Projections

Perspective is a tool for illustrating the relationship of a subject being designed with its surroundings, and for explaining space and mass issues. It is also an important expressive technique in developing all types of designs, from general mass issues to views, interior perspectives, and detail perspectives.
Perspective also adds vitality to the project with its quickness in application and artistic aspects in expressing the third dimension and the whole, in the details of a structure that is desired to be expressed on a two-dimensional plane.
Furthermore, a shadow cast on drawn perspectives or orthographic projections plays an important role in investigating the three-dimensional effect of the designed structure.
Everyone involved in design, especially architecture students, must develop all stages of their designs through perspective and get used to this way of thinking, both during their education and during the practice of the profession. Perspective is a study tool in this regard.
In this book, the principles that will help solve problems frequently encountered in practice, especially in architectural matters, have been addressed, and the content of the perspective course we generally offer has been adhered to.
Although it is thought that classical perspective rules have become outdated with the development of computer technology and its models and software in recent years, it should not be forgotten that all this infrastructure is built upon the foundations of classical perspective. Perspective exists in every moment of life. When you take a photo, your picture plane is the frame. When you scribble a sketch, you act according to classical rules, first determining an eye point and then developing your design.
For designers, computers are certainly a necessity from now on. However, the role of designers at this point should be to interpret software according to their own flexible thinking, rather than interpreting their thoughts according to the static ready-made templates of the software.