YEM Publishing’s “Projects\/Buildings” series, is a compilation of museum buildings by important architects from Turkey and around the world. The book presents the designs of 28 museums realized in 22 different locations in Turkey and around the world by 25 architects\/architectural groups in the last few years.\u003cbr\u003e \u003cbr\u003eThe projects published in this book are certainly not claimed to be the best works of their authors. However, this selection that makes up the book \u003cstrong\u003e\u003cem\u003eMuseums\u003c\/em\u003e\u003c\/strong\u003e presents distinguished examples of these institutions, which aim to illuminate both the present and the future by exhibiting scientific, cultural, and artistic productions created in ancient times and today, as well as underground and above-ground riches, in a broad perspective ranging from archaeology to classical and contemporary art, from beekeeping to oceanography, from automotive to aviation, from maritime to energy.\u003cbr\u003e \u003cbr\u003eThe buildings, which are successful examples in terms of building typology, use of modern and traditional building materials, modern construction techniques, adaptation to topography, etc., are presented with interior designs, specially taken color photographs, site and floor plans, sections, elevations, and axonometric drawings, as well as explanatory texts describing the project.\u003cbr\u003e \u003cbr\u003eThe book \u003cstrong\u003e\u003cem\u003eMuseums\u003c\/em\u003e\u003c\/strong\u003e is a reference book for architects, engineers, urban planners, urban designers, interior designers, and landscape designers, and also provides a valuable resource for architecture and design students to benefit from in their own design studies by examining selected projects from Turkey and around the world.\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.yemkitabevi.com\/projeler-yapilar-dizisi\"\u003e\u003cspan style=\"color:#FF8C00;\"\u003e\u003cstrong\u003eYou can access all the books in the Projects Buildings Series by clicking here.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209718515,"sku":"9786058081154","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058081154.jpg?v=1616017695"},{"product_id":"projeler-yapilar-2-ofisler","title":"Projects Structures 2: Offices","description":"\u003cp\u003eYEM Yayın's highly popular book series, \"Projects Buildings,\" has re-released its out-of-print books in a portable size and at more affordable prices, with no compromise on content.\u003c\/p\u003e\n\u003cp\u003eNew books to be added to the series will also be published in the same format, aiming to make quality books accessible to readers at a more reasonable price.\u003c\/p\u003e\n\u003cp\u003eThe second book in the \"Projects Buildings\" series, \"Offices,\" is a compilation of selected office and administrative building projects by prominent architects from Turkey and around the world. The book presents designs for 32 administrative buildings and offices, completed over the past 4 years by 26 architects\/architectural groups in 11 cities across Turkey and the world.\u003c\/p\u003e\n\u003cp\u003eUndoubtedly, the projects published here with the permission of their creators do not claim to be their best works. However, this selection brings together successful examples in terms of building typology, the use of modern and traditional building materials, modern construction techniques, adaptation to topography, and so on. The office buildings and interior designs in the book are presented with specially taken color photographs, site and floor plans, sections, elevations, and axonometric drawings, as well as descriptive texts explaining the project.\u003c\/p\u003e\n\u003cp\u003e\"Offices\" serves as a reference book for architects, engineers, urban planners, interior designers, and landscape architects, while also providing a valuable resource for architecture and design students to examine selected projects from Turkey and around the world and utilize them in their own design work.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209620211,"sku":"9786058081178","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058081178.jpg?v=1616017698"},{"product_id":"tasinmaz-mal-degerlemesi","title":"Real Estate Appraisal","description":"\u003cp\u003eYEM Yayın, a publisher of books on architecture, engineering, design, culture, art, etc., has released its new book, \u003cstrong\u003e\u003cem\u003eReal Estate Valuation\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eEspecially after the 1999 earthquake, discussions about solutions to the enormous settlement and construction problem facing our country began and are still ongoing among the academic community, practitioners, local governments, and governments. It has been discussed and accepted on every platform that the implementation of new zoning plans, which are essential for solving the problems based on zoning and property issues at the core of these discussions, can only be achieved through a value-based zoning implementation method where the value of real estate is calculated in participation and distribution, and that zoning legislation suitable for this is necessary. Today, it can be said that this understanding and method, despite its shortcomings, has been generally accepted by the government and the public after long discussions and test studies. This is an encouraging stage. Therefore, it is evident that a holistic organizational and structural model is needed technically, legislatively, and institutionally under the title of a real estate valuation system to determine the value of real estate for value-based implementations.\u003c\/p\u003e\n\u003cp\u003eIt is clear how important it is to address many questions and issues such as: \u003cem\u003eWho will carry out real estate valuation and how? Which methods and processes should be followed for valuation? What are the responsibilities of the public, private institutions and organizations, and individuals? How should international valuation standards be adapted to our country? How will valuation be used in public-purpose applications such as land management and use, urban transformation, land consolidation, taxation, etc.? How will automation be done based on technology? How should valuation be approached in superior rights?\u003c\/em\u003e with a holistic regulation.\u003c\/p\u003e\n\u003cp\u003eThe book \u003cstrong\u003e\u003cem\u003eReal Estate Valuation\u003c\/em\u003e\u003c\/strong\u003e attempts to explain what should be done or what should exist regarding value and valuation, and which regulations need to be made legally and technically, with a holistic and exponential perspective, taking into account different laws and practices in today's rapidly changing processes related to the subject; and when appropriate, it aims to offer significant contributions and assistance with technical and institutional model proposals.\u003c\/p\u003e\n\u003cp\u003eThe book is anticipated to be an important resource for those new to real estate valuation and for researchers working in this field.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHO IS PROF. DR. NİHAT ENVER ÜLGER?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHe graduated from the Department of Geodesy and Photogrammetry Engineering, Istanbul State Engineering and Architecture Faculty in 1976. He received his master's degree from Yıldız University, Department of Geodesy and Photogrammetry Engineering in 1983 and his doctorate from the same department in 1988. Between 1988-92, he worked as an assistant professor at the Vienna University of Technology, Department of Geodesy and Photogrammetry. During this period, he conducted scientific studies in the Austrian Geographic Information System Project. In 1992, he started working as an Assistant Professor at Yıldız Technical University, Department of Geodesy and Photogrammetry Engineering, and served as Deputy Head of Department between 1993-95. Nihat Enver Ülger, who received the title of Associate Professor in 1999, served as the Head of the Istanbul Branch of the Chamber of Surveying and Cadastral Engineers between 1992-96. Between 1999-2000, he served as a board member at the Development Bank of Turkey. In 2006, he received the title of Professor at Istanbul University, Department of Mining Engineering.\u003c\/p\u003e\n\u003cp\u003eBetween 2004-10, he played an active role in determining Istanbul's urban transformation vision by serving as the Urban Transformation Unit Manager within the Istanbul Metropolitan Planning and Urban Design Center established by the Istanbul Metropolitan Municipality. He continues his academic studies as the Head of the Geomatics Engineering Department at Okan University Faculty of Engineering, where he established the department in 2009. Ülger, who supervises numerous graduate theses, has contributed to increasing academic productivity on the subject by opening the \"Urban Transformation Master's Program\" and \"Land Management and Use Doctoral Program\" departments. With approximately 35 years of practical project and academic experience, Ülger's works on \"urban transformation,\" \"land management,\" \"zoning applications,\" \"cadastre,\" \"value-based method,\" \"rural land arrangements,\" \"real estate valuation and development,\" and \"real estate law\" have been published in national and international journals. He also has two books: Land Arrangements and Urban Transformation in Turkey (Nobel Yayınları, Ankara, 2010) and Land Management (YEM Yayın, Istanbul, 2016). Currently, Ülger continues his role as the Head of the Urban Transformation Commission of the Chamber of Surveying and Cadastral Engineers and plays a pioneering role in organizing various academic activities in this field in our country. In the \"Eurasian Land Management and Urban Transformation Strategy Development Center\" he established in 2014, he continues project and business development activities related to his areas of work. About the Eurasian Land Management and Urban Transformation Strategy Development Center The Eurasian Land Management and Urban Transformation Strategy Development Center (Eurasian Strategy Center) was established in 2014. Its purpose is to contribute to creating a strategy by combining all studies conducted to establish a unified and holistic land management in our country. To this end, it carries out studies and develops strategies to help create a land management model suitable for the more beneficial use of assets for future generations in line with national development goals, by viewing the country's mainland as a whole according to the 1:25,000 standard topographic medium scale and inventorying all land assets from small scale (1:500,000 - 1:25,000) to large scale (1:5000 - 1:1000). The second area of work is to develop strategies for the realization and sustainability of urban transformation, which is currently our country's most urgent and main problem of the last 15 years, based on a holistic land management.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHO IS B. CEM ÜLGER?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHe graduated from Yıldız Technical University, Department of Surveying Engineering in 1998. He continued his professional life, which began in 1998, as a partner in a construction company in Adana between 2000-07. In 2005, he obtained his Valuation Expert license from the Capital Markets Board. In the same year, he entered the sector as a founding partner at Kent Gelişim A.Ş., based in Istanbul, to carry out activities in the fields of land management, urban transformation, and valuation. Cem Ülger, who started teaching as a lecturer at Okan University in 2009, received the MRICS title, a membership of the Royal Institute of Chartered Surveyors, in 2011. In 2012, he completed his master's degree in \"Real Estate Valuation and Real Estate Finance\" and started his doctoral study in \"Land Management and Use\" in 2013. He managed many projects in areas such as real estate valuation and development, urban transformation, land management, and local government engineering. He presented papers as a participant or organizer in many national and international scientific and technical organizations. Cem Ülger, who serves on technical committees within HKMO and TDUB related to his areas of expertise, currently continues his academic studies at Okan University Faculty of Engineering, Geomatics Engineering Department, and the Institute of Science, Urban Transformation Master's Program, in addition to his project and business development activities at Kent Gelişim A.Ş. Prof. Dr. Ş. Nazmi Yıldız Nazmi Yıldız, whom we lost in October 2017, graduated from Vefa High School in 1949 and from Istanbul Technical School, Department of Surveying and Cadastre in 1953. He continued his master's education at Istanbul Technical School; he completed the Cadastral Techniques and Law Chair of the Surveying and Cadastre Department in 1960. He completed his doctoral study in 1970 in Germany, at the University of Bonn, Faculty of Agriculture, Department of Geodesy; and his associate professorship study in 1974 at the Istanbul State Engineering and Architecture Academy, Department of Surveying and Cadastre, Cadastral Techniques and Law Chair. In 1979, he became a professor at the same university. He started his professional life in 1960 in Germany, at the Surveying Department of the Cologne Municipality, and worked as an engineer at the Cologne Private Surveying Engineering Office between 1968-70. His academic life began when he came to Istanbul. First, he served as the \"Chair Manager\" at the Istanbul State Engineering and Architecture Academy, Department of Surveying and Cadastre, Cadastral Techniques and Law Chair between 1974-82. In 1979-80, he was a Senate Member of the Yıldız University Rectorship; in 1982-83, he was the Deputy Dean of the Faculty of Engineering at Yıldız University; in 1987-90, he was the Head of the Department of Geodesy and Photogrammetry Engineering at Yıldız University Faculty of Engineering; in 1992-94, he was the Head of the Public Surveys Department of the Geodesy and Photogrammetry Engineering Department at Yıldız Technical University Faculty of Civil Engineering; in 1997, he retired from the Geodesy and Photogrammetry Engineering Department at Yıldız Technical University Faculty of Civil Engineering. Nazmi Yıldız, who loved working at every moment of his life and never stopped, served as the Head of the Local Governments Program at Okan University Vocational School between 2008-10; and worked as a faculty member in the Geomatics Engineering Department at Okan University between 2010-16.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370210472179,"sku":"9786058081185","price":490.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058081185.jpg?v=1616017699"},{"product_id":"projeler-yapilar-8-oteller","title":"Projects Structures 8: Hotels","description":"\u003cp\u003e\u003cspan style=\"color:#000000;\"\u003eYEM Yayın's highly popular \"Projects Buildings\" book series, whose editions were sold out, has been re-published with no compromise on content, in easily portable sizes, and at more economical prices.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:#000000;\"\u003eNew books to be added to the series will also be published in the same format, aiming to provide readers with access to quality books at a more affordable price.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:#000000;\"\u003eThe eighth book in the “Projects\/Buildings” series, \"Hotels,\" features selected hotel and accommodation projects by prominent architects from Turkey and around the world. The book introduces projects for 26 tourism structures realized in 16 different locations worldwide, including Turkey, by 26 architects\/architectural groups in the last few years.\u003c\/span\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:#000000;\"\u003eA hotel, initially born out of the necessity for temporary accommodation and fulfilling only basic needs, is a type of building that today requires different design and construction solutions due to changing business and lifestyle patterns and varying accommodation purposes. Naturally, the approach regarding purpose, function, design, etc., cannot be the same between a hotel to be built in a ski resort and a hotel to be added to an international airport structure. The book \"Hotels\" brings together distinguished examples that offer solutions to the diverse accommodation needs of contemporary people who travel much more for business, holidays, culture, recreation, etc., compared to previous periods. The book covers projects from boutique hotels to holiday villages, from apart-hotels to convention and business hotels, offering a broad perspective on building typology, the use of modern and traditional building materials, modern construction techniques, adaptation to topography, and architectural and urban fabric, among other topics.\u003c\/span\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:#000000;\"\u003eThe book brings together examples from important architects and architectural firms from Turkey and around the world, such as Zaha Hadid, Norman Foster, Frank Gehry, Arata Isozaki, Has Mimarlık, Erdoğan Elmas, Tuncay Çavdar, Emre Arolat, and Gökhan Avcıoğlu: from a boutique \"wine hotel\" located among vineyards in Elciego to a \"cave hotel\" carved into the fairy chimneys in Göreme and adapted to the topography; from a \"hospital hotel\" in Gebze for the accommodation of patients' relatives to a \"luxury resort\" in Belek where every luxury is considered for guests; from a \"boutique hotel\" created by converting a tiny apartment in Beyoğlu to a \"multi-purpose hotel\" in Abu Dhabi, realized with the aim of \"displaying technological and cultural power,\" featuring both a Formula 1 track and a marina.\u003c\/span\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\u003ca href=\"https:\/\/www.yemkitabevi.com\/projeler-yapilar-dizisi\"\u003e\u003cspan style=\"color:#000000;\"\u003eThe book, which presents projects with specially taken color photographs, plans, sections, elevations, and axonometric drawings, as well as explanatory texts describing the project, serves as a reference book for architects, engineers, urban planners, urban designers, and interior designers, while also providing a valuable resource for architecture and design students who can examine the projects and benefit from them in their own design work.\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209784051,"sku":"9786058081192","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058081192.jpg?v=1616017701"},{"product_id":"hey-imaginable-guidelines","title":"HEY! Imaginable Guidelines","description":"\u003cdiv\u003e\n\n\u003cstrong\u003eFor international orders, please send an e-mail to \u003ca href=\"mailto:bilgi@yemkitabevi.com\"\u003ebilgi@yemkitabevi.com\u003c\/a\u003e with the subject “HEY! Imaginable Guidelines International Order”. The content of the mail should include your name, your adress and the number of copies you would like to receive. \u003c\/strong\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003cstrong\u003eHEY! Imaginable Guidelines\u003c\/strong\u003e offers an experience through which you can discoverand learn city-design processes, discuss and share knowledge about public spacedesign, take action, and have fun at the same time. Created by SANALarc as an inspirational and knowledge-centric deck of cards, \u003cem\u003eHEY! Imaginable Guidelines\u003c\/em\u003e willbe the new tool to discover the city.\u003c\/div\u003e\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\u003cdiv\u003eIn our everyday lives we came face to face with many problems and experiencesregarding the public space. Public space, as a major and surrounding part of ourlives, might be open to contribution and change. In order to empower designers andcitizen designers' to imagine, explore, discuss and share city-design futures to realizelivable, lovable and walkable cities, \u003cem\u003eHEY! Imaginable Guidelines\u003c\/em\u003e was launched as anopen call for contributions, which culminated in Imaginable Guidelines ‘Deck-of- Cards'.\u003c\/div\u003e\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\u003cdiv\u003e\n\n\u003cem\u003eHEY! Imaginable Guidelines\u003c\/em\u003e is a card game which allows users to discover how citiesare designed and offers a base of knowledge that brings neighbors together to makereal-life decisions and a design toolkit to explore the limits and opportunities your cityoffers. It helps to imagine and explore the decisions that are being made on behalf ofcitizens and empower them by supplying urban design vocabulary and know-how. It also has a transdisciplinary methodology to city-making aiming to realize a self-organized city-design process that nurtures vibrant public life and celebrates\u003c\/div\u003e\n\n\u003cdiv\u003eneighborhood coherence. Framed under six categories, 101 topics revealfundamental domains of the public realm. In this regard, the design guidelines are a\u003c\/div\u003e\n\n\u003cdiv\u003ecrucial reference in which the expert assistance, best practice standards, andperformance parameters are prioritized, negotiated and rehearsed to give agency tothe imagination of urban design initiatives.