{"product_id":"betonart-dergisi-sayi-85-yeniden","title":"Betonart Magazine Issue 85 | Again","description":"\u003cp data-start=\"345\" data-end=\"821\"\u003e\u003cstrong data-start=\"345\" data-end=\"371\"\u003eBetonart’s 85th issue\u003c\/strong\u003e, with the theme “\u003cstrong data-start=\"374\" data-end=\"385\"\u003eAgain\u003c\/strong\u003e” (Yeniden), is now available. This issue approaches the reuse and repurposing of architecture not merely as a technical adaptation but as a dynamic negotiation space between \u003cstrong data-start=\"540\" data-end=\"601\"\u003econservation theory, contemporary design practice, and social memory\u003c\/strong\u003e. Offering a comparative framework with examples on a global scale, the issue opens up discussion on the inherent contradictions of current practices and \u003cstrong data-start=\"773\" data-end=\"802\"\u003eTurkey’s specific dilemmas\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"823\" data-end=\"1169\"\u003eIn the issue, \u003cstrong data-start=\"830\" data-end=\"852\"\u003eJorge Otero-Pailos\u003c\/strong\u003e sheds light on experimental conservation approaches that propose new forms of “\u003cstrong data-start=\"943\" data-end=\"957\"\u003esemi-heritage\u003c\/strong\u003e” by addressing objects excluded from official narratives within their cultural and political contexts. \u003cstrong data-start=\"1021\" data-end=\"1037\"\u003eŞebnem Yücel\u003c\/strong\u003e calls on architecture to restore dignity to repair and to learn to heal with the world instead of rebuilding it.\u003c\/p\u003e\n\u003cp data-start=\"1171\" data-end=\"1649\"\u003e\u003cstrong data-start=\"1171\" data-end=\"1188\"\u003eYıldız Salman\u003c\/strong\u003e discusses how it is possible to design a new life for existing structures through the values attributed to them, focusing on \u003cstrong data-start=\"1306\" data-end=\"1329\"\u003e20th-century buildings\u003c\/strong\u003e. \u003cstrong data-start=\"1351\" data-end=\"1369\"\u003eSevince Bayrak\u003c\/strong\u003e questions the \u003cstrong data-start=\"1446\" data-end=\"1481\"\u003eculture of demolition and reconstruction\u003c\/strong\u003e through the examples of the Antalya Museum and the Kahramanmaraş Provincial Special Administration Building. \u003cstrong data-start=\"1494\" data-end=\"1511\"\u003eKutay Karabağ\u003c\/strong\u003e examines recent projects from Istanbul, Zonguldak, and Antalya through approaches in the context of the \u003cstrong data-start=\"1573\" data-end=\"1603\"\u003ebalance between conservation and intervention\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1651\" data=\"2150\"\u003e\u003cstrong data-start=\"1651\" data-end=\"1666\"\u003eDeniz Özkut\u003c\/strong\u003e, focusing on the İzmir Alsancak Port Back area, analyzes the \u003cstrong data-start=\"1722\" data-end=\"1771\"\u003econtradictions in the transformation of industrial heritage\u003c\/strong\u003e, along spatial experience and conservation theory. \u003cstrong data-start=\"1828\" data-end=\"1870\"\u003eHilal Tuğba Örmecioğlu and Aslı Er Akan\u003c\/strong\u003e point to the \u003cstrong data-start=\"1912\" data-end=\"1963\"\u003eremarkable potential of reinforced concrete\u003c\/strong\u003e within repurposing practices. \u003cstrong data-start=\"1979\" data-end=\"1996\"\u003eBingül Çakacı\u003c\/strong\u003e considers repurposing as a form of architectural “harvest” that \u003cstrong data-start=\"2045\" data-end=\"2105\"\u003erestores cultural, ecological, and economic values\u003c\/strong\u003e embedded in the built environment.\u003c\/p\u003e\n\u003cp data-start=\"2152\" data-end=\"2504\"\u003e\u003cstrong data-start=\"2152\" data-end=\"2166\"\u003eAktan Acar\u003c\/strong\u003e, through a conversation with Google Gemini, discusses repurposing in the context of the \u003cstrong data-start=\"2251\" data-end=\"2283\"\u003efuture of architectural education\u003c\/strong\u003e and the \u003cstrong data-start=\"2287\" data-end=\"2311\"\u003eevolving role of the architect\u003c\/strong\u003e.\u003cbr data-start=\"2333\" data-end=\"2336\"\u003eThe section specially prepared for the \u003cstrong data-start=\"2394\" data-end=\"2420\"\u003eBuilding Design Competition\u003c\/strong\u003e with contributions from the \u003cstrong data-start=\"2336\" data-end=\"2380\"\u003eCement Industry Employers' Association\u003c\/strong\u003e features the competition’s \u003cstrong data-start=\"2458\" data-end=\"2491\"\u003e2025 winning projects\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2506\" data-end=\"2792\"\u003eThe issue also includes the \u003cstrong data-start=\"2613\" data-end=\"2644\"\u003eBetonart Architecture Summer School\u003c\/strong\u003e, organized by \u003cstrong data-start=\"2521\" data-end=\"2562\"\u003eTÜRKÇİMENTO since 2002\u003c\/strong\u003e for architecture students, with its \u003cstrong data-start=\"2762\" data-end=\"2778\"\u003e21st edition\u003c\/strong\u003e hosted by \u003cstrong data-start=\"2683\" data-end=\"2728\"\u003eGaziantep University Faculty of Architecture\u003c\/strong\u003e this year, under the theme “\u003cstrong data-start=\"2657\" data-end=\"2671\"\u003eNetwork\u003c\/strong\u003e.”\u003c\/p\u003e","brand":"Betonart","offers":[{"title":"Default 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