{"product_id":"kentte-sinema-sinemada-kent_350683-html","title":"City in Cinema Cinema in City","description":"\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eThe modern city and cinema emerged in the same period, at the end of the 19th century, as an urban discovery and rapidly began to change urban experiences. This situation was not limited to \"capitals of modernity\" like Paris, Berlin, and Vienna. Cinema also shaped the experiences of cities like Bombay, Alexandria, Cairo, and Istanbul. Many important thinkers and artists, who first sought to recognize, then understand, and finally criticize the modern age, could not remain indifferent to cinema for this reason.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; PICTOGRAM right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eWalter Benjamin, who said, \"Cinema came and shattered this prison-like world with the dynamite of time fragments one-tenth of a second long; now we embark on adventurous journeys amidst the widespread ruins of this world,\" Siegfried Kracauer, who used film images in his sociological and philosophical works, Alfred Döblin, who wrote his novel Berlin Alexanderplatz with a \"cinematographic narrative\" inclination and immediately realized that cinema was as essential as bread in the daily lives of Berliners, Mayakovsky, who accompanied \"Bolshevik cinema\" with his poems and screenplays, and the poet Guillaume Apollinaire, who published a \"special magazine\" for the intoxicating lights and cinemas of Paris nights, among others, are well-known or readily recalled figures who believed it was necessary to establish a relationship between the city, which is both the mechanism and the \"hero\" of modernity, and cinema.\u003c\/p\u003e\u003cp style=\"margin-top: 10px; margin-right: 0px; margin-left: 0px; padding: 0px 0px 0px 12px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: 18px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: rgb(0, 0, 0);\"\u003eJust as the literature of Proust, Beckett, Musil, and Kafka, the compositions of Schoenberg and Mahler, and the paintings of Picasso, Dali, and Grosz represented modern life, the films of Vertov, Eisenstein, R. Clair, F. Lang, O. Welles, Antonioni, Bergman, Bunuel, Yusuf Şahin, Lütfü Akad, Nuri Bilge Ceylan, and Zeki Demirkubuz also represented the anxieties of modern life. Furthermore, just as thinkers and artists who criticized modernity established a connection with cinema, many films by the aforementioned directors have served as references for sociological, psychological, and philosophical critiques of modernity.\u003c\/p\u003e","brand":"Pales Yayıncılık","offers":[{"title":"Default Title","offer_id":39408976527555,"sku":"9786056427367","price":130.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/3950\/7395\/products\/9786056427367.jpg?v=1616017537","url":"https:\/\/yemkitabevi.com\/en-us\/products\/kentte-sinema-sinemada-kent_350683-html","provider":"YEM Kitabevi","version":"1.0","type":"link"}