\u003c\/div\u003e\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\u003cdiv\u003e\u003cspan style=\"font-size: 1.4em;\"\u003eThe ‘deck-of-cards' object and ‘playing' concept tap into social-learning forworkshops, meet-ups and even at dinner parties. Workshop facilitators of NGO's,municipal policy-makers and design professionals can create an ‘imaginative' role-playing simulation where parallel exploratory and strategy thinking can flourish withthe outcome of a ‘winning solution' (the customized guideline) based on stakeholderconsensus, debate, and priorities.\u003c\/span\u003e\u003c\/div\u003e\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\u003cdiv\u003e\n\n\u003cem\u003eHEY! Imaginable Guidelines\u003c\/em\u003e provides a sharing platform that empowers designers,citizens, and municipal actors to think holistically with artworks and design ideas of over 150 contributors. Ultimately, fluid conversations, debates on priorities, stakeholder accountability and open-ended proposals for complex physical, social and economic issues are all parts of this game.\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\u003cdiv\u003e\n\n\u003cstrong\u003eImagine\u003c\/strong\u003e — Cities are designed. Now imagine they could be designed better. Theycould be more usable, friendly, and inclusive.\u003c\/div\u003e\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\u003cdiv\u003e\n\n\u003cstrong\u003eExplore\u003c\/strong\u003e — Be aware of the design decisions that have been made for you! Learnurban design vocabulary, explore different solutions, and have an informed say indecision-making.\u003c\/div\u003e\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\u003cdiv\u003e\n\n\u003cstrong\u003eDiscuss\u003c\/strong\u003e — Organize your community! Bring your neighbors together! Identify yourissues, celebrate your differences! By playing HEY! Imaginable Guidelines you canshape your city, your public space, support your social life, and help your localbusinesses prosper.\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207260915,"sku":"9786058119116","price":780.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058119116.jpg?v=1616017704"},{"product_id":"yemeksepeti-ofis-kitabi","title":"Yemeksepeti.Office","description":"\u003cp\u003eIn 2017, Yemeksepeti, in collaboration with Erginoğlu \u0026amp; Çalışlar Architecture, brought its new office, Yemeksepeti Park, to life. This inspiring office, a result of the collaboration between the two companies, has been published by \u003cstrong\u003eYEM Yayın\u003c\/strong\u003e as a book titled \u003cstrong\u003e\u003cem\u003eYemeksepeti.Office: The Architectural Anatomy of a Vision\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003eYemeksepeti.Office: The Architectural Anatomy of a Vision\u003c\/em\u003e\u003c\/strong\u003e stands out as a book that, in terms of content, not only showcases the results of a successful collaboration but also visualizes the impact of workplace efficiency on success as a case study. The book, designed to inspire individuals from all fields—from employers to entrepreneurs, designers to architects, managers to students—is on shelves as an adventure in design and construction, presenting the interwoven successes of two companies that have achieved success in different fields but met at the same point, and narrating the story of transformation created through collaboration.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThis book, which presents Yemeksepeti's transformation story over the years leading up to its latest office, \u003cstrong\u003eYemeksepeti Park\u003c\/strong\u003e, aims to offer readers an illuminating and completely transparent design process while also serving as an example for other companies. The most appealing feature of the design-focused collaboration book, enriched with visual materials from Yemeksepeti's last two offices, is that employees who directly contributed to the projects from both institutions have shared their observations and experiences regarding the process.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eFor Yemeksepeti, one of Turkey's representatives of new-generation employee-centric offices, this book proves the value it places on its employees. The institution's success stems from increasing employee productivity with an innovative office that allows employees to escape the stress of their daily work environment. \u003cstrong\u003eYemeksepeti CEO Nevzat Aydın\u003c\/strong\u003e, stating that in modern societies, employees spend a significant part of their day, even more time than they spend at home, in the office: \"\u003cem\u003eTo have a happy work life, it is not enough to love your job and profession; the environment you work in also matters. It is a fact today that the work environment is among the most influential factors affecting employee productivity. Our book, \u003cstrong\u003eYemeksepeti.Office: The Architectural Anatomy of a Vision\u003c\/strong\u003e, which tells the transformation story of our innovative workspace Yemeksepeti Park, differentiates itself from other architectural books with its entertaining and sincere language. Our book, which is an inspiration for individuals from all fields, shows how productive results can emerge by combining the experiences of two companies.\u003c\/em\u003e\"\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKerem Erginoğlu\u003c\/strong\u003e, the architect of Yemeksepeti Park, stating that every institution has a character like a human being: \"\u003cem\u003eFor Yemeksepeti Park, we started with a schematic design, in line with our general working principle. Then we structured the building management, and after that, we worked on functionality and aesthetics. The aim was to capture the spirit of Yemeksepeti. The more intense our contact with the client, the more possible this becomes. Working together and evaluating the budget together, being transparent at every stage, and being friends with the client spontaneously brings more creativity.\u003c\/em\u003e\"\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370210898163,"sku":"9786058119178","price":665.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058119178.jpg?v=1616017712"},{"product_id":"yuksek-muhendis-mektebinden-istanbul-teknik-universitesine","title":"From the School of Engineering to Istanbul Technical University…","description":"\u003ch1\u003e \u003c\/h1\u003e\u003cp\u003eRuhi Kafescioğlu completed his architectural education at the School of Engineering in 1943. After the school was transformed into Istanbul Technical University in 1944, he became an assistant at the ITU Faculty of Architecture's Department of Building Science II in 1947. He completed his qualification work at the same faculty in 1949. He became an associate professor in 1954 and a professor in 1965. For a period, he served as the general secretary and president of the Building Research Institute at the ITU Faculty of Architecture; he ensured the establishment of the faculty's materials archive and materials laboratory.\u003c\/p\u003e\u003cp\u003eIn the book, Ruhi Kafescioğlu describes the period between 1936 and 1946, witnessing the transition from the School of Engineering to Istanbul Technical University and the formation of the faculty of architecture there. He conveys developments based on his personal observations, memories, and archive documents, as well as those of students who studied during that period. Ruhi Kafescioğlu frames this narrative historically with a chronologically ordered, brief explanation of the institutions established during the Ottoman Empire and continued to provide education in the early years of the Republic, which also formed the roots of ITU. The book also includes cartoons, photographs from the 1943 Arı Yearbook, and additional important archive documents related to the period.\u003c\/p\u003e\u003cp\u003eRuhi Kafescioğlu also details, for the benefit of younger generations, the professors he had during his student years at this institution where the foundations of architectural education in Turkey were laid and when he was just starting his academic career: Hamit Dilgan, Nurettin Münşi Algan, Salih Murat Uzdilek, Langland, Mehmet Emin Kalmuk, Malik Sayar, İlhami Civaoğlu, Kerim Erim, İhsan İnan, Ziya Kocainan, Fikri Santur, Said Kuran, Clemens Holzmeister, Gustav Oelsner, and Emin Onat.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAbout Ruhi Kafescioğlu\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eBorn in Kayseri in 1920. He completed his architectural education at the School of Engineering in 1943. After the School of Engineering was transformed into Istanbul Technical University in 1944, he started working as an assistant at the ITU Faculty of Architecture's Department of Building Science II in 1947. He completed his qualification work in 1949, became an associate professor in 1954 with his work on \"Wooden House Structures in Northwest Anatolia,\" and a professor in 1965.\u003c\/p\u003e\u003cp\u003eBetween 1955 and 1957, he participated in applications of building and materials courses at Hannover Technische Hochschule in West Germany and research studies at the Institut für Bauforschung e.V. Upon returning to his position at ITU, he took charge of the Building Materials course with a new program he created for architecture students. He also taught materials courses in the architecture departments of ITU Technical School, Özel Işık Engineering School, and Trabzon Technical University.\u003c\/p\u003e\u003cp\u003eKafescioğlu is one of the founders of the Building-Industry Center, established in 1968. He participated in project competitions with different groups, received various awards, and engaged in professional practices. He served as general secretary and president of the Building Research Institute at the ITU Faculty of Architecture; he also ensured the establishment of a materials archive and materials laboratory at the same faculty.\u003c\/p\u003e\u003cp\u003eHis fundamental research project on \"Stabilization of Soil with Gypsum,\" conducted with a team of researchers from different disciplines, was completed in 1980. He presented papers at numerous seminars and congresses organized both domestically and internationally, gave lectures, and wrote articles for magazines and newspapers. To date, he has published 6 books and over 50 papers and articles. The author, who is still conducting research on the use of soil as a building material and on alker, published his latest book, Çağdaş Yapı Malzemesi Toprak ve Alker (Contemporary Building Material Soil and Alker), in 2018.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370210963699,"sku":"9786058119185","price":175.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058119185.jpg?v=1616017714"},{"product_id":"mimarlik-okulunda-hayatta-kalma-kilavuzu","title":"Survival Guide for Architecture School","description":"YEM Yayın has published its new book, \u003cem\u003eA Survival Guide to Architecture School\u003c\/em\u003e, which aims to assist architecture students throughout their education.\u003cbr\u003e \u003cbr\u003eEvery year, new architecture students make similar mistakes during the design process, forgetting to include important elements in their projects. This concise guide offers the most important and fundamental tips to help students, accompanied by the author's witty and beautiful hand-drawn illustrations.\u003cbr\u003e \u003cbr\u003eIain Jackson, the author of \u003cem\u003eA Survival Guide to Architecture School\u003c\/em\u003e, translated into Turkish by Prof. Dr. Özlem Erdoğdu Erkarslan, prepared the book to serve as a basic reference for architecture students. His thoughts on the book are as follows:\u003cbr\u003e \u003cbr\u003e“The \u003cem\u003eSurvival Guide to Architecture School\u003c\/em\u003e you hold in your hands will help you express yourself more effectively and present your designs in a more remarkable and accurate way.\u003cbr\u003e\u003cbr\u003eEach page contains important advice on the fundamentals of architecture. Use the tips, principles, and guiding information provided here to make your designs more effective. Architecture students often spend too much time conveying their thoughts or correcting misunderstandings during critiques (or juries). This steals time that is essential for them to explain the architectural values they present and the true components of their ideas. Do not let simple drawing errors and oversights diminish the quality of good designs.\u003cbr\u003e\u003cbr\u003eThe main purpose of the book is to help you in your design work and to develop the skills you need to convey your thoughts accurately to others. What you read and observe here are topics discussed almost every day in architecture schools around the world. Use these as reminder notes before attending lectures and critiques (juries) to make your designs more enjoyable and daring, and to convey what you want to say accurately.”\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eTABLE OF CONTENTS\u003c\/strong\u003e\u003cbr\u003eTHE WORLD AROUND US 8\u003cbr\u003eBe an explorer\/urban traveler\u003cbr\u003eKeep a notebook or diary\u003cbr\u003eSite visits: be a traveler\u003cbr\u003eA photograph of a building is not the building itself\u003cbr\u003eSketching\u003cbr\u003eReading\u003cbr\u003eTraditional\u003cbr\u003eDensity\u003cbr\u003eStreet\u003cbr\u003eContours and slope\u003cbr\u003eCase study\u003cbr\u003eTurning a corner\u003cbr\u003e100 corners\u003cbr\u003eDrawing for fun\u003cbr\u003eSite plan\u003cbr\u003eThe everyday\u003cbr\u003eSum of the parts\u003cbr\u003e \u003cbr\u003eTHINKING ABOUT SCALE 42\u003cbr\u003eStreet width - building height ratio\u003cbr\u003eSurface area - volume ratio\u003cbr\u003eScaled drawing\u003cbr\u003eScale is everything\u003cbr\u003eScaling a cube\u003cbr\u003e \u003cbr\u003eBUILDING COMPONENTS AND DESIGN CRITERIA\u003cbr\u003eColumn, beam and wall\u003cbr\u003eColumn placement\u003cbr\u003eQuestions for form\u003cbr\u003eBuilding envelope\u003cbr\u003eWall\u003cbr\u003eWindow\u003cbr\u003eRoof\u003cbr\u003eStairs\u003cbr\u003eCirculation and wet areas\u003cbr\u003eBuilding orientation\u003cbr\u003eInsulation\u003cbr\u003eDoor\u003cbr\u003eCantilever\u003cbr\u003eSometimes we are asked to touch, sometimes not!\u003cbr\u003eMaterials\u003cbr\u003eSustainability\u003cbr\u003eDigital heritage\u003cbr\u003e \u003cbr\u003eCOMMUNICATION 90\u003cbr\u003eWho are you drawing for?\u003cbr\u003eLine weights\u003cbr\u003eName your drawings\u003cbr\u003eFont\u003cbr\u003eAxonometry\u003cbr\u003ePlan\u003cbr\u003eNorth arrow\u003cbr\u003eSection\u003cbr\u003eElevation\u003cbr\u003eDraw the main idea of the building in 20 seconds\u003cbr\u003ePeople\u003cbr\u003eGrid system\u003cbr\u003eGrid disruption\u003cbr\u003e \u003cbr\u003ePROCESS 116\u003cbr\u003eContext\u003cbr\u003eGreat pleasure\u003cbr\u003eCeremony, myth and ritual\u003cbr\u003eDon't reduce architecture to mere space, form and light\u003cbr\u003eFront-back \/ public-private\u003cbr\u003eFocus\u003cbr\u003eIntermediate spaces\u003cbr\u003eChronological drawing\u003cbr\u003eSerial view\u003cbr\u003eThreshold\u003cbr\u003eFrom within space - towards space\u003cbr\u003ePlinth\u003cbr\u003eForm, technology and program\u003cbr\u003eCost, construction time and quality\u003cbr\u003e \u003cbr\u003eMAKING PROGRESS 142\u003cbr\u003eOral presentation\u003cbr\u003eDress and style\u003cbr\u003eArchitecture is for people\u003cbr\u003eHowever, don't work with these types of people...\u003cbr\u003ePlanning your workload, key objectives and lifestyle\u003cbr\u003eWhat is your vision?\u003cbr\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208833779,"sku":"9786058119192","price":280.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058119192.jpg?v=1616017716"},{"product_id":"tarihi-cevre-algisi_351074-html","title":"Perception of Historical Environment","description":"\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003eWe know that the tendency to value and protect cultural assets, and the practices carried out for this purpose, are not a new behavior or a new trend unique to our age, as many people believe, but have a clear and distinct place in human history. This fact has been clearly emphasized in Prof. Dr. Cevat Erder’s books titled Tarihi Çevre Kaygısı (Concern for Historical Environment) and its continuation, Tarihi Çevre Bilinci (Awareness of Historical Environment), and subsequently in the book published by UNESCO as a single volume, “like an updated summary,” titled Our Architectural Heritage: From Consciousness to Conservation.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cbr\u003eTarihi Çevre Algısı (Perception of Historical Environment) is the first updated Turkish edition of Cevat Erder's latest book. Erder suggests that it is natural for there to be differences in decisions and practices related to the protection of cultural assets in places where the cultural values of societies vary; and that time and space must be taken into account in discussions made through examples and analogies from different societies: “In this field, also referred to as ‘conservation science’ in recent years, before criticizing some practices that can be observed in different cultural environments and may appear different, on the grounds that they do not adhere to or comply with generally accepted international principles, it is necessary to investigate the reasons influencing these practices within the overall culture of that country, and the time and environment in which the practices were carried out. I believe that research conducted for this purpose will lead us out of the chaos we are currently in and into a more beneficial, or at least more accurate, environment. I am of the opinion that Turkey, like the European countries such as Italy, France, and England, exemplified in the book, possesses qualities that can easily enable it to reach a level where it can be among these countries with many examples to showcase in conservation.”\u003cbr\u003e\u003cbr\u003eABOUT CEVAT ERDER\u003cbr\u003eProf. Dr. Cevat Erder, one of the pioneering figures in the field of cultural heritage conservation in Turkey and worldwide, joined the METU Faculty of Architecture in 1964 to participate in the establishment of the Department of Maintenance and Repair of Historical Monuments, which continues as a postgraduate program affiliated with the Middle East Technical University Department of Architecture. He served as the head of this department between 1964 and 1973, and as the Dean of the METU Faculty of Architecture between 1977 and 1979, while also serving as a member of the Executive Committee of the International Council on Monuments and Sites (ICOMOS) between 1965 and 1974. \u003cbr\u003eCevat Erder, who was elected as the Director-General of the International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM), headquartered in Rome, twice consecutively between 1981 and 1988, won the Aga Khan Award for Architecture for the restoration of the Al-Aqsa Mosque in 1986, the ICCROM Award in 1997, and the Piero Gazzola Award from ICOMOS in 2003. In 2004, he was honored with the Service Award within Turkey's prestigious TÜBİTAK Science, Service, and Incentive Awards for \"the establishment of the METU Department of Maintenance and Repair of Historical Monuments, his service to conservation, particularly conservation education, at national and international levels, and his pioneering role in the establishment and institutionalization of the discipline related to cultural heritage conservation in Turkey.\" Cevat Erder, who is currently a member of the UNESCO Monitoring Committee and the ICOMOS Turkey National Committee, has been and continues to be the initiator and implementer of campaigns advocating for urgent measures to protect cultural heritage under urban and other environmental threats throughout his professional life.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cstrong\u003eWHO IS PROF. DR. CEVAT ERDER?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003eProf. Dr. Cevat Erder, one of the pioneering figures in the field of cultural heritage conservation in Turkey and worldwide, joined the METU Faculty of Architecture in 1964 to participate in the establishment of the Department of Maintenance and Repair of Historical Monuments, which continues as a postgraduate program affiliated with the Middle East Technical University Department of Architecture. He served as the head of this department between 1964 and 1973, and as the Dean of the METU Faculty of Architecture between 1977 and 1979, while also serving as a member of the Executive Committee of the International Council on Monuments and Sites (ICOMOS) between 1965 and 1974. Cevat Erder, who was elected as the Director-General of the International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM), headquartered in Rome, twice consecutively between 1981 and 1988, won the Aga Khan Award for Architecture for the restoration of the Al-Aqsa Mosque in 1986, the ICCROM Award in 1997, and the Piero Gazzola Award from ICOMOS in 2003. In 2004, he was honored with the Service Award within Turkey's prestigious TÜBİTAK Science, Service, and Incentive Awards for \"the establishment of the METU Department of Maintenance and Repair of Historical Monuments, his service to conservation, particularly conservation education, at national and international levels, and his pioneering role in the establishment and institutionalization of the discipline related to cultural heritage conservation in Turkey.