{"product_id":"balyanlar-osmanli-mimarligi-ve-balyan-arsivi","title":"BALYANLAR Osmanlı Mimarlığı ve Balyan Arşivi","description":"\u003cp\u003e352 sayfa, özel kağıda sınırlı sayıda baskılı (500 adet), sert kapaklı olarak hazırlanan kitap, önemli büyük boy resimlerin detaylı görülebilmesi amacıyla ikili, üçlü ve dörtlü kulaklı sayfalar halinde okuyucuyla buluşturulmuştur. Balyan ailesine ait portre fotoğrafları, uluslararası arşivlerden belgeler, mühürler ve birbirinden değerli planlar, kesitler ve cephe görünüşleri ile 158 nadir fotoğraf içermektedir.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003e ÖNSÖZ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eBalyan Mimarlık Arşivi’ne Bakmak \/ \u003cem\u003eArsen Yarman\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eBalyan Ailesi ve İmparatorluk Mimarlarına Saygıyla \/ \u003cem\u003eHAYCAR - Hayrat Canlandıran ve Araştıran Mimar ve Mühendisler Derneği\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eBalyanlar’ı Hatırlamak \/ \u003cem\u003eKevork Özkaragöz\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eBAŞLARKEN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003e1. Bölüm\u003c\/strong\u003e \/ \u003cstrong\u003eBALYAN MİMARLIK ARŞİVİ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eİşlevden Öte: Mit ve Önyargılarla Balyan Mimarlığı\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eBalyan Arşivi: Belleğin İstifi, Tasnifin Serüveni \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eMimar Balyanlar\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003e2. Bölüm\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\/ \u003cstrong\u003eBALYAN AİLESİ: KİŞİSEL TARİHLER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eBalyan Ailesi ve Kökeni\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eKrikor Bal(i)yan (1764-1831) ve Aile Atölyesinin Doğuşu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSenekerim Balyan (1768-1833)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSon Amira Mimar Garabed Balyan (1800-1866) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eGarabed Balyan’ın Çocuklarının Eğitimi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eGenç Deha Nigoğos Balyan (1826-1858) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eMimar, Mühendis ve Çok Yönlü Tanzimat Eliti Sarkis Balyan (1831-1899)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eBüyük Haminin Ölümü, Dönüşen Talih ve Balyan Atölyesinin Son Dönemi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eMühendis-Mekanisyen ve Mucit Olarak Sarkis Balyan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSanat Hamisi, Entelektüel Mimar Hagop Balyan (1837-1875)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eÇizim Ustası, Ebniye Ressamı Simon Balyan (1846-1894)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eBalyan Atölyesinin Son Mimarı, Levon Balyan (1855-1925)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003e3. Bölüm\u003c\/strong\u003e \/\u003cstrong\u003eBALYAN MİMARLIĞI VE TEMSİLLERİ\u003c\/strong\u003e       \u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eİmparatorluk Sarayları ve Büyük Şantiyelerin Organizasyonu: Şantiyelerin Sessizliği\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eTerakki İddiası ve Görsel Müzakere Olarak Sarkis Balyan Mimarlığı Temsilinde Fotoğraf\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eMimarın Portresi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003e4. Bölüm\u003c\/strong\u003e \/ \u003cstrong\u003eTANZİMAT DÖNEMİNDE BALYAN MİMARLIĞI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eZamanı ve Coğrafyayı Aşmak: Balyan Eklektisizminin Çoğul Kaynakları\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eBalyan Atölyesi Öncülüğünde Tanzimat Mimarlığında Neo-Gotik Unsurlar\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eAnsiklopedik Kaynak Olarak Tarih\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eEşitlikçi Bir Talep: Çırağan ve Beylerbeyi Saraylarında Etkilenimler\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eMilli Üslup Arayışında Yeni Metodolojiler ve Osmanlı Rönesansı \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eHâssa Mimarından Saray-ı Hümâyûn Kalfasına: Tanzimat Dönemi Mimari Örgütlenmesinde Mimarın Konumu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003e5. Bölüm\u003c\/strong\u003e \/ \u003cstrong\u003eBALYAN ARŞİVİ KATALOĞU\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eTANZİMAT DÖNEMİNDE OSMANLI SARAY VE KONUT MİMARLIĞI \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eBoğaz Kıyılarında Hanedan