{"title":"New Arrivals","description":"Welcome to YEM Bookstore's New Arrivals category! Here you'll find not only the latest books but also the newest editions. As the hub of architectural publishing since 1968, YEM Bookstore offers a wide range of books in this category, covering architectural design, architectural history, construction techniques, building knowledge, material science, environmental design, and urban planning. Whether you're a student looking to delve into a new subject or a professional seeking to expand your knowledge, you'll find what you're looking for here. We look forward to connecting you with a diverse selection of works, from new architectural projects to the intricacies of historic structures, and from design theories to practical applications.","products":[{"product_id":"merdivenler-dusey-sirkulasyon-acilari","title":"Stairs 18th Edition","description":"\u003cp\u003eYEM Yayın, a publisher of books on architecture, engineering, design, culture, art, etc., has released the long-awaited new edition of its book \u003cstrong\u003e\u003cem\u003eVertical Circulation Devices STAIRS\u003c\/em\u003e\u003c\/strong\u003e.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eVertical Circulation Devices Stairs\u003c\/em\u003e, prepared by Prof. Abdullah Sarı, has remained one of the fundamental reference books for architectural and design education in Turkey for over 50 years.\u003cbr\u003e\u003cbr\u003eThis book, which examines \"stairs\" as one of the most important building components, provides the most essential information on the subject for everyone who designs and produces structures, especially students and instructors of architecture, interior architecture, and civil engineering. For this reason, the book minimizes application examples and mostly explains the main factors affecting the formation, dimensioning, and arrangement of stairs.\u003cbr\u003e\u003cbr\u003eDeciding how to design building components, what precautions to take against various factors, and how to achieve a rational solution by choosing the most suitable option among alternatives requires a scientific method. However, students, in particular, should not memorize the details of building components but rather acquire the ability to consult resources when necessary and grasp the basic knowledge in this field to the extent that they will not need to recall it during the design phase.\u003cbr\u003ePrepared to serve this purpose, the book presents stairs in a simple language, covering a spectrum from their definition to their types; from step and landing dimensions to their width and slope; from load-bearing parts, cladding, and railing constructions to their structural features such as stone, reinforced concrete, wood, and metal; and from railing, handrail, and infill constructions to their graphical representations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProf. ABDULLAH SARI\u003c\/strong\u003e\u003cbr\u003eAbdullah Sarı, born in Develi in 1921, graduated from Afyon High School in 1940 and ITU Faculty of Architecture in 1946. He was appointed as an assistant at the Department of Building Science in the same faculty, passed his proficiency exam in 1949, became an associate professor in 1958, a full professor in 1968, and retired in 1988. During his 42-year tenure, Abdullah Sarı served as a faculty member at institutions such as ITU Faculty of Architecture, Maçka Technical School, Maçka Faculty of Architecture, Işık School of Architecture and Engineering, Trabzon University Faculty of Architecture, and Ankara School of Architecture and Engineering. He also held administrative positions such as Branch Chief, Department Head, Head of Division, Director, and Dean at these institutions; and won honorable mentions, second, and first prizes in architectural project competitions he entered with his colleagues.\u003cbr\u003eIn addition to \u003cem\u003eVertical Circulation Devices Stairs\u003c\/em\u003e, Abdullah Sarı's works \u003cem\u003eExterior Walls in Residential Buildings\u003c\/em\u003e and \u003cem\u003eAluminum in Building Construction\u003c\/em\u003e have also been published.\u003cbr\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48427969380595,"sku":"9786058043411","price":315.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Merdivenler.jpg?v=1686646274"},{"product_id":"ansiklopedik-mimarlik-sozlugu","title":"Encyclopedic Dictionary of Architecture - 24th Edition","description":"\u003cp\u003eFirst published in 1975, Doğan Hasol's \u003cstrong\u003eEncyclopedic Dictionary of Architecture\u003c\/strong\u003e, a pioneering work in the establishment of a consistent architectural language in Turkey, has been made even more comprehensive with the addition of numerous entries and the expansion of many existing ones. As in previous editions, in this revised edition, the dictionary has been reorganized, incorporating new concepts, terms, and words that have emerged due to the evolving scale of architecture both globally and in Turkey. New explanatory drawings and photographs have been added to facilitate the understanding of the terms.\u003c\/p\u003e\n\n\u003cp\u003eThe Encyclopedic Dictionary of Architecture has a comprehensive and rich content, making it easily accessible not only to architects but also to those interested in architecture, art, and design, as well as professionals in related fields. For years, the dictionary has been one of the first books architecture students acquire upon entering university. The dictionary, consisting of approximately 10,000 entries, includes nearly 500 drawings and photographs to support the explanations.\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370205786355,"sku":"9786058043497","price":525.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ANSIKLOPEDIK_MIMARLIK_SOZLUK_KAPAK_23_BASKI.jpg?v=1760962965"},{"product_id":"tenin-gozleri","title":"Skin's Eyes: Architecture and the Senses","description":"\u003ch3\u003eThe Eyes of the Skin: Architecture and the Senses\u003c\/h3\u003e\n\u003cp\u003eExplore the relationship between architecture and sensory experience with this groundbreaking book's latest edition!\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFirst published in 1996, The Eyes of the Skin instantly became a classic of architectural theory upon its release. The book posed a comprehensive and profoundly impactful question that would lead us to re-examine all our cognitive activities, from philosophy to art: Despite having five senses instead of one, why has one of them – sight – become so dominant in architectural culture and design? The rise of the digital medium and the pervasive influence of electronically transmitted images in every field make this question far more urgent and relevant today than when the book was first published.\u003cbr\u003eAccording to Juhani Pallasmaa, the suppression of the other four sensory domains leads to the neglect of the multisensory character of human spatial experience, thereby both crippling humanity and weakening architecture's ability to inspire, engage, and celebrate the value of life in all its aspects; this is also the fundamental reason for the general impoverishment of our built environment.\u003cbr\u003eIn this revised and expanded edition, prepared based on the 4th English Edition of The Eyes of the Skin, a masterpiece that offers transformative insights and understandings and should be read by all architecture students as well as general readers, the reader will find: \u003cbr\u003e•    The author's latest views on the importance of place, unfocused perception, and existential experience;\u003cbr\u003e•  Updates and elucidations emphasizing that the most important and influential sense in architecture is our sense of self in the world;\u003cbr\u003e•    An updated Introduction addressing the groundbreaking nature of understanding the importance of existential sense today;\u003cbr\u003e•    And Peter MacKeith's comprehensive essay, \"A Door Handle, A Handshake,\" which serves as an introduction to Pallasmaa's thoughts on architecture and the nature of sensory experience, and an insider's testimony.\u003cbr\u003eFor a student reading it for the first time, The Eyes of the Skin is a moment of enlightenment. More than a quarter-century after its first publication, it continues to inspire with the fresh and powerful insights it offers about architecture.\u003c\/p\u003e","brand":"İnka Yayınları","offers":[{"title":"Default Title","offer_id":48328057323763,"sku":"9786259828077","price":260.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/110001252174533.jpg?v=1767616514"},{"product_id":"arazi-yonetimi","title":"Land Management","description":"\u003cp\u003eThe updated and enhanced third edition of Nihat Enver Ülger’s eye-opening book, \"Land Management\", which addresses the widely discussed and debated issues of \"urban transformation and incorrect land use decisions\" in our country, has been published by YEM Yayın with the valuable contributions of Kent Gelişim Gayrimenkul Geliştirme Taşınmaz Değerleme Bilişim Danışmanlık Yapı San. Tic. A.Ş.\u003c\/p\u003e\n\n\u003cp\u003eThe book \"Land Management\" aims to examine land management processes worldwide and create a unique land management systematic suitable for our country's conditions. It seeks to present this to all stakeholders involved in disciplines such as Geomatics (Surveying-Geodesy-Photogrammetry), Civil Engineering, Environmental Engineering, Forestry Engineering, Agricultural Engineering, City and Regional Planning, Urban Design, Architecture, Law, Public Administration, Real Estate, and Property.\u003c\/p\u003e\n\n\u003cp\u003eProfessor Nihat Enver Ülger, who states that \"A unique land management systematic is needed against 'land scarcity and incorrect land use decisions,' which are among the biggest problems in our world today…,\" has produced a work that serves as a guiding manual for public administration institutions such as Metropolitan Municipalities, TOKİ, the Ministry of Environment, Urbanization and Climate Change, the Ministry of Agriculture and Forestry, and the Ministry of Interior, as well as for those involved in urban planning, real estate, property development, investment, and consultancy.\u003c\/p\u003e\n\n\u003cp\u003e\"Land scarcity\" and \"incorrect land use decisions,\" two of the biggest problems facing the world, have emerged as a result of cities growing at an uncontrollable pace, agricultural lands being opened up for non-agricultural activities (settlement, industry, etc.), intense land demand, and land policies that disregard sustainable environmental principles. Land management at the country, city, and rural scales is necessary to best use, manage, and preserve the world's land for the benefit of all its inhabitants. For land management, information and breakdowns related to property use must be available, and these must be carefully examined and analyzed before decisions regarding property are made.\u003c\/p\u003e\n\n\u003cp\u003eNihat Enver Ülger states the following in the updated and enhanced 3rd edition of the book:\u003cbr\u003e\n“Land management is, in essence, the management of nature. Since humans first existed, they have used and changed the nature they live in and are a part of. Today, problems such as climate change, environmental pollution, food degradation, migrations, epidemics, species extinction, and ecosystem disruption arise from the mismanagement of land-nature. Unless humanity internalizes living in harmony with nature, these problems will deepen further. The pandemic process and the major earthquake we experienced on February 6th are the closest and most striking examples of this.\u003c\/p\u003e\n\n\u003cp\u003e'Every action has an equal and opposite reaction.' We know that Sir Isaac Newton said this for the Laws of Force and Motion, but it doesn't just explain a physical rule; it also explains the law of nature. Interactions in nature are based on similar rules. The destruction humanity inflicts on nature will generate an equal and opposite reaction; it will return to humanity in the same proportion. The important thing is to know how to manage this cycle.\u003c\/p\u003e\n\n\u003cp\u003eLearning to live in harmony with nature, without alienating it, by understanding it… That is the real issue. The point we have reached is the importance of managing and using land-nature, that is, creating policies and strategies on how humanity will use nature for its needs. To create this and to best use, manage, and sustain the world's land for the benefit of all its inhabitants, there is a need for 'Land Management' throughout the country. Managing a city, a country; knowing the quantity and quality of its land-related assets is also the foundation of being a transparent and democratic society. The indicator of countries' independence and happiness is the protection of these assets and riches and their fair sharing with all elements of society; this is the most urgent need. (....)\u003cbr\u003e\nManaging a city, a country, and knowing the quantity and quality of its land-related assets is the foundation of a transparent and democratic society. The indicator of countries' independence and happiness is the protection of these assets and riches and their fair sharing with all elements of society.\u003c\/p\u003e\n\n\u003cp\u003eFor the chaotic environment the world is in to become relatively more livable, there is a need for a new manifesto and institutionalization approach regarding the use and management of natural resources related to land, agreed upon by all countries. This book, with this perspective, aims to analyze land management approaches around the world and present an approach for creating a unique land management systematic suitable for our country's conditions.”\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370205819123,"sku":"9786058136618","price":490.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ARAZI_YONETIMI_3BASKIKAPAK.jpg?v=1719964747"},{"product_id":"santiyede-olay-var","title":"There's Trouble at the Construction Site! - 9th Edition","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIt aims to convey extraordinary, instructive stories gleaned from Firuzan Baytop's international construction site experiences spanning over 50 years to the reader.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003eWhat happens to architects, engineers, and technicians from the moment they start working on a construction site? What kind of problems and incidents might they encounter? There is, of course, no way to foresee these. However, since the book relays instructive and memorable experiences, it serves as an indispensable guide for individuals starting to work on a construction site.\u003cbr\u003e\n\u003cbr\u003e\nThrough this book, prepared by drawing on his practical experiences gained with various institutions and individuals during diverse construction production processes in Turkey and abroad, Firuzan Baytop addresses his young colleagues in particular: \"Here, I present to you an extraordinary, exemplary selection of the incidents I experienced and the problems I encountered during my 53 years of construction site life. So that you may be prepared for construction site life, not be surprised, and most importantly, draw lessons for yourselves.\" This book consists of supporting anecdotes for the information presented in the author's book titled \"Site Management,\" which explains the fundamentals of establishing and managing a construction site, and as such, it complements it. Therefore, it is recommended that the two books be used together.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWHO IS FIRUZAN BAYTOP?\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHe graduated from the Architecture Department of GSA (now Mimar Sinan Fine Arts University) in 1948. Together with three friends, he won commendations and prizes in many architectural competitions; he won first prize in the Elazığ Government Building competition.\u003cbr\u003e\nIn addition to many private constructions, he built the Istanbul Municipality Saraçhanebaşı 1st Block Apartment; Emlâk Bank Atatürk Boulevard Block Apartment, Bursa Bazaars, Ataköy Beach, and Ataköy 2nd District. From 1965 until his retirement, he managed the construction of many facilities for the Alarko company, both domestically and internationally. While working as a Construction Consultant and a member of the High Advisory Board at the same company, he voluntarily retired at the end of 2000. Firuzan Baytop, whom we lost in November 2021, served as a member of the Material Committee and the Editorial Board of the magazine \"Mimarlıkta Malzeme\" (Materials in Architecture) at the Istanbul Branch of the Chamber of Architects; gave lectures at various universities, meetings, and seminars; and published research and books on architecture, construction, and site management.\u003cbr\u003e\n\u003cbr\u003e\nThe Author's Published Books\u003cbr\u003e\n1. Illustrated Practical Building Information, Alsim\/Alarko, 1990, 1993.\u003cbr\u003e\n2. Illustrated Concise Construction Dictionary (English-Turkish), A.A., 1993.\u003cbr\u003e\n3. Site Management Conferences, A.A., 1993.\u003cbr\u003e\n4. Western-Origin Words and Terms in Construction Works (Turkish-English, etc.), A.A., 1994.\u003cbr\u003e\n5. Animals in Architectural and Construction Idioms (Turkish-English), A.A., 1994.\u003cbr\u003e\n6. Western-Origin CONSTRUCTION TERMS in Turkish (Turkish-English, etc.), YEM Yayın, 2nd edition, 1998.\u003cbr\u003e\n7. English-Turkish CONSTRUCTION DICTIONARY, FONO, 1998.\u003cbr\u003e\n8. Mistakes-Corrects with Pictures in Construction Practices, A.A., 1999.\u003cbr\u003e\n9. Turkish-English-Turkish CONSTRUCTION DICTIONARY, FONO, 2001.\u003cbr\u003e\n10. Abbreviations in English-Turkish Technical Language, 2001.\u003cbr\u003e\n11. There's Such a Thing as Site Management!, YEM Yayın, 2nd edition, 2007.\u003cbr\u003e\n12. There's an Incident at the Site!, YEM Yayın, 7th edition, 2021.\u003cbr\u003e\n13. Mistakes-Corrects in Construction Practices, YEM Yayın, 11th edition, 2021.\u003cbr\u003e\n14. Site Management, YEM Yayın, 9th edition, 2022.\u003cbr\u003e\n15. What Is Not Taught in Schools in Construction Practices, YEM Yayın, 12th edition, 2023.\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48431486894323,"sku":"9786058136656","price":280.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Santiyede_Olay_Var.jpg?v=1686646227"},{"product_id":"mimarlik-kavramlari","title":"Architectural Concepts - 19th Edition","description":"\u003cp\u003eYEM Yayın, which publishes books on topics such as architecture, interior design, design, engineering, urban planning, urbanization, industrial product design, landscape design, archaeology, culture, and art, has released the 19th edition of its book titled Mimarlık Kavramları (Architectural Concepts).\u003c\/p\u003e\n\n\u003cp\u003e“The process of acquiring knowledge passes through theoretical teaching and printed paper. When it is accepted that the best person to teach architecture (except in special cases) should be an architect, the necessity for the architect to have the ability to express the act of building verbally, either to explain themselves or to understand what their colleagues are saying, arises. I hope this small book can, to some extent, show aspiring architects ways to articulate their work.”\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eDOĞAN KUBAN\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMimarlık Kavramları, which aims to correctly define architectural activity at a general and conceptual level, especially for those new to architecture and design education, comprehensively evaluates the boundaries of the objective conditions of building production, societal organization, the construction process, building form, and the relationships between individuals and society within a theoretical framework.\u003c\/p\u003e\n\n\u003cp\u003eIn his book Mimarlık Kavramları, which was initially prepared for introductory architectural history courses but was developed in subsequent editions to become one of the fundamental reference sources for architectural education in Turkey, Doğan Kuban gradually examines the emergence and development of basic concepts, which can be called the ABCs of architecture, within the history of architecture.\u003c\/p\u003e\n\n\u003cp\u003eThe book defines all components of architecture, from building materials and techniques such as stone, soil, wood, and mortar to structural elements like columns, arches, vaults, and domes; its relationships with art, aesthetics, cities, and society are examined in detail.\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208669939,"sku":"9786058136663","price":273.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Mimarlik_Kavramlari.jpg?v=1686646173"},{"product_id":"tarihi-cevre-koruma-ve-restorasyon","title":"Protection and Restoration of Historic Environment - 20th Edition","description":"\u003cp\u003eThe 20th edition of \u003cstrong\u003eProf. Dr. \u003ca href=\"https:\/\/yemkitabevi.com\/search?type=product\u0026amp;q=Zeynep+AHUNBAY\" rel=\"noopener\" target=\"_blank\"\u003eZeynep Ahunbay\u003c\/a\u003e\u003c\/strong\u003e's book, \u003cstrong\u003e\u003cem\u003eHistorical Environment Protection and Restoration\u003c\/em\u003e\u003c\/strong\u003e, a fundamental reference for restoration and conservation education in Turkey, has been published.\u003c\/p\u003e\n\u003cp\u003eSince its first edition, \u003cem\u003eHistorical Environment Protection and Restoration\u003c\/em\u003e has been met with great interest. It comprehensively addresses the conservation and restoration process from a broad perspective, ranging from the theoretical basis of conservation thought to the studies to be carried out before restoration, from the preparation of the restoration project to restoration techniques.\u003c\/p\u003e\n\u003cp\u003eProf. Dr. Zeynep Ahunbay, who wrote the book \u003cem\u003eHistorical Environment Protection and Restoration\u003c\/em\u003e to inform architecture students about conservation, states:\u003c\/p\u003e\n\u003cp\u003e“Every architect trained in Turkey must be observant of their surroundings, sensitive, and eager to learn. In this country, which harbors cultural layers spanning a long period from prehistory to the present, to fully carry the responsibility placed upon us as architects, it is necessary to embrace the idea that cultural heritage is a common value of humanity and to be internationally equipped. For those involved in conservation practices, making respect for nature and history a principle and avoiding the production of fake historical artifacts is part of professional ethics. I believe that the cultural heritage of our country will thrive through the efforts of sensitive, knowledgeable, and interdisciplinary professionals.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe topics covered in the book are presented under the following main headings:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003eDevelopment and Theoretical Basis of Conservation Thought\u003c\/li\u003e\n\n\u003cli\u003eValues to be Protected and Evaluation Criteria\u003c\/li\u003e\n\n\u003cli\u003eFactors Causing Deterioration in Monuments\u003c\/li\u003e\n\n\u003cli\u003eStudies Carried Out Before Restoration\u003c\/li\u003e\n\n\u003cli\u003ePreparation of the Restoration Project\u003c\/li\u003e\n\n\u003cli\u003eRestoration Techniques\u003c\/li\u003e\n\n\u003cli\u003eHistorical Environment Protection\u003c\/li\u003e\n\n\u003cli\u003eOrganization, Laws, and Conservation Education Related to the Protection of Cultural Heritage\u003c\/li\u003e\n\n\u003cli\u003eThe texts of the Carta del Restauro, Venice Charter, Amsterdam Declaration, NARA Document on Authenticity, ICOMOS Charter on Traditional Architectural Heritage, and Decision No. 378 of the High Council for the Protection of Immovable Cultural and Natural Heritage are also included in the APPENDIX section of the book.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Prof. Dr. Zeynep AHUNBAY\u003c\/strong\u003e\u003cbr\u003eBorn in Ünye in 1946. She completed her primary education in Zara and Giresun and her secondary education at Arnavutköy American Girls' College in 1965. In 1970, she graduated from Istanbul Technical University (ITU), Faculty of Architecture. In 1971, she became an assistant at the Department of Architectural History and Surveying, ITU Faculty of Architecture. She completed her doctorate in 1975 on \"Sultan Ahmed Complex and Beyond in Ottoman Architecture\" under the supervision of Prof. Doğan Kuban. In the academic year 1977-78, she attended a specialized course on conservation at the University of York, England, and received a diploma with her thesis on \"Archaeology and Conservation in the Ancient City of Side.