\" Cevat Erder, who is currently a member of the UNESCO Monitoring Committee and the ICOMOS Turkey National Committee, has been and continues to be the initiator and implementer of campaigns advocating for urgent measures to protect cultural heritage under urban and other environmental threats throughout his professional life. In addition to his leadership roles, he has contributed to the training of many experts currently active in this field through his lectures and seminars, particularly in architectural history and the history and theory of monument preservation and restoration. Before Tarihi Çevre Algısı (Perception of Historical Environment), Cevat Erder published Tarihi Çevre Kaygısı (Concern for Historical Environment), Tarihi Çevre Bilinci (Awareness of Historical Environment), and Our Architectural Heritage: From Consciousness to Conservation.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370210373875,"sku":"9786058136601","price":315.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058136601.jpg?v=1616017719"},{"product_id":"arazi-yonetimi","title":"Land Management","description":"\u003cp\u003eThe updated and enhanced third edition of Nihat Enver Ülger’s eye-opening book, \"Land Management\", which addresses the widely discussed and debated issues of \"urban transformation and incorrect land use decisions\" in our country, has been published by YEM Yayın with the valuable contributions of Kent Gelişim Gayrimenkul Geliştirme Taşınmaz Değerleme Bilişim Danışmanlık Yapı San. Tic. A.Ş.\u003c\/p\u003e\n\n\u003cp\u003eThe book \"Land Management\" aims to examine land management processes worldwide and create a unique land management systematic suitable for our country's conditions. It seeks to present this to all stakeholders involved in disciplines such as Geomatics (Surveying-Geodesy-Photogrammetry), Civil Engineering, Environmental Engineering, Forestry Engineering, Agricultural Engineering, City and Regional Planning, Urban Design, Architecture, Law, Public Administration, Real Estate, and Property.\u003c\/p\u003e\n\n\u003cp\u003eProfessor Nihat Enver Ülger, who states that \"A unique land management systematic is needed against 'land scarcity and incorrect land use decisions,' which are among the biggest problems in our world today…,\" has produced a work that serves as a guiding manual for public administration institutions such as Metropolitan Municipalities, TOKİ, the Ministry of Environment, Urbanization and Climate Change, the Ministry of Agriculture and Forestry, and the Ministry of Interior, as well as for those involved in urban planning, real estate, property development, investment, and consultancy.\u003c\/p\u003e\n\n\u003cp\u003e\"Land scarcity\" and \"incorrect land use decisions,\" two of the biggest problems facing the world, have emerged as a result of cities growing at an uncontrollable pace, agricultural lands being opened up for non-agricultural activities (settlement, industry, etc.), intense land demand, and land policies that disregard sustainable environmental principles. Land management at the country, city, and rural scales is necessary to best use, manage, and preserve the world's land for the benefit of all its inhabitants. For land management, information and breakdowns related to property use must be available, and these must be carefully examined and analyzed before decisions regarding property are made.\u003c\/p\u003e\n\n\u003cp\u003eNihat Enver Ülger states the following in the updated and enhanced 3rd edition of the book:\u003cbr\u003e\n“Land management is, in essence, the management of nature. Since humans first existed, they have used and changed the nature they live in and are a part of. Today, problems such as climate change, environmental pollution, food degradation, migrations, epidemics, species extinction, and ecosystem disruption arise from the mismanagement of land-nature. Unless humanity internalizes living in harmony with nature, these problems will deepen further. The pandemic process and the major earthquake we experienced on February 6th are the closest and most striking examples of this.\u003c\/p\u003e\n\n\u003cp\u003e'Every action has an equal and opposite reaction.' We know that Sir Isaac Newton said this for the Laws of Force and Motion, but it doesn't just explain a physical rule; it also explains the law of nature. Interactions in nature are based on similar rules. The destruction humanity inflicts on nature will generate an equal and opposite reaction; it will return to humanity in the same proportion. The important thing is to know how to manage this cycle.\u003c\/p\u003e\n\n\u003cp\u003eLearning to live in harmony with nature, without alienating it, by understanding it… That is the real issue. The point we have reached is the importance of managing and using land-nature, that is, creating policies and strategies on how humanity will use nature for its needs. To create this and to best use, manage, and sustain the world's land for the benefit of all its inhabitants, there is a need for 'Land Management' throughout the country. Managing a city, a country; knowing the quantity and quality of its land-related assets is also the foundation of being a transparent and democratic society. The indicator of countries' independence and happiness is the protection of these assets and riches and their fair sharing with all elements of society; this is the most urgent need. (....)\u003cbr\u003e\nManaging a city, a country, and knowing the quantity and quality of its land-related assets is the foundation of a transparent and democratic society. The indicator of countries' independence and happiness is the protection of these assets and riches and their fair sharing with all elements of society.\u003c\/p\u003e\n\n\u003cp\u003eFor the chaotic environment the world is in to become relatively more livable, there is a need for a new manifesto and institutionalization approach regarding the use and management of natural resources related to land, agreed upon by all countries. This book, with this perspective, aims to analyze land management approaches around the world and present an approach for creating a unique land management systematic suitable for our country's conditions.”\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370205819123,"sku":"9786058136618","price":490.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ARAZI_YONETIMI_3BASKIKAPAK.jpg?v=1719964747"},{"product_id":"santiyede-olay-var","title":"There's Trouble at the Construction Site! - 9th Edition","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIt aims to convey extraordinary, instructive stories gleaned from Firuzan Baytop's international construction site experiences spanning over 50 years to the reader.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003eWhat happens to architects, engineers, and technicians from the moment they start working on a construction site? What kind of problems and incidents might they encounter? There is, of course, no way to foresee these. However, since the book relays instructive and memorable experiences, it serves as an indispensable guide for individuals starting to work on a construction site.\u003cbr\u003e\n\u003cbr\u003e\nThrough this book, prepared by drawing on his practical experiences gained with various institutions and individuals during diverse construction production processes in Turkey and abroad, Firuzan Baytop addresses his young colleagues in particular: \"Here, I present to you an extraordinary, exemplary selection of the incidents I experienced and the problems I encountered during my 53 years of construction site life. So that you may be prepared for construction site life, not be surprised, and most importantly, draw lessons for yourselves.\" This book consists of supporting anecdotes for the information presented in the author's book titled \"Site Management,\" which explains the fundamentals of establishing and managing a construction site, and as such, it complements it. Therefore, it is recommended that the two books be used together.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWHO IS FIRUZAN BAYTOP?\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHe graduated from the Architecture Department of GSA (now Mimar Sinan Fine Arts University) in 1948. Together with three friends, he won commendations and prizes in many architectural competitions; he won first prize in the Elazığ Government Building competition.\u003cbr\u003e\nIn addition to many private constructions, he built the Istanbul Municipality Saraçhanebaşı 1st Block Apartment; Emlâk Bank Atatürk Boulevard Block Apartment, Bursa Bazaars, Ataköy Beach, and Ataköy 2nd District. From 1965 until his retirement, he managed the construction of many facilities for the Alarko company, both domestically and internationally. While working as a Construction Consultant and a member of the High Advisory Board at the same company, he voluntarily retired at the end of 2000. Firuzan Baytop, whom we lost in November 2021, served as a member of the Material Committee and the Editorial Board of the magazine \"Mimarlıkta Malzeme\" (Materials in Architecture) at the Istanbul Branch of the Chamber of Architects; gave lectures at various universities, meetings, and seminars; and published research and books on architecture, construction, and site management.\u003cbr\u003e\n\u003cbr\u003e\nThe Author's Published Books\u003cbr\u003e\n1. Illustrated Practical Building Information, Alsim\/Alarko, 1990, 1993.\u003cbr\u003e\n2. Illustrated Concise Construction Dictionary (English-Turkish), A.A., 1993.\u003cbr\u003e\n3. Site Management Conferences, A.A., 1993.\u003cbr\u003e\n4. Western-Origin Words and Terms in Construction Works (Turkish-English, etc.), A.A., 1994.\u003cbr\u003e\n5. Animals in Architectural and Construction Idioms (Turkish-English), A.A., 1994.\u003cbr\u003e\n6. Western-Origin CONSTRUCTION TERMS in Turkish (Turkish-English, etc.), YEM Yayın, 2nd edition, 1998.\u003cbr\u003e\n7. English-Turkish CONSTRUCTION DICTIONARY, FONO, 1998.\u003cbr\u003e\n8. Mistakes-Corrects with Pictures in Construction Practices, A.A., 1999.\u003cbr\u003e\n9. Turkish-English-Turkish CONSTRUCTION DICTIONARY, FONO, 2001.\u003cbr\u003e\n10. Abbreviations in English-Turkish Technical Language, 2001.\u003cbr\u003e\n11. There's Such a Thing as Site Management!, YEM Yayın, 2nd edition, 2007.\u003cbr\u003e\n12. There's an Incident at the Site!, YEM Yayın, 7th edition, 2021.\u003cbr\u003e\n13. Mistakes-Corrects in Construction Practices, YEM Yayın, 11th edition, 2021.\u003cbr\u003e\n14. Site Management, YEM Yayın, 9th edition, 2022.\u003cbr\u003e\n15. What Is Not Taught in Schools in Construction Practices, YEM Yayın, 12th edition, 2023.\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48431486894323,"sku":"9786058136656","price":280.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Santiyede_Olay_Var.jpg?v=1686646227"},{"product_id":"mimarlik-kavramlari","title":"Architectural Concepts - 19th Edition","description":"\u003cp\u003eYEM Yayın, which publishes books on topics such as architecture, interior design, design, engineering, urban planning, urbanization, industrial product design, landscape design, archaeology, culture, and art, has released the 19th edition of its book titled Mimarlık Kavramları (Architectural Concepts).\u003c\/p\u003e\n\n\u003cp\u003e“The process of acquiring knowledge passes through theoretical teaching and printed paper. When it is accepted that the best person to teach architecture (except in special cases) should be an architect, the necessity for the architect to have the ability to express the act of building verbally, either to explain themselves or to understand what their colleagues are saying, arises. I hope this small book can, to some extent, show aspiring architects ways to articulate their work.”\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eDOĞAN KUBAN\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMimarlık Kavramları, which aims to correctly define architectural activity at a general and conceptual level, especially for those new to architecture and design education, comprehensively evaluates the boundaries of the objective conditions of building production, societal organization, the construction process, building form, and the relationships between individuals and society within a theoretical framework.\u003c\/p\u003e\n\n\u003cp\u003eIn his book Mimarlık Kavramları, which was initially prepared for introductory architectural history courses but was developed in subsequent editions to become one of the fundamental reference sources for architectural education in Turkey, Doğan Kuban gradually examines the emergence and development of basic concepts, which can be called the ABCs of architecture, within the history of architecture.\u003c\/p\u003e\n\n\u003cp\u003eThe book defines all components of architecture, from building materials and techniques such as stone, soil, wood, and mortar to structural elements like columns, arches, vaults, and domes; its relationships with art, aesthetics, cities, and society are examined in detail.\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208669939,"sku":"9786058136663","price":273.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Mimarlik_Kavramlari.jpg?v=1686646173"},{"product_id":"kultur-sanat-mimarlik","title":"Culture, Art, Architecture","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eProf. Dr. Bülent Özer, whom we lost in recent years, is one of the distinguished figures who made their mark on the last 60 years due to his unique contributions to Turkish architectural and design education and his original perspective. A generation grew up and developed with Bülent Özer's teachings and ideas in architecture, design, and art education, which reached beyond his time.\u003c\/p\u003e\n\u003cp\u003eFor some time, the intense interest shown by readers to access \u003cstrong\u003e\u003cem\u003eCulture Art Architecture\u003c\/em\u003e\u003c\/strong\u003e, a reference book in its field written by Prof. Dr. Bülent Özer, which was unavailable due to being out of print, necessitated its republication. Another purpose of reprinting the book is to introduce Bülent Özer's views and ideas to younger generations who did not have the chance to learn directly from him, so that they can benefit from his opinions, thoughts, observations, and criticisms. Some of the topics covered by Bülent Özer in the book can be listed as follows:\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003eCulture and Civilization\u003c\/li\u003e\n\n\u003cli\u003eThe Meaning, Scope, and Contemporary Interpretation of Aesthetics\u003c\/li\u003e\n\n\u003cli\u003eThe Place of Art in Social Structure and Development Today\u003c\/li\u003e\n\n\u003cli\u003ePainting and Society\u003c\/li\u003e\n\n\u003cli\u003eRevolution in Sculpture\u003c\/li\u003e\n\n\u003cli\u003eWhat is Art?\u003c\/li\u003e\n\n\u003cli\u003eOn the Definition and Limits of the Architectural Concept\u003c\/li\u003e\n\n\u003cli\u003eAn Overview of the Development of Architecture from its Beginnings to the Present\u003c\/li\u003e\n\n\u003cli\u003eInternal-External Relationship and Facade Problem in Architecture\u003c\/li\u003e\n\n\u003cli\u003eOn Historicity and Traditionalism in Architecture\u003c\/li\u003e\n\n\u003cli\u003eThe Problem of Education in Architecture\u003c\/li\u003e\n\n\u003cli\u003eStyle in Architecture, the West, and Us\u003c\/li\u003e\n\n\u003cli\u003eOn Basic Education in Architecture\u003c\/li\u003e\n\n\u003cli\u003eThoughts on the Nature and Solution of the Squatter Settlement Problem\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e Prof. Dr. Filiz Özer, the person who knew him best, shares her views on \u003cem\u003eCulture Art Architecture\u003c\/em\u003e and Bülent Özer as follows:\u003c\/p\u003e\n\u003cp\u003e\"This book, which brings together Prof. Dr. Bülent Özer's views under an overarching umbrella, is one of the classic works of Turkish architecture and art education.\u003c\/p\u003e\n\u003cp\u003eÖzer, who played a pioneering role in many subjects, developed this book through entirely original research and theories in the fields of culture, civilization, aesthetics, art, and architecture. Looking at the topics addressed by the author here, it is seen that he included various art and architectural movements along with theoretical writings. In addition, in the book, Bülent Özer reveals the differences between being historical, traditional, regional, and universal in contemporary art and architecture. At the same time, Özer also focuses on the subject of education here. In particular, he discusses his own method, which is applied in the 'Professional Basic Education' courses of many architectural faculties today.\u003c\/p\u003e\n\u003cp\u003eProf. Dr. Bülent Özer's greatest characteristic was his complete assimilation of the thought system of rational philosophy. In all his work, he believed that the cause\/effect relationship should be established flawlessly through all its stages. It was as a result of this analytical and systematic passion for research that he reached brand new syntheses that revolutionized the fields of culture, art, and architecture. Due to Özer's approach, we clearly see that he included explanatory definitions that made even the most difficult topics in the book very easy, clear, and understandable.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208178419,"sku":"9786058136670","price":630.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058136670.jpg?v=1616017727"},{"product_id":"osmanli-anit-mimarisinde-klasik-yapi-detaylari","title":"Classical Building Details in Ottoman Monumental Architecture","description":"A whole is made up of details. In traditional architecture, details have been developed over time through trial and error. There is no reason for a detail believed to perfectly fulfill its expected function to change. This understanding, which is one of the most important characteristics of traditional architecture, is diametrically opposed to today's architectural understanding. A careful examination will reveal that even two details applied in distant regions or at different times can exhibit astonishing similarities. Therefore, the important thing is to understand the essence of a detail and to decipher how it fulfills its function. An architect who achieves this will have mastered that detail; they can contribute to the development of that detail under the changing conditions of today. This book, the result of a long effort spanning sixty years, primarily addresses architects, restorers, and students in these fields. Perhaps the most important feature of this work is that it presents Ottoman classical building details collectively for the first time. Some of the monuments to which the presented details belong have lost their originality due to faulty restoration work, some are on the verge of collapse due to neglect, and some have been completely lost. If this book can draw the attention of its target audience to these excellent details, help them appreciate them and understand their principles, it will have achieved its purpose. Because we all know that perfection lies in the details.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA whole is made up of details. In traditional architecture a detail is developed over time through trial and error. When it is believed to have been ‘perfected', however, it need no longer change. Close inspection will reveal that most traditional details of the same type have many similarities, even when produced in different regions at different times. This is one of the most characteristic aspects of traditional architecture, and is the exact opposite of our understanding of architecture today. One must strive to understand the working principle of a detail-how and why it has evolved to function so well, and, often, so beautifully. An architect capable of this understanding has mastered that detail and its utility, and can help its further evolution in the context of contemporary conditions of construction. This book, which is the outcome of 60 years of professional experience, is useful primarily for architects, preservationists and students in these fields. Yet this book can also address a much greater audience because it is the first to compile Ottoman classical details in a single volume. Furthermore, some of the buildings which these details are part of have fallen into ruins and others have lost their authenticity due to faulty interventions. These may be the only records of their details. If this book can attract attention to these beautiful details and further an understanding of their working principles it would have accomplished its purpose. Perfection lies in the details.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209292531,"sku":"9786058136687","price":245.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058136687.jpg?v=1616017728"},{"product_id":"tarihi-cevre-koruma-ve-restorasyon","title":"Protection and Restoration of Historic Environment - 20th Edition","description":"\u003cp\u003eThe 20th edition of \u003cstrong\u003eProf. Dr. \u003ca href=\"https:\/\/yemkitabevi.com\/search?type=product\u0026amp;q=Zeynep+AHUNBAY\" rel=\"noopener\" target=\"_blank\"\u003eZeynep Ahunbay\u003c\/a\u003e\u003c\/strong\u003e's book, \u003cstrong\u003e\u003cem\u003eHistorical Environment Protection and Restoration\u003c\/em\u003e\u003c\/strong\u003e, a fundamental reference for restoration and conservation education in Turkey, has been published.