{"product_id":"balyanlar-osmanli-mimarligi-ve-balyan-arsivi","title":"THE BALYANS Ottoman Architecture and the Balyan Archive","description":"\u003cp\u003eThe 352-page book, printed in a limited edition of 500 copies on special paper and featuring a hard cover, is presented to readers with double, triple, and quadruple fold-out pages to allow for detailed viewing of important large-format images. It contains 158 rare photographs, including portrait photographs of the Balyan family, documents from international archives, seals, and invaluable plans, sections, and facade views.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eFOREWORD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eLooking at the Balyan Architectural Archive \/ \u003cem\u003eArsen Yarman\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eWith Respect to the Balyan Family and Imperial Architects \/ \u003cem\u003eHAYCAR - Association of Architects and Engineers Reviving and Researching Cultural Heritage\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eRemembering the Balyans \/ \u003cem\u003eKevork Özkaragöz\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eGETTING STARTED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 1\u003c\/strong\u003e \/ \u003cstrong\u003eBALYAN ARCHITECTURAL ARCHIVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eBeyond Function: Balyan Architecture with Myths and Prejudices\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eBalyan Archive: The Stack of Memory, The Adventure of Classification \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eArchitect Balyans\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 2\u003c\/strong\u003e \u003cspan\u003e\u003c\/span\u003e\/ \u003cstrong\u003eBALYAN FAMILY: PERSONAL HISTORIES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Balyan Family and Its Origins\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eKrikor Bal(i)yan (1764-1831) and the Birth of the Family Workshop\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSenekerim Balyan (1768-1833)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Last Amira Architect Garabed Balyan (1800-1866) \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eEducation of Garabed Balyan's Children\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eYoung Genius Nigoğos Balyan (1826-1858) \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eArchitect, Engineer and Versatile Tanzimat Elite Sarkis Balyan (1831-1899)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDeath of the Great Grandfather, Changing Fortunes and the Last Period of the Balyan Workshop\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan as an Engineer-Mechanic and Inventor\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eArt Patron, Intellectual Architect Hagop Balyan (1837-1875)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eMaster of Drawing, Building Artist Simon Balyan (1846-1894)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Last Architect of the Balyan Workshop, Levon Balyan (1855-1925)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 3\u003c\/strong\u003e \/\u003cstrong\u003e BALYAN ARCHITECTURE AND ITS REPRESENTATIONS\u003c\/strong\u003e \u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eImperial Palaces and the Organization of Large Construction Sites: The Silence of the Construction Sites\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003ePhotography in the Representation of Sarkis Balyan Architecture as a Claim to Progress and Visual Negotiation\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003ePortrait of the Architect\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 4\u003c\/strong\u003e \/ \u003cstrong\u003eBALYAN ARCHITECTURE IN THE TANZIMAT PERIOD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eTranscending Time and Geography: The Plural Sources of Balyan Eclecticism\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eNeo-Gothic Elements in Tanzimat Architecture Under the Leadership of the Balyan Workshop\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eHistory as an Encyclopedic Source\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eAn Egalitarian Demand: Influences in Çırağan and Beylerbeyi Palaces\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eNew Methodologies in the Search for a National Style and the Ottoman Renaissance \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cbr\u003e\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eFrom Imperial Architect to Master Builder of the Imperial Palace: The Position of the Architect in the Architectural Organization of the Tanzimat Period\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 5\u003c\/strong\u003e \/ \u003cstrong\u003eBALYAN ARCHIVE CATALOGUE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eOTTOMAN PALACE AND RESIDENTIAL ARCHITECTURE IN THE TANZIMAT PERIOD \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDynastic Palaces on the Bosphorus Shores\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSultan Mahmud II's Çırağan Palace\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Absolute Model of Tanzimat Palaces: Dolmabahçe \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDesign Model Where the Old Palace Was Included in the New Complex: Beylerbeyi\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eNigoğos Balyan's Facade Proposal for the New Çırağan Palace and \u003cem\u003eHorror Vacui\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis and Hagop Balyan's Oriental, Polychrome Facade Proposals for the New Çırağan Palace\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eNew Çırağan Palace\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eMonumental Coastline from Çırağan to Fer'iye Palaces\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Yıldız Palace Grand Mabeyn Pavilion Expansion Project\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eThe Balyans and Imperial Festivities in the Tanzimat Period\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eA Project by Antoine Bourgeois in the Balyan Archive\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eIn Pursuit of the Ideal Plan: Pavilion and Kiosk Designs \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eKabataş Esma Sultan Mansion \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eMiddle-Class Housing Designs as an Exception in Balyan Architecture\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eDECORATION FOR THE EMPIRE \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e19th Century Ottoman Palace Decoration\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003ePerspective Drawings of \"Serkis Bey\" Found in the Nubar Library, Paris\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eParis-Origin Furniture, Chandelier, and Furnishing Designs in the Balyan Archive\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eA Conceptual Reappropriation: Reuse of Mother-of-Pearl Doors from Çırağan Palace in the Yıldız Chalet Kiosk Banquet Hall\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eNEW SPACES OF OTTOMAN DIPLOMACY \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Arrangement for the Assembly of Deputies\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Plan Proposals for Bâb-ı Âli After the 1878 Fire\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eRELIGIOUS BUILDINGS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eTanzimat Period Mosques and the Balyans' Contribution\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Four-Minaret Selatin Mosque Design: Aziziye Mosque\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSecond Group of Mosque Drawings in the Balyan Archive\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eChurch Designs Between the Capital and the East\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eNEW SPACES OF PUBLIC LIFE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Exhibition Plan for Mecmua-i Esliha-i Atika in Hagia Irene\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eEducational Buildings\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSarkis Balyan's Plan for Galatasaray Imperial High School\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eHospital Project in the Balyan Archive\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSimon Balyan's Design Proposal for Sarayburnu Warehouses\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eProject for a Public Building and Landscape Design\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eMILITARY BUILDINGS \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eBarracks Designs as Pioneers of the Order Principle in Architecture\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eMaçka Armory\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eINDUSTRIAL BUILDINGS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDadyan and Balyan Collaboration in the Early Period of Ottoman Industrialization \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eFeshane Imperial Factory\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDolmabahçe Gasworks\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eIMPROVEMENT OF THE TANZIMAT CITY: BALYANS AND URBAN DESIGN\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eABBREVIATIONS\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBIBLIOGRAPHY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eOn the Index of Balyan Buildings\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eIndex of Structures and Individuals\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/ul\u003e\n","brand":"Korpus Yayıncılık","offers":[{"title":"Default Title","offer_id":42074650083571,"sku":"9786055495664","price":3000.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/51WV12d-BlS.jpg?v=1637227643","url":"https:\/\/yemkitabevi.com\/en-us\/products\/balyanlar-osmanli-mimarligi-ve-balyan-arsivi","provider":"YEM Kitabevi","version":"1.0","type":"link"}