\" In 1980, she became an associate professor with her work \"Istanbul Madrasahs: An Evaluation in Terms of Conservation and Reuse.\" In 1988, she was promoted to professor with her work \"Architect Sinan's Educational Buildings.\"\u003cbr\u003eShe is currently a faculty member at the Department of Restoration, ITU Faculty of Architecture. She has participated in the documentation and conservation efforts of historical cities such as Edirne, Gaziantep, Safranbolu, Samsat, Tarsus, and Hasankeyf; and has carried out monumental restoration projects and applications. These include the Side Temple of Apollo, Marmara University Rectorate Building, Istanbul City Walls between T1-T6, Hagia Sophia Southwest Corner, Zeyrek Mosque, Bursa Green Tomb, and Uzunkemer restoration projects. The restoration of the Southwest Corner of Hagia Sophia, which she carried out with her husband Prof. Dr. Metin Ahunbay, was awarded the \"Special Repair Award\" by the Chamber of Architects 8th National Architecture.\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370210406643,"sku":"9786058136694","price":630.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/RESTORASYON_on_KAPAK.jpg?v=1666867486"},{"product_id":"mimarlikta-teknik-resim","title":"Technical Drawing in Architecture - 28th Edition","description":"\u003ch3 style=\"margin: 0cm 0cm 0.0001pt; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; vertical-align: baseline;\"\u003e\u003cstrong\u003e\u003cem\u003eTechnical Drawing in Architecture - 28th Edition\u003c\/em\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp style=\"margin: 0cm 0cm 0.0001pt; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; vertical-align: baseline;\"\u003e\u003cstrong\u003e\u003cem\u003eTechnical Drawing in Architecture, one of the fundamental books of architectural education in Turkey, has been enhanced and enriched, increasing its page count by approximately 40% to a total of 524 pages…\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0cm 0cm 0.0001pt; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; vertical-align: baseline;\"\u003e \u003c\/p\u003e\n\u003cp\u003ePrepared by architect-academicians \u003cstrong\u003eOrhan Şahinler\u003c\/strong\u003e and \u003cstrong\u003eFehmi Kızıl\u003c\/strong\u003e based on their extensive knowledge, experience, and expertise, \u003cstrong\u003e\u003cem\u003eTechnical Drawing in Architecture\u003c\/em\u003e\u003c\/strong\u003e is one of the fundamental books for architectural education in Turkey, serving as both a textbook and a reference for professional activities. The book not only directly conveys information related to technical drawing but also teaches and concretizes technical drawing by supporting it with information from sub-branches of architecture such as project organization, building information, details, perspective types, construction site information, project examples, and drawing examples.\u003c\/p\u003e\n\u003cp\u003eIn the updated and enhanced new edition of \u003cstrong\u003e\u003cem\u003eTechnical Drawing in Architecture\u003c\/em\u003e\u003c\/strong\u003e, which the authors worked on for a long time, new topics have been added in the areas of orthographic projection, perception, comprehension, building sections, and architectural language of expression. The added and updated topics have been made easier to understand with drawings that include perspective explanations and informative notes, and many of the drawings related to the topics have been refined by addressing deficiencies observed and tested in education. Topics such as planes in special positions, comprehension of an object from three main projections and finding its true size, the importance of graphic expression and perception, scaled drawing, 1\/200 scale site plan and section, preliminary and definitive project examples with 1\/200 and 1\/100 scale plans, sections, and elevations, obtaining contour lines of the terrain using elevations given in a spot elevation map, finding the intersection and true size of roof planes in inclined roofs, and dimensioning in mechanical technical drawings have been added.\u003c\/p\u003e\n\u003cp\u003eThe definition and historical development of \"technical drawing\" in the book, tools used in technical drawing, drawing preparations and drawing, geometric drawings, representation methods, section types, dimensioning, stair plan and section, drawing of balustrade elevation, balancing stair treads, obtaining elevation from plan data without drawing a section, shadow in orthographic projection, and perspective with parallel projection (axonometric) have also been enriched.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48473740738803,"sku":"9786058177703","price":910.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/MIMARLIKTA_TEKNIK_RESIM_ONKAPAK.jpg?v=1634736861"},{"product_id":"insaat-uygulamalarinda-okullarda-ogretilmeyenler","title":"What is Not Taught in Schools in Construction Applications - 14th Edition","description":"\u003cp\u003eA new edition of \"What Is Not Taught in Schools in Construction Practices,\" prepared by Firuzan Baytop to clarify topics she believed were lacking in architectural, engineering, interior design, and design education, has been published by YEM Yayın.\u003c\/p\u003e\n\u003cp\u003eThe book aims to provide readers with essential practical solutions for construction site applications that are not taught in schools.\u003c\/p\u003e\n\u003cp\u003eFiruzan Baytop, drawing on over 50 years of international construction site experience, explains easily applicable construction methods, supported by drawings and diagrams, that are not covered in technical books or schools. In this regard, the book serves as an indispensable guide, supplementing theoretical knowledge acquired in schools that may prove insufficient in professional life.\u003c\/p\u003e\n\u003cp\u003eThrough the book, which she prepared by utilizing the practical experiences of various institutions and individuals in numerous construction processes in Turkey and abroad, Firuzan Baytop addresses her younger colleagues, in particular: \"Undoubtedly, we learn many things from books and our instructors in schools. However, what is learned in schools is 'knowledge.' What we need on construction sites are application methods, which we call 'experience.' I share my construction site application experiences with you so that you can apply correct practices, avoid losses of time and money, and contribute solid, functional, and beautiful structures to our country.\"\u003c\/p\u003e\n\u003cp\u003eThis book consists of comprehensive texts based on the short, illustrated explanations in the author's book \"Wrongs-Rights in Construction Practices,\" and thus complements them. Therefore, it is recommended to use the two books together.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWHO IS FIRUZAN BAYTOP?\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eShe graduated from the Department of Architecture at GSA (today Mimar Sinan Fine Arts University) in 1948. Together with three friends, she won honorable mentions and awards in many architectural competitions; she won first prize in the Elâzığ Government House competition.\u003cbr\u003eIn addition to many private constructions, she built the Istanbul Municipality Saraçhanebaşı 1st Block Apartment; Emlâk Bank Atatürk Boulevard Block Apartment, Bursa Bazaars, Ataköy Beach, and Ataköy 2nd District. Starting in 1965, she managed the construction of many facilities for the Alarko company, both domestically and internationally, until her retirement. While working as a Construction Consultant and a member of the High Advisory Board at the same company, she retired voluntarily at the end of 2000. Firuzan Baytop, whom we lost in November 2021, worked as a member of the Material Committee and the Editorial Board of the magazine \"Material in Architecture\" at the Istanbul Branch of the Chamber of Architects; she gave lectures at various universities, meetings, and seminars; and published research and books on architecture, construction, and site management.\u003c\/p\u003e\n\u003cp\u003eAuthor's Published Books\u003cbr\u003e1. Illustrated Practical Building Information, Alsim\/Alarko, 1990, 1993.\u003cbr\u003e2. Illustrated Short Construction Dictionary (English-Turkish), A.A., 1993.\u003cbr\u003e3. Site Management Conferences, A.A., 1993.\u003cbr\u003e4. Western-Origin Words and Terms in Building Works (Turkish-English, etc.), A.A., 1994.\u003cbr\u003e5. Animals in Architectural and Construction Idioms (Turkish-English), A.A., 1994.\u003cbr\u003e6. Western-Origin BUILDING TERMS in Turkish (Turkish-English, etc.), YEM Yayın, 2nd edition, 1998.\u003cbr\u003e7. English-Turkish BUILDING DICTIONARY, FONO, 1998.\u003cbr\u003e8. Wrongs-Rights in Construction Practices with Pictures, A.A., 1999.\u003cbr\u003e9. Turkish-English-Turkish BUILDING DICTIONARY, FONO, 2001.\u003cbr\u003e10. Abbreviations in English-Turkish Technical Language, 2001.\u003cbr\u003e11. There's Such a Thing as Site Management!, YEM Yayın, 2nd edition, 2007.\u003cbr\u003e12. There's an Event on the Site!, YEM Yayın, 7th edition, 2021.\u003cbr\u003e13. WRONGS-RIGHTS in Construction Practices, YEM Yayın, 11th edition, 2021.\u003cbr\u003e14. Site Management, YEM Yayın, 9th edition, 2022.\u003cbr\u003e15. WHAT IS NOT TAUGHT IN SCHOOLS in Construction Practices, YEM Yayın, 12th edition, 2023.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207457523,"sku":"9786058177710","price":280.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786058177710.jpg?v=1616017735"},{"product_id":"insaat-uygulamalarinda-yanlislar-dogrular","title":"Mistakes and Correct Practices in Construction Applications - 14th Edition","description":"\u003cp\u003eMistakes-Correct Practices in Construction Applications aims to convey to the reader how to perform correct practices by identifying application errors made at construction sites.\u003cbr\u003e\u003cbr\u003eFiruzan Baytop examines examples of incorrect practices he identified during his international construction site experience spanning over 50 years, complete with photographs and concise explanations. After presenting the mistakes made, the book describes how to perform correct practices, again with photographs, making it an indispensable guide for practitioners. Through the book, which he prepared by drawing on the application experiences of various institutions and individuals in diverse building production processes in Turkey and abroad, Firuzan Baytop addresses his young colleagues in particular, saying: \"Everyone can make mistakes. You will too. But the important thing is not to make those mistakes again (especially after seeing the pictures in this book). Accept your mistakes, try to do things correctly. Let's not forget that doing it right from the start is much cheaper than correcting it later.\" The brief explanations under the pictures in this book, regarding how to do things correctly, are detailed in the author's book titled \"Things Not Taught in Schools in Construction Applications\". Therefore, it is recommended to use both books together.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMistakes-Correct Practices in Construction Applications aims to convey to the reader how to perform correct practices by identifying application errors made at construction sites.\u003cbr\u003e\u003cbr\u003eFiruzan Baytop examines examples of incorrect practices he identified during his international construction site experience spanning over 50 years, complete with photographs and concise explanations. After presenting the mistakes made, the book describes how to perform correct practices, again with photographs, making it an indispensable guide for practitioners. Through the book, which he prepared by drawing on the application experiences of various institutions and individuals in diverse building production processes in Turkey and abroad, Firuzan Baytop addresses his young colleagues in particular, saying: “Everyone can make mistakes. You will too. But the important thing is not to make those mistakes again (especially after seeing the pictures in this book). Accept your mistakes, try to do things correctly. Let’s not forget that doing it right from the start is much cheaper than correcting it later.” The brief explanations under the pictures in this book, regarding how to do things correctly, are detailed in the author's book titled \"Things Not Taught in Schools in Construction Applications\". Therefore, it is recommended to use both books together.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Firuzan Baytop\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHe graduated from the Department of Architecture of GSA (today Mimar Sinan Fine Arts University) in 1948.\u003cbr\u003eTogether with three friends, he won honorable mentions and awards in many architectural competitions;\u003cbr\u003eThey won first place in the Elazığ Government Building competition.\u003cbr\u003eIn addition to many private constructions, he built the Istanbul Municipality Block apartment; Emlâk Bank Atatürk Boulevard Block apartment, Bursa bazaars, Ataköy beach, and Ataköy 2nd District.\u003cbr\u003eStarting in 1965, he managed the construction of numerous domestic and international facilities for the Alarko company. While working as a Construction Consultant and Member of the High Advisory Board at the same company, he voluntarily retired at the end of 2000. He currently works as a member of the Materials Committee at the Istanbul Branch of the Chamber of Architects, gives lectures at various universities, meetings and seminars, and publishes research and books on architecture, construction and site management.\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207490291,"sku":"9786058177727","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/YANLISLAR_DOGRULAR_ONKAPAK.jpg?v=1690452304"},{"product_id":"santiye-yonetimi","title":"Construction Management - 11th Edition","description":"\u003cp\u003eA construction site is a world of its own. No school can truly teach you the necessary practical knowledge, what is expected of you, and what can happen on construction sites.\u003cbr\u003e\n\u003cbr\u003e\nThere's something far more important than practical applications on construction sites: \"site management.\" No matter how well someone knows the practical principles, or how experienced they are, site management is a complex web of relationships that is difficult to undertake. Unfortunately, these are not taught in schools, nor is there time given to learn them through practice. You can only learn by doing, through a master-apprentice method. However, this takes almost ten years. Site Management aims to shorten this period by sharing knowledge and experience. The author, distilling over 50 years of experience, shares with the reader what needs to be done and what can be experienced from the establishment of a construction site to its closure.\u003cbr\u003e\n\u003cbr\u003e\nThe book explains the principles of successful site management from a broad perspective, from selecting the site to providing materials, equipment, labor, subcontractors, etc. to the site; from tendering, contracting, and progress payment methods to establishing and maintaining good relationships with personnel, contractors, supervisors, local administrators, etc.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003cspan font-size:=\"\"\u003e\u003cspan color:=\"\"\u003eAbout Firuzan Baytop\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHe graduated from the GSA (now Mimar Sinan Fine Arts University) Architecture Department in 1948. Together with three friends, they received honorable mentions and awards in many architectural competitions. They won first prize in the Elâzığ Government House competition. In addition to many private constructions, he built the Istanbul Municipality Block apartment, the Emlâk Bank Atatürk Boulevard Block apartment, Bursa bazaars, Ataköy beach, and Ataköy 2nd Neighborhood. Starting in 1965, he managed the construction of many facilities for the Alarko company both domestically and internationally. While working as a Construction Consultant and Member of the High Advisory Board at the same company, he retired at his own request at the end of 2000. He is currently working as a member of the Materials Committee at the Istanbul Branch of the Chamber of Architects, giving lectures at various universities, meetings, and seminars, and publishing research and books on architecture, construction, and site management.\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370210013427,"sku":"9786058177734","price":280.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/SANTIYE_YONETIMI_KAPAK.jpg?v=1666959103"},{"product_id":"rolove","title":"As-Built Survey - 19th Edition","description":"\u003cp\u003eIn order to understand what historical artifacts and monuments reflect from the past and how they shed light on architectural development, it is necessary to document, or \"survey,\" both those that are preserved and those that are in ruins. A survey is the first step to be taken when intervention is required on an ancient artifact. Whether for archiving or for preparing a restitution-restoration project, surveying an ancient artifact is essential. From this perspective, the importance of surveying in our country, which has so many historical artifacts, is very clear.\u003c\/p\u003e\n\u003cp\u003ePrimarily prepared for architecture students who are new to this field, the SURVEY book is also an extremely useful resource for professionals. It addresses the subject in an easy-to-understand language and method for everyone; the stages of sketching, photographing, measuring, and drawing are explained with examples from the author's years of work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Bülent Uluengin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Istanbul in 1944. Graduated from the Department of Architecture of the Istanbul State Academy of Fine Arts in 1969.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAfter his military service, he worked as a control architect at a private bank until 1974 and traveled to many regions of Turkey. In 1974, he started working as an assistant in the Department of Architecture at the Istanbul State Academy of Architecture and Engineering (İDMMA). In 1982, upon the invitation of King Abdulaziz University in Jeddah, he went to Saudi Arabia and worked as a research architect at the Hajj Research Center of the same university until 1986. Between 1986 and 1995, in addition to working as a freelance architect in Istanbul, he worked as a contract lecturer at Yıldız Technical University and Mimar Sinan Fine Arts University.\u003cbr\u003eHe completed his doctoral thesis and received his Ph.D. in 1996; he became an associate professor in 1997 and a professor in 2003. Between 1995 and 2007, he worked as a faculty member in the Architectural Restoration Program at the Vocational School of Mimar Sinan Fine Arts University. Since 2007, he has been working as a faculty member and Head of the Department of Architecture at Bahçeşehir University, Faculty of Architecture and Design.\u003cbr\u003eHe has written various papers and articles related to his field of expertise, and has carried out survey and project studies. He has participated in national and international symposia (Sudan, Yemen, Jordan, Tunisia, Sri Lanka, and America) and presented papers.\u003cbr\u003eUluengin has published books such as \"Methods of Utilizing Photographic Techniques in the Architectural Design Process\" (doctoral thesis, published by Yıldız Technical University in 1997), \"Architectural Metals, Properties, Causes of Deterioration, Protection and Restoration Techniques\" (Birsen Publishing House, Istanbul 2006), \"Osmaneli and Its Traditional Houses\" (Kirkuk Foundation Publication, Istanbul 2009), \"Classical Building Details in Ottoman Monumental Architecture\" (YEM Publishing, 3rd edition, Istanbul 2010), which won first prize in the Architectural Award category at the 2010 Writing-Documentation-Translation Awards of the Organization of Islamic Capitals and Cities, and \"Survey\" (YEM Publishing, 4th edition, Istanbul 2010).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209947891,"sku":"9786058177758","price":315.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ROLOVE_16_BASKI_KAPAK.jpg?v=1729133294"},{"product_id":"insaata-baslarken","title":"Beginning Construction - 15th Edition","description":"\u003cp\u003eA. Turhan Uyaroğlu, who has 58 years of experience in the construction sector as a project manager, site manager, and executive, aims to introduce important elements, concepts, and functions related to the construction sector to \"construction professionals\" in his book \"İNŞAATA BAŞLARKEN\" (When Starting Construction). The book provides detailed information, accompanied by tables and graphs, covering topics that should be taught in schools during technical education, as well as situations that may be encountered during construction application processes.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eA. Turhan Uyaroğlu explains why construction professionals should acquire the information provided in the book to adequately perform and manage their jobs: “The two important elements of success are knowledge and experience. There is no end to either of these accumulations. What is taught in education, if not reinforced with conscious applications, will be forgotten and wasted. Uninformed attempts, on the other hand, often result in error. The path to success is through numerous applications with the necessary knowledge. \"İnşaata Başlarken\" has been written to remind readers of what is taught during the education process, as well as to convey information that is not taught, but ‘gained from other sources or through experience.' Every line in the book is the product of bittersweet memories. I hope readers perceive what is written as useful information to learn in the process of building structures. My advice to all readers, young and old, is to review this book once to learn its content, check their old knowledge, and when the time comes, reread the necessary sections to benefit from them.”\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48410694254835,"sku":"9786058177789","price":280.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/YEM_INSAATA_BASLARKEN_12_BASKI_KAPAK.jpg?v=1681211646"},{"product_id":"ic-mimarlikta-malzeme-ve-detay","title":"Materials and Detail in Interior Design - 13th Edition","description":"\u003cp\u003eIn \u003cem data-mce-fragment=\"1\"\u003eMaterial and Detail in Interior Architecture\u003c\/em\u003e, prepared by Genco Berkin primarily for interior architecture and architecture students, as well as designers and practitioners new to the profession, 40 different design elements for interior space design, the processing of raw materials, issues designers should consider in material selection, and the most suitable detail analysis applicable on-site are brought together and presented with original drawings.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eThe book, together with \u003cem data-mce-fragment=\"1\"\u003eMaterial and Detail in Architecture\u003c\/em\u003e, also written by Genco Berkin, forms the \"Material and Detail Series.\"\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn \u003cem data-mce-fragment=\"1\"\u003eMaterial and Detail in Interior Architecture\u003c\/em\u003e, all data (for example, the necessary knowledge for designing furniture: ergonomics, materials, construction, textiles, surface treatments, color information) is presented in a plain and easily understandable manner through carefully prepared drawings, with the aim of providing young designers, in particular, with a complete set of skills to support the design process, focusing on details and materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eDetail is the reconciliation between spirit and mind. Detail evokes a sense of order in people. This feeling arises from the hierarchy and communication between materials. Detail, to take shape, sometimes draws inspiration from construction requirements and sometimes from material properties. Above all, detail enhances the performance of the element used; it extends its durability. For designers, detail is the blending of aesthetic concerns with function. For example, a table detail in a dining room cannot be considered separately from the sideboard that appears as an extension of the fireplace and wall. Every piece of furniture and interior architectural element must speak the same language, supporting each other's roles to convey a message.