\u003c\/p\u003e\n\u003cp\u003eSince its first edition, \u003cem\u003eHistorical Environment Protection and Restoration\u003c\/em\u003e has been met with great interest. It comprehensively addresses the conservation and restoration process from a broad perspective, ranging from the theoretical basis of conservation thought to the studies to be carried out before restoration, from the preparation of the restoration project to restoration techniques.\u003c\/p\u003e\n\u003cp\u003eProf. Dr. Zeynep Ahunbay, who wrote the book \u003cem\u003eHistorical Environment Protection and Restoration\u003c\/em\u003e to inform architecture students about conservation, states:\u003c\/p\u003e\n\u003cp\u003e“Every architect trained in Turkey must be observant of their surroundings, sensitive, and eager to learn. In this country, which harbors cultural layers spanning a long period from prehistory to the present, to fully carry the responsibility placed upon us as architects, it is necessary to embrace the idea that cultural heritage is a common value of humanity and to be internationally equipped. For those involved in conservation practices, making respect for nature and history a principle and avoiding the production of fake historical artifacts is part of professional ethics. I believe that the cultural heritage of our country will thrive through the efforts of sensitive, knowledgeable, and interdisciplinary professionals.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe topics covered in the book are presented under the following main headings:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003eDevelopment and Theoretical Basis of Conservation Thought\u003c\/li\u003e\n\n\u003cli\u003eValues to be Protected and Evaluation Criteria\u003c\/li\u003e\n\n\u003cli\u003eFactors Causing Deterioration in Monuments\u003c\/li\u003e\n\n\u003cli\u003eStudies Carried Out Before Restoration\u003c\/li\u003e\n\n\u003cli\u003ePreparation of the Restoration Project\u003c\/li\u003e\n\n\u003cli\u003eRestoration Techniques\u003c\/li\u003e\n\n\u003cli\u003eHistorical Environment Protection\u003c\/li\u003e\n\n\u003cli\u003eOrganization, Laws, and Conservation Education Related to the Protection of Cultural Heritage\u003c\/li\u003e\n\n\u003cli\u003eThe texts of the Carta del Restauro, Venice Charter, Amsterdam Declaration, NARA Document on Authenticity, ICOMOS Charter on Traditional Architectural Heritage, and Decision No. 378 of the High Council for the Protection of Immovable Cultural and Natural Heritage are also included in the APPENDIX section of the book.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Prof. Dr. Zeynep AHUNBAY\u003c\/strong\u003e\u003cbr\u003eBorn in Ünye in 1946. She completed her primary education in Zara and Giresun and her secondary education at Arnavutköy American Girls' College in 1965. In 1970, she graduated from Istanbul Technical University (ITU), Faculty of Architecture. In 1971, she became an assistant at the Department of Architectural History and Surveying, ITU Faculty of Architecture. She completed her doctorate in 1975 on \"Sultan Ahmed Complex and Beyond in Ottoman Architecture\" under the supervision of Prof. Doğan Kuban. In the academic year 1977-78, she attended a specialized course on conservation at the University of York, England, and received a diploma with her thesis on \"Archaeology and Conservation in the Ancient City of Side.\" In 1980, she became an associate professor with her work \"Istanbul Madrasahs: An Evaluation in Terms of Conservation and Reuse.\" In 1988, she was promoted to professor with her work \"Architect Sinan's Educational Buildings.\"\u003cbr\u003eShe is currently a faculty member at the Department of Restoration, ITU Faculty of Architecture. She has participated in the documentation and conservation efforts of historical cities such as Edirne, Gaziantep, Safranbolu, Samsat, Tarsus, and Hasankeyf; and has carried out monumental restoration projects and applications. These include the Side Temple of Apollo, Marmara University Rectorate Building, Istanbul City Walls between T1-T6, Hagia Sophia Southwest Corner, Zeyrek Mosque, Bursa Green Tomb, and Uzunkemer restoration projects. The restoration of the Southwest Corner of Hagia Sophia, which she carried out with her husband Prof. Dr. Metin Ahunbay, was awarded the \"Special Repair Award\" by the Chamber of Architects 8th National Architecture.\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370210406643,"sku":"9786058136694","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/RESTORASYON_on_KAPAK.jpg?v=1666867486"},{"product_id":"mimarlikta-teknik-resim","title":"Technical Drawing in Architecture - 28th Edition","description":"\u003ch3 style=\"margin: 0cm 0cm 0.0001pt; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; vertical-align: baseline;\"\u003e\u003cstrong\u003e\u003cem\u003eTechnical Drawing in Architecture - 28th Edition\u003c\/em\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp style=\"margin: 0cm 0cm 0.0001pt; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; vertical-align: baseline;\"\u003e\u003cstrong\u003e\u003cem\u003eTechnical Drawing in Architecture, one of the fundamental books of architectural education in Turkey, has been enhanced and enriched, increasing its page count by approximately 40% to a total of 524 pages…\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0cm 0cm 0.0001pt; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; vertical-align: baseline;\"\u003e \u003c\/p\u003e\n\u003cp\u003ePrepared by architect-academicians \u003cstrong\u003eOrhan Şahinler\u003c\/strong\u003e and \u003cstrong\u003eFehmi Kızıl\u003c\/strong\u003e based on their extensive knowledge, experience, and expertise, \u003cstrong\u003e\u003cem\u003eTechnical Drawing in Architecture\u003c\/em\u003e\u003c\/strong\u003e is one of the fundamental books for architectural education in Turkey, serving as both a textbook and a reference for professional activities. The book not only directly conveys information related to technical drawing but also teaches and concretizes technical drawing by supporting it with information from sub-branches of architecture such as project organization, building information, details, perspective types, construction site information, project examples, and drawing examples.\u003c\/p\u003e\n\u003cp\u003eIn the updated and enhanced new edition of \u003cstrong\u003e\u003cem\u003eTechnical Drawing in Architecture\u003c\/em\u003e\u003c\/strong\u003e, which the authors worked on for a long time, new topics have been added in the areas of orthographic projection, perception, comprehension, building sections, and architectural language of expression. The added and updated topics have been made easier to understand with drawings that include perspective explanations and informative notes, and many of the drawings related to the topics have been refined by addressing deficiencies observed and tested in education. Topics such as planes in special positions, comprehension of an object from three main projections and finding its true size, the importance of graphic expression and perception, scaled drawing, 1\/200 scale site plan and section, preliminary and definitive project examples with 1\/200 and 1\/100 scale plans, sections, and elevations, obtaining contour lines of the terrain using elevations given in a spot elevation map, finding the intersection and true size of roof planes in inclined roofs, and dimensioning in mechanical technical drawings have been added.\u003c\/p\u003e\n\u003cp\u003eThe definition and historical development of \"technical drawing\" in the book, tools used in technical drawing, drawing preparations and drawing, geometric drawings, representation methods, section types, dimensioning, stair plan and section, drawing of balustrade elevation, balancing stair treads, obtaining elevation from plan data without drawing a section, shadow in orthographic projection, and perspective with parallel projection (axonometric) have also been enriched.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48473740738803,"sku":"9786058177703","price":910.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/MIMARLIKTA_TEKNIK_RESIM_ONKAPAK.jpg?v=1634736861"},{"product_id":"insaat-uygulamalarinda-okullarda-ogretilmeyenler","title":"What is Not Taught in Schools in Construction Applications - 14th Edition","description":"\u003cp\u003eA new edition of \"What Is Not Taught in Schools in Construction Practices,\" prepared by Firuzan Baytop to clarify topics she believed were lacking in architectural, engineering, interior design, and design education, has been published by YEM Yayın.\u003c\/p\u003e\n\u003cp\u003eThe book aims to provide readers with essential practical solutions for construction site applications that are not taught in schools.\u003c\/p\u003e\n\u003cp\u003eFiruzan Baytop, drawing on over 50 years of international construction site experience, explains easily applicable construction methods, supported by drawings and diagrams, that are not covered in technical books or schools. In this regard, the book serves as an indispensable guide, supplementing theoretical knowledge acquired in schools that may prove insufficient in professional life.\u003c\/p\u003e\n\u003cp\u003eThrough the book, which she prepared by utilizing the practical experiences of various institutions and individuals in numerous construction processes in Turkey and abroad, Firuzan Baytop addresses her younger colleagues, in particular: \"Undoubtedly, we learn many things from books and our instructors in schools. However, what is learned in schools is 'knowledge.' What we need on construction sites are application methods, which we call 'experience.' I share my construction site application experiences with you so that you can apply correct practices, avoid losses of time and money, and contribute solid, functional, and beautiful structures to our country.\"\u003c\/p\u003e\n\u003cp\u003eThis book consists of comprehensive texts based on the short, illustrated explanations in the author's book \"Wrongs-Rights in Construction Practices,\" and thus complements them. Therefore, it is recommended to use the two books together.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWHO IS FIRUZAN BAYTOP?\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eShe graduated from the Department of Architecture at GSA (today Mimar Sinan Fine Arts University) in 1948. Together with three friends, she won honorable mentions and awards in many architectural competitions; she won first prize in the Elâzığ Government House competition.\u003cbr\u003eIn addition to many private constructions, she built the Istanbul Municipality Saraçhanebaşı 1st Block Apartment; Emlâk Bank Atatürk Boulevard Block Apartment, Bursa Bazaars, Ataköy Beach, and Ataköy 2nd District. Starting in 1965, she managed the construction of many facilities for the Alarko company, both domestically and internationally, until her retirement. While working as a Construction Consultant and a member of the High Advisory Board at the same company, she retired voluntarily at the end of 2000. Firuzan Baytop, whom we lost in November 2021, worked as a member of the Material Committee and the Editorial Board of the magazine \"Material in Architecture\" at the Istanbul Branch of the Chamber of Architects; she gave lectures at various universities, meetings, and seminars; and published research and books on architecture, construction, and site management.\u003c\/p\u003e\n\u003cp\u003eAuthor's Published Books\u003cbr\u003e1. Illustrated Practical Building Information, Alsim\/Alarko, 1990, 1993.\u003cbr\u003e2. Illustrated Short Construction Dictionary (English-Turkish), A.A., 1993.\u003cbr\u003e3. Site Management Conferences, A.A., 1993.\u003cbr\u003e4. Western-Origin Words and Terms in Building Works (Turkish-English, etc.), A.A., 1994.\u003cbr\u003e5. Animals in Architectural and Construction Idioms (Turkish-English), A.A., 1994.\u003cbr\u003e6. Western-Origin BUILDING TERMS in Turkish (Turkish-English, etc.), YEM Yayın, 2nd edition, 1998.\u003cbr\u003e7. English-Turkish BUILDING DICTIONARY, FONO, 1998.\u003cbr\u003e8. Wrongs-Rights in Construction Practices with Pictures, A.A., 1999.\u003cbr\u003e9. Turkish-English-Turkish BUILDING DICTIONARY, FONO, 2001.\u003cbr\u003e10. Abbreviations in English-Turkish Technical Language, 2001.\u003cbr\u003e11. There's Such a Thing as Site Management!, YEM Yayın, 2nd edition, 2007.\u003cbr\u003e12. There's an Event on the Site!, YEM Yayın, 7th edition, 2021.\u003cbr\u003e13. WRONGS-RIGHTS in Construction Practices, YEM Yayın, 11th edition, 2021.\u003cbr\u003e14. Site Management, YEM Yayın, 9th edition, 2022.\u003cbr\u003e15. WHAT IS NOT TAUGHT IN SCHOOLS in Construction Practices, YEM Yayın, 12th edition, 2023.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207457523,"sku":"9786058177710","price":280.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058177710.jpg?v=1616017735"},{"product_id":"insaat-uygulamalarinda-yanlislar-dogrular","title":"Mistakes and Correct Practices in Construction Applications - 14th Edition","description":"\u003cp\u003eMistakes-Correct Practices in Construction Applications aims to convey to the reader how to perform correct practices by identifying application errors made at construction sites.\u003cbr\u003e\u003cbr\u003eFiruzan Baytop examines examples of incorrect practices he identified during his international construction site experience spanning over 50 years, complete with photographs and concise explanations. After presenting the mistakes made, the book describes how to perform correct practices, again with photographs, making it an indispensable guide for practitioners. Through the book, which he prepared by drawing on the application experiences of various institutions and individuals in diverse building production processes in Turkey and abroad, Firuzan Baytop addresses his young colleagues in particular, saying: \"Everyone can make mistakes. You will too. But the important thing is not to make those mistakes again (especially after seeing the pictures in this book). Accept your mistakes, try to do things correctly. Let's not forget that doing it right from the start is much cheaper than correcting it later.\" The brief explanations under the pictures in this book, regarding how to do things correctly, are detailed in the author's book titled \"Things Not Taught in Schools in Construction Applications\". Therefore, it is recommended to use both books together.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMistakes-Correct Practices in Construction Applications aims to convey to the reader how to perform correct practices by identifying application errors made at construction sites.\u003cbr\u003e\u003cbr\u003eFiruzan Baytop examines examples of incorrect practices he identified during his international construction site experience spanning over 50 years, complete with photographs and concise explanations. After presenting the mistakes made, the book describes how to perform correct practices, again with photographs, making it an indispensable guide for practitioners. Through the book, which he prepared by drawing on the application experiences of various institutions and individuals in diverse building production processes in Turkey and abroad, Firuzan Baytop addresses his young colleagues in particular, saying: “Everyone can make mistakes. You will too. But the important thing is not to make those mistakes again (especially after seeing the pictures in this book). Accept your mistakes, try to do things correctly. Let’s not forget that doing it right from the start is much cheaper than correcting it later.” The brief explanations under the pictures in this book, regarding how to do things correctly, are detailed in the author's book titled \"Things Not Taught in Schools in Construction Applications\". Therefore, it is recommended to use both books together.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Firuzan Baytop\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHe graduated from the Department of Architecture of GSA (today Mimar Sinan Fine Arts University) in 1948.\u003cbr\u003eTogether with three friends, he won honorable mentions and awards in many architectural competitions;\u003cbr\u003eThey won first place in the Elazığ Government Building competition.\u003cbr\u003eIn addition to many private constructions, he built the Istanbul Municipality Block apartment; Emlâk Bank Atatürk Boulevard Block apartment, Bursa bazaars, Ataköy beach, and Ataköy 2nd District.\u003cbr\u003eStarting in 1965, he managed the construction of numerous domestic and international facilities for the Alarko company. While working as a Construction Consultant and Member of the High Advisory Board at the same company, he voluntarily retired at the end of 2000. He currently works as a member of the Materials Committee at the Istanbul Branch of the Chamber of Architects, gives lectures at various universities, meetings and seminars, and publishes research and books on architecture, construction and site management.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207490291,"sku":"9786058177727","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/YANLISLAR_DOGRULAR_ONKAPAK.jpg?v=1690452304"},{"product_id":"santiye-yonetimi","title":"Construction Management - 11th Edition","description":"\u003cp\u003eA construction site is a world of its own. No school can truly teach you the necessary practical knowledge, what is expected of you, and what can happen on construction sites.\u003cbr\u003e\n\u003cbr\u003e\nThere's something far more important than practical applications on construction sites: \"site management.\" No matter how well someone knows the practical principles, or how experienced they are, site management is a complex web of relationships that is difficult to undertake. Unfortunately, these are not taught in schools, nor is there time given to learn them through practice. You can only learn by doing, through a master-apprentice method. However, this takes almost ten years. Site Management aims to shorten this period by sharing knowledge and experience. The author, distilling over 50 years of experience, shares with the reader what needs to be done and what can be experienced from the establishment of a construction site to its closure.\u003cbr\u003e\n\u003cbr\u003e\nThe book explains the principles of successful site management from a broad perspective, from selecting the site to providing materials, equipment, labor, subcontractors, etc. to the site; from tendering, contracting, and progress payment methods to establishing and maintaining good relationships with personnel, contractors, supervisors, local administrators, etc.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003cspan font-size:=\"\"\u003e\u003cspan color:=\"\"\u003eAbout Firuzan Baytop\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHe graduated from the GSA (now Mimar Sinan Fine Arts University) Architecture Department in 1948. Together with three friends, they received honorable mentions and awards in many architectural competitions. They won first prize in the Elâzığ Government House competition. In addition to many private constructions, he built the Istanbul Municipality Block apartment, the Emlâk Bank Atatürk Boulevard Block apartment, Bursa bazaars, Ataköy beach, and Ataköy 2nd Neighborhood. Starting in 1965, he managed the construction of many facilities for the Alarko company both domestically and internationally. While working as a Construction Consultant and Member of the High Advisory Board at the same company, he retired at his own request at the end of 2000. He is currently working as a member of the Materials Committee at the Istanbul Branch of the Chamber of Architects, giving lectures at various universities, meetings, and seminars, and publishing research and books on architecture, construction, and site management.\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370210013427,"sku":"9786058177734","price":280.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/SANTIYE_YONETIMI_KAPAK.jpg?v=1666959103"},{"product_id":"rolove","title":"As-Built Survey - 19th Edition","description":"\u003cp\u003eIn order to understand what historical artifacts and monuments reflect from the past and how they shed light on architectural development, it is necessary to document, or \"survey,\" both those that are preserved and those that are in ruins. A survey is the first step to be taken when intervention is required on an ancient artifact. Whether for archiving or for preparing a restitution-restoration project, surveying an ancient artifact is essential. From this perspective, the importance of surveying in our country, which has so many historical artifacts, is very clear.\u003c\/p\u003e\n\u003cp\u003ePrimarily prepared for architecture students who are new to this field, the SURVEY book is also an extremely useful resource for professionals. It addresses the subject in an easy-to-understand language and method for everyone; the stages of sketching, photographing, measuring, and drawing are explained with examples from the author's years of work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Bülent Uluengin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Istanbul in 1944. Graduated from the Department of Architecture of the Istanbul State Academy of Fine Arts in 1969.