Sarayları\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSultan II. Mahmud’un Çırağan Sarayı\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eTanzimat Saraylarının Mutlak Modeli: Dolmabahçe \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eEski Sarayın Yeni Komplekse Dahil Edildiği Tasarım Modeli: Beylerbeyi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eNigoğos Balyan’ın Yeni Çırağan Sarayı için Cephe Önerisi ve \u003cem\u003eHorror Vacui\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSarkis ve Hagop Balyan’ın Yeni Çırağan Sarayı için Doğulu, Polikrom Cephe Önerileri\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eYeni Çırağan Sarayı\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eÇırağan’dan Fer’iye Saraylarına Anıtsal Sahil Hattı\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSarkis Balyan’ın Yıldız Sarayı Büyük Mâbeyn Köşkü Genişletme Projesi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eBalyanlar ve Tanzimat Döneminde İmparatorluk Şölenleri\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eBalyan Arşivi’nde Antoine Bourgeois’ya ait bir Proje\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eİdeal Planın Peşinde: Köşk ve Kasır Tasarımları \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eKabataş Esma Sultan Konağı \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eBalyan Mimarlığında bir İstisna Olarak Orta Sınıfa Yönelik Konut Tasarımları\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eİMPARATORLUK İÇİN DEKORASYON \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e19. Yüzyıl Osmanlı Sarayları Dekorasyonu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eParis, Nubar Kütüphanesi’nde Bulunan “Serkis Bey”e ait Perspektif Çizimleri\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eBalyan Arşivi’nde Paris Kökenli Mobilya, Avize ve Mefruşat Tasarımları\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eKavramsal bir Devşirme: Çırağan Sarayı Sedefli Kapılarının Yıldız Şale Köşkü Ziyafet Salonunda Yeniden Kullanımı\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eOSMANLI DİPLOMASİSİNİN YENİ \u003c\/strong\u003e\u003cstrong\u003eMEK\u003c\/strong\u003e\u003cstrong\u003eÂ\u003c\/strong\u003e\u003cstrong\u003eN\u003c\/strong\u003e\u003cstrong\u003eLARI \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSarkis Balyan’ın Meclis-i Mebusan Düzenlemesi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSarkis Balyan’ın 1878 Yangını Sonrası Bâb-ı Âli Plan Önerileri\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eDİNİ YAPILAR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eTanzimat Dönemi Camileri ve Balyanlar’ın Katkısı\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSarkis Balyan’ın Dört Minareli Sel\u003cem\u003eâ\u003c\/em\u003etin Cami Tasarımı: Aziziye Camisi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eBalyan Arşivi’nde Yer Alan İkinci Cami Çizim Grubu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003ePayitaht ile Doğu Arasında Kilise Tasarımları\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eKAMUSAL HAYATIN YENİ \u003c\/strong\u003e\u003cstrong\u003eMEK\u003c\/strong\u003e\u003cstrong\u003eÂ\u003c\/strong\u003e\u003cstrong\u003eN\u003c\/strong\u003e\u003cstrong\u003eLARI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSarkis Balyan’ın Aya İrini’de Mecmua-i Esliha-i Atika için Teşhir Planı\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eEğitim Yapıları\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSarkis Balyan’ın Galatasaray Mekteb-i Sultanisi Planı\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eBalyan Arşivi’nde Hastane Projesi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSimon Balyan’a ait Sarayburnu Antrepoları Tasarım Önerisi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eKamusal bir Yapı ile Peyzaj Tasarımına ait Proje\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eASKERİ YAPILAR \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eMimaride Nizam Fikrinin Öncüsü Olarak Kışla Tasarımları\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eMaçka Silahhanesi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eSANAYİ YAPILARI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eOsmanlı Sanayileşmesinin Erken Döneminde Dadyan ve Balyan İşbirliği  \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eFeshane Fabrika-i Hümâyunu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eDolmabahçe Gazhanesi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eTANZİMAT KENTİNİN ISLAHI: BALYANLAR VE KENTSEL 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