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn addition to detail, the designer must also design the spatial organization. Because detail and space are design processes that reveal the purpose of use and proceed in coordination. Every space needs an ancillary space. This is a pantry and a terraced barbecue for the kitchen, and a dressing room and en-suite bathroom for the bedroom. Louis I. Kahn, one of the last representatives of modern architecture, described this idea as \"servant space\" and \"served space.\"\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn the service it provides, the designer presents spatial and furniture products for use under comfort criteria to the client. The main interior architectural comfort criteria are air quality, natural light adequacy, thermal balance, and ergonomics. To meet all these criteria, the designer must choose the longest-lasting and least harmful material. Many chemicals are used to protect materials. However, there are also products that make materials long-lasting through natural methods. But natural products are not as effective as chemicals. The interior architect's task will be to establish this balance correctly.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn this book, many points are specified regarding what elements the designer should pay attention to during the material selection process. For example, the decisions made about the material to be used when designing a door and the detail requirements are explained carefully. Furthermore, the necessity of designing the elements used in interior architecture in harmony with each other is also stated. The junctions of baseboards and door frames are among the most important detail solutions in space designs.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eThe book covers all the design parameters necessary for designers. For example, the necessary equipment for designing furniture includes knowledge of ergonomics, materials, construction, textiles, surface treatments, and color. In addition to all these, the history of furniture has also been incorporated into the topics. The content of the book has been prepared to provide those involved in interior design with a complete set of skills to support the design process, focusing on details and materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eDesigners such as Charles Rennie Mackintosh, Frank Lloyd Wright, Le Corbusier, Vedat Tek, and Carlo Scarpa, who elevated their designs not only in the art of architecture but also in interior architecture, crowned material with detail; thus integrating furniture and architectural elements with space. Detail shows the importance we give to the norms of life. The names listed above succeeded because they transformed detail into a motif. In doing so, they also avoided unnecessary ornamentation. Thanks to this book, designers will be able to consider material production methods and detail application together; they will be able to treat every element that constitutes the space as if it were a part of the space itself...”\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48461991051507,"sku":"9786257008068","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ICMIMARLIKTA_MALZEME_DETAY_ONKAPAK.jpg?v=1697545329"},{"product_id":"mimarlik-ogrencisi-misin","title":"Are you an Architecture Student? - 5th Edition","description":"\u003cp data-mce-fragment=\"1\"\u003eYEM Yayın has published the enhanced 5th edition of the book \u003cem data-mce-fragment=\"1\"\u003eAre You an Architecture Student?\u003c\/em\u003e written by Prof. Dr. Havva Alkan Bala.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor architecture students, particularly in their first year when they are introduced to their profession, the experience can be quite challenging for some. Havva Alkan Bala, as a former architecture student who went through this process and an architecture instructor who closely observes it, addresses young aspiring designers in her book:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“I understand what you are going through. Calm down, it's normal to be bewildered, but your questions have answers...”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHavva Alkan Bala begins the book with a letter addressed primarily to the parents of young aspiring architects:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“... We know that after your child, whom you raised with so much effort, became an architecture student, some of their habits started to change from the very first year. By the end of the first semester of freshman year, you might not recognize your child anymore; don't panic. Especially dear mothers, please put your worries aside. We know your child's way of speaking, clothing choices, room, and friendships have changed a lot. Their room has turned into a 'dump' with sketches, model scraps, and rows of coffee cups! You find it hard to understand why your child, who used to agree with you easily, now constantly criticizes, questions, and even acts a bit 'know-it-all'. Actually, the situation is not as complicated as you think. Your child is just attending architecture school, that's all. At the end of the process, both you and your child will receive your reward....”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShe then turns to the young designers and lists the questions they constantly seek answers to in their minds and frequently encounter in their surroundings; she shares her answers in a sincere and simple language:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“Is architecture a matter of talent? I can't draw, how will I be ready? What is an architectural studio? What good are juries? Are you an interior or exterior architect? What kind of life is there after school? These questions go on and on... But don't worry. You will try to find your own way during your school years. This effort will end when you discover that school is only a place that teaches you 'how to learn' and 'how to develop by drawing from different fields, not just one channel of information'...”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAfter the highly popular first edition, Havva Alkan Bala revised the book, considering suggestions and critiques from readers and academics, and enhanced its content. In the enhanced second edition, with approximately 40% more pages, Havva Alkan Bala added new chapters such as “Will Artificial Intelligence Replace the Architecture Profession?”, “What is an Architectural Studio?”, “What Good Are Juries?”, “To Those Who Ask What Should I Read?”, “What Did Readers of This Book Say?”. She summarizes her reason for undertaking this work as follows:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“Architecture students – who will be referred to as owls in this book – sometimes struggle greatly as they face the unknowns of the new design world they have entered. Architecture is not a chosen profession; it is a way of life and thinking. Throughout history, the actors of the act of building have been described as mysterious, impressive, and charismatic individuals. This book is written with the aim, feeling, and intention of providing some tips to make the lives of owls easier. The book makes no claim other than to 'inspire' new enthusiasms through the sharing of past enthusiasms experienced in the architectural education environment. During my twenty-four years as an educator in various architectural schools, my sharing perhaps made the exciting and traumatic dimensions of being an 'architecture student' apparent as a natural part of architectural education. This realization awakened the urge to share and, ultimately, the feeling of 'write to get rid of it'. So I wrote. Hopefully, it will be useful to the reader…”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208801011,"sku":"9786257008112","price":280.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/MIMARLIK_OGRENCISI_MISIN_5BASKI_KAPAK_1.jpg?v=1777922107"},{"product_id":"mimarlik-ve-yapi-sozlugu","title":"Mimarlık ve Yapı Sözlüğü \/ Dictionary of Architecture and Building - 12th Edition","description":"\u003cp data-mce-fragment=\"1\"\u003eThe 12th edition of Doğan Hasol's \u003cem data-mce-fragment=\"1\"\u003eMimarlık ve Yapı Sözlüğü \/ Dictionary of Architecture and Building\u003c\/em\u003e, an indispensable reference for architecture and design education in Turkey, has been published by YEM Yayın. Doğan Hasol is the first name that comes to mind in Turkey when \"architecture dictionary\" is mentioned.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe dictionary consists of two parts: the first part provides Turkish equivalents for English words and terms, and the second part provides English equivalents for Turkish words. The English-Turkish \/ Turkish-English \u003cem data-mce-fragment=\"1\"\u003eMimarlık ve Yapı Sözlüğü \/ Dictionary of Architecture and Building\u003c\/em\u003e, whose content is reviewed and developed in almost every edition, consists of approximately 30,000 terms.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDoğan Hasol summarizes his reason for undertaking such an important and difficult work as follows:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“The widespread use of English throughout the world, and the fact that countries now use English as an indispensable tool to open up to the outside world, has increased the need for such a dictionary.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDuring this study, the English and Turkish words and terms in the old dictionary were reviewed once again, and new ones were added to them.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDevelopments in knowledge and technology, and innovations introduced into our lives, lead to the emergence of new words and terms. Thus, languages also develop. The age of communication and information we live in necessitates the compilation of equivalents of terms that form the basis of all kinds of technical, cultural, commercial, etc. relations in various languages. It is undoubtedly true that this work, which is a response to this necessity, will facilitate and accelerate the flow of information, help to better and more accurately understand texts in the relevant languages, and help technical people speaking those languages to better understand each other.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis dictionary aims to compile the words and terms of the professional language used by architects and people working in the construction sector in design and application. For this reason, along with words and terms from history, most of which are related to 'form,' 'function,' 'style,' and 'movements,' current technology and material terms are also given equal weight. For explanations and detailed information on words, \u003cem data-mce-fragment=\"1\"\u003eAnsiklopedik Mimarlık Sözlüğü\u003c\/em\u003e, which is the natural complement to this dictionary, can be utilized.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHopefully, it will be useful to its users.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDoğan Hasol is well known for his indispensable dictionaries of architectural and building terms, the first of which was \u003cem data-mce-fragment=\"1\"\u003eAnsiklopedik Mimarlık Sözlüğü\u003c\/em\u003e (Encyclopedic Dictionary of Architecture) published in 1975. This was followed by English-French-Turkish dictionaries of architectural and building terms.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis publication is the 9\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e edition of his English-Turkish \/ Turkish-English \u003cem data-mce-fragment=\"1\"\u003eMimarlık ve Yapı Sözlüğü \/ Dictionary of Architecture and Building\u003c\/em\u003e, which has been continuously expanded and revised over the years.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDoğan Hasol was prompted to undertake this important and challenging task because, as he explains, it is essential to understand the terms that form the basis of technical, cultural and commercial relations in this age of communication and information. This work is a response to this imperative.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48410992181491,"sku":"9786257008129","price":490.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Mimarlik_ve_Yapi_Sozlugu_KAPAK_11BASKI.jpg?v=1729159800"},{"product_id":"eskizler","title":"Sketches - 8th Edition","description":"\u003cp class=\"MsoNormal\"\u003eProf.Dr. Necati Dinçoğlu, who has been thinking, drawing, and writing about sketches as a product of production, transmission, and accumulation processes in architecture for many years, has released his book titled Sketches – Drawing by Thinking, Thinking by Drawing, published by YEM Yayın.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThe book, which begins with an introductory article by Aydan Balamir titled \"Drawing by Thinking, Thinking by Drawing, Drawing Without Thinking in Architecture,\" also features a section by Fulya Özsel Akipek titled \"Digital Sketch,\" enriching the content.\u003c\/p\u003e\n\u003cp style=\"line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none; vertical-align: middle;\" class=\"MsoNormal\"\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eThe book emphasizes that sketching, as the simplest and most straightforward way to visualize thoughts, is a medium of communication and primarily allows the designer to communicate with themselves. Necati İnceoğlu's commentary on the relationship between architectural sketch and design is summarized as follows:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003e“The Renaissance world used the old Italian word \"pensieri\" to refer to sketching in art and design. Its meaning is 'thoughts.' Indeed, the word 'thoughts' best describes sketching; 'drawn thoughts.' Similarly, sketching is 'thinking by drawing.' \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eThere are computer programs that create impressionistic sketches, like taking travel notes by drawing, based on existing photographs. However, these are far from providing the fundamental characteristics of impressionistic sketches, such as mind-hand coordination and the reciprocal interaction between mind and hand, and the practices of thinking by drawing and drawing by thinking. At least for now, that's what I believe. Sketches are concrete products that visualize certain sections of the design process and thought. It is not possible to separate the design process from the sketching process. Therefore, I tell our students, keep drawing.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eTABLE OF CONTENTS\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA; mso-bidi-font-weight: bold;\" lang=\"EN-US\"\u003eForeword\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIntroduction\u003c\/p\u003e\n\u003cp\u003eThinking by Drawing, Drawing by Thinking, Drawing Without Thinking in Architecture (Aydan Balamir)\u003c\/p\u003e\n\u003cp\u003eSketches\u003c\/p\u003e\n\u003cp\u003eThe Sketching Process, Why We Sketch, Sketchbook\u003c\/p\u003e\n\u003cp\u003eQualities of Sketches\u003c\/p\u003e\n\u003cp\u003ePerception, Learning to See\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eAbstraction\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eConceptual Thinking\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eSources of Inspiration, Imagination, Metaphors\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eTypes of Sketches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eSketches for Thought\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eGraphic and Visual Analysis\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eSketches for Developing Ideas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eSketches for Main Idea and Conceptual Research\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eSketches for Observation\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eVisual Impression Sketches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eSense of Place\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eExamples\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOn the Path to Skill Acquisition\u003c\/p\u003e\n\u003cp\u003eMaterials, Line Quality, Basic Lines, Outlines\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eStep-by-Step Dexterity, Towards Rapid Sketching\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eDifferent Levels of Detail, Movement and People\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"color: black; letter-spacing: .1pt; mso-ansi-language: EN-US; mso-fareast-language: JA;\" lang=\"EN-US\"\u003eExpression of Depth: Perspective, Light Perspective, Shadow, Light, Tonal Value\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDigital Sketch (Fulya Özsel Akipek)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"color: black; letter-spacing: .1pt; mso-fareast-language: JA;\"\u003eWHO IS NECATİ İNCEOĞLU?\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e\u003cspan style=\"font-size: 12pt;\"\u003eProf.Dr. Necati İnceoğlu was born in Denizli in 1937. He completed his primary and secondary education in Denizli and his higher education at Istanbul Technical University, Faculty of Architecture. In 1965, he was appointed as an assistant at the ITU Faculty of Architecture. He became an associate professor at the same institution in 1975 and a professor in 1981. He served as the Head of the Architecture Department at ITU Faculty of Architecture between 1986-88 and as Dean at Yıldız Technical University Faculty of Architecture between 1988-94. He retired in 2004. In addition to \"Sketches,\" Necati İnceoğlu's publications in fields related to architectural education include: \"\u003c\/span\u003e\u003cspan style=\"font-size: 12pt;\" class=\"apple-converted-space\"\u003eSolitaries in Memories,\" \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"border: 1pt none windowtext; padding: 0cm;\"\u003e\u003cspan style=\"font-size: 12pt;\"\u003eSketches as a Tool for Thinking and Design\"; \"\u003c\/span\u003e\u003cspan style=\"font-size: 16px;\"\u003eDiscourses in Architecture,\"\u003c\/span\u003e\u003cspan style=\"font-size: 12pt;\"\u003e \"Theories and Practices\"; \"Sketches in Design\"; \"\u003c\/span\u003e\u003cspan style=\"font-size: 16px;\"\u003eThe Phenomenon of Programming\u003c\/span\u003e\u003cspan style=\"font-size: 12pt;\"\u003e in Architecture\"; \"Traditional Architecture of Denizli.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-size: 12pt;\"\u003e İnceoğlu also has a novel titled \u003c\/span\u003e\u003cem style=\"font-size: 12pt;\"\u003e\u003cspan style=\"border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;\"\u003e\"Trench Letters,\"\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-size: 12pt;\" class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 12pt;\"\u003ebased on the letters of soldiers who fought in World War I. İnceoğlu participated in various architectural design and urban planning competitions, and some of his designs were implemented. Between 1981 and 1988, he held three solo watercolor exhibitions and participated in group exhibitions.\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt;\" lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48380703473907,"sku":"9786257008143","price":210.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/ESKIZLER_Yeni_Kapak.jpg?v=1666959146"},{"product_id":"mimarlar-dik-durur-siradisi-oykuler","title":"Architects Stand Tall! (12th Edition)","description":"\u003cp class=\"MsoNormal\" style=\"margin-right: 0px; margin-bottom: 0px; padding: 0px; border: 0px; vertical-align: baseline; margin-left: 0px !important;\"\u003e\u003cspan lang=\"EN-US\" style=\"margin: 0px; padding: 0px; border: 0px; vertical-align: baseline; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial;\"\u003eThe 12th edition of Doğan Hasol's book, \"Architects Stand Tall! Extraordinary Stories,\" which takes readers on an enjoyable, sometimes thought-provoking journey through the unknown intricacies of the architectural world, has been published by YEM Yayın.\u003c\/span\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; vertical-align: baseline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-right: 0px; margin-bottom: 0px; padding: 0px; border: 0px; vertical-align: baseline; margin-left: 0px !important;\"\u003e \u003c\/p\u003e\n\u003cp\u003e Doğan Hasol takes readers on an enjoyable journey into the world of many local and foreign famous architects, as well as figures from the art and politics world, from his student days to the present, filled with their eccentricities, sorrows, resentments, joys, entertaining personalities, and interesting incidents. Hasol filters some interesting events, which he either witnessed firsthand or heard directly, through his memory and conveys them to his readers in a clear and fluent language.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-right: 0px; margin-bottom: 0px; padding: 0px; border: 0px; vertical-align: baseline; margin-left: 0px !important;\"\u003e\u003cspan lang=\"EN-US\" style=\"margin: 0px; padding: 0px; border: 0px; vertical-align: baseline;\"\u003e\u003cspan lang=\"EN-US\" style=\"margin: 0px; padding: 0px; border: 0px; vertical-align: baseline; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial;\"\u003e\"\u003c\/span\u003e\u003cspan style=\"margin: 0px; padding: 0px; border: 0px; vertical-align: baseline;\"\u003eArchitecture, the profession and art of creating livable environments that make people happy, is a very enjoyable yet difficult and serious job.\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"margin: 0px; padding: 0px; border: 0px; vertical-align: baseline;\"\u003eThis book attempts to delve into the inner world of architects as much as their professional world. In the book, you will find their eccentricities, strange events, the humanistic sides of architects, and various sparks of wit. What is written here is not based on previously kept notes. I have tried to convey some amusing\/thought-provoking interesting events that I either witnessed firsthand or heard, filtering them through my memory. The events and people are real; there is no fabrication or fiction on my part. I believe that the book will shed light on a certain period of our architectural world from a different perspective.\u003c\/span\u003e”\u003c\/p\u003e\n\u003cp\u003e \"Architects Stand Tall! Extraordinary Stories,\" enriched visually with architect portraits and caricatures by the esteemed architect-cartoonist Güngör Kabakçıoğlu, will attract the interest not only of architects but also of anyone who feels an affinity for architecture or wishes to glance at a certain period through the eyes of architects, with its content and narrative.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-right: 0px; margin-bottom: 0px; padding: 0px; border: 0px; vertical-align: baseline; margin-left: 0px !important;\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-right: 0px; margin-bottom: 0px; padding: 0px; border: 0px; vertical-align: baseline; margin-left: 0px !important;\"\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208506099,"sku":"9786257008181","price":280.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/MIMARLAR_DIK_DURUR_12.BASKI_KAPAK.jpg?v=1773087298"},{"product_id":"gorme-bicimleri","title":"Ways of Seeing","description":"\u003cp\u003e\u003cbr\u003eSeeing comes before speech. The child learns to recognize things by looking before he starts speaking.\u003cbr\u003eHowever, in another sense, seeing comes before words. We find our place in the world around us by seeing. We describe this world with words, but words can never change the fact that we are surrounded by the world. Every evening we see the sun set.\u003cbr\u003eWe know that the world is turning its back on the sun. However, this knowledge, this explanation, never fits what we see. The surrealist painter Magritte interpreted this ever-present gap between words and objects in his painting \"The Key to Dreams.\"\u003c\/p\u003e","brand":"Metis Yayıncılık","offers":[{"title":"Default Title","offer_id":39409047830723,"sku":"9789753420839","price":252.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9789753420839.jpg?v=1616018356"},{"product_id":"modulor-ve-le-corbusiernin-kulubesi","title":"Modulor and Le Corbusier's Cabin","description":"\u003cp data-mce-fragment=\"1\"\u003eIn his new book published by YEM Yayın, Prof. Dr. Genco Berkin discusses the “Modulor” system, which Le Corbusier, also known as the “Father of Modern Architecture,” gifted to world architecture, and “Le Cabanon,” the cabin he designed for himself using this method.