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAfter his military service, he worked as a control architect at a private bank until 1974 and traveled to many regions of Turkey. In 1974, he started working as an assistant in the Department of Architecture at the Istanbul State Academy of Architecture and Engineering (İDMMA). In 1982, upon the invitation of King Abdulaziz University in Jeddah, he went to Saudi Arabia and worked as a research architect at the Hajj Research Center of the same university until 1986. Between 1986 and 1995, in addition to working as a freelance architect in Istanbul, he worked as a contract lecturer at Yıldız Technical University and Mimar Sinan Fine Arts University.\u003cbr\u003eHe completed his doctoral thesis and received his Ph.D. in 1996; he became an associate professor in 1997 and a professor in 2003. Between 1995 and 2007, he worked as a faculty member in the Architectural Restoration Program at the Vocational School of Mimar Sinan Fine Arts University. Since 2007, he has been working as a faculty member and Head of the Department of Architecture at Bahçeşehir University, Faculty of Architecture and Design.\u003cbr\u003eHe has written various papers and articles related to his field of expertise, and has carried out survey and project studies. He has participated in national and international symposia (Sudan, Yemen, Jordan, Tunisia, Sri Lanka, and America) and presented papers.\u003cbr\u003eUluengin has published books such as \"Methods of Utilizing Photographic Techniques in the Architectural Design Process\" (doctoral thesis, published by Yıldız Technical University in 1997), \"Architectural Metals, Properties, Causes of Deterioration, Protection and Restoration Techniques\" (Birsen Publishing House, Istanbul 2006), \"Osmaneli and Its Traditional Houses\" (Kirkuk Foundation Publication, Istanbul 2009), \"Classical Building Details in Ottoman Monumental Architecture\" (YEM Publishing, 3rd edition, Istanbul 2010), which won first prize in the Architectural Award category at the 2010 Writing-Documentation-Translation Awards of the Organization of Islamic Capitals and Cities, and \"Survey\" (YEM Publishing, 4th edition, Istanbul 2010).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209947891,"sku":"9786058177758","price":315.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ROLOVE_16_BASKI_KAPAK.jpg?v=1729133294"},{"product_id":"turk-evi","title":"Turkish House","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“The Turkish House” is a presentation of Cengiz Bektaş's detailed observations, made through countless research and study trips to the Balkans, the Aegean Islands, and all of Anatolia, where he photographed, wrote, sketched, and often measured, to understand the \"house\" that he was born and raised in, which emerged from the accumulated knowledge of the geography and the culture of living.\u003c\/p\u003e\n\u003cp\u003eCengiz Bektaş examines the concept of \"the Turkish house\" from a broad perspective, ranging from fundamental principles to materials used, from plan types to flexibility, and from style to periods:\u003c\/p\u003e\n\u003cp\u003e“We find houses that are products of Ottoman living culture, encompassing all regional colors, from Sarajevo to Erzurum, built according to similar fundamental principles. Regardless of the materials used, location, or intended occupants, when we examine the examples that still stand today, we can identify certain common aspects and the same basic principles in these houses. Those who grew up in these lands are the natural inheritors of all past and present cultures. Therefore, of course, today's Macedonian will call the Ottoman house in Macedonia a Macedonian house, today's Bulgarian will call the Ottoman house in Plovdiv a Bulgarian house, and today's Greek will call the Ottoman house in Greece a Greek house. Indeed, these houses are precisely the houses of the geography in which they were created... If I say 'Turkish house' today, or if I refer to those living as citizens of Turkey as 'Turks' as a collective identity, then I am, of course, saying something true... But I say the phrase 'Turkish house' knowing that it was created by the common life of Ottoman living culture across all these lands.\"\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eOver 250 black-and-white photographs and drawings\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eContents\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIntroduction\u003c\/p\u003e\n\u003cp\u003ePast\u003c\/p\u003e\n\u003cp\u003ePrinciples\u003c\/p\u003e\n\u003cp\u003eMain Materials\u003c\/p\u003e\n\u003cp\u003eFrom City to Dwelling\u003c\/p\u003e\n\u003cp\u003ePlan Types of the Turkish House\u003c\/p\u003e\n\u003cp\u003eFlexibility: Ability to Grow, Shrink (Divide)\u003c\/p\u003e\n\u003cp\u003eStyle\u003c\/p\u003e\n\u003cp\u003ePeriods\u003c\/p\u003e\n\u003cp\u003eTowards the End\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHO IS CENGİZ BEKTAŞ?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCengiz Bektaş, born in Denizli in 1934 and passed away in 2020, completed his secondary education at Istanbul Erkek Lisesi and his higher education at the State Academy of Fine Arts (DGSA) Decoration and Architecture Departments, and the Technical University of Munich, Faculty of Architecture. He completed his higher education in 1959. In 1960, he attended German urban planning courses. He worked as a freelance architect in Germany, where he won awards in two competitions. He returned to Turkey when he was invited to be a lecturer at METU. In the 1962-63 academic year, he managed the METU Construction Works Presidency, Architecture Workshop for one year. In 1963, he established his own architectural workshop with Oral Vural in Ankara. Between 1963 and 1969, he participated in architecture and urban planning competitions for only six years, winning over 25 awards. He designed buildings considered examples of Republican era architectural history. He received the National Architecture Award twice. In 2001, he won the International Aga Khan Award for Architecture with his Social-Cultural Center building at Akdeniz University (Antalya). The building of the Turkish Language Association was considered by architects to be one of the twenty structures symbolizing the Republican era. In 2014, the International Mimar Sinan Award was presented to Cengiz Bektaş for the first time. He also received: 1970 TRT Short Film Award, 1989 Macedonian Chamber of Architects Award, 1996 Abdi İpekçi Peace Special Award, 1998 Association of Freelance Architects Education Award, 2002 Contribution to Balkan Culture Award, 2004 Romania-Azerbaijan Friendship Association's Honorary Award for Special Contribution to Romania-Turkey-Azerbaijan Cultural and Literary Relations, 2006 Ovacık (Bergama) Villagers' Environment Award, 2009 New Generation Village Institutes Association's Enlightenment Honorary Award. Cengiz Bektaş entered literary life in 1950 with his column writings in a Denizli daily. In 1954, he won first prize in a poetry competition at the DGSA Academy, where Bedri Rahmi was on the selection committee. In 1960, Fazıl Hüsnü Dağlarca published Bektaş's poems for the first time in Turkey in Türkçe Dergisi. His poems have been translated into 16 languages. He has 95 works dealing with architecture and cultural subjects, along with his poetry books. He participated in countless meetings at home and abroad, presenting papers. He wrote entries for encyclopedias. AWARDS IN LITERATURE: 1968 Turkish Language Association Research-Study Branch Award, 1970 TRT Single Poem Award, 1992 Den-Bir Contribution to Culture and Art Award, 1992 Ketsav Honorary Award, 2002 I. Necati Cumalı Meeting Guest of Honor Award, 2003 Troya Poetry Award, 2004 Didim Peace Festival Honorary Award, 2005 International Ovidius (Romania) Poetry Award, 2005 Azerbaijan Writers' Union Honorary Membership, 2007 Ceyhun Atuf Kansu Poetry Award, 2010 Denizli Culture Contribution Award, 2010 Language Association Honorary Award, 2012 Dionysos Poetry Award. He served as the 2nd President of the International PEN Turkish Center for a period, President of the Turkey-Greece Friendship Association for 6 years, and President of the Turkish Writers' Union for 6 years. He is an honorary board member of TYS. Bektaş served as a member of the Central Executive Board of the Chamber of Architects of the Union of Chambers of Turkish Engineers and Architects (TMMOB) for two years. He was a visiting lecturer in America, Germany, and Macedonia. He taught \"Folk Building Art\" at Eskişehir Anadolu University for one year and Trakya University for 1.5 years, \"Philosophy of Art - Sociology of Art\" at Marmara University, and \"Aesthetics\" at Mimar Sinan University Faculty of Fine Arts for 10 years. Between 1999 and 2019, he taught \"The Effect of Culture on Planning\" and \"Volumes of Our Culture\" for graduate students in the Urban Planning Department at Mimar Sinan Fine Arts University. POETRY BOOKS: Kişi (Person) (1964), Akdeniz (Mediterranean) (1970, 1981, 1984), Mor (Purple) (1974, 1986, 1999), Dört Kişiydiler Bir de Ben (There Were Four of Them and Me) (1975, 1981, 1984), Yeryüzünün Yüreği (Heart of the Earth) (1978), Yer Deli Gök Deli (Crazy Earth Crazy Sky) (1980), Zeytinli Fırın Sokağı (Olive Oven Street) (1981), Güz Ey (Oh Autumn) (1983), Dört Kişiydiler Bir de Ben + Ustalarım (There Were Four of Them and Me + My Masters) (1984), Fide (Sapling) (1987), Onu Birden (All of Him at Once) (complete poems, 1992), Dışların İçi (Inside of the Outsides) (1994), Poems by Cengiz Bektaş (USA, 1997), Su Belleği (Water Memory) (1998), Mor (Purple) (complete poems, 1998), Sevgi Alnımın Teri (Love Is the Sweat of My Brow) (2003), Yapısı Yüreğin (Structure of the Heart) (Romania, 2005), Bu da Seni Gözlemediğim Küçe (This Is the Alley Where I Didn't Wait for You) (Azerbaijan, 2005), Dün Bugün (Yesterday Today) (2006), Doğuran Doğurtan (Giving Birth, Making Birth) (2008), Can Suyu (Life Water) (2013). TRANSLATIONS: Sapho (with Azra Erhat, 1978, 1983), Tılsımlı Kedi [Grimm Brothers' Tales] (The Enchanted Cat [Grimm Brothers' Tales]) (1981). CHILDREN'S BOOKS: Koca Rıza (Big Rıza) (1981, 2003, 2011), Ebemevi (Grandmother's House) (1989, 2005), Usta ile Çırak (Master and Apprentice) (1989), Sevgiyle Yap (Do with Love) (1990, 2002, 2011), Çağıl Nasıl Mavi Oldu (How Çağıl Became Blue) (1995, 2005), Kuş ile Kuş\/Çocuk Şiirleri (Bird and Bird\/Children's Poems) (2011). ESSAY-STUDY BOOKS: Mimarlıkta Eleştiri (Criticism in Architecture) (1967, 1995, 2001), Bedri Rahmi Nakışlı Bir Deneme (An Essay Adorned with Bedri Rahmi) (1975, 1984, 2014), Benim Oğlum Bina Okur (My Son Reads Buildings) (1980, 1995, 2002), Duvarların Dışı da Senin (The Outside of the Walls is Also Yours) (1982, 1987, 1991, 1995, 2002), Yuva mı Mal mı (Home or Property) (1983, 1995, 2002), Kimin Bu Sokaklar Alanlar Kentler (Whose Are These Streets, Squares, Cities) (1987, 1996, 2002), Kültür Kirlenmesi (Cultural Pollution) (1995, 1996, 2003), Kent (City) (1995, 1996, 2003), Ev Alma Komşu Al (Don't Buy a House, Buy a Neighbor) (1995), Hoşgörünün Öteki Adı Kuzguncuk (Another Name for Tolerance: Kuzguncuk) (1996, 2003), Bak Bak Desinler (Let Them Say \"Look, Look\") (1998), Kentli Olmak ya da Olmamak (To Be Urban or Not to Be) (1999, 2004), Barış Sofrası (Table of Peace) (2001), Yaşama Kültürü (Culture of Living) (2003), Kendini Tanı (Know Thyself) (2007), Sevgiyi Paylaşalım (Let's Share Love) (2007), Kentini Yaşamak (Living Your City) (2007), Gelecek Biziz (We Are the Future) (2007), Her Şey Bir İnsanı Sevmekle Başlar (Everything Begins with Loving a Person) (2011), Aigina, Poros, Hydra, Midilli, Sakız (2011), Sevgidir Her İşin Başı (Love is the Beginning of Everything) (2011), Denizli (2011), İstanbul (2011), Kültür Vatanımız (Our Cultural Homeland) (2011), Sevgi Örülünce Yapıda (When Love is Woven into the Structure) (2011), Anadolu'lu İnsan Olmak (Being an Anatolian Person) (2011), Köpeksiz Köy (Village Without Dogs) (2011), Anlamıyorlarsa Anlatamıyorsun (If They Don't Understand, You Can't Explain) (2011), Sabır ile Koruk (Patience and Unripe Grapes) (2011), Kent-Kültür-Demokrasi (City-Culture-Democracy) (2011), Bu Ezgi Kimin? (Whose Melody Is This?) (2012), Yaz Okulları (Summer Schools) (2013), Doğaya Uyumlu Mimarlık (Architecture in Harmony with Nature) (2013), Nazım Hikmet'in Mimarlığa Bakışı (Nazım Hikmet's View on Architecture) (2013), Rodos (Rhodes) (2013), Rodos (English, 2013), Mimar Sinan Yazıları (Writings on Mimar Sinan) (2013), Yaşanası Kent (Livable City) (2013), Mimar Nedir, Mimar Ne Yapar? (What is an Architect, What Does an Architect Do?) (2013). COMPILATION: Koca Sinan (Great Sinan) (1968). STUDY BOOKS: Halk Yapı Sanatından Bir Örnek: Bodrum (An Example of Folk Building Art: Bodrum) (1979, 1983, 1996, 2013), Antalya Evleri (Antalya Houses) (1980, 2005, 2013), Babadağ Evleri (Babadağ Houses) (1987, 2005, 2013), Şirinköy Evleri (Şirinköy Houses) (1987, 2005, 2013), Akşehir Evleri (Akşehir Houses) (1987, 2013), Koruma Onarım (Protection and Repair) (1992, 2001), Kuşadası Evleri (Kuşadası Houses) (1992, 2005, 2013), Mimarca Mermer (Marble in Architectural Style) (1993, 2005), Türkevi (Turkish House) (1996, 2008, 2013, 2014), Selçuklu Kervansarayları (Seljuk Caravanserais) (1999), Halk Yapı Sanatı (Folk Building Art) (2001), Kuşevleri (Birdhouses) (2003, 2004), Saim Bugay (2005), Karacasu Evleri (Karacasu Houses) (2008, 2013), Kayaköy\/Tersane (2008, 2013), Şirince\/Tirilye (2008, 2013), Afrodisyas (Aphrodisias) (2008), Ayvalık (2009, 2013), Manisa Evleri (Manisa Houses) (2009, 2013), Herkes İçin Kent (City for Everyone) (2009), Cumartesi Buluşmaları (Saturday Meetings) (TMMOB Chamber of Architects, 2010), Güre (2013), Füreya Koral ile Söyleşi (Interview with Füreya Koral) (2013), Azra Erhat Mektupları-1 (Azra Erhat Letters-1) (2013), Afrodisyas (English, 2013, 2014), Bir Yerli Olmak (Being a Native) (2014), Azra Erhat Mektupları-2 (Azra Erhat Letters-2) (2015), Amerika Katlar Savaşı (America's War of Floors) (2015), Toz Ahşap Cam (Dust Wood Glass) (2015), Kültürümüzün Oylumları (Volumes of Our Culture) (2015), Bir Yerli Olmak (Being a Native) (2015), Kıyılarımızı Yağmalayanlar (Those Who Plunder Our Coasts) (2015)\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370210636019,"sku":"9786058177772","price":175.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058177772.jpg?v=1616017741"},{"product_id":"insaata-baslarken","title":"Beginning Construction - 15th Edition","description":"\u003cp\u003eA. Turhan Uyaroğlu, who has 58 years of experience in the construction sector as a project manager, site manager, and executive, aims to introduce important elements, concepts, and functions related to the construction sector to \"construction professionals\" in his book \"İNŞAATA BAŞLARKEN\" (When Starting Construction). The book provides detailed information, accompanied by tables and graphs, covering topics that should be taught in schools during technical education, as well as situations that may be encountered during construction application processes.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eA. Turhan Uyaroğlu explains why construction professionals should acquire the information provided in the book to adequately perform and manage their jobs: “The two important elements of success are knowledge and experience. There is no end to either of these accumulations. What is taught in education, if not reinforced with conscious applications, will be forgotten and wasted. Uninformed attempts, on the other hand, often result in error. The path to success is through numerous applications with the necessary knowledge. \"İnşaata Başlarken\" has been written to remind readers of what is taught during the education process, as well as to convey information that is not taught, but ‘gained from other sources or through experience.' Every line in the book is the product of bittersweet memories. I hope readers perceive what is written as useful information to learn in the process of building structures. My advice to all readers, young and old, is to review this book once to learn its content, check their old knowledge, and when the time comes, reread the necessary sections to benefit from them.”\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48410694254835,"sku":"9786058177789","price":280.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/YEM_INSAATA_BASLARKEN_12_BASKI_KAPAK.jpg?v=1681211646"},{"product_id":"projeler-yapilar-1-konutlar","title":"Projects Structures 1: Residences","description":"\u003cp class=\"MsoNormal\"\u003eYEM Publications' highly popular book series \"Projects Structures\" has re-released its out-of-print books in a more portable size and at more affordable prices, without compromising their content. New books to be added to the series will also be published in the same format, aiming to make quality books accessible to readers at a more reasonable price.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe first book in the Projects\/Structures series, \"Residences,\" is a compilation of distinguished residential projects by important architects from Turkey and around the world.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe book presents a total of 34 structures, from mass housing to single-family homes, apartment flats to holiday homes, realized by 30 architects\/architecture groups in 20 cities in Turkey and around the world in the last few years. These are presented under the sections \"Sites Comprised of Houses,\" \"Single-Family Homes,\" and \"Mass Housing and Apartments.\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSome of the projects and their designers featured in the book are:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBakraz Houses, Faruk Malhan; ExplodedHouse, Gökhan Avcıoğlu; Gülsema-Lutz House, Cengiz Bektaş; Villa Guna, Meinhard von Gerkan; Villa S; Coop Himmelb(l)au; Mountain Houses, BIG Aps; Tekfen Yalıkavak Houses, TRafo Architecture; Pool House, Ushida Findlay Architects; Mutlu House, EPA Architecture; SM House, Mimarlar Tasarım; Yalın Kaya House, Coşkun Karadeniz; Antrium Residences, Mutlu Çilingiroğlu; Carabanchel Residences, Foreign Office Architects.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe projects published here certainly do not claim to be their best works. However, \"Residences\" brings together successful examples in terms of building typology, the use of modern and traditional building materials, modern construction techniques, adaptation to topography, and so on.\u003c\/p\u003e\n\u003cp\u003eThe residential projects in the book are presented with interior designs, specially taken color photographs, site plans, floor plans, sections, elevations, and axonometric drawings, as well as descriptive texts explaining the projects.\u003c\/p\u003e\n\u003cp\u003eResidences serves as a reference book for architects, interior designers, engineers, urban planners, urban designers, and landscape architects, while also providing a valuable resource for architecture, interior architecture, and design students to study selected projects from Turkey and around the world and utilize them in their own design work.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209587443,"sku":"9786257008006","price":630.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/PROJELER_YAPILAR_KONUTLAR_ONKAPAK.jpg?v=1731545145"},{"product_id":"projeler-yapilar-9-restoran-ve-kafeler","title":"Projects and Buildings 9: Restaurants and Cafes","description":"\u003cp\u003e\u003cspan style=\"letter-spacing: -0.05pt;\"\u003eThe ninth book in the Projects\/Buildings series, Restaurants and Cafes, consists of selected restaurant, cafe, and bar projects by leading architects and interior designers from Turkey and around the world. The book introduces 30 restaurant, cafe, bar, nightclub, etc. projects realized in the last few years by 23 architects, interior designers (architectural groups) in 15 different locations around the world, including Turkey.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"letter-spacing: -0.05pt;\"\u003eToday, eating and drinking establishments, which are among the most intensely social interaction spaces based on social use, are among the most important structures that complement urban life. When designing these spaces, which are used more and more frequently in contemporary urban life, it is necessary to consider the cultural and psycho-social demands of users beyond their physical needs. Naturally, one cannot expect the same design, purpose, and method for a cafe offering quick snacks at certain times of the day, a restaurant where world-famous chefs prepare special menus, or a nightclub hosting late-night stage performances. The projects published in the book do not, of course, claim to be the best works of their authors. Restaurants and Cafes presents a collection of unique eating and drinking establishments, each offering solutions to the diverse demands of today's urban dwellers, who spend more time \"out\" than in previous periods.