Abdurrahman Hancı Buildings/Projects 1945-2000
585.00TL
780.00TL
%25 İndirimli
Yazar: Nil Birol
Brand: Literatür Yayıncılık
Basım Tarihi: 2008
Basım Dili:
Sayfa Sayısı: 231Boyut: 23.50 x 27.0 cm
In stock
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Product Description
When all of Hancı's works are examined as a whole, qualities such as an uncompromising commitment to modern architecture, a complete mastery of materials and details, and continuous collaboration with contemporary Turkish artists emerge. In his long professional life, the growing skepticism towards modern architecture and the spread of the Post-Modernist approach in Turkey never affected him. He maintained the beliefs he held from the beginning until the very end. I believe this should not be perceived as conservatism or a lack of flexibility, but rather as a conscious choice. The fact that many important names from the younger generation of our architecture also follow the simple and plain lines of modern architecture shows that his path is still valid. Hancı describes this consistency by saying, "We created a MİMAT line," though it should rightly be "the Hancı line." His mastery of materials and details must be the result of him being a perfectionist practitioner. Although perfection is not always a sought-after quality in modern architecture, it is an indispensable characteristic of Hancı's architecture. To this end, he is known to have worked with masters in buildings and with manufacturers in workshops. I think he resembles Sedad Eldem and Nezih Eldem in his pursuit of perfection. In an environment where there are faculty members who say that architects today do not need to prepare implementation projects or know details, this feature is undoubtedly a rare quality. Another distinguished aspect of Hancı is that he was the architect who most utilized contemporary Turkish art in his buildings, both among his own generation and among subsequent generations of colleagues. He formed close friendships with Bedri Rahmi, Füreya Koral, Erol Akyavaş, and especially Mustafa Pilevneli, worked with them, benefited from them, and included their works in his buildings.
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