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGenco Berkin states that he wrote this easy-to-read, understandable, portable mini-book for every architect and interior designer to carry with them as a design principle, just like a compass, pencil, or ruler they never part with:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“At the heart of today's popular trends in living space selection, such as 'Tiny House' and 'Small House,' lies the desire to shed our excesses and find ourselves in nature. Le Corbusier realized and experienced this almost 100 years ago in the design of the cabin he built for himself, called Le Cabanon. Le Cabanon is, in fact, the embodiment of Modulor, the scaling system he developed. The emergence, development, and introduction of Modulor to architecture can be likened to the experiences of a traveler who never deviates from their destination on a long and arduous journey.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlthough Le Corbusier is considered the 'Father of Modern Architecture,' the roots of the structural system he established extend back to the Hellenistic period and the Renaissance. Le Corbusier, who greatly admired the standardization of the Hellenistic period, created the scaling sequence in 'Modulor,' which he invented, through the Fibonacci sequence. Thanks to this system, which emerged from the measurements of the human body and grew by addition, the 'human-furniture-space' trio could be expressed numerically for the first time. Christopher Alexander, who laid the foundations of parametric design, a breakthrough in architecture today, followed the path opened by Modulor. In its simplest terms, Modulor is a guide for designers to create artificial environments (preventing the loss of concern for proportion).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIf Le Corbusier had never lived, our homes, workplaces, and schools today would be built at more than twice the cost; the majority of the public would be deprived of quality housing, and some students might not even receive an education. Moreover, since there would be no standard understanding of design and production in any of these structures, sustainable production of construction materials would not be possible, and there would be difficulties in accessing these products.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis book traces how Le Corbusier achieved his great dreams that blossomed in his small world and his aspirations to make the world a more livable place. Readers who are architects or interior designers will see that the solution in design lies in creating norms and standards; they will ponder more deeply the necessity of considering furniture and space as a whole.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCONTENTS\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIntroduction\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLe Corbusier and Architecture\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJourney to the East\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlexander Klein and Le Corbusier Interaction\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Birth and Establishment of Modulor\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Birth of the Cabin (Le Cabanon)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEileen Gray and Le Corbusier Interaction\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Dimensions of Le Cabanon\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Furniture of Le Cabanon\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Reflections of Le Cabanon on Contemporary Architecture\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConclusion\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSedef Sav designed the cover and illustrations for \u003cem data-mce-fragment=\"1\"\u003eModulor and Le Corbusier's Cabin\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48439370285299,"sku":"9786257008372","price":105.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/Modulor_LeCabanon_ONKAPAK.jpg?v=1624278488"},{"product_id":"mimarlikta-malzeme-ve-detay","title":"Materials and Detail in Architecture - 11th Edition","description":"\u003cp\u003eG\u003cspan style=\"font-family: 'Helvetica','sans-serif'; color: #666666;\"\u003eenco Berkin's book, \u003cem\u003e\u003cspan style=\"font-family: 'Helvetica','sans-serif';\"\u003eMaterials and Details in Architecture\u003c\/span\u003e\u003c\/em\u003e, published by YEM Yayın, was prepared with architecture, interior architecture, and landscape design students, as well as designers and practitioners new to the profession, in mind.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp style=\"background: white; box-sizing: border-box; font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; text-align: start; widows: 2; -webkit-text-stroke-width: 0px; word-spacing: 0px; margin: 0cm 0cm 8.65pt;\"\u003e\u003cspan style=\"font-family: 'Helvetica','sans-serif'; color: #666666;\"\u003eThis book, published after \u003cem\u003e\u003cspan style=\"font-family: 'Helvetica','sans-serif';\"\u003eMaterials and Details in Interior Architecture\u003c\/span\u003e\u003c\/em\u003e, which was published last year and quickly became a fundamental reference due to its great interest, is the second book in YEM Yayın's \"Materials and Details Series.\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn \u003cem\u003eMaterials and Details in Architecture\u003c\/em\u003e, 40 different design elements for architectural design, the processing of raw materials, considerations for material selection, and the most suitable detail solutions for on-site application are brought together and presented with original drawings.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eAll design parameters considered necessary for architectural design are discussed under the sections SITE | ORIENTATION | MATERIAL SELECTION, FOUNDATIONS, FLOORS, VERTICAL CIRCULATION, WALLS, WINDOWS AND DOORS, ROOFS, STRUCTURAL SYSTEMS, covering a very wide perspective ranging from site selection to landscape design, from reinforced concrete foundations to steel stairs, from expansion joints to trombe walls, and from off-axis doors to walkable terraces.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn \u003cem\u003eMaterials and Details in Architecture\u003c\/em\u003e, all the data an architect or designer needs, from design to implementation, is conveyed in a simple and easily understandable way through carefully prepared drawings, with the aim of providing young designers, in particular, with a complete understanding to support the design process based on details and materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eGenco Berkin summarizes the rationale and content of the book as follows:\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e“In architectural design, the duo of material and detail constitutes all the solution elements of the project. Whether design problems arise from function (architectural program) or location (site), the architect must provide a solution that can create value with the instruments he will use. If the conceptual dimension of architectural design emerges in the material or detail, the bond established with the space will be further strengthened and \u003cem\u003earchitectura magna\u003c\/em\u003e will be realized.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eEvery structure should be thought of as a system of fragmented wholes, formed by the harmonious arrangement and combination of sufficient elements. While architects reveal physical and chemical formations through the materials they apply in their buildings, they also strive for the sustainability of holding these formations together with detail analysis. Every applied process will direct the building system towards becoming an artificial environment, but at this point, the architect must present the nature of the material in its most natural state. It should be remembered that every application is actually for the sake of increasing human comfort, because human health is adversely affected by artificial environments.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eArchitectural students should not be content with the information in this book but must also incorporate information from different sources into their repertoire. Prospective architects are primarily responsible for developing themselves in terms of raw material procurement, processing, and construction. In light of this information, material and detail analyses can reach a certain level. Since the parameters in architecture are constantly dynamic, architectural students must act with a research-oriented spirit and update their knowledge. In an environment where new materials are introduced every day, this book will also renew itself with each edition and keep up with the times…”\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003c\/ul\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370211127539,"sku":"9786257008150","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/MIMARLIKTA_MALZEME_DETAY_ONKAPAK.jpg?v=1631791935"},{"product_id":"adim-adim-tasarim-fikirleri","title":"Step-by-Step Design Ideas","description":"\u003cp\u003eYEM Yayın has released the \"Step by Step\" series, which has been eagerly awaited for some time and serves as a fundamental reference for architecture, interior architecture, and landscape architecture students.\u003c\/p\u003e\n\n\u003cp\u003eThe series, consisting of four books titled \u003cem\u003eDesign Ideas - Design Methods - Structural Systems - Building Materials\u003c\/em\u003e, is recommended to be read together for narrative coherence and complements each other in terms of content. Its aim is to meticulously present the basic problems encountered in the processes within different activity and expertise areas of the architectural discipline, the factors influencing these processes, and the main approaches and principles developed for solutions, with easy-to-understand explanations and insightful suggestions.\u003c\/p\u003e\n\n\u003cp\u003e\"Design Ideas,\" the first book in the series, focuses on the initial stage of the architectural design process, offering suggestions and tips to help designers generate ideas for solving a design problem.\u003c\/p\u003e\n\n\u003cp\u003eBert Bielefeld, who prepared the book for publication, offers the following insights:\u003c\/p\u003e\n\n\u003cp\u003e\"...Every design begins with the search for an idea or insight into how to solve a design problem. This design idea is the beginning of a long journey; on this journey, the designer will define, modify, elaborate, and constantly seek new ways to refine their idea. The subject of the 'Design Ideas' book you hold is limited to the initial part of this process, which often influences and guides both the progression and the outcomes. Its purpose is not only to identify various effective approaches and sources of inspiration but also to show ways to unleash creativity. The content of the book is prepared to encourage students to delve deeply into each topic and concept. A conscious effort has been made to avoid focusing on specific architectural styles and established understandings. The simple but complex question here is: How do I arrive at the first design idea? .....\u003c\/p\u003e\n\n\u003cp\u003eThis book has been prepared as a reference for designers – of course, what is discussed here is limited to the initial stage of the design process. The methods in the book show various ways to solve a design problem; none of these ways claim to be definitive. Design is not simply a set of operations or the reproduction of existing models. It is an always creative process that generates new wholes as conditions change and draws on different sources of inspiration. The elements we have addressed separately in the book (context, function, design, material, and structure) to show you how to arrive at the first design idea interact closely throughout the design process, forming a complex system of relationships and conditions. Which of these elements leads to the birth of the first design idea? Which approach matures the design? The answer to these questions lies in individual experience and understanding. Architectural design courses provide a unique ground for gaining these. However, design is not something you can learn by reading books or listening to lectures; these only serve as a driving force or catalyst in the individual development of students. You can only learn design by doing it, by experiencing it in practice. I hope that the book '\u003cem\u003eDesign Ideas'\u003c\/em\u003e will stimulate impulses that will help you develop your own creative designs and encourage you to live a life dedicated to design. Most importantly, I hope it helps you forge your own path in the field of design in the future. For this, you should never stop asking questions, never lose your desire to experiment and your curiosity, and enjoy working on your own designs.\"\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370205556979,"sku":"9786257008389","price":175.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Tasarim_Fikirleri.jpg?v=1686646371"},{"product_id":"adim-adim-tasarim-yontemleri","title":"Step-by-Step Design Methods 6th Edition","description":"\u003cp\u003eYEM Yayın has published its \"Step by Step\" series, which has been eagerly awaited for some time and serves as a fundamental reference for students of architecture, interior architecture, and landscape architecture.\u003c\/p\u003e\n\n\u003cp\u003eThe series, consisting of four books titled \u003cem\u003eDesign Ideas - Design Methods - Structural Systems - Building Materials\u003c\/em\u003e, is recommended to be read together for narrative integrity and is complementary in terms of content. Its aim is to meticulously outline the fundamental problems encountered during the processes in different activities and specialized areas of the architectural discipline, the factors affecting these processes, and the main approaches and principles developed for solutions, with easy-to-understand explanations and insightful suggestions.\u003c\/p\u003e\n\n\u003cp\u003eThe first book in the series, \"Design Ideas,\" focused on the initial stage of the architectural design process, offering suggestions and tips to help designers generate ideas for solving a design problem. This second book, titled \"Design Methods,\" builds upon the results of \"Design Ideas\" and explores in detail a range of design methods that designers can utilize when solving a design problem. Developed from approaches based on geometry and the natural environment, music and mathematics, subconscious and rational sources, and creative processes, these approaches are often illustrated with examples from well-known buildings, and architectural drawings of buildings are used to demonstrate how architects arrived at specific solutions. The book, which does not aim to impose a particular design method, emphasizes an effort to provide a general understanding of the methodology of architecture and architectural design.\u003c\/p\u003e\n\n\u003cp\u003eBert Bielefeld, who prepared the book for publication, shares his views on the book as follows:\u003c\/p\u003e\n\n\u003cp\u003e“This book builds upon the results of 'Step by Step Design Ideas,' which describes the inspirations and stimuli that drive the design process, and primarily presents certain design methods that are based on specific rules rather than intuition. The authors' aim is to offer the reader various methods and encourage them to examine familiar concepts and known architects in more detail. The book describes some approaches developed from geometry and the natural environment, music and mathematics, subconscious and rational sources, and creative processes. To explain these methods, examples from well-known buildings are provided: the plans and sections of these buildings have been analyzed to show how architects achieved specific solutions. Since it has a didactic concept largely based on examples from architectural history (in this respect, it differs from other books in the 'Step by Step' series), the book does not use the typical formal features of the series in order not to disrupt the flow of the text.\u003c\/p\u003e\n\n\u003cp\u003e'Step by Step Design Methods,' adapted to the structure of architectural studies, primarily targets senior and graduate architecture students who want to learn more about design methods. The book does not aim to impose a particular design method; instead, it aims to provide a range of practical design tools that can be used to solve design problems based on specific requirements.”\u003c\/p\u003e\n\n\u003cp\u003eAuthor Kari Jormakka, who co-wrote the book with Oliver Schürer and Dörte Kuhlmann, states:\u003c\/p\u003e\n\n\u003cp\u003e“...This book examines various methods of designing in architecture with examples to identify the strengths and weaknesses of each. Many of these have been developed recently, while some have been part of architects' toolkits for centuries. Many theorists have argued that they offer a universal method applicable to all structures on Earth. However, there are also very valid reasons to argue that a certain method is not the single correct method that can be applied to every project. Therefore, it is important to choose the most appropriate method to solve a particular design problem. Being familiar with many methods provides the designer with great flexibility. However, a method is not a machine that will automatically solve design problems: it does not relieve the designer of the effort of solving problems encountered in design, but rather enables the designer to focus on the problems...”\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48384288588019,"sku":"9786257008396","price":273.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/TASARIM_YONTEMLERI_KAPAK.jpg?v=1631822313"},{"product_id":"adim-adim-tasiyici-sistemler","title":"Step-by-Step Structural Systems 7th Edition","description":"\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eYEM Yayın has published the \"Step by Step\" series, which has been eagerly awaited for some time and serves as a fundamental reference for architecture, interior architecture, and landscape architecture students.\u003c\/p\u003e\n\n\u003cp\u003eThe series consists of four books titled \u003cem\u003eDesign Ideas - Design Methods - Structural Systems - Building Materials\u003c\/em\u003e, which are recommended to be read together for narrative integrity and complement each other in content. The aim of the series is to meticulously present the fundamental problems encountered in the processes of different activities and areas of expertise within the architectural discipline, the factors affecting these processes, and the main approaches and principles developed for solutions, with easy-to-understand explanations and enlightening suggestions.\u003c\/p\u003e\n\n\u003cp\u003eThe first book in the series, \"Design Ideas,\" focused on the initial stage of the architectural design process, offering suggestions and tips to help designers generate ideas for solving a design problem. The second book, \"Design Methods,\" built upon the results of \"Design Ideas,\" meticulously examining a series of design methods that designers could utilize when solving a design problem.\u003cbr\u003e\nThe third book in the \"Step by Step\" series, \"Structural Systems,\" focuses on the load-bearing systems encountered at almost every stage of the architectural design process, which we use to bring design ideas to life. With the aim of providing a simple approach to the theory of load-bearing systems, which may seem complex at first glance, the book guides architecture students who struggle to find their way through the complexity of statics and load-bearing theory, especially at the beginning of their architectural education. Starting from the idea that designing load-bearing systems will develop designers' spatial ideas and foresight, it attempts to explain the fundamentals of load-bearing theory in a simple and understandable way. \"Step by Step Structural Systems,\" which aims to build a bridge between the disciplines of architecture and civil engineering, seeks to enable students to understand structural contexts, consider the requirements these contexts present when designing, and thus realize their designs with a realistic and holistic understanding.\u003c\/p\u003e\n\n\u003cp\u003eBert Bielefeld, who prepared the book for publication, shares his views on the book:\u003c\/p\u003e\n\n\u003cp\u003e“When constructing a building, we need to know how its load-bearing system functions. Structural elements can be decisive components of the design or merely an invisible infrastructure, but there is always a load-bearing system upon which the building is founded. This system holds the building together, transfers loads to the ground, and ensures stability. Understanding the load-bearing system – its structural principles and the unique characteristics of each system – is crucial for applying these principles precisely during the design process and for developing a solution appropriate to the materials used and construction method. Especially at the initial stages of education, where many new pieces of information need to be assimilated, it is often difficult for a student to navigate the complexity of statics and load-bearing theory. \u003cem\u003e‘\u003cspan\u003eStep by Step Structural Systems’\u003c\/span\u003e\u003c\/em\u003e bridges the disciplines of architecture and civil engineering and explains the fundamentals of load-bearing theory in a simple, understandable, and chronological manner. For a general comprehension of the subject, the author first explains the loads and forces acting on a structure through examples and simple explanations. He introduces typical structural elements and shows the load-bearing systems that designers can use when designing different types of structures. The concise information provided here enables students to work with load-bearing systems with a holistic understanding and to create innovative designs...”\u003c\/p\u003e\u003c!--nl----\u003e\n\u003cp\u003eAlfred Meistermann, the author of the book, states:\u003c\/p\u003e\n\n\u003cp\u003e“...‘Step by Step Structural Systems’ aims to provide a simple approach to the theory of load-bearing systems, which may seem complex at first glance. The information presented here should enable students to understand structural contexts, consider the requirements arising from loads and supports during design, and thus realize their designs with a realistic and holistic understanding. Designing load-bearing systems develops designers' spatial ideas. The possibilities offered by load-bearing systems allow them to be more creative. Therefore, the success of a load-bearing system is primarily related to the extent to which it reflects the overall design idea and how it contributes to the formation of this idea. This becomes even more important in design processes where load-bearing systems are decisive in every respect (for example, in large-span building systems). In such cases, addressing the designed load-bearing system in all its complexity greatly simplifies the solution of problems...”\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370205622515,"sku":"9786257008167","price":273.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/TASIYICI_SISTEMLER_KAPAK.jpg?v=1631822681"},{"product_id":"agacin-izinde-tasarimda-orman-urunleri-sozlugu","title":"In the Footsteps of the Tree: Glossary of Forest Products in Design - 4th Edition","description":"\u003cp data-mce-fragment=\"1\"\u003e“\u003cem data-mce-fragment=\"1\"\u003eIn Pursuit of the Tree: A Dictionary of Forest Products in Design,\u003c\/em\u003e” which conveys the journey of wood, a significant element in architecture, through design processes from past to present, has been published in collaboration with Yıldız Entegre and YEM Yayın.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003ePrepared by Genco Berkin, \u003cem data-mce-fragment=\"1\"\u003eA Dictionary of Forest Products in Design\u003c\/em\u003e is a valuable resource for academics and students in forestry-related departments, as well as for architects, interior designers, and industrial product designers. It will guide the dynamics of the industry by bridging academia and industry.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn the dictionary, which plays a crucial role in the formation of the built environment and traces the transformation of relevant products, methods, and techniques, the advisory board, consisting of Prof. Dr. Genco Berkin, who undertook the research and preparation process, Prof. Dr. Reha Günay, Civil Engineer (Architect) Dr. Doğan Hasol, Yıldız Entegre Product Manager (Forest Industry Engineer) Murat İnceoğlu, and Interior Designer Muhammet Taşlı, as well as Architect Sedef Sav, who did the graphic design and illustrations of the book, made significant contributions to the introduction of this guide to the architecture and design world of our country.