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"letter-spacing: -0.05pt;\"\u003eThese projects, consisting of successful examples in terms of building typology, use of modern and traditional building materials, modern construction techniques, adaptation to topography, architectural and urban fabric, repurposing, etc., and especially their interior designs, are presented with specially taken color photographs, site and floor plans, sections, elevations, and axonometric drawings, as well as explanatory texts describing the projects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"letter-spacing: -0.05pt;\"\u003eThe book \"Restaurants and Cafes\" is a reference book for architects, interior designers, urban planners, urban designers, and civil engineers, as well as a valuable resource for architecture, interior architecture, and design students to examine these special projects selected from Turkey and around the world and utilize them in their own design work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209816819,"sku":"9786257008013","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786257008013.jpg?v=1616018031"},{"product_id":"ideal-kent-arayisinda-mimari-utopyalar","title":"Architectural Utopias in Search of the Ideal City","description":"\u003cp data-mce-fragment=\"1\"\u003eYEM Yayın has published the 2nd edition of Prof. Dr. Ece Ceylan Baba's book, Architectural Utopias in Search of the Ideal City, which reveals humanity's endeavor to create an ideal living space from antiquity to the present day.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEverything begins with a strong desire to establish an ideal structure in place of the existing order... Initially a fictional construct, utopia is the expression of this desire. Since an abstract design can only come to life in a concrete space, it is invariably dependent on a place\/space. For this reason, the utopian designs a space vastly different from the one they currently inhabit. The resulting utopian space often corresponds to a city. It is within the framework of planning this city that utopia, a form of life and social engineering, is designed; it is progressive, egalitarian, promises hope, claims to be a perfect design, and proposes a rational order, yet it also possesses an authoritarian and totalitarian demeanor, an absolutist understanding.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUtopias aim to construct an ideal universe where all conflicts in society are ended with the help of modern technology; to create an environment where peace, prosperity, and virtue will be eternal and universal. But do all these \"well-intentioned and sublime\" designs truly lead to absolutely ideal living spaces?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn seeking the answer to this question, Ece Ceylan Baba shares striking examples of the idea of designing an ideal city, spanning from antiquity to the Renaissance, from the Enlightenment to Modernism, and from Postmodernism to the present day. Starting with Atlantis, the world's oldest and most famous known utopian city\/country; she examines numerous extraordinary proposals such as Moore's Utopia, the creative destruction realized in Paris by Haussmann, Howard's garden cities, Corbusier's Contemporary and Radiant City projects, and Archigram's plug-and-play city designs. In Utopias in Search of the Ideal City, she presents data and approaches regarding this ongoing search for the ideal city for the reader's consideration.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEce Ceylan Baba, in her book which begins by pointing out that \"utopia evades a clear definition,\" takes the reader on an architectural journey through imagined utopian living spaces, delving into the depths of history. Baba reveals that attempts to create the ideal city, which began with utopia, have continued over time with quests such as ecotopia, heterotopia, and hyper-buildings, and she expresses how these ongoing efforts tend to turn into dystopias in the end:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“… Today, cities are excessively cosmopolitan and heterogeneous, composed of different classes, social strata, beliefs, and ethnic origins, unlike any other time in history. Especially in the postmodern era, where identity politics have risen more than ever, designing a city with a purely modernist attitude, with the functionally apparent design of a single abstract mind on paper, now appears to produce nothing more than a dystopia that alienates all city dwellers. Cities are now like the 'invisible hand' in economics, entirely a fluid organism that evolves and is in constant formation with the contributions of the municipality and central government, within the framework of the common habits, economic capabilities, expectations from life and the city, and political views of all actors living in the city. The cities of Modernism, designed in a single stroke and intended to resist time eternally, as complete, finished, and moreover, bossy towards their inhabitants, have transformed into fluid cities with an expanding, evolving, transforming structure in constant formation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe needs of contemporary cities have surpassed an abstract universal mind, and as they are influenced by many micro-identities, ideologies, changing forms of goods and service production, and differentiating communication and transportation methods, they have evolved into a structure that both transforms and re-influences society. There has been a retreat from a single mind designing a city from scratch to designing micro-areas, buildings, and formations that are micro-parts of the city. The indexing of cities to the common sense and changing common needs of urban dwellers is now replacing utopias that seek absolute order with floating existences that can manage chaos. In persistent utopias, history shows us that the outcome is always the same: Dystopia!”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWHO IS PROF. DR. ECE CEYLAN BABA?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShe completed her undergraduate education at Mimar Sinan Fine Arts University, Department of Architecture, her master's degree at Yeditepe University, Department of Architecture, and her doctoral program at Mimar Sinan Fine Arts University, Department of Architectural Design Problems, earning her doctorate degree. Ece Ceylan Baba became an associate professor in 2016 and a professor in 2021, and she is a faculty member at Yeditepe University, Faculty of Architecture, Department of Architecture. She has served as the Head of the Department of Architecture at the same university since May 2017 and as the Dean of the Faculty of Architecture since July 2021.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAcademically, she works on architectural utopias and dystopias, high-rise development, globalization, user participation, environmental and urban psychology, housing typologies, and the concept of loft; she continues her studies, research, and publications in these areas.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe author has three books: \u003cem data-mce-fragment=\"1\"\u003eArchitectural Utopias in Search of the Ideal City\u003c\/em\u003e, \u003cem data-mce-fragment=\"1\"\u003eDesign Democracy and Istanbul\u003c\/em\u003e, and \u003cem data-mce-fragment=\"1\"\u003eLoft: Loft Architecture in the Transition from Modernism to Postmodernism and its Reflections in Istanbul\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn addition to her academic work, Ece Ceylan Baba continues her professional career as a founding partner of Baba Mimarlık and is a Board Member of the NGOs İMSAD and TUCSA. \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207391987,"sku":"9786257008020","price":315.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/Ideal_Kent_Arayisi_Mimari_Utopya_2BASKI_KAPAK.jpg?v=1668013365"},{"product_id":"klasik-muzik-islikla-calinmaz","title":"Classical Music Cannot Be Whistled","description":"\u003cblockquote class=\"blockquote\" style=\"margin: 0cm 0cm 0.0001pt; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; vertical-align: baseline;\"\u003e \u003cspan arial=\"\" blinkmacsystemfont=\"\" cambria=\"\" font-size:=\"\" lang=\"EN-US\" neue=\"\" open=\"\" sans=\"\" sans-serif=\"\" system-ui=\"\" ui=\"\"\u003eCengiz Yetken's book, which conveys his \"learning and producing\" experience with Louis I. Kahn, one of the leading figures of 20th-century architecture, with an original approach,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan arial=\"\" blinkmacsystemfont=\"\" cambria=\"\" font-size:=\"\" lang=\"EN-US\" letter-spacing:=\"\" major-latin=\"\" neue=\"\" open=\"\" sans=\"\" sans-serif=\"\" system-ui=\"\" ui=\"\"\u003ewas published by YEM Yayın.\u003c\/span\u003e\n\u003c\/blockquote\u003e\u003cp\u003e\u003cb\u003e\u003cspan cambria=\"\" lang=\"EN-US\" major-latin=\"\" style=\"font-size: 11.0pt;\"\u003e“While working in the office, I had a habit of whistling Beethoven’s 5th Symphony. ‘Cengiz, please… You can’t whistle Beethoven!’ This was sudden and unexpected. Kahn continued: ‘You can’t whistle classical music, but you can hum it.’”\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e Cengiz Yetken is a figure who worked and produced with Louis Kahn, first as a student in Kahn's legendary graduate studio at the University of Pennsylvania School of Architecture, and then as a young colleague in his office at 1501 Walnut Street. This was a period when significant projects were underway in the relatively short but brilliant career of Kahn, a thinker, artist, and architectural guru, who was one of the important actors in 20th-century world architecture between the 1950s and 70s. As understood from the Yetken-Kahn dialogue carried in the book's title, this book is about the experiences of two architects who internalized architecture as a way of life, concerning the ordinary flow of life, the tonalities of music, the art of design, the experiences of a building beyond brick and mortar, its beginning, its formation, its life, its measurable and immeasurable values, and the essence of light and silence\u003cu\u003e.\u003c\/u\u003e\u003c\/p\u003e\u003cp\u003e The book, edited by Müge Cengizkan, translated by Özlem Erdoğdu Erkarslan, and designed by Utku Lomlu, is meeting readers through YEM Yayın. Cengiz Yetken describes the book as follows:\u003c\/p\u003e\u003cp\u003e \u003cem\u003e“Throughout my professional life, both in architectural practice and as a professor in design education, I often encountered questions about Louis Kahn, perhaps one of the most distinguished architects of the 20th century. Many friends encouraged me to write about Kahn. Initially, I considered writing a series of letters to my children, conveying my experiences with Lou and why his buildings were so special. However, I later realized that I should convey these to students in architecture schools and to my colleagues in practice. This would be the best way to communicate the design sensibility ingrained in his buildings and the ideas that gave rise to them. Gradually, I understood that what I wrote could not remain merely memories, but would shed light on the act of design. This also became a personal journey that allowed me to rediscover my own understanding of design. This book does not aim to explain Kahn’s architectural approach or his views. These memories are what I learned from my time with Kahn, from his class, his office, his buildings, and from being in the profession for all these years. I am trying to answer a difficult question: What did I learn from Kahn?”\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003cb\u003e\u003cspan cambria=\"\" lang=\"EN-US\" major-latin=\"\" style=\"font-size: 11.0pt;\"\u003eCONTENTS\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e FOREWORD\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cbr\u003e\u003cb\u003e\u003cspan cambria=\"\" lang=\"EN-US\" major-latin=\"\" style=\"font-size: 11.0pt;\" text-transform:uppercase=\"\"\u003eKAHN STUDIO AT PENN\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan cambria=\"\" lang=\"EN-US\" major-latin=\"\" style=\"font-size: 11.0pt;\" text-transform:uppercase=\"\"\u003e1.A FOREIGN STUDENT\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e PHILADELPHIA\u003c\/p\u003e\u003cp\u003e\u003cb\u003e2. “ART IS THE LANGUAGE OF GOD”\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e MEETING\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e UNDER THE TREE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e DESIRE \/ NEED\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e RICHARDS\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e STRUGGLE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e AROUND THE TABLE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e PAINTED LINES\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e SEEING THE PLACE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e LIFE STORIES\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e MAKING MODELS\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e POETICISM\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e STRADIVARIUS\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e BELIEF\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e AROUND THE TABLE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e PANEL\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e DON'T COPY KAHN\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e SYMPHONY\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e CORRIDOR\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e THE TRAVELED AND THE PASSED\u003c\/p\u003e\u003cp\u003e ASKING\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e SOUND\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e INTERSECTIONS\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e FINAL JURY\u003c\/p\u003e\u003cp\u003e \u003cb\u003e\u003cspan cambria=\"\" lang=\"EN-US\" major-latin=\"\" style=\"font-size: 11.0pt;\" text-transform:uppercase=\"\"\u003e3. “ARCHITECTURE HAS NO EXISTENCE”\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e PROJECT INTRODUCTION: FDR MEMORIAL\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e FOUNTAIN\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e AROUND THE TABLE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e MOZART IN GREECE\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eWHO IS CENGIZ YETKEN?\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003eBorn in Ceyhan, Adana in 1940. He graduated from METU Faculty of Architecture with a bachelor's degree in 1963 and a master's degree in 1964. In 1965, he went to the University of Pennsylvania to pursue a master's degree in Louis Kahn's studio, graduating in 1966. He worked as a \"project manager\" at Louis Kahn's Office, where he started working during his studies, until 1968. In addition to his work at the office, he also served as a faculty member at the University of Pennsylvania, leading an architectural design studio between 1966 and 1968. In 1968, he returned to Turkey and taught architectural design at the METU Faculty of Architecture, his alma mater, until 1975. In 1975, he decided to return to the USA. He worked as a faculty member at Ball State University, School of Architecture and Planning until 1977, and at the University of Virginia until 1981. He decided to transition from academia to professional practice. Between 1981 and 1986, he worked as a senior architect at SOM Chicago. In 1984, he qualified to become a member of the American Institute of Architects (AIA). In 1986, he decided to open his own office, and until 1990, in his Oak Park office, he not only produced architectural designs but also designed industrial design objects and continued his film directing studies. Between 1987 and 1991, he taught as a visiting artist at the School of the Art Institute of Chicago. From 1990 to 2006, he had a long and productive career as a senior project architect at Perkins+Will Chicago. From 2006 to 2009, he served as an architectural design consultant for the same company. In addition to being a licensed architect in Illinois as an AIA member, he is also a member of the Chamber of Architects of Turkey and the Fulbright Education Commission. After his retirement in 2009, he continues his life by engaging in personal work at his homes in Chicago and Bodrum Demir Tatil Evleri.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207850739,"sku":"9786257008051","price":490.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786257008051.jpg?v=1616018036"},{"product_id":"ic-mimarlikta-malzeme-ve-detay","title":"Materials and Detail in Interior Design - 13th Edition","description":"\u003cp\u003eIn \u003cem data-mce-fragment=\"1\"\u003eMaterial and Detail in Interior Architecture\u003c\/em\u003e, prepared by Genco Berkin primarily for interior architecture and architecture students, as well as designers and practitioners new to the profession, 40 different design elements for interior space design, the processing of raw materials, issues designers should consider in material selection, and the most suitable detail analysis applicable on-site are brought together and presented with original drawings.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eThe book, together with \u003cem data-mce-fragment=\"1\"\u003eMaterial and Detail in Architecture\u003c\/em\u003e, also written by Genco Berkin, forms the \"Material and Detail Series.\"\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn \u003cem data-mce-fragment=\"1\"\u003eMaterial and Detail in Interior Architecture\u003c\/em\u003e, all data (for example, the necessary knowledge for designing furniture: ergonomics, materials, construction, textiles, surface treatments, color information) is presented in a plain and easily understandable manner through carefully prepared drawings, with the aim of providing young designers, in particular, with a complete set of skills to support the design process, focusing on details and materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eDetail is the reconciliation between spirit and mind. Detail evokes a sense of order in people. This feeling arises from the hierarchy and communication between materials. Detail, to take shape, sometimes draws inspiration from construction requirements and sometimes from material properties. Above all, detail enhances the performance of the element used; it extends its durability. For designers, detail is the blending of aesthetic concerns with function. For example, a table detail in a dining room cannot be considered separately from the sideboard that appears as an extension of the fireplace and wall. Every piece of furniture and interior architectural element must speak the same language, supporting each other's roles to convey a message.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn addition to detail, the designer must also design the spatial organization. Because detail and space are design processes that reveal the purpose of use and proceed in coordination. Every space needs an ancillary space. This is a pantry and a terraced barbecue for the kitchen, and a dressing room and en-suite bathroom for the bedroom. Louis I. Kahn, one of the last representatives of modern architecture, described this idea as \"servant space\" and \"served space.\"\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn the service it provides, the designer presents spatial and furniture products for use under comfort criteria to the client. The main interior architectural comfort criteria are air quality, natural light adequacy, thermal balance, and ergonomics. To meet all these criteria, the designer must choose the longest-lasting and least harmful material. Many chemicals are used to protect materials. However, there are also products that make materials long-lasting through natural methods. But natural products are not as effective as chemicals. The interior architect's task will be to establish this balance correctly.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn this book, many points are specified regarding what elements the designer should pay attention to during the material selection process. For example, the decisions made about the material to be used when designing a door and the detail requirements are explained carefully. Furthermore, the necessity of designing the elements used in interior architecture in harmony with each other is also stated. The junctions of baseboards and door frames are among the most important detail solutions in space designs.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eThe book covers all the design parameters necessary for designers. For example, the necessary equipment for designing furniture includes knowledge of ergonomics, materials, construction, textiles, surface treatments, and color. In addition to all these, the history of furniture has also been incorporated into the topics. The content of the book has been prepared to provide those involved in interior design with a complete set of skills to support the design process, focusing on details and materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eDesigners such as Charles Rennie Mackintosh, Frank Lloyd Wright, Le Corbusier, Vedat Tek, and Carlo Scarpa, who elevated their designs not only in the art of architecture but also in interior architecture, crowned material with detail; thus integrating furniture and architectural elements with space. Detail shows the importance we give to the norms of life. The names listed above succeeded because they transformed detail into a motif. In doing so, they also avoided unnecessary ornamentation. Thanks to this book, designers will be able to consider material production methods and detail application together; they will be able to treat every element that constitutes the space as if it were a part of the space itself...”\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48461991051507,"sku":"9786257008068","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ICMIMARLIKTA_MALZEME_DETAY_ONKAPAK.jpg?v=1697545329"},{"product_id":"mimarlik-fotografi_351884-html","title":"Architectural Photography","description":"\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eProf. Dr. Reha Günay, who first brought together the concepts of \"architecture and photography\" in Turkey and continuously taught \"Architectural Photography\" courses for 33 years, has had his new book \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eAnalog and Digital Architectural Photography\u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e published by YEM Yayın.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e Reha Günay explains the technical and detailed aspects of the subject for those with basic photography knowledge and an interest in photography, as well as for architects, interior designers, urban planners, archaeologists, landscape architects, those managing industrial products, visual communicators, and professional photographers.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e Günay, who has a large share in the widespread adoption of architectural photography as a field in Turkey and can be classified as the teacher of today's well-known architectural photographers, is an expert and authority in his field. Here are the details of his work in preparing the book:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e \"In the years when I was still a recent graduate of the faculty of architecture and was interested in photography and archaeology, I was directed towards architectural photography. Starting with distinguished architects like Turgut Cansever, Doğan Tekeli, Sami Sisa, Aydın Boysan; architects like Sedat Gürel, Hayati Tabanlıoğlu, Emin Necip Uzman, Behruz Çinici, Birleşik Mimarlar, Mehmet Konuralp, and construction companies like Gama, AEA, Gök, Koray entrusted me with their buildings to document them.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e While dealing with the technical problems of photography, I also began to become more aware of building and space issues. The blend that developed in me was evaluated by the Aga Khan Award for Architecture Foundation, and I had the opportunity to document some important buildings in the Islamic world between 1983 and 2004. Furthermore, the State Academy of Fine Arts Photography Institute, of which I was one of the founders, began photography education in 1979 and continues today as the Photography Department. The \"Architectural Photography\" courses, which continued for 33 years without interruption, prepared me to better understand and explain the technical and visual recording of the subject...\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e Despite all this accumulated knowledge, when it came to preparing a book on this subject, I had to re-examine everything I knew and learn new things. When digital photography emerged, as I learned this new information, I felt as if my photography was starting over. The possibilities brought by this new technology, although still very early, herald a great future for architectural photography.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e The information in this book appeals to those with basic photography knowledge and an interest in photography, as well as to architects, interior designers, urban planners, archaeologists, landscape architects, those who direct industrial products, visual communicators, and professional photographers. Architectural systems are present, and architectural photography is also in short supply, not widespread, and desired by a few architects or producers... There are very few cameras working in the field of architectural photography. To be a good architectural photographer, one needs to see many structures, test their records, define functional-formal-structural features, classify locations, and differentiate them internally by architectural history or movement. This accumulated knowledge develops over time. In my work, I tried to address these issues without boring the reader...\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ca name=\"_GoBack\"\u003e\u003c\/a\u003e\u003cspan style=\"font-size: 11.0pt; letter-spacing: .2pt;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208637171,"sku":"9786257008082","price":420.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786257008082.jpg?v=1634196838"},{"product_id":"bir-acilis-olarak-mekan","title":"A Venue as an Opening","description":"\u003cp data-mce-fragment=\"1\"\u003eSelim Velioğlu's expanded 4th edition of the book \u003cem data-mce-fragment=\"1\"\u003eBir Açılış Olarak Mekân \/ Enclosure as a Disclosure\u003c\/em\u003e has been published by YEM Yayın.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn his book, which has become one of the fundamental reference sources for architectural and design education in Turkey in recent years, Selim Velioğlu explains his understanding of architectural space design, which he developed based on the concept of \"disclosure.\" He illustrates this concept with thoughts, designs, and structures, illuminated by five core concepts that enable \"disclosure\" to materialize as a spatial reality: multiplicity, satellite elements, massing stratification, vitality from courtyards, and green-producing spatial configuration.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe main characteristic or distinction of the book is that it opens up a new field where theoretical studies and architectural design studies, which are perceived as two separate, polarized groups today, are integrated. The theoretical approach presented is exemplified by designs created entirely by the author and his colleagues. Another feature of the book is that it offers messages to non-architect or non-designer readers regarding the intertwining of spatial design with daily life. The book also draws attention with its rich content and engaging narrative.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe expanded book, with an increased number of pages and sample projects, features over 100 designs by Selim Velioğlu and his team, detailing residential, cultural, educational, sports, museum, hospitality, industrial, administrative, commercial, transportation, urban design, and landscape design projects of various scales.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSelim Velioğlu fundamentally summarizes his approach to architecture and, from there, his purpose in preparing the book as follows:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"..... The spatial environment should be like an open hand, not a clenched fist. It should be a friend to its user. It should be communicative, generous, inviting, lively, and interactive. Through its characteristics, it should evoke associations in the experiencer, taking them on meaningful journeys.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIn the design process, data related to the environment and content should be analyzed into meanings and spatial elements that reflect these meanings, primarily in scaled and comprehensible dimensions, within the framework of human physical, biological, psychological, and spiritual capacities and characteristics. The semantic richness of life should be reflected in the space, considering natural and cultural values, in a way that brings joy of life to people.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSpatial environment design can primarily be defined as designing movement, space, and use in an overlapping manner, in light of environmental and content data and human expectations. Within the framework of the approach I elaborated in detail through designs in the book, which I presented in my doctoral thesis and named the triple overlapping analysis method; movement includes all issues related to pedestrian and vehicle circulation, as well as orientation, perception, and access; space includes all proportional, dimensional, and physical characteristics related to spatial identity; and use includes issues of function selection, juxtaposition of functions, and their distribution across locations, levels, and floors.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIn our work, alongside the triple overlapping analysis method, there are five fundamental concepts — spatial solutions — that we have created and repeatedly used to shape our designs, with the aim of integrating with natural and cultural values and making the space closer to people and \"disclosing\" it, in line with human goals and possibilities. These concepts have been used as a whole or independently in our designs of different scales, such as single buildings, building groups, and urban designs, within the scope of possibilities. These are the concepts we call multiplicity, satellite elements, massing stratification, vitality from courtyards, and green-producing spatial configuration.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThis book presents a design approach rooted in the common principles and priorities found in the designs we have realized. I believe that this approach and the ideas expressed in the book serve as a guide to achieving livable spatial environments.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 4th edition of the book, which also includes the YEM Bookstore Kadıköy Store project opened in 2023, has been revised to 21x21 cm for easier portability and readability.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370206179571,"sku":"9786257008105","price":910.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/BIRACILISOLARAKMEKANKAPAK_4BASKI.jpg?v=1696325454"},{"product_id":"mimarlik-ogrencisi-misin","title":"Are you an Architecture Student? - 5th Edition","description":"\u003cp data-mce-fragment=\"1\"\u003eYEM Yayın has published the enhanced 5th edition of the book \u003cem data-mce-fragment=\"1\"\u003eAre You an Architecture Student?\u003c\/em\u003e written by Prof. Dr. Havva Alkan Bala.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor architecture students, particularly in their first year when they are introduced to their profession, the experience can be quite challenging for some. Havva Alkan Bala, as a former architecture student who went through this process and an architecture instructor who closely observes it, addresses young aspiring designers in her book:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“I understand what you are going through. Calm down, it's normal to be bewildered, but your questions have answers...”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHavva Alkan Bala begins the book with a letter addressed primarily to the parents of young aspiring architects:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“... We know that after your child, whom you raised with so much effort, became an architecture student, some of their habits started to change from the very first year. By the end of the first semester of freshman year, you might not recognize your child anymore; don't panic. Especially dear mothers, please put your worries aside. We know your child's way of speaking, clothing choices, room, and friendships have changed a lot. Their room has turned into a 'dump' with sketches, model scraps, and rows of coffee cups! You find it hard to understand why your child, who used to agree with you easily, now constantly criticizes, questions, and even acts a bit 'know-it-all'. Actually, the situation is not as complicated as you think. Your child is just attending architecture school, that's all. At the end of the process, both you and your child will receive your reward....”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShe then turns to the young designers and lists the questions they constantly seek answers to in their minds and frequently encounter in their surroundings; she shares her answers in a sincere and simple language:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“Is architecture a matter of talent? I can't draw, how will I be ready? What is an architectural studio? What good are juries? Are you an interior or exterior architect? What kind of life is there after school? These questions go on and on... But don't worry. You will try to find your own way during your school years. This effort will end when you discover that school is only a place that teaches you 'how to learn' and 'how to develop by drawing from different fields, not just one channel of information'...”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAfter the highly popular first edition, Havva Alkan Bala revised the book, considering suggestions and critiques from readers and academics, and enhanced its content. In the enhanced second edition, with approximately 40% more pages, Havva Alkan Bala added new chapters such as “Will Artificial Intelligence Replace the Architecture Profession?”, “What is an Architectural Studio?”, “What Good Are Juries?”, “To Those Who Ask What Should I Read?”, “What Did Readers of This Book Say?”. She summarizes her reason for undertaking this work as follows:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“Architecture students – who will be referred to as owls in this book – sometimes struggle greatly as they face the unknowns of the new design world they have entered. Architecture is not a chosen profession; it is a way of life and thinking. Throughout history, the actors of the act of building have been described as mysterious, impressive, and charismatic individuals. This book is written with the aim, feeling, and intention of providing some tips to make the lives of owls easier. The book makes no claim other than to 'inspire' new enthusiasms through the sharing of past enthusiasms experienced in the architectural education environment. During my twenty-four years as an educator in various architectural schools, my sharing perhaps made the exciting and traumatic dimensions of being an 'architecture student' apparent as a natural part of architectural education. This realization awakened the urge to share and, ultimately, the feeling of 'write to get rid of it'. So I wrote. Hopefully, it will be useful to the reader…”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208801011,"sku":"9786257008112","price":280.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/MIMARLIK_OGRENCISI_MISIN_5BASKI_KAPAK_1.jpg?v=1777922107"},{"product_id":"mimarlik-ve-yapi-sozlugu","title":"Mimarlık ve Yapı Sözlüğü \/ Dictionary of Architecture and Building - 12th Edition","description":"\u003cp data-mce-fragment=\"1\"\u003eThe 12th edition of Doğan Hasol's \u003cem data-mce-fragment=\"1\"\u003eMimarlık ve Yapı Sözlüğü \/ Dictionary of Architecture and Building\u003c\/em\u003e, an indispensable reference for architecture and design education in Turkey, has been published by YEM Yayın. Doğan Hasol is the first name that comes to mind in Turkey when \"architecture dictionary\" is mentioned.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe dictionary consists of two parts: the first part provides Turkish equivalents for English words and terms, and the second part provides English equivalents for Turkish words. The English-Turkish \/ Turkish-English \u003cem data-mce-fragment=\"1\"\u003eMimarlık ve Yapı Sözlüğü \/ Dictionary of Architecture and Building\u003c\/em\u003e, whose content is reviewed and developed in almost every edition, consists of approximately 30,000 terms.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDoğan Hasol summarizes his reason for undertaking such an important and difficult work as follows:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“The widespread use of English throughout the world, and the fact that countries now use English as an indispensable tool to open up to the outside world, has increased the need for such a dictionary.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDuring this study, the English and Turkish words and terms in the old dictionary were reviewed once again, and new ones were added to them.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDevelopments in knowledge and technology, and innovations introduced into our lives, lead to the emergence of new words and terms. Thus, languages also develop. The age of communication and information we live in necessitates the compilation of equivalents of terms that form the basis of all kinds of technical, cultural, commercial, etc. relations in various languages. It is undoubtedly true that this work, which is a response to this necessity, will facilitate and accelerate the flow of information, help to better and more accurately understand texts in the relevant languages, and help technical people speaking those languages to better understand each other.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis dictionary aims to compile the words and terms of the professional language used by architects and people working in the construction sector in design and application. For this reason, along with words and terms from history, most of which are related to 'form,' 'function,' 'style,' and 'movements,' current technology and material terms are also given equal weight. For explanations and detailed information on words, \u003cem data-mce-fragment=\"1\"\u003eAnsiklopedik Mimarlık Sözlüğü\u003c\/em\u003e, which is the natural complement to this dictionary, can be utilized.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHopefully, it will be useful to its users.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDoğan Hasol is well known for his indispensable dictionaries of architectural and building terms, the first of which was \u003cem data-mce-fragment=\"1\"\u003eAnsiklopedik Mimarlık Sözlüğü\u003c\/em\u003e (Encyclopedic Dictionary of Architecture) published in 1975. This was followed by English-French-Turkish dictionaries of architectural and building terms.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis publication is the 9\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e edition of his English-Turkish \/ Turkish-English \u003cem data-mce-fragment=\"1\"\u003eMimarlık ve Yapı Sözlüğü \/ Dictionary of Architecture and Building\u003c\/em\u003e, which has been continuously expanded and revised over the years.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDoğan Hasol was prompted to undertake this important and challenging task because, as he explains, it is essential to understand the terms that form the basis of technical, cultural and commercial relations in this age of communication and information. This work is a response to this imperative.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48410992181491,"sku":"9786257008129","price":490.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Mimarlik_ve_Yapi_Sozlugu_KAPAK_11BASKI.jpg?v=1729159800"},{"product_id":"20-yuzyil-turkiye-mimarligi","title":"20th Century Turkish Architecture","description":"\u003cp\u003eThe revised 3rd edition of Doğan Hasol's book, which inventories architecture produced in Turkey throughout the 20th century by categorizing it into periods, has been released by YEM Yayın.\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"font-size: 11pt;\" data-mce-style=\"font-size: 11pt;\"\u003eThe 20th century was an era of changes and transformations in social, economic, and political spheres for Turkey, as it was for many other countries around the world, especially an era of breakthroughs in science, technology, and art. The reflection of these rapid developments was also observed in our country's architecture. In \u003c\/span\u003e\u003cem style=\"font-size: 11pt;\" data-mce-style=\"font-size: 11pt;\"\u003e\u003cspan style=\"border: 1pt none windowtext; padding: 0cm;\" data-mce-style=\"border: 1pt none windowtext; padding: 0cm;\"\u003e20th Century Turkish Architecture\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-size: 11pt;\" data-mce-style=\"font-size: 11pt;\"\u003e, Doğan Hasol chronologically narrates this process of change and development in our country's architecture, exemplifying it with nearly 150 architects and 190 buildings under the following headings:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003eTowards the 20th Century and Early 20th Century Turkish Architecture\u003c\/li\u003e\n\n\u003cli\u003eFirst Nationalistic Architecture Movement\u003c\/li\u003e\n\n\u003cli\u003eForeign Architects as Guests of the Young Republic\u003c\/li\u003e\n\n\u003cli\u003eA Contemporary Approach in the 1930s: The Search for Modern Architecture\u003c\/li\u003e\n\n\u003cli\u003eThe 1940s... National Architecture or Second Nationalistic Architecture\u003c\/li\u003e\n\n\u003cli\u003eThe 1950s... Modernism\/International Style\u003c\/li\u003e\n\n\u003cli\u003eThe 1960s, 1970s… Searches Against Monotony\u003c\/li\u003e\n\n\u003cli\u003eBetween 1980-2000\/Effects of Globalization and Neoliberalism\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11pt;\" data-mce-style=\"font-size: 11pt;\"\u003eDoğan Hasol's views on the book, which is the product of many years of work and covers the entire 20th century, including the pre-Republic period, are as follows:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003e\u003cspan style=\"font-size: 11pt; border: 1pt none windowtext; padding: 0cm;\" data-mce-style=\"font-size: 11pt; border: 1pt none windowtext; padding: 0cm;\"\u003e“This book is not an anthology. The presented buildings were selected to reflect their periods and architectural approaches, in addition to their architectural values... It was only possible to begin interpreting and showcasing the country's century-long architectural accumulation with an inventory. This process, despite our own knowledge, archival resources at hand, and years of accumulated documents and information, was still not easy and stretched over a long period. Determining the assessment through a chronological system based on periods via buildings seemed appropriate; the development processes in the country also allowed for this. However, it was not easy to rigidly categorize the factors affecting architecture, such as economic, social, and political processes, into precise periods. In parallel, it was inevitable for there to be overlaps and shifts between periods regarding the architectural understanding and style of the buildings. Moreover, as seen in many examples in our country, the investment decision, design process, and construction phase in architecture could sometimes extend over many years.