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eYıldız Entegre, with roots tracing back to 1890, has taken the lead in the Forest Products Sector by focusing on change and development, and is once again breaking new ground in the industry. By tracing the DNA of wood and presenting the development processes of both architectural and industrial product design item by item to industry professionals through “In Pursuit of the Tree,” Yıldız Entegre, in collaboration with YEM Yayın, is bringing to light concepts and terms that are not widely known due to their recent development in \u003cem data-mce-fragment=\"1\"\u003eIn Pursuit of the Tree: A Dictionary of Forest Products in Design\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eErcan Şahin, Marketing and Corporate Communications Manager at Yıldız Entegre, expressed his views on this unique project as follows: “In a rapidly changing world, our lives, ways of working, words, dynamics, and methods are also transforming at the same pace. In this intense flux, although we may not always realize it, most things in our lives undergo transformation. As Yıldız Entegre, we signed \u003cem data-mce-fragment=\"1\"\u003eIn Pursuit of the Tree: A Dictionary of Forest Products in Design\u003c\/em\u003e with the aim of tracing the DNA of wood and examining and conveying the development processes of both architectural and industrial product design item by item, regarding the changes, developments, and transformations in the ‘Forest Products Sector.’ I believe this guide is a move that will add value to our sector with its informative approach and vision.”\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenco Berkin, who was the \"main contractor\" in bringing the dictionary to life, conducting the research and defining the terms, shared his thoughts:\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem data-mce-fragment=\"1\"\u003eIn Pursuit of the Tree: A Dictionary of Forest Products in Design\u003c\/em\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e was inspired by Doğan Hasol's \u003cem data-mce-fragment=\"1\"\u003eEncyclopedic Dictionary of Architecture\u003c\/em\u003e, which he meticulously created and presented to the Turkish architectural community. Just as Doğan Hasol guided us as a consultant in this work, the studies of our esteemed Professor Reha Günay have been nourishing academics, colleagues, and students with knowledge for years. Nâzım Hikmet's lines from the poem \u003cem data-mce-fragment=\"1\"\u003eInvitation\u003c\/em\u003e, '...To live alone and free like a tree, and like a forest, in brotherhood...' truly convey the beauty of being an individual with an identity, as well as sharing and solidarity. This book, encouraged by such tolerance and participation, came to life as a result of Yıldız Entegre's support for trees, nature, and design... The information in this book has been compiled to ensure that the characteristics of wood and wood-based materials used in our traditional and contemporary architecture, and their application areas in design, are passed on to new generations. Local construction practices, which can be considered a part of our cultural heritage, have been carried out in harmony with nature, and today, there is great admiration for the level these types of structures have reached. Architects and interior designers, who have found the opportunity to use wood and wood-based materials in different forms by utilizing the benefits of technology, have also managed to incorporate this material among contemporary building materials. The fact that wood is applied in contemporary designs in a wide range, from its solid use to its laminated, compacted versions under pressure and heat, is proof that we cannot give up this material...\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003c\/ul\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48502742286579,"sku":"9786257008358","price":280.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/AGACIN_IZINDE_ORMAN_URUNLERI_SOZLUK_KAPAK.jpg?v=1633513946"},{"product_id":"osmanli-mimarisi-karton-kapak","title":"Ottoman Architecture - Paperback (2nd Edition)","description":"\u003cp data-mce-fragment=\"1\"\u003eYEM Yayın has published a new edition of \"Ottoman Architecture,\" written by Prof. Doğan Kuban with the aim of \"unveiling prejudices related to Ottoman history, culture, and art, and putting an end to the clichés created by foreigners and even Turks themselves since the 19th century.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis comprehensive reference work, featuring meticulously compiled academic data, includes nearly 1,000 specially taken photographs, architectural drawings, engravings, comparative tables, and maps, as well as an Ottoman-Turkish Architectural Dictionary.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDOĞAN KUBAN TALKS ABOUT \"OTTOMAN ARCHITECTURE\"\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDoğan Kuban, who states that \"the experience of establishing a relationship between social history and architectural history can also be evaluated as looking at Ottoman history through the mirror of architecture,\" shares his views on this unique work as follows:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Ottoman architecture is the most internationally significant production and product of Ottoman culture. The Ottomans produced great works which, I believe, hold a special place in world architectural history; these have survived to this day and have influenced leading art historians and architects worldwide. I am a historian of this subject. I have been working in this field for over 60 years. As a master of this craft, I felt the need to explain architecture in a more detailed way, intertwined with Ottoman history and culture, with a different understanding than what has been done so far.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eI prepared 'Ottoman Architecture' by bringing together ideas, studies, research, and comparisons from other works, which I compiled over many long years. In fact, I can say that I summarized in a single work a task that is encyclopedic in nature and could be done by many people. I say 'summarized' because it is not possible to fit all of Ottoman architecture into 720 pages. However, such works are not read encyclopedically. In my opinion, books prepared with an internally consistent approach are more illuminating because they have internal consistency. I tried to achieve this in a field where I spent 60 years, and I succeeded. That is why I am happy.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Architectural history\" can merely be the story of grand, rich, and beautiful buildings. It can also be the story of personal and societal demands related to a building, but this parameter has often not been given sufficient weight. Yet, structures do not materialize until these demands are transformed into a building program. Behind these demands and programs lie social functions, social values, personal tastes, manners, knowledge, and techniques. For example, the fact that the staircase, one of the most magnificent elements of architectural history, was not used as an important design element in Ottoman architecture before the 19th century, and that designs such as the Scala Reggia or the staircase hall of Würzburg Palace never developed in Turkey, is an architectural history problem that deserves contemplation. Similarly, seeking answers to questions about dimensions, symmetry, and ornamentation; examining the content of the desires and aspirations behind the wills that created houses, palaces, and mosques; is more important than merely displaying buildings as a cultural showcase. The fact that Sinan continued his research until he reached the Selimiye; the fact that Nuruosmaniye, built 20 years after the Hekimoğlu Ali Paşa Mosque, could be designed and implemented with such a bold interpretation at that time, are as important as the buildings themselves. Because it is these interpretations and tastes that make them unique and appealing. Understanding and explaining how much of these are tradition, how much thought, how much patron's command and taste, and how much the expression of the artist's will, are the efforts that make architectural history worth writing and reading. If written with a sufficiently developed intuition, this effort can better explain the true nature of historical production. I believe that architectural history can only have meaning if written this way, otherwise, it cannot go beyond a display of goods. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eReaders of this work may reject the naming of structures they previously knew as mosques as zawiye or imaret here. This long-debated issue needed to reach a conclusion with clear evidence from documents. Because this issue is related to the structure of the state at the beginning of Ottoman history.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe information included in this narrative could not have been compiled without drawing upon the work of hundreds of experts who have been working on this subject for almost a century. Therefore, however much I may reject their judgments, I dedicate my book to the memory of researchers who have sincerely labored in this field...\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370209358067,"sku":"9786257008471","price":910.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/OSMANLI_MIMARISI__Karton_Kapak.jpg?v=1639735379"},{"product_id":"peyzaj-bakim-teknikleri-prof-cemil-ata","title":"Landscape Maintenance Techniques","description":"\u003cp data-mce-fragment=\"1\"\u003eLandscape Maintenance Techniques was written to serve as a reference for students, architects, engineers, and relevant technicians working in urban design, especially those employed by municipalities. Additionally, it functions as a reference book on topics such as pruning, planting, lawn care, fertilization, soil drainage, and maintenance for those interested in the field and tending to their own gardens. It also provides important information on how to create an urban plan that prevents severe rain from inundating cities, which is one of the most significant problems facing cities today.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eProf. Dr. Cemil Ata graduated from Istanbul University's Faculty of Forestry in 1969. He completed his doctorate in 1975 and became an associate professor at the same university in 1980. He worked for twenty years in the Departments of Forest Engineering and Landscape Architecture at Karadeniz Technical University's Faculty of Forestry. He became a professor in 1988. In 1992, he established the Departments of Forest Engineering and Landscape Architecture at Bartın Faculty of Forestry, where he served as dean. In 1997, he began working as a professor in the Landscape Architecture department at Yeditepe University's Faculty of Fine Arts and founded the Departments of Landscape Architecture and Urban Design. He has held various administrative and academic positions at Yeditepe University for the past twenty-two years. Between 1976 and 2000, he participated in joint projects in various countries such as England, Germany, Norway, France, Russia, Azerbaijan, and Portugal, and worked abroad for a period. In 1987, he attended classes as a visiting professor at Oxford University. Prof. Dr. Ata has five published books and numerous articles, papers, and presentations. Currently, Prof. Dr. Ata teaches at Yeditepe University's Faculty of Architecture and has been leading the Yeditepe University Atatürk Arboretum project since 2003.\u003c\/p\u003e","brand":"Yeditepe Üniversitesi Yayınevi","offers":[{"title":"Default Title","offer_id":42197946237171,"sku":"9789753070966","price":360.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/0001841211001-1.jpg?v=1639739998"},{"product_id":"mobilya-tasariminda-malzeme-ve-detay","title":"Material and Detail in Furniture Design - 7th Edition","description":"\u003cp\u003eProf. Dr. Genco Berkin's new book, \u003cem\u003eMaterial and Detail in Furniture Design\u003c\/em\u003e, prepared primarily for industrial design, interior architecture, and architecture students, as well as designers and practitioners just starting their careers, has been published by YEM Yayın.\u003c\/p\u003e\n\u003cp\u003eThe book, along with \u003cem\u003eMaterial and Detail in Architecture\u003c\/em\u003e and \u003cem\u003eMaterial and Detail in Interior Architecture\u003c\/em\u003e, which were also prepared by Genco Berkin in previous years and quickly became fundamental reference sources due to their popularity, forms YEM Yayın's \"Material and Detail Series.\"\u003c\/p\u003e\n\u003cp\u003eAs with the previous books in the series, the book, with graphic design and illustrations by Sedef Sav, features contemporary furniture designs of 10 different types by 40 world-renowned designers and architects. Along with the selected designers, the aim is to take a brief journey through 'the history of contemporary furniture design,' presenting both the 40 pioneering figures and their masterful works to the reader.\u003c\/p\u003e\n\u003cp\u003eTo achieve successful results in furniture design, it is first necessary to determine the material. Looking at the recent history of furniture, it can be seen that important designers used innovative production techniques that highlighted the material to add a different quality to the product. In \u003cem\u003eMaterial and Detail in Furniture Design\u003c\/em\u003e, especially for young designers, the material selection criteria and data supported by details of pioneering designers are conveyed in a simple and easy-to-understand manner, accompanied by carefully prepared drawings, with the aim of supporting the design process focusing on detail and material.\u003c\/p\u003e\n\u003cp\u003eIn the book \u003cem\u003eMaterial and Detail in Furniture Design\u003c\/em\u003e, the 40 designers and their furniture, such as Michael Thonet (Chair No. 14), Kaare Klint (Faaborg and Safari Chair), Gunnar Asplund (Grace Cinema Seat), Lilly Reich (Reich Curtains), Eileen Gray (Transat Chair), Richard Neutra (Camel Table), Alvar Aalto (Paimo Armchair), Vico Magistretti (Cinqueterre Kitchen), Vladimir Kagan (Serpentine Sofa), Carlo Scarpa (Doge Dining Table), Ettore Sottsass (Sistema 45 Office Furniture), Norman Foster (Nomos Office Desk), Aziz Sarıyer (Mono Armchair), Philippe Starck (WW Stool), Toyo Ito (Ripples Bench), Atilla Kuzu (Open Kitchen), were selected either for having a valuable story in terms of ergonomics or for pioneering breakthroughs in production technology.\u003c\/p\u003e\n\u003cp\u003eThe book was planned considering that those new to furniture design often lack the courage to imagine new furniture and therefore struggle to start designing. To spark the inspiration needed for an initial design, the educational processes, sources of inspiration, and cultural backgrounds of globally known designers are presented with rich narrative examples to encourage young designers.\u003c\/p\u003e\n\u003cp\u003eProf. Dr. Genco Berkin summarizes the rationale and content of the book as follows:\u003c\/p\u003e\n\u003cp\u003eMy aim in writing the book \u003cem\u003eMaterial and Detail in Furniture Design\u003c\/em\u003e is to make architects, interior architects, and industrial product designers say, 'I can design furniture!' after reading the book and internalizing the information provided. They say, 'Half the battle of finishing a job is starting it.'\u003cbr\u003eI realized that many of my students participating in interior architecture project courses lacked sufficient knowledge about furniture design, preventing them from having the courage to imagine new furniture, and thus experiencing difficulty in starting their designs. In fact, what will make that initial start is the very inspiration that will come to them. Inspiration emerges after a person gains knowledge, is nourished by environmental factors, and internalizes them. Therefore, narratives enriched with cases and examples formed the main structure of this book. For this reason, I tried to present the mentors and cultural backgrounds that influenced many designers' inspirations within their development processes. On the other hand, since the design process is enriched by the accumulation of a visual repertoire, I prepared a selection supported by material selection criteria and details to create awareness in this regard, touching upon 10 different types of furniture designs by 40 pioneering designers.\u003c\/p\u003e\n\u003cp\u003eIn furniture design, detailing begins primarily with determining the material; then comes the shaping of the material (e.g., obtaining profiles + bending processes), and finally, it is completed by joining with the same or different materials (e.g., stitching, welding, or riveting). Looking at the recent past of furniture, we see that pioneering designers used innovative production techniques to highlight the material to add a different characteristic to the product. Thus, designs acquire the quality, as Otto Wagner said, of 'reflecting their era.'\u003c\/p\u003e\n\u003cp\u003eThis book examines the masterpieces of 40 famous furniture designers and architects. The designers and furniture discussed and analyzed are those with a valuable story in terms of ergonomics or those that pioneered breakthroughs in production technology. Of course, many other valuable pieces of furniture have been produced besides these designs. However, I was compelled to create a didactic selection. I tried my best to identify the most important designers and discuss their prominent works...\u003c\/p\u003e\n\u003cp\u003eConsidering that the book is one of the few works written and published on furniture design and designers in Turkish literature, it is expected to greatly contribute to interior architecture, architecture, and industrial product design students, new graduates of these departments, and furniture manufacturers in the sector. As a faculty member, I hope that the number of such books will rapidly increase. I owe my thanks to everyone who contributed to the preparation of this beautiful book.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHO IS PROF. DR. GENCO BERKIN?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Niğde in 1971, Genco Berkin completed his secondary education at Kadıköy Anatolian High School in 1990. Genco Berkin, who studied architecture at Brighton (England) and European University of Lefke (TRNC), began his academic career as a research assistant in 1995 after receiving an offer from his alma mater.\u003c\/p\u003e\n\u003cp\u003eIn 1998, he completed his master's degree with his thesis \"Architectural Utopias\" in the field of Architectural History at Eastern Mediterranean University. In 2006, he earned his Ph.D. with his work at Mimar Sinan University, Faculty of Architecture, Department of Building Physics and Materials; in 2015, he became an associate professor; in 2020, he became a professor at Fatih Sultan Mehmet Vakıf University, Faculty of Architecture and Design.\u003c\/p\u003e\n\u003cp\u003eGenco Berkin, who teaches architecture and interior architecture courses at various universities, has conducted research and development studies on \"ecological glass in architecture\" and developed ideas on \"improving project-design courses.\" Berkin, who particularly focuses on combining ergonomics and technology in furniture designs, has also produced numerous works on this subject. Prof. Dr. Genco Berkin currently serves as the Dean of the Faculty of Art and Design at Istanbul Nişantaşı University.\u003c\/p\u003e\n\u003cp\u003eBooks by Genco Berkin published by YEM Yayın:\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e\u003cem\u003eMaterial and Detail in Furniture Design\u003c\/em\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cem\u003eMaterial and Detail in Interior Architecture\u003c\/em\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cem\u003eMaterial and Detail in Architecture\u003c\/em\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cem\u003eIn the Footsteps of Wood: A Dictionary of Forest Products in Design\u003c\/em\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cem\u003eModulor and Le Corbusier's Cabin\u003c\/em\u003e\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cem\u003eFrom Square to Plan: Module and Architecture\u003c\/em\u003e (with Yusuf Civelek)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208997619,"sku":"9786257008600","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/MOBILYA_TASARIMINDA_MALZEME_DETAY_KAPAK.jpg?v=1667892368"},{"product_id":"mimari-buluntularin-korunmasi-ve-onarilmasi","title":"Conservation and Restoration of Architectural Finds","description":"\u003cp\u003eThéophile Beaudoire, a renowned 19th-century French typographer, engraver, and typeface designer, illuminates a period of approximately 1,500 years by delving into the mysterious and dusty pages of Christian history. This work, offering significant insights into cryptography, ritual architecture, and Christian art, allows us to deeply examine the cryptographic symbols and their meanings that took shape during periods of persecution extending from Asia Minor to Africa and Rome.\u003cbr\u003eBeaudoire explains that this art, known only to early Christians and containing esoteric meanings, was not limited solely to churches. It has persisted for centuries in many different areas such as rock tombs, temples, musical notations, signatures, medals, frescoes, stained glass, furniture, jewelry, costumes, coats of arms, books, sarcophagi, and shields. This work, taking the reader on a journey full of surprising discoveries, traces the history of Christian fine arts.\u003c\/p\u003e\n\u003cp\u003eTranslator Fatma Canverdi Çevik meticulously handled this text, which requires profound knowledge in religious, architectural, philosophical, historical, mythological, and sociological aspects, during its translation. Blending specialized disciplines such as literature, linguistics, architecture, printing, heraldry, and numismatics with a researcher's discipline, she aimed for readers to both gain knowledge and enjoy a pleasant reading experience.\u003c\/p\u003e\n\u003cp\u003eThis work sheds light on historical events in the Roman province of Asia Minor (present-day Turkey) and its surroundings, once again revealing the unique religious, architectural, and sociological heritage of the lands we inhabit. Enriched by the observations, books, drawings, and testimonies of 19th-century travelers, this book uncovers many unknown truths. As the author states in the original text: \"Whoever acquires this book will possess a unique work that occupies a small space in their library but contains a great treasure and a true museum of antiquity.\"\u003c\/p\u003e","brand":"Kabalcı Yayınları","offers":[{"title":"Default Title","offer_id":43621653643507,"sku":"9786258214116","price":397.5,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/mimari-buluntularin-korunmasi-onarilmasi-1.jpg?v=1742400874"},{"product_id":"adim-adim-yapi-malzemeleri","title":"Step-by-Step Construction Materials","description":"\u003cp\u003eYEM Yayın has published the \"Step by Step\" series, a highly anticipated fundamental reference for architecture, interior architecture, and landscape architecture students.\u003c\/p\u003e\n\u003cp\u003eThe series, comprising four books titled \u003cem\u003eDesign Ideas - Design Methods - Structural Systems - Building Materials\u003c\/em\u003e, is intended to be read together for narrative coherence and to complement each other in terms of content. Its aim is to meticulously present the processes involved in various activities and specialization areas within the architectural discipline by following them step-by-step, addressing the fundamental issues encountered in these processes, the factors influencing them, and the main approaches and principles developed for solutions, with easy-to-understand explanations and insightful suggestions.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe fourth book in the \"Step by Step\" series is titled Building Materials. Similar to the previous (third) book in the series, \"Structural Systems,\" which aimed to build a bridge between the disciplines of architecture and civil engineering, this book focuses on building materials that appear in almost every stage of the architectural design process and are used to bring design ideas to life. Based on the understanding that building materials not only form the foundation of construction activity but also facilitate communication between people and buildings, the book emphasizes aspects of materials that directly concern both their design and the appearance of the structure to be built. The wide range of possibilities that different types of materials can offer to design when used consciously forms the focus of the book. It is stressed that each material only gains meaning within its specific context, and therefore, materials are open to interpretation and re-contextualization. To explore the physical and sensory world of materials, the fundamental properties of building materials are first defined, then major material types are examined under separate headings, addressing their distinguishing characteristics. In the final section of the book, typical design approaches and principles related to material usage are explained.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBert Bielefeld, who prepared the book for publication, offers his insights on the book as follows:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“The ‘Step by Step Building Materials’ book aims to address the fundamental properties of major building elements and components. For this reason, instead of thoroughly examining materials, the authors focus on aspects of materials that directly concern both their design and the appearance of the structure to be built. The wide range of possibilities that different types of materials can offer to design when used consciously is the focus of the book. To enable readers to explore the physical and sensory world of materials, the fundamental properties of building materials are first defined, then major material types are examined under separate headings, emphasizing their distinguishing characteristics. In the final section of the book, typical design approaches and principles related to material usage are explained. Thanks to the ‘Step by Step Building Materials’ book, students will gain practical knowledge regarding the use of different types of materials, thus enabling them to realize their designs in an impressive manner.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe authors of the book, Hegger, Drexler, and Zeumer, state:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“... The processes of selecting, developing, and detailing materials play an important role in the design process. Integrating design and material to achieve a coherent structure is the ultimate goal. A material is primarily defined by its properties perceived by the sense of sight (color, surface texture, reflective properties, joints, etc.). These properties are integrated with properties perceived by other senses (feel to the touch, smell, sound, surface temperature, etc.). The structural properties of materials (physical structure, load-bearing capacity, durability, etc.) and their environmental effects are often not perceptible to the naked eye. However, these 'intrinsic values', which can only be determined by measurement, define the technical applicability and suitability of the material for its intended purpose. Ultimately, each material gains meaning within its context. Although this meaning may be based on common values, it lacks objective foundations. Therefore, materials are open to interpretation and re-contextualization...”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCONTENTS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eForeword_7\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIntroduction _8\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePrinciples Followed in the Selection of Building Materials _11\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMaterial Perception _12\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRequirements Materials Must Meet _17\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTechnical Specifications _24\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eClassification of Building Materials _27\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMaterial Typologies _27\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWood _33\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWood-Based Products _36\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNatural Stone _39\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConcrete _42\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMineral-Bound Wall Blocks _45\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMineral-Bound Slabs _48\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePlasters and Screeds _51\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCeramics and Bricks _54\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMetals _57\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGlass _62\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePlastics _66\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTextiles and Membranes _69\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDesigning with Building Materials _73\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGeneral Conditions _73\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBasing Design on Material _75\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMaterializing Design with Material _76\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDesign Approaches _78\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConclusion _85\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAppendix _86\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e STEP BY STEP SERIES BOOKS:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStep by Step Design Ideas\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Step by Step Design Methods\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStep by Step Structural Systems\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStep by Step Building Materials\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370205655283,"sku":"9786257008198","price":175.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Yapi_Malzemeleri.jpg?v=1686646328"},{"product_id":"mimarligi-okumak-resimli-mimarlik-rehberi","title":"Reading Architecture – An Illustrated Architectural Guide 3rd Edition","description":"\u003cp data-mce-fragment=\"1\"\u003ePublished by YEM Yayın, \u003cem data-mce-fragment=\"1\"\u003eReading Architecture – An Illustrated Architectural Guide\u003c\/em\u003e thoroughly examines Western architecture from Classical Greek times to the present day.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAuthored by Owen Hopkins and translated into Turkish by Derya Nüket Özer, the book is a unique visual guide that breaks down all elements constituting a building, from plasters to roofs, column types to decorative moldings, into their components.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cem data-mce-fragment=\"1\"\u003eReading Architecture – An Illustrated Architectural Guide;\u003c\/em\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eShows building types that evolved throughout architectural history with detailed photographs and explanatory drawings.\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eCovers all major building types and styles, from cathedrals to skyscrapers, and from the Classical to the Contemporary period.\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eProvides an in-depth look at structures, structural systems, materials, and building details.\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003eIncludes a comprehensive glossary of architectural terms, referencing other sections where each term is exemplified.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe book, in which almost all elements are presented with explanatory photographs or drawings, aims from the outset to overcome the problems inherent in traditional alphabetically arranged architectural dictionaries. Therefore, it prioritizes actual structures through photographs and notes, while dissecting architecture down to its fundamental ideas and components.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOwen Hopkins summarizes the content of the book, which consists of four sections with numerous cross-references, as follows:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e“The first section;\u003c\/strong\u003e as indicated in the introduction, focuses on ten building types that have recurred in various forms throughout architectural history. Although examples of each type vary according to time and place, they embody certain characteristics that are integral to that type. Other building groupings in this section were made according to forms or morphologies that are considered to have withstood time and influenced many building types. Thus, this section is intended to be a 'first point of reference' for the reader, where they can turn when encountering a public building, for example, and find the closest example with similar architectural features.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe second section;\u003c\/strong\u003e Structural Systems; is based on the thesis that all architectural languages are somehow derived from the most fundamental articulation of a building’s structural system. Similarly, it goes beyond specific architectural styles by focusing on various main structural elements – columns and piers, arches, modern concrete and steel structures – that appear in different forms in various architectural languages as key components. Like the first section, this section serves as a 'guide' for other sections, but at the same time, it forms a complete reference in itself by providing the specific elements in minute detail.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe third section;\u003c\/strong\u003e deals with architectural elements – the main components present in all buildings, regardless of style, scale, or form. These include walls and surfaces, windows and doors, roofs, stairs, and elevators.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe fourth section;\u003c\/strong\u003e consists of a standard glossary of terms that reference other sections where each term is exemplified. The glossary only includes elements mentioned in the first three sections, and like the book itself, it is comprehensive but not encyclopedic. By focusing on visible elements and components, the book does not include components of the building structure that often remain invisible. Some extremely archaic terms were also excluded for reasons of space and clarity. Although architecture became globalized in the second half of the 20th century, it is important to note that the book focuses on the Western architectural tradition; some very recent examples are chosen from outside Europe and its sphere of influence. Readers interested in non-Western structures should consult more specialized works.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eChristopher Wren, the great architect of London in the late 17th and early 18th centuries, said, 'Architecture aims for eternity.' This observation comes to life in St. Paul’s Cathedral, which continues to exist as a symbol of the city and the nation. While few buildings are built with such grand aims and splendor as St. Paul’s, structures in a place and situation – from the most humble vernacular buildings to the most elaborate ones at the top – rise as indicators of how their builders see themselves. Therefore, the ability to read a building – whether by looking at its image or at the building itself – and to decipher its meaning is essential for understanding how society and the world around us are formed; and this is what this book seeks to facilitate.”\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370208538867,"sku":"9786257008730","price":560.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/YEM_Mimarligi_Okumak_KAPAK.jpg?v=1697639900"},{"product_id":"ic-mimarlikta-paslanmaz-celik-ve-cam","title":"Stainless Steel and Glass in Interior Architecture - 4th Edition","description":"\u003cp data-mce-fragment=\"1\"\u003eThe book \u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e, prepared by Genco Berkin and Gökhan Mermi primarily for students of interior architecture, architecture, and industrial product design, as well as for designers and practitioners new to the profession, has been published by YEM Yayın.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eTo achieve successful results in interior design, it is necessary to thoroughly understand the materials to be used. In \u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e, detailed information about stainless steel and glass materials, supported by details and carefully prepared drawings, is conveyed to young designers in particular, in a simple and easily understandable manner, focusing on details and materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eStainless steel and glass are two of the five most commonly used basic building materials (plasterboard, MDF, ceramic, stainless steel, glass) in interior design today. These two complementary building materials, with their technical specifications and application details, are primary construction materials that designers must master.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e aims to be a guide for the use of stainless steel and glass materials in schools, design offices, and construction site applications. The information contained in the book includes contemporary and valid detail solutions currently in active use.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eThe book \u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e consists of six chapters:\u003c\/p\u003e\n\n\u003col data-mce-fragment=\"1\"\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 1 examines the production and technical characteristics of stainless steel, its manufacturing methods, and the types of stainless steel used in interior architecture.\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 2 covers the production and technical characteristics of glass, its manufacturing methods, and the types used in interior architecture.\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 3 presents all elements used in interior architecture, separately as both stainless steel and glass materials, to the reader; examples including both materials are also discussed.\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 4 investigates how various pieces of furniture in interior spaces are made with stainless steel and glass, detailing them to the finest points.\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 5 examines the sustainability characteristics of both materials.\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003eChapter 6 consists of additional detail drawings that can serve as alternatives to the details provided in the previous chapters.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eProf. Dr. Genco Berkin and Interior Architect Gökhan Mermi's reasoning for preparing the book is summarized in the \"Introduction\" as follows:\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"...This book serves as a guide for interior architects and architects on the use of stainless steel and glass materials in design offices and construction site applications. We are fully confident that such a resource will become an indispensable reference book, especially for interior architects. The information in the book includes contemporary and valid detail solutions currently in active use. It should be kept in mind that, in addition to the stainless steel and glass duo, a third material can also be used in detailing...\"\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eWe hope that the detail drawings and graphics in the book will serve as useful and guiding examples for architecture and interior architecture students and our colleagues who have started their professional careers, in their designs involving stainless steel and glass. We would like to state that the drawings are not to scale and designers should examine these details only for inspiration for their work...\"\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eMechanical and Aeronautical Engineer Mehmet Engin Kılınç, who also worked with Genco Berkin and Gökhan Mermi in the past, states the following in the \"Foreword\":\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"Dear Interior Architects, Architects, Industrial Product Designers;\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe inadequacy of practical application in university education manifests itself as various shortcomings in professional life. Although students undergo a short period of internship training, this is often insufficient. True success comes from supplementing theoretical knowledge with real-world applications.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eOur young people, who lack practical training in universities, often feel inadequate in terms of practical knowledge focusing on materials and details. This situation should be remedied by reading technical books written by experienced interior architects, architects, and engineers with practical knowledge in the field.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAfter graduating from the ITU Mechanical Engineering Department, Aeronautical Engineering in 1972, I experienced the same difficulties in my professional life. I learned how to use the theoretical knowledge I gained at university in the field, through trial and error over time. I always longed for helpful books on this subject, but there were not enough resources.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAfter gaining experience in various companies for about 30 years, I established my own design firm in 2002. At that time, my young, hardworking, and eager-to-learn architect colleague, Genco Berkin, who had just graduated from university, started working as an architect in my company. He personally experienced and witnessed the applications in business life and was involved in very good projects in this field. Later, he received an offer to start an academic career and became a faculty member. Our connection never broke during this period. I always followed his work with appreciation. Subsequently, with Genco Berkin's reference, I brought interior architect Gökhan Mermi, who graduated first in his department, into our team. We worked together successfully on many projects for a long time. I enthusiastically conveyed to him how to apply academic knowledge in the real manufacturing industry, especially regarding materials and details. I felt immense pride when I read the first draft of this book, a collaborative effort by my two designer colleagues.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThere was a significant need for a technical handbook in the field of interior architecture that focused on stainless steel and glass materials and included all application details. Both materials are unforgiving of even the smallest mistake and require specific detailed solutions. This work has become a guide that provides technical knowledge to interior architecture students and recent graduates for construction site applications.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThis work by Genco Berkin and Gökhan Mermi blends fundamental theoretical knowledge with implemented manufacturing practices. The book \u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e has been very beneficial because it supports its technical information with application drawings.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eI congratulate them for bringing this valuable book, which also describes the latest developments in stainless steel and glass production technologies, to the design world, and I hope for its continuation.\"\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eThe concept design for \u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e, the 4th book in YEM Yayın's \"Material and Detail Series,\" is by Sedef Sav, the designer of the series. The book's detailed drawings and layout were done by Gökhan Mermi; it was prepared for printing by Resul Atabay.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTABLE OF CONTENTS\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 1 STAINLESS STEELS\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e12 Production and Technical Characteristics\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e16 Manufacturing Methods\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e20 Stainless Steels Used in Interior Architecture\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 2 GLASSES\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e24 Production and Technical Characteristics\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e26 Manufacturing Methods\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e30 Glasses Used in Interior Architecture\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 3 INTERIOR ARCHITECTURE ELEMENTS\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e36 Stairs\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e42 Railings\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e44 Elevators\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e46 Panoramic Elevators\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e48 Escalators\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e50 Glass Flooring\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e52 Glass Partitions\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e54 Glass Doors\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e56 Column Cladding\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e58 Fireplaces\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 4 FURNITURE\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e62 Tables\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e64 Benches\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e66 Display Units\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e68 Shelves\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e70 Lighting Fixtures\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 5 SUSTAINABILITY\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e74 Stainless Steel Material Type Selection\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e76 Glass Material Type Selection\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e78 Stainless Steel Material Application Errors\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e80 Glass Material Application Errors\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e82 Transportation and Stacking\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e84 Stainless Steel Maintenance Methods\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eChapter 6 APPENDICES\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e88 Connection Apparatuses\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e90 Floor Drains\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e92 Grab Bars\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e94 Details for Visually Impaired\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e96 Pool Ladders\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWHO IS PROF. DR. GENCO BERKİN?\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eBorn in Niğde in 1971, Genco Berkin completed his secondary education at Kadıköy Anatolian High School in 1990. Genco Berkin, who studied architecture at Brighton (England) and European University of Lefke (TRNC), began his academic career as a research assistant in 1995 after being offered a position by his alma mater.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn 1998, he completed his master's degree at Eastern Mediterranean University with his thesis \"Architectural Utopias\" in the field of Architectural History. In 2006, he earned his doctorate (Ph.D.) degree with his studies at the Mimar Sinan Fine Arts University, Faculty of Architecture, Department of Building Physics and Materials; he became an associate professor in 2015; and in 2020, he became a professor at Fatih Sultan Mehmet Vakıf University, Faculty of Architecture and Design.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eGenco Berkin, who teaches architecture and interior architecture courses at various universities, has conducted research and development studies on \"ecological glass in architecture\" and developed ideas on \"improving project-design courses.\" Berkin, who particularly emphasizes combining ergonomics and technology in furniture designs, has also produced numerous works on this subject. Prof. Dr. Genco Berkin currently serves as the Dean of the Faculty of Arts and Design at Istanbul Nişantaşı University.