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003cem\u003e\u003cspan style=\"font-size: 11pt; border: 1pt none windowtext; padding: 0cm;\" data-mce-style=\"font-size: 11pt; border: 1pt none windowtext; padding: 0cm;\"\u003eRegarding the preparation of the book, I should immediately add this: Let's state that not all valuable works produced between 1900-2000 that could serve as examples are limited to those given in the book, and there could be many other examples beyond those presented. The given examples, in addition to our personal efforts, were mostly compiled from easily accessible works in large cities and those featured in architectural publications, many of which are award-winning. In the selection of buildings, works that could more easily provide an idea about movements and periods were sought. It is also worth noting one more point: Many buildings that are not in harmony with their surroundings were excluded from the selection, despite some good architectural qualities, on the grounds that they did not belong to their location.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 11pt; border: 1pt none windowtext; padding: 0cm;\" data-mce-style=\"font-size: 11pt; border: 1pt none windowtext; padding: 0cm;\"\u003eThis book will hold a significant place in proving and documenting the existence of architecture, countering the increasingly common rhetoric, 'Is there even architecture in Turkey?'...\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 11pt; border: 1pt none windowtext; padding: 0cm;\" data-mce-style=\"font-size: 11pt; border: 1pt none windowtext; padding: 0cm;\"\u003eI believe that this book will play a significant role in proving and documenting the existence of architecture, countering the increasingly common rhetoric, \"Is there even architecture in Turkey?\" That rhetoric is somewhat justified, but largely unfair. Undoubtedly, many excellent architectural works were produced in our country in the 20th century, as in many past periods. However, on one hand, the educational, cultural, and aesthetic levels of our society are far from appreciating these works, and on the other hand, good examples have become invisible amidst intense squatter housing, illegal construction, and the chaos of unplanned development. Another point is the lack of awareness in society and among our political leaders regarding the preservation of architectural values, in addition to their evaluation. Many valuable works have been lost due to the attitudes of city and national administrators who do not believe in scientific methods, planning, and architecture, and who assume that only their own aesthetics, tastes, and knowledge can be criteria for evaluating architectural works. Therefore, as can be seen in the examples in the book, many works from the 20th century, unfortunately, could be demolished and destroyed...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370205524211,"sku":"9786257008136","price":175.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786257008136.jpg?v=1616018048"},{"product_id":"eskizler","title":"Sketches - 8th Edition","description":"\u003cp class=\"MsoNormal\"\u003eProf.Dr. Necati Dinçoğlu, who has been thinking, drawing, and writing about sketches as a product of production, transmission, and accumulation processes in architecture for many years, has released his book titled Sketches – Drawing by Thinking, Thinking by Drawing, published by YEM Yayın.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThe book, which begins with an introductory article by Aydan Balamir titled \"Drawing by Thinking, Thinking by Drawing, Drawing Without Thinking in Architecture,\" also features a section by Fulya Özsel Akipek titled \"Digital Sketch,\" enriching the content.\u003c\/p\u003e\n\u003cp style=\"line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none; vertical-align: middle;\" class=\"MsoNormal\"\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eThe book emphasizes that sketching, as the simplest and most straightforward way to visualize thoughts, is a medium of communication and primarily allows the designer to communicate with themselves. Necati İnceoğlu's commentary on the relationship between architectural sketch and design is summarized as follows:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003e“The Renaissance world used the old Italian word \"pensieri\" to refer to sketching in art and design. Its meaning is 'thoughts.' Indeed, the word 'thoughts' best describes sketching; 'drawn thoughts.' Similarly, sketching is 'thinking by drawing.' \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eThere are computer programs that create impressionistic sketches, like taking travel notes by drawing, based on existing photographs. However, these are far from providing the fundamental characteristics of impressionistic sketches, such as mind-hand coordination and the reciprocal interaction between mind and hand, and the practices of thinking by drawing and drawing by thinking. At least for now, that's what I believe. Sketches are concrete products that visualize certain sections of the design process and thought. It is not possible to separate the design process from the sketching process. Therefore, I tell our students, keep drawing.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eTABLE OF CONTENTS\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA; mso-bidi-font-weight: bold;\" lang=\"EN-US\"\u003eForeword\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIntroduction\u003c\/p\u003e\n\u003cp\u003eThinking by Drawing, Drawing by Thinking, Drawing Without Thinking in Architecture (Aydan Balamir)\u003c\/p\u003e\n\u003cp\u003eSketches\u003c\/p\u003e\n\u003cp\u003eThe Sketching Process, Why We Sketch, Sketchbook\u003c\/p\u003e\n\u003cp\u003eQualities of Sketches\u003c\/p\u003e\n\u003cp\u003ePerception, Learning to See\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eAbstraction\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eConceptual Thinking\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eSources of Inspiration, Imagination, Metaphors\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eTypes of Sketches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eSketches for Thought\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eGraphic and Visual Analysis\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eSketches for Developing Ideas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eSketches for Main Idea and Conceptual Research\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eSketches for Observation\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eVisual Impression Sketches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eSense of Place\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eExamples\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOn the Path to Skill Acquisition\u003c\/p\u003e\n\u003cp\u003eMaterials, Line Quality, Basic Lines, Outlines\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eStep-by-Step Dexterity, Towards Rapid Sketching\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eDifferent Levels of Detail, Movement and People\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eExpression of Depth: Perspective, Light Perspective, Shadow, Light, Tonal Value\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDigital Sketch (Fulya Özsel Akipek)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-fareast-language: JA;\"\u003eWHO IS NECATİ İNCEOĞLU?\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e\u003cspan style=\"font-size: 12pt;\"\u003eProf.Dr. Necati İnceoğlu was born in Denizli in 1937. He completed his primary and secondary education in Denizli and his higher education at Istanbul Technical University, Faculty of Architecture. In 1965, he was appointed as an assistant at the ITU Faculty of Architecture. He became an associate professor at the same institution in 1975 and a professor in 1981. He served as the Head of the Architecture Department at ITU Faculty of Architecture between 1986-88 and as Dean at Yıldız Technical University Faculty of Architecture between 1988-94. He retired in 2004. In addition to \"Sketches,\" Necati İnceoğlu's publications in fields related to architectural education include: \"\u003c\/span\u003e\u003cspan style=\"font-size: 12pt;\" class=\"apple-converted-space\"\u003eSolitaries in Memories,\" \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"border: 1pt none windowtext; padding: 0cm;\"\u003e\u003cspan style=\"font-size: 12pt;\"\u003eSketches as a Tool for Thinking and Design\"; \"\u003c\/span\u003e\u003cspan style=\"font-size: 16px;\"\u003eDiscourses in Architecture,\"\u003c\/span\u003e\u003cspan style=\"font-size: 12pt;\"\u003e \"Theories and Practices\"; \"Sketches in Design\"; \"\u003c\/span\u003e\u003cspan style=\"font-size: 16px;\"\u003eThe Phenomenon of Programming\u003c\/span\u003e\u003cspan style=\"font-size: 12pt;\"\u003e in Architecture\"; \"Traditional Architecture of Denizli.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-size: 12pt;\"\u003e İnceoğlu also has a novel titled \u003c\/span\u003e\u003cem style=\"font-size: 12pt;\"\u003e\u003cspan style=\"border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;\"\u003e\"Trench Letters,\"\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-size: 12pt;\" class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 12pt;\"\u003ebased on the letters of soldiers who fought in World War I. İnceoğlu participated in various architectural design and urban planning competitions, and some of his designs were implemented. Between 1981 and 1988, he held three solo watercolor exhibitions and participated in group exhibitions.\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt;\" lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48380703473907,"sku":"9786257008143","price":210.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/ESKIZLER_Yeni_Kapak.jpg?v=1666959146"},{"product_id":"egenin-iki-yakasindan-istanbul-manzarali-evler_352072-html","title":"Homes with Istanbul Views from Both Sides of the Aegean","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"TR\" style=\"font-size: 11pt; letter-spacing: 0.15pt;\"\u003eAssociate Professor Nihal Uluengin's new book, which meticulously examines Istanbul depictions in wall paintings found in 18th and 19th-century homes in Anatolia and Greece, former Ottoman territories, titled \u003c\/span\u003e\u003ci\u003e\u003cspan lang=\"TR\" style=\"font-size: 11.0pt;\"\u003eHouses with Istanbul Views from Both Sides of the Aegean\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"TR\" style=\"font-size: 11pt;\"\u003e, has been published by YEM Yayın.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIn the first half of the 18th century, following the Tulip Period, the Westernization movement that emerged in Istanbul quickly spread throughout Ottoman lands. Particularly in the second half of the 18th century, Western influences infiltrating architectural ornamentation were seen as \"wall paintings\" on the walls of buildings, both in Istanbul, the capital of the empire, and in various other regions. Wall paintings entered not only imperial palaces and wealthy mansions but also religious buildings such as mosques; their application was not limited to Istanbul but extensively spread to many parts of Anatolia, Mesopotamia, and Rumelia.\u003c\/p\u003e\n\u003cp\u003e\"The number of houses and mansions with paintings on their walls in Turkey and Greece is far greater than those examined in this book. However, this study generally covers houses containing paintings of Istanbul, or an image from Istanbul, or paintings widely believed to be of Istanbul; specifically, it includes houses that contain paintings that can be described as 'Classic Istanbul Views,' encompassing iconic symbols of Istanbul such as the Maiden's Tower, the Galata region, the Historical Peninsula, and the Anatolian side.\u003c\/p\u003e\n\u003cp\u003eIn 2000, I was awarded a research fellowship from the Onassis Foundation, based in Athens, and went to Athens for a month. The subject of my research was to examine 'Traditional Greek Houses' on site, as showcased in Melissa Publishing's more than 30 publications, which covered traditional houses found in remote villages of Greece. For this purpose, one day I went to the village of Ambelakia in the city of Larissa, located in Central Greece, to see the Evthymiadis and Georgios Schwarz mansions. While touring these houses, the depictions of Istanbul on the main room walls greatly surprised me; they were very similar to the Istanbul depictions I had seen in the Çakırağa and Sandıkoğlu mansions in Birgi, both in terms of drawing, colors, and style. Later, seeing Istanbul depictions on the main room walls of houses I visited in Siatista and Kastoria in northern Greece, and Molivos and Petra on Lesbos Island, both deeply surprised me and further piqued my curiosity. Consequently, I wanted to conduct a comparative study, from an architect's perspective, on the 'Istanbul depictions in wall paintings' I had seen in both countries, and thus this book came into being...\"\u003c\/p\u003e\n\u003cp\u003eThe book examines a total of eighteen selected mansions\/houses, nine from Turkey and nine from Greece. While the plans, sections, and elevations of the structures are provided to indicate the locations of the wall paintings, the Istanbul-related paintings within them are shared in their entirety and with details.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWHO IS ASSOC. PROF. DR. NİHAL (YÖNEY) ULUENGİN?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBorn in Istanbul in 1946, she enrolled in the Department of Architecture at the Istanbul State Academy of Fine Arts (Mimar Sinan Fine Arts University) in 1964 and graduated in 1972. In 1976, she began her career as an assistant in the Department of Architecture at Kadıköy State Engineering and Architecture School. In 1982, upon an invitation from King Abdulaziz University in Jeddah, she went to Saudi Arabia and worked as a research architect at the Hajj Research Center of the same university until 1986. In 1983, she completed her doctoral thesis titled \"The Development of Window Openings in Ottoman-Turkish Civil Architecture\" at Mimar Sinan University and received her \"doctor\" title in the Restoration Program.\u003cbr data-mce-fragment=\"1\"\u003eIn 1987, she started working as a full-time Dr. Lecturer at Yıldız Technical University, Department of Architecture.\u003cbr data-mce-fragment=\"1\"\u003eShe became an Assistant Professor in 1991. In 2003, she voluntarily retired from Yıldız Technical University and continued her work as a part-time Assistant Professor at Haliç University, Faculty of Architecture, and Bahçeşehir University, Faculty of Architecture and Design. Nihal Uluengin, who became an Associate Professor in 2019, has been working full-time at Haliç University, Faculty of Architecture, since the 2019-2020 academic year. Assoc. Prof. Dr. Nihal Uluengin has written numerous papers and articles related to her area of expertise, and has carried out survey and project studies. She has participated in national and international symposia (Sudan, Yemen, Jordan, Tunisia, Sri Lanka, and the USA) and presented papers. Dr. Uluengin's doctoral thesis, titled The Development of Window Openings in Ottoman-Turkish Civil Architecture, was published by YEM Yayın in 1998 (1st edition) and 2000 (2nd edition). Nihal Uluengin continues her new publication endeavors.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370206769395,"sku":"9786257008174","price":385.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786257008174.jpg?v=1616018051"},{"product_id":"mimarlar-dik-durur-siradisi-oykuler","title":"Architects Stand Tall! (12th Edition)","description":"\u003cp class=\"MsoNormal\" style=\"margin-right: 0px; margin-bottom: 0px; padding: 0px; border: 0px; vertical-align: baseline; margin-left: 0px !important;\"\u003e\u003cspan lang=\"EN-US\" style=\"margin: 0px; padding: 0px; border: 0px; vertical-align: baseline; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial;\"\u003eThe 12th edition of Doğan Hasol's book, \"Architects Stand Tall! Extraordinary Stories,\" which takes readers on an enjoyable, sometimes thought-provoking journey through the unknown intricacies of the architectural world, has been published by YEM Yayın.\u003c\/span\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; vertical-align: baseline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-right: 0px; margin-bottom: 0px; padding: 0px; border: 0px; vertical-align: baseline; margin-left: 0px !important;\"\u003e \u003c\/p\u003e\n\u003cp\u003e Doğan Hasol takes readers on an enjoyable journey into the world of many local and foreign famous architects, as well as figures from the art and politics world, from his student days to the present, filled with their eccentricities, sorrows, resentments, joys, entertaining personalities, and interesting incidents. Hasol filters some interesting events, which he either witnessed firsthand or heard directly, through his memory and conveys them to his readers in a clear and fluent language.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-right: 0px; margin-bottom: 0px; padding: 0px; border: 0px; vertical-align: baseline; margin-left: 0px !important;\"\u003e\u003cspan lang=\"EN-US\" style=\"margin: 0px; padding: 0px; border: 0px; vertical-align: baseline;\"\u003e\u003cspan lang=\"EN-US\" style=\"margin: 0px; padding: 0px; border: 0px; vertical-align: baseline; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial;\"\u003e\"\u003c\/span\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; vertical-align: baseline;\"\u003eArchitecture, the profession and art of creating livable environments that make people happy, is a very enjoyable yet difficult and serious job.\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"margin: 0px; padding: 0px; border: 0px; vertical-align: baseline;\"\u003eThis book attempts to delve into the inner world of architects as much as their professional world. In the book, you will find their eccentricities, strange events, the humanistic sides of architects, and various sparks of wit. What is written here is not based on previously kept notes. I have tried to convey some amusing\/thought-provoking interesting events that I either witnessed firsthand or heard, filtering them through my memory. The events and people are real; there is no fabrication or fiction on my part. I believe that the book will shed light on a certain period of our architectural world from a different perspective.\u003c\/span\u003e”\u003c\/p\u003e\n\u003cp\u003e \"Architects Stand Tall! Extraordinary Stories,\" enriched visually with architect portraits and caricatures by the esteemed architect-cartoonist Güngör Kabakçıoğlu, will attract the interest not only of architects but also of anyone who feels an affinity for architecture or wishes to glance at a certain period through the eyes of architects, with its content and narrative.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-right: 0px; margin-bottom: 0px; padding: 0px; border: 0px; vertical-align: baseline; margin-left: 0px !important;\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-right: 0px; margin-bottom: 0px; padding: 0px; border: 0px; vertical-align: baseline; margin-left: 0px !important;\"\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208506099,"sku":"9786257008181","price":280.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/MIMARLAR_DIK_DURUR_12.BASKI_KAPAK.jpg?v=1773087298"}],"url":"https:\/\/yemkitabevi.com\/en-us\/collections\/yem-yayin-kitaplari\/basimtarihi_aralik-2024.oembed","provider":"YEM Kitabevi","version":"1.0","type":"link"}