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eGenco Berkin's books published by YEM Yayın:\u003c\/p\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMaterials and Details in Architecture\u003c\/em\u003e\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMaterials and Details in Interior Architecture\u003c\/em\u003e\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMaterials and Details in Furniture Design\u003c\/em\u003e\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\n\n\u003cem data-mce-fragment=\"1\"\u003eStainless Steel and Glass in Interior Architecture\u003c\/em\u003e (with Gökhan Mermi)\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIn the Footsteps of Wood: A Dictionary of Forest Products in Design\u003c\/em\u003e\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eModulor and Le Corbusier's Cabin\u003c\/em\u003e\u003c\/li\u003e\n\n\t\u003cli data-mce-fragment=\"1\"\u003e\n\n\u003cem data-mce-fragment=\"1\"\u003eFrom Square to Plan: Module and Architecture\u003c\/em\u003e (with Yusuf Civelek)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\" style=\"font-size: 0.875rem;\"\u003eWHO IS INTERIOR ARCHITECT GÖKHAN MERMİ?\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eBorn in Istanbul in 1987, Gökhan Mermi completed his secondary education at Şehremini Anatolian High School in 2003. Gökhan Mermi, who studied interior architecture at Haliç University, graduated as the top student in his department with honors in 2008. After graduation, he began his master's degree with a scholarship at Haliç University.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eIn 2012, he completed his master's degree in Interior Architecture with his thesis \"Evaluation of Stainless Steel Material in Interior Architectural Applications from a Sustainability Perspective.\" With this thesis, he served as a designer and controller for the fabrication of stainless steel and glass in many projects, primarily metro, hotel, and residential projects in the private sector. As of 2013, he has served as a project manager in several architectural offices, including Alarko Contracting Group. He has undertaken roles as both a designer and site chief in hotel, metro, shopping mall, office, restaurant, and residential projects. One of his successfully completed projects, where he served as a designer and site architect, is the \"Levent-Hisarüstü Metro Project.\"\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003eCurrently, Gökhan Mermi works as a full-time lecturer for interior architecture courses and is also pursuing his doctoral studies at Mimar Sinan Fine Arts University, Department of Architecture, Building Physics and Materials.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370207359219,"sku":"9786257008754","price":420.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/IC_MIMARLIKTA_PASLANMAZ_CELIK_CAM_KAPAK.jpg?v=1698911072"},{"product_id":"yemkitabevi-hediye-karti","title":"YEM Bookstore Gift Card","description":"\u003cp\u003e\u003cstrong\u003eWe think the best gift is a book :)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo purchase a gift card for your loved ones from YEM Kitabevi, the flagship of architectural publishing for 55 years:\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003eSelect the gift amount.\u003c\/li\u003e\n\n\u003cli\u003eAdd it to your cart and complete the payment.\u003c\/li\u003e\n\n\u003cli\u003eEnter the email address of the friend you want it sent to, and we'll send their gift directly to them, or share the gift card code you receive with them.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003eTerms of Use:\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe gift card has no expiration date. It will be valid until the date of use.\u003c\/li\u003e\n\n\u003cli\u003eThe gift card can only be used once per user.\u003c\/li\u003e\n\n\u003cli\u003eThe security of the gift card is the customer's responsibility. The system will not control who uses the code.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Hediye Kartı","offers":[{"title":"₺500","offer_id":44127437390067,"sku":"YEM500","price":500.0,"currency_code":"TRY","in_stock":true},{"title":"1000 TL","offer_id":44127437422835,"sku":"YEM1000","price":1000.0,"currency_code":"TRY","in_stock":true},{"title":"2,500 TL","offer_id":44127437455603,"sku":"YEM2500","price":2500.0,"currency_code":"TRY","in_stock":true},{"title":"5000 TL","offer_id":44127437488371,"sku":"YEM5000","price":5000.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/hediYEMkart500TL.jpg?v=1703160155"},{"product_id":"erzurum-arazi-yonetimi-kentsel-donusum-stratejisi","title":"Land Management-Based Urban Regeneration Strategy: ERZURUM","description":"\u003cp\u003eMehmet Sekmen, Mayor of Erzurum Metropolitan Municipality, published his book titled \u003cspan\u003e\u003cem\u003eUrban Transformation Strategy Based on Land Management: ERZURUM\u003c\/em\u003e\u003c\/span\u003e, in which he elaborates on the process of creating a land use inventory and developing land use plans based on it, a project carried out by the Erzurum Metropolitan Municipality.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003eMehmet Sekmen describes the aim and scope of the project, which he defines as \"a pioneering and leading work in the history of Turkish municipalities, undertaken for the entire rural and urban areas within the jurisdiction of the Metropolitan Municipality,\" as follows:\u003c\/p\u003e\n\u003cp\u003e\"Based on the legal and institutional regulations introduced by Metropolitan Municipality Law No. 6360, Soil Protection and Land Use Law No. 5403, and the Regulation on the Preparation of Spatial Plans, studies initiated in 2020 by Erzurum Metropolitan Municipality with a comprehensive and holistic understanding of land management in rural and urban areas across the entire provincial borders were completed in 2023, resulting in the preparation of the '1\/25,000 Scale Inventory Study on Land Management and Use in the Entire Administrative Borders of Erzurum Province and the Associated 1\/25,000 Scale Geological Survey Report for Land Use and the 1\/25,000 Scale Master Development Plan.'\u003c\/p\u003e\n\u003cp\u003eThe said study aims to manage lands across the entire province, especially in urban and rural areas, by creating an up-to-date and accurate land information database showing rural properties, based on standard 1\/25,000 scale topographic maps. It also encompasses land use planning based on natural threshold analyses and synthesis studies, and the determination of correct and sustainable development strategies for both urban and rural areas. Within this framework, the 'Erzurum Province 1\/25,000 Scale Land Use Plan for Land Management' was prepared with the aim of ensuring coordination with all authorized and relevant public institutions and organizations for land use planning.\u003c\/p\u003e\n\u003cp\u003eThis study holds importance as a fundamental strategic work for the functionality of the 'Erzurum Land Management System,' which aims to determine areas to be protected and avoided, including rural areas; plan land use; secure sustainable production; develop solutions for improvement; and prepare land policies based on rational land use to ensure urban and rural development.\u003c\/p\u003e\n\u003cp\u003eWith the Erzurum 1\/25,000 Scale Land Use Plan for Land Management, implemented with an understanding of the Erzurum Land Management System, fundamental sectoral strategies for agriculture, industry, transportation and logistics, energy, mining and geothermal, forestry, and tourism have been determined to enhance sectoral potentials. In addition to these fundamental strategies, \u003cstrong\u003eurban transformation practices\u003c\/strong\u003e play a significant role in ensuring the \u003cstrong\u003ecorrect direction of urban development throughout the province\u003c\/strong\u003e and in organizing planned and livable settlement areas. The correct direction of urban development can only be achieved by identifying suitable reserve areas needed in \u003cstrong\u003ezoning and urban transformation practices\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eWithin the framework of \"Erzurum Urban Transformation Strategy,\" implementation-oriented regulations were determined, and a roadmap was created, based on strategies that will enable the transition from the master scale 1\/25,000 land use plan to the 1\/1,000 implementation scale.\u003c\/p\u003e\n\u003cp\u003eIn Erzurum, we are continuing urban renewal and transformation efforts to contribute to the spatial and socio-cultural development of the city by addressing its problematic areas. For our ancient city of Erzurum, one of the crossroads of the historical 'Silk Road,' we have aimed to revive and develop lost economic activities under Turkish conditions based on the principle of civilizational vision, to ensure social integration in \u003cstrong\u003eslum and risky areas\u003c\/strong\u003e, and to establish \u003cstrong\u003esocio-economic balance\u003c\/strong\u003e along with both physical and \u003cstrong\u003elife and property safety\u003c\/strong\u003e. In the developing global scale, countries, cities, districts, and even neighborhoods now win and develop through the 'attraction' factor. This is what we are trying to achieve in Erzurum.\u003c\/p\u003e\n\u003cp\u003eAlong this path, we have been carrying out our urban transformation efforts since 2014. \u003cstrong\u003eIn this process, it has become clear that urban transformation must be approached with a holistic perspective, considering its legal, technical, economic, and social dimensions, and fundamental policies and strategies must be set forth for the entire province.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWithin the scope of the 2023 vision of the Ministry of Environment, Urbanization and Climate Change, 'Principles and Guidelines for the Preparation of the Urban Transformation Strategy Document' were determined and put into effect in 2019 to guide urban transformation practices. Thus, it became mandatory for administrations at the provincial and district level to prepare an urban transformation strategy document.\u003c\/p\u003e\n\u003cp\u003eOf course, being able to regulate and manage urban transformation practices requires \u003cstrong\u003ea perspective that can address the issue throughout the province and a series of methods associated with it\u003c\/strong\u003e. In this regard, our Erzurum Metropolitan Municipality initiated the 'Erzurum Urban Transformation Strategy Document' studies in 2023 to serve as a basis for the 'Erzurum Earthquake Master Plan.'\u003c\/p\u003e\n\u003cp\u003eAs a result of studies ongoing since 2020, a spatial data and information infrastructure has been prepared for the transition from the master scale to the implementation scale with the Erzurum province 1\/25,000 scale land use plan. In line with the strategy plans prepared within the scope of the 1\/25,000 scale land use plan, we are making step-by-step progress towards our goals of making Erzurum a center of attraction and a priority liveable city.\u003c\/p\u003e\n\u003cp\u003eKey issues such as urban analysis throughout the province, prioritization of transformation areas, determination of legal bases, management and methods of financing, and determination of urban design principles are important, especially in areas at risk of disaster.\u003c\/p\u003e\n\u003cp\u003eThe 'Erzurum Urban Transformation Strategy Document' has been prepared within the scope of the Risky Area, Reserve Building Area, and Urban Transformation and Development Project Area applications carried out and planned by the Erzurum Metropolitan Municipality to provide a livable and sustainable urban life in areas that are contrary to zoning legislation, have completed their structural life, have lost their physical durability, are at risk of collapse, have insufficient technical infrastructure, lack recreational facilities, and have ownership disputes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Erzurum Urban Transformation Strategy Document Based on Land Management;\u003c\/strong\u003e brings a holistic approach that includes fundamental strategic decisions for urban transformation practices to be carried out throughout the settlements within the jurisdictional boundaries of the Metropolitan Municipality, is compatible with master plans, and is based on \u003cstrong\u003evalue-based transformation\u003c\/strong\u003e. The aim is to ensure organization and coordination in the implementation of urban transformation projects with 1\/5,000 and 1\/1,000 scale plans at the implementation scale, in line with the 1\/25,000 Scale Erzurum Land Use Plan and the associated fundamental strategy plans.\u003cstrong\u003e”\u003c\/strong\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48370206015731,"sku":"9786257008846","price":315.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/ERZURUMKITABI_ONKAPAK.jpg?v=1709667497"},{"product_id":"mimarlik-ve-ic-mimarlik-ogrencileri-icin-teknik-resim","title":"Technical Drawing for Architecture and Interior Architecture Students","description":"\u003cp\u003eM. İlhan Altan's new book, titled \"Technical Drawing for Architecture and Interior Architecture Students,\" which aims to alleviate the fear of technical drawing for architecture and interior architecture students, has been published by YEM Publishing.\u003c\/p\u003e\n\n\u003cp\u003eIn this book, Prof.Dr. M. İlhan Altan explains the tools, basic rules, and methods of \"technical drawing\" in an easy-to-understand, simple language, accompanied by illustrations, specifically to develop the drawing expression, skills, and abilities of architecture and interior architecture students.\u003c\/p\u003e\n\n\u003cp\u003e“Architects often explain their designs to others through drawings. These drawings are organized according to technical drawing rules. In other words, it is important for a thought to transform into a 'ruled drawing' and for these drawings to be understood by everyone. Therefore, technical drawing rules are, in a sense, the language of communication and understanding among professionals.\u003cbr\u003e\nThis book aims to develop students' drawing expression, skills, and abilities. However, assuming that students are familiar with topics covered in other courses (e.g., Building Science), these areas have been excluded to avoid repetition; the objective is to learn the fundamental rules that must be followed when drawing technical plans.\u003cbr\u003e\nThe drawing principles for plans, sections, and elevations of single-story buildings with different geometric shapes are demonstrated. The ultimate goal is to learn how to correctly draw a building's plans as technical drawings. In these drawings, Building Science has been excluded to prevent unnecessary complications in understanding technical drawings. In sections, foundations are assumed to start 80 cm below ground level with a width of 50 cm in load-bearing masonry systems, while in roof drawings, ridge height, eaves level, and roof pitch have been determining factors. Except for a few examples, the roof pitch is 33%, and the roof thickness is determined by a standard thickness.\u003cbr\u003e\nIn sections and elevations related to sloping terrain and building relationships; what needs to be specified in project drawings at various scales has been written and shown.”\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe book consists of the following main sections:\u003c\/strong\u003e\u003cbr\u003e\n• Tools and Equipment Used in Drawing Technical Drawings\u003cbr\u003e\n• Line and Lettering Rules\u003cbr\u003e\n• Scale\u003cbr\u003e\n• Projection Methods\u003cbr\u003e\n• Drawing Building Sections and Elevations\u003cbr\u003e\n• Stair Drawings\u003cbr\u003e\n• Dimensioning\u003cbr\u003e\n• Terrain Sections and Building Relationships\u003cbr\u003e\n• Architectural Project Drawings\u003cbr\u003e\n• Project Reinforcement Elements\u003c\/p\u003e\n\n\u003cp\u003eThe \"Project Technique\" lecture notes prepared by the author many years ago at Yıldız Technical University were prepared for publication by Y. Architect N. Dilge Karakuş from the Istanbul Gedik University Department of Architecture and presented to the readers in this book.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWho is Prof.Dr. M. İLHAN ALTAN?\u003c\/strong\u003e\u003cbr\u003e\nAfter graduating from the Department of Architecture at the Istanbul State Academy of Fine Arts, he began his academic career at Yıldız Technical University. The author completed his doctorate in 1984 and taught Project Technique, Project, and Environmental Psychology courses in the Architecture and Urban Planning departments for many years. He served as a Board Delegate for T.M.M.O.B. and participated in the preparation of the Architecture Profession Law. He attended numerous congresses and symposiums both domestically and abroad. He won awards in many competitions and undertook projects, particularly in the Dragos region of Istanbul, overseeing their implementation. He worked at the YTÜ Faculty of Architecture until 2015. İlhan Altan, who compiled his experiences from teaching Project and Project Technique for many years into this book, currently teaches projects at various universities.\u003c\/p\u003e\n","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48511182012659,"sku":"9786257008877","price":315.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/YEM_TEKNIKRESIM_KAPAK.jpg?v=1724106779"},{"product_id":"zeynep-ahunbay-kitaplari-seti-2-kitap","title":"Zeynep Ahunbay Books Set (2 Books)","description":"\u003cp\u003eProf. Dr. Zeynep Ahunbay is one of Turkey's leading architectural history professors. She is known for her work in the fields of historical buildings, cultural heritage preservation, and restoration. Having retired after a long academic career at Istanbul Technical University, Ahunbay has actively participated in the restoration projects of important architectural structures in Turkey and contributed to the widespread awareness of conservation. Through her research conducted both domestically and internationally, she has become a respected name in the field of architectural history and restoration.\u003c\/p\u003e\n\u003cp\u003eIn this two-book set published by YEM Yayın, comprising \"Principles and Techniques of Cultural Heritage Conservation\" and \"Historic Environment Conservation and Restoration,\" Zeynep Ahunbay's accumulated knowledge and experience over the years offer both a theoretical and practical guide in the fields of architecture and restoration.\u003c\/p\u003e\n\u003cp\u003eThe work titled \u003cstrong\u003ePrinciples and Techniques of Cultural Heritage Conservation\u003c\/strong\u003e addresses the fundamental principles and application methods for preserving historical artifacts, while also thoroughly examining international standards in this field. Providing crucial technical information particularly for restoration works, this book is an indispensable resource for architects, restoration specialists, and anyone interested in cultural heritage conservation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHistoric Environment Conservation and Restoration\u003c\/strong\u003e is a comprehensive study that delves into the challenges encountered and solutions developed in the process of preserving the historical fabric of cities. Based on Ahunbay's extensive experience, this book was written with the understanding that urban planning and restoration must be addressed together, offering important insights into cultural heritage conservation.\u003c\/p\u003e\n\u003cp\u003eThis special two-book set is a rich source of information not only for professionals but also for anyone interested in cultural heritage. Through YEM Yayın, these valuable works are reaching readers and continue to add value to architectural history.\u003c\/p\u003e","brand":"YEM Kitabevi","offers":[{"title":"Default Title","offer_id":46283180998899,"sku":"978047899854711","price":1170.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/zeynepahunbayseti_SON.jpg?v=1728902929"},{"product_id":"bodrum-halikarnassos-1965-1991","title":"Bodrum Halikarnassos (1965-1991)","description":"\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eProfessor Dr. \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eReha Günay's new book, “A Journey Through The Triditional Architecture 1: BODRUM HALIKARNASSOS (1965-1991)”, which he created by using his identity as both a traditional architecture expert and a photographer, was published by YEM Publishing in cooperation with Bodrum Municipality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eReha Günay, who has always worked in many ways for many years, meticulously researched and produced with an artistic perspective, conveys Bodrum, the tourism capital of Turkey, in this work with his original black and white photographs taken between 1965-1991 and its traditional architectural features. Günay's impressions and determinations of traditional Bodrum architecture are given in 10 sections under the titles of \"BODRUM PENINSULA, BODRUM, MÜSKEBİ, TURGUTREİS, YALIKAVAK, GÜMÜŞLÜK, KARAKAYA, AKYARLAR, FRONT PORCH PERGOLAS and DEMIR HOLIDAY RESORT\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eProfessor Dr. \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"MsoSubtleEmphasis\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eReha Günay: \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"MsoSubtleEmphasis\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; font-style: normal;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan class=\"MsoSubtleEmphasis\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e“\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eThe Bodrum (Halikarnassos) Peninsula, due to transportation difficulties, remained isolated from the political and cultural environment of the Middle Ages and the mainland Anatolia, where significant changes occurred for centuries. This isolation endured until the construction of a highway in the 1930s, granting limited access to motor vehicles. In the 1960s, the opening of a new highway suddenly exposed the peninsula to a large-scale impact from the booming tourism activities. Whilst the peninsula maintained its settlement texture suitable to its own way of life for centuries, this mobility almost obliterated the traditional texture.\u003cspan class=\"MsoSubtleEmphasis\"\u003e \u003c\/span\u003e\u003cspan class=\"MsoSubtleEmphasis\"\u003e\u003cspan style=\"font-style: normal;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eThis book presents observations and visuals from the period of around 1965 to 1991, with a few from 2011, capturing the early stages of disruption. With minimal external influence within environmental conditions, this unique and straightforward architectural and settlement texture, perhaps carrying traces of a history spanning thousands of years, directly connected us to nature and humanity. A comparison with the current situation reflects the harsh dimensions of change. Recognizing many places has now become almost impossible…”\u003cspan class=\"MsoSubtleEmphasis\"\u003e\u003cspan style=\"font-style: normal;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan class=\"MsoSubtleEmphasis\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; font-style: normal;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eAhmet ARAS\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"regular\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e (\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eMayor of Muğla Metropolitan Municipality\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"regular\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e):\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eProfessor Dr. Reha Günay, with around his 30 books discussing key examples of traditional architecture, regional architectural studies and curated exhibitions, is creating and documenting significant reference sources in the field of urban identity and urban memory.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eIn his book \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"regular\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e‘\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eA Journey Through The Traditional Architecture • 1: BODRUM HALIKARNASSOS (1965-1991)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"regular\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e, Günay projects images through the lens of his camera, documenting fading examples of Bodrum’s traditional architecture and way of life, helping us refresh our memory.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eIn his work, Prof. Dr. Günay refers to the works of Cengiz Bektaş’s \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"regular\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e‘\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eAn Example from Folk Architecture Art: Bodrum\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"regular\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e, Nezih R. Aysel’s \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"regular\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e‘\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eBodrum: Müsgebi\/Ortakent. An Architectural Study\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"regular\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e and Suha Özkan \u0026amp; Richard Plunz’s \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"regular\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e‘\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eTurgutreis 1974\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"regular\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e published with contributions from Bodrum Municipality which was also translated into English.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eStudying the examples of Chios-style houses, houses with \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003emusandıra\u003cspan class=\"MsoHyperlinkFollowed\"\u003e (mezzanine) and tower-type houses specific to Bodrum Architecture; Professor Dr. Günay, describing nearly forgotten concepts of Bodrum domestic life like \u003c\/span\u003eayazlık, çanaklık, yunmalık, yüklük\u003cspan class=\"MsoHyperlinkFollowed\"\u003e and terek, narrates the traditional architecture of the Müsgebi neighborhood, where my childhood unfolded\u003c\/span\u003e\u003cspan class=\"regular\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e: ‘\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003eIn the end, everyone is equal and shows mutual respect. No one hinders anyone else’s view or breeze. No one strives to flaunt their home and makes others envious. Unfortunately, these communal values are no longer part of us.\u003c\/span\u003e\u003cspan class=\"regular\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif;\"\u003e’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eWe are delighted to be involved in the publication of \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"regular\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e‘\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eA Journey Through The Traditional Architecture • 1: BODRUM HALIKARNASSOS (1965-1991)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"regular\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e. I thank Umut Ülkümen, who directly contributed to the publication of the book and appreciate the valuable efforts of Professor Dr. Suha Özkan, the mind behind Bodrum Architecture Library, YEM Publishing and my colleagues.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan class=\"MsoHyperlinkFollowed\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eI do not wish my childhood and the Bodrum of my childhood to fade away. I do not wish ours to be a generation with a forgotten past, watching Bodrum with a heavy heart\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"regular\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e…”\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif;\"\u003eThe graphic design of the book was done by Gökçen Yanlı Atmaca, the English translation was done by Timur Altıok, and the proofreading was done by Şefik Onat.\u003cspan class=\"PlainTable31\"\u003e\u003cspan style=\"font-style: normal;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"YEM Yayın","offers":[{"title":"Default Title","offer_id":48510029791475,"sku":"9786257008907","price":2100.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/BODRUM_ENGLISH_KAPAK_ab52f904-7489-4236-87c2-7f2029c413c5.jpg?v=1728956924"},{"product_id":"venedikte-aziz-jerome-hans-belting","title":"Saint Jerome in Venice: Giovanni Bellini and the Dream of Solitary Life","description":"\u003cp data-start=\"359\" data-end=\"652\"\u003e\u003cstrong data-start=\"359\" data-end=\"426\"\u003eSt. Jerome in Venice: Giovanni Bellini and the Dream of a Solitary Life\u003c\/strong\u003e is Hans Belting's profound reading on art, solitude, and the inner journey. Bellini’s timeless scene, integrated with nature, emerges as a visual metaphor for tranquility, silence, and spiritual power.\u003c\/p\u003e\n\u003cp data-start=\"654\" data-980\u003eBelting interprets every detail in Bellini’s work with a philosophical perspective, treating the theme of \"solitude\" in the painting not just as a physical state, but as a mental mode of existence. This short but impactful book serves as a unique resource for those who pursue the search for meaning in art, introspection, and the silence of the soul.\u003c\/p\u003e","brand":"Fol Kitap","offers":[{"title":"Default Title","offer_id":46896143499507,"sku":"9786256584839","price":138.75,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/2-giovanni-belli-1744199358.jpg?v=1762333151"},{"product_id":"mimarligi-gorebilmek-bruno-zevi","title":"To Be Able to See Architecture","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\"\u003eBruno Zevi's \"Knowing How to See Architecture\" is on shelves with its new edition!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eBruno Zevi's most famous work, \"Knowing How to See Architecture,\" by one of the twentieth century's leading architectural theorists, has taken its place on the shelves with its revised new edition. \"Knowing How to See Architecture,\" translated into Turkish by Alp Tümertekin and edited by Aykut Köksal, is a work written by Bruno Zevi in 1948 that defines architectural reality through various factors and examines different approaches, and has been translated into all languages ​​to date. With this book, Zevi offers one of the brightest examples of modernist architectural literature.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eArchitectural historian Bülent Özer said the following about this book in 1961:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e\"\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eTwo distinguished figures renowned worldwide in the field of contemporary building art employ almost identical accolades when describing a third. The praisers are F.L. Wright and Lewis Mumford, and the praised individual is Bruno Zevi. Let us first listen to Mumford: 'Bruno Zevi is the leader of architectural thought not only in Italy but throughout Europe!' Wright's judgment is in some respects even broader and more definitive: 'Bruno Zevi is the most profound and sincere critic of our age. He possesses the power to see the art of building and to express what he sees in fearless, illuminating terms!'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eOne of the most important foundations of these positive judgments must be the architectural views and evaluations boldly put forth by the author in the essay titled 'Saper vedere l'architettura.' We can translate this title into our language as 'To Be Able to See Architecture.' The essence of the book and the thesis it advocates are encapsulated in three words in the title of its English edition: 'Architecture as Space.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eArchitecture, contrary to popular belief, is not merely a summation of certain widths, lengths, and heights, but rather the very emptiness one feels and experiences, the enclosed space one moves and circulates within, the interior space itself. For judgments related to the art of building to attain a certain definitiveness, terms related to space must be applied to architecture. Until this is done, investigations and research in the field of architecture will not be able to transcend the boundaries of social factors (function), construction data (technique), volumetric or decorative qualities (plastic and pictorial elements).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eWhen we say that the essence of architecture is interior space, we do not mean that an architectural work is entirely determined by spatial data. Indeed, every building is created under the influence of economic, social, technical, functional, aesthetic, decorative, volumetric, and spatial factors. Interpretations can even be made based on any of these. However, it is important not to forget that the reality in a structure lies in the totality of all these factors.\"\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Helvetica',sans-serif; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Arketon Yayınları","offers":[{"title":"Default Title","offer_id":48343479779571,"sku":"9786259443171","price":344.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Zevi-Kapak-6.jpg?v=1753102813"},{"product_id":"art-of-living","title":"Yaşama Sanatı","description":"\u003cp\u003eTo artists and designers, a home is a canvas on which they can project themselves, a testing ground for creative impulses, a place to display the objects that inspire them, a venue for experimentation with forms and materials that later appear in their own work.\u003c\/p\u003e\u003cp\u003eIn this unique volume, photographer Bärbel Miebach captures the unique spirit of the private living quarters of twenty-five internationally known figures including Ellsworth Kelly, Catherine Malandrino, Benjamin Noriega-Ortiz, Andres Serrano, Hunt Slonem, Vivienne Tam, and Andrea Zittel. From self-designed, floor-to-ceiling trompe l'oeil tile to renovations of urban lofts as Japanese farmhouses, pristine all-white spaces, sixteenth-century cathedrals, and bold apartments that take design cues directly from the vibrant colors of the inhabitant's own artwork.\u003c\/p\u003e\u003cp\u003eOver 200 color images reveal a wealth of unique, personal approaches to the challenge of incorporating creative space into a home. Of interest to anyone who has wondered what the living rooms and studios of famous artists might contain, \u003cem\u003eThe Art of Living\u003c\/em\u003e provides a colorful, varied look at a group of diverse artistic individuals who live and work in homes from New York and the Hamptons to Los Angeles and the Mojave Desert.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePhotographer:\u003c\/strong\u003e Bärbel Miebach\u003cbr\u003e\u003cstrong\u003eText:\u003c\/strong\u003e Claudia Steinberg\u003c\/p\u003e","brand":"The Monacelli Press","offers":[{"title":"Default Title","offer_id":47728350626035,"sku":"9781580932509","price":2270.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/61uCFQYztpL._SL1200.jpg?v=1779230849"},{"product_id":"pacific-standard","title":"Pacific Standard Time: Los Angeles Art, 1945-1980","description":"\u003cp\u003e\u003cstrong\u003ePacific Standard Time: Los Angeles Art, 1945-1980\u003c\/strong\u003e is a comprehensive and richly illustrated reference work that examines American art after World War II from a new perspective. Based on over a decade of research by the Getty Research Institute, this pioneering work reveals Southern California's decisive role in the most influential art movements of the 20th century.\u003c\/p\u003e\u003cp\u003eThis comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. The analysis of the L.A. art scene from the end of World War II until the beginning of the 1980s—the first in-depth scholarly survey of the region's art—demonstrates the major role Southern California artists played in the twentieth century's most influential art movements.\u003c\/p\u003e\u003cp\u003eGrounded in more than a decade of research, the five chapters augmented by lively sidebars take readers on a tour of an art world in constant formation. The story unfolds through the people, relationships, and ideas that defined the region's artistic production. Photographs and rare materials from the Getty Research Institute and other archives bring the era to life, opening a window onto the emergence of hardedge abstraction, ceramic sculpture, assemblage, pop art, conceptualism, performance art, and avant-garde practices that blurred boundaries and defied labels.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003eThe first in-depth academic survey of the Los Angeles art scene for the period 1945-1980\u003c\/li\u003e\n\n\u003cli\u003eRare photographs and materials from the Getty Research Institute and other archives\u003c\/li\u003e\n\n\u003cli\u003eThe development of hardedge abstraction, ceramic sculpture, assemblage, pop art, conceptual art, and performance art\u003c\/li\u003e\n\n\u003cli\u003eWinner of the Glenn Goldman Award for Art and Architecture (Los Angeles Times, 2012)\u003c\/li\u003e\n\n\u003cli\u003eGold Medal in the Fine Art category at the 2012 Independent Publisher Book Awards\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eThe result is an indispensable resource that will fundamentally change the view of modern art in America.\u003c\/p\u003e","brand":"Getty Publications","offers":[{"title":"Default Title","offer_id":47728361177331,"sku":"9781606060728","price":2020.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/1606060724.01.S001.JUMBOXXX.jpg?v=1768343473"},{"product_id":"fabric-architecture","title":"Fabric Architecture: Creative Resources for Shade, Signage, and Shelter","description":"\u003cp\u003eArchitects, landscape architects, interior designers, fabricators, and owner\/developers seeking creative, green solutions for a wide array of structures will find a broad array of ideas in this visual catalog of the latest materials and methods for designing canopies, tents, umbrellas, facades, signage, walls, and ceilings.\u003c\/p\u003e\u003cp\u003eA breathtaking view of state-of-the-art technology for projects ranging from simple awnings to dome stadiums. Covers shelter, shade, and water protection; outdoor and indoor; permanent and temporary structures.\u003c\/p\u003e\u003cp\u003eIncludes 476 pages with an insert containing six fabric samples.\u003c\/p\u003e\u003cblockquote\u003e\n\n\u003cem\u003e\"Structure examples from around the world offer stunning color photos perfect for any architecture library.\"\u003c\/em\u003e\u003cbr\u003e― James A. Cox, Midwest Book Review\u003c\/blockquote\u003e\u003cp\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Samuel J. Armijos AIA, president of Fabric Architect and board member of Industrial Fabrics Association International (IFAI). He has coordinated the design, engineering and construction of fabric structures around the world, from Costa Rica to Bangkok and New York to California.\u003c\/p\u003e","brand":"W. W. Norton \u0026 Company","offers":[{"title":"Default Title","offer_id":47728385327347,"sku":"9780393732368","price":2270.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/51JRvkK0EOL.jpg?v=1779231638"},{"product_id":"beden-formulasyonlari","title":"Body Formulations","description":"\u003cp\u003eWhat is the body? A ground of existence, or a target? A spectacle, or a battlefield? While modern thought long considered the body as merely natural, biological, or secondary, in the 20th century, the body moved to the center of both philosophical thought and political struggles.\u003c\/p\u003e\u003cp\u003eThis book traces the philosophical, political, and aesthetic footprints of the body, guided by two powerful figures who shaped contemporary thought: Maurice Merleau-Ponty and Frantz Fanon. 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The book offers a wide range of information, from the history of fashion illustration to digital techniques.\u003c\/p\u003e\n\u003cp data-start=\"436\" data-end=\"741\"\u003eOne of the most fundamental requirements for becoming a successful fashion designer is strong drawing skills. However, for everyone in the fashion industry, knowing the basic principles of drawing techniques is also very important. In the words of Jean-Charles de Castelbajec: \u003cem data-start=\"682\" data-end=\"739\"\u003e“Drawing is the magical link between inspiration and expression.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"743\" data-end=\"1110\"\u003eThis book comparatively examines traditional and contemporary fashion illustration techniques. The first section covers the anatomy of the fashion figure and the fundamentals of a good fashion drawing. The second section explains the development of drawings, coloring, and mixed techniques. The final section addresses the presentation of fashion illustrations, portfolio creation, and professional presentation formats.\u003c\/p\u003e\n\u003cp data-start=\"1112\" data-end=\"1355\"\u003eEnriched with examples from the work of students and professional designers, \u003cem data-start=\"1197\" data-end=\"1210\"\u003eFashion Drawing\u003c\/em\u003e is a unique resource for anyone wishing to become proficient in fashion illustration, with its inspiring visuals, clear explanations, and practical content.\u003c\/p\u003e\n\u003cp data-start=\"1357\" data-end=\"1375\"\u003e\u003cstrong data-start=\"1357\" data-end=\"1373\"\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1376\" data-end=\"1531\"\u003e\n\n\u003cli data-start=\"1376\" data-end=\"1415\"\u003e\n\n\u003cp data-start=\"1378\" data-end=\"1415\"\u003eDrawing to communicate ideas\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1416\" data-end=\"1431\"\u003e\n\n\u003cp data-start=\"1418\" data-end=\"1431\"\u003eThe fashion figure\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1432\" data-end=\"1451\"\u003e\n\n\u003cp data-start=\"1434\" data-end=\"1451\"\u003eTechnical drawings\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1452\" data-end=\"1488\"\u003e\n\n\u003cp data-start=\"1454\" data-end=\"1488\"\u003eColoring and adding dimension\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1489\" data-end=\"1508\"\u003e\n\n\u003cp data-start=\"1491\" data-end=\"1508\"\u003ePresentation formats\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"1509\" data-end=\"1531\"\u003e\n\n\u003cp data-start=\"1511\" data-end=\"1531\"\u003eFashion portfolios\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"1533\" data-end=\"1634\"\u003eThis book, available from \u003cstrong data-start=\"1533\" data-end=\"1549\"\u003eYEM Publishing\u003c\/strong\u003e, guides through all stages of fashion drawing.\u003c\/p\u003e","brand":"Literatür Yayıncılık","offers":[{"title":"Default Title","offer_id":47788683165939,"sku":"9789750406539","price":701.25,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/0002934_moda-tasariminda-moda-cizimi.jpg?v=1762247585"},{"product_id":"modern-mimarlik-kopya","title":"Modern Architecture","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\"\u003eOtto Wagner's famous work, Modern Architecture, is back on the shelves with a new edition.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eModern Architecture, one of the fundamental texts of architectural literature, has taken its place on the shelves as the latest book from Arketon publications, translated from its original language. Otto Wagner's book, whose translator is Hüseyin Tüzün and editor is Aykut Köksal, was described by an architectural historian as \"the last great architect of the 19th century and the first great architect of the 20th century.\" In line with Wagner's desire expressed in his preface to the second edition, the book includes photographs of all the master architect's works. The photographs flow in parallel with the text, accompanying Wagner's words. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eAykut Köksal, the general editor of Arketon publications, states in his introduction: \"Otto Wagner is among the architects in architectural history whose work shows a clear process of transformation. Wagner's early works are among the examples of 19th-century eclecticism, extending to Orientalism. This period is followed by works in the Secession style, the Austrian version of the Art Nouveau movement. This early modernist movement carries a decisive weight in Wagner's output. However, the master architect would not linger too long at this interim stop, quickly moving towards Modernism. In this context, the lectures he gave in 1895 constitute a turning point. Modern Architecture, published in 1896, becomes the first written product of this transformation. Modern Architecture is a paradigm-setting text; it can almost be described as a manifesto. Wagner utterly condemns the historicist tendencies of the 19th century and lays out the fundamental principles of Modernism. After Modern Architecture was published, proponents of historicism launched a barrage of criticism. Consequently, Wagner announced his definitive entry into the Secession and completely severed his ties with circles representing a certain period in Vienna.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eTo understand this transformation of Wagner, extending from thought to production, it would be interesting to take a closer look at Vienna of those years and observe the changes seen in different disciplines. In the early 20th century, in Vienna, from architecture to music, from plastic arts to philosophy, actors who heralded a new era and became decisive in the new century with their ideas and productions came to the fore. When the productions of these individuals are read alongside Otto Wagner's work, a surprising synchronicity will be observed. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eFinally, it should be noted that Modern Architecture is one of the fundamental texts of architectural literature, deeply influencing later texts, and one of the best-known examples of this is \u003ca href=\"https:\/\/yemkitabevi.com\/products\/mimarlik-ogretisi\" target=\"_blank\" rel=\"noopener\"\u003eBruno Taut's Architecture in the New Age\u003c\/a\u003e.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Arketon Yayınları","offers":[{"title":"Default Title","offer_id":48343480271091,"sku":"9786259443188","price":464.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/Wagner-Kapak-3.jpg?v=1762419578"},{"product_id":"kadikoyun-bagimsiz-tiyatrolarinda-karsilama-mekanlari","title":"Welcoming Spaces in Kadıköy's Independent Theaters","description":"\u003cp\u003eTheaters are special venues in terms of architectural design, both in terms of stage arrangement and audience platform, and in terms of acoustic and visual requirements. This book focuses on the reception areas rather than the halls themselves.\u003c\/p\u003e\u003cp\u003eWhen going to a play, people move away from their everyday thoughts and delve into other thoughts about the play and life. This journey into another world can occur directly from the play itself, from the anticipation of the play, or from the spatial characteristics of the reception area.\u003c\/p\u003e\u003cp\u003eIn fact, while waiting for the play, a process that activates creative thought takes place. This study is based on a similar experience and is inspired by the intense relationship between urban theaters and the street. 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Daily life had new norms, but architecture had already been able to create new forms suitable for them: Victory!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMass production, synthetic materials, industrialized building methods, and brand-new structural possibilities…\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eUnadorned surfaces, flat roofs, frameless windows, airy terraces…\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMachine and human, system and freedom no longer exclude each other: The Victory of the New Building Style.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003ePublished in 1927, this pioneering text lays out the theoretical foundations of Modern Architecture. Behrendt emphasizes architecture's role in social transformation during the post-war reconstruction process. Developed under the influence of the Bauhaus and New Objectivity (Neue Sachlichkeit) movements, this thought examines the relationship between functionalism, industrial production, and modern lifestyles.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOriginal Title:\u003c\/strong\u003e Der Sieg des neuen Baustils\u003c\/p\u003e","brand":"Janus","offers":[{"title":"Default Title","offer_id":48202799939827,"sku":"9786257035194","price":360.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/files\/YeniBinaUslubununZaferiOnKapak.jpg?v=1768348276"},{"product_id":"suyun-kiyisinda-mimarligin-i̇zleri","title":"Traces of Architecture at the Water's Edge","description":"\u003cp\u003eThe theses put forth by Vedat Tokyay in this book aim to improve the quality of life for urban